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Jérémy Guézennec
Classic!
Published on 04/06/14 at 14:46 (This content has been automatically translated from French)The Big Muff Old Faithful to post model: a huge fuzz, what more?
UTILIZATION
Nothing more instinctive: three knobs and foot to slug it out as loud as possible. I think handling level, difficult to less complicated.
SOUND QUALITY
The fuzz is big, bold, and actually sends real with loudness. All configurations are not used as often in EHX, but it was still a super wide range of sounds used. This is the fuzz: defects qualities and vice versa. It's disgusting? Yes, but it is wanted.
OVERALL OPINION
I have a few years, bought the sidelines of a Blues Driver pedal and when I started, three is the only one that is still there: conclude that this is the only that was really helpful...…
UTILIZATION
Nothing more instinctive: three knobs and foot to slug it out as loud as possible. I think handling level, difficult to less complicated.
SOUND QUALITY
The fuzz is big, bold, and actually sends real with loudness. All configurations are not used as often in EHX, but it was still a super wide range of sounds used. This is the fuzz: defects qualities and vice versa. It's disgusting? Yes, but it is wanted.
OVERALL OPINION
I have a few years, bought the sidelines of a Blues Driver pedal and when I started, three is the only one that is still there: conclude that this is the only that was really helpful...…
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The Big Muff Old Faithful to post model: a huge fuzz, what more?
UTILIZATION
Nothing more instinctive: three knobs and foot to slug it out as loud as possible. I think handling level, difficult to less complicated.
SOUND QUALITY
The fuzz is big, bold, and actually sends real with loudness. All configurations are not used as often in EHX, but it was still a super wide range of sounds used. This is the fuzz: defects qualities and vice versa. It's disgusting? Yes, but it is wanted.
OVERALL OPINION
I have a few years, bought the sidelines of a Blues Driver pedal and when I started, three is the only one that is still there: conclude that this is the only that was really helpful in history .
UTILIZATION
Nothing more instinctive: three knobs and foot to slug it out as loud as possible. I think handling level, difficult to less complicated.
SOUND QUALITY
The fuzz is big, bold, and actually sends real with loudness. All configurations are not used as often in EHX, but it was still a super wide range of sounds used. This is the fuzz: defects qualities and vice versa. It's disgusting? Yes, but it is wanted.
OVERALL OPINION
I have a few years, bought the sidelines of a Blues Driver pedal and when I started, three is the only one that is still there: conclude that this is the only that was really helpful in history .
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Tech. sheet
- Manufacturer: Electro-Harmonix
- Model: Big Muff Pi 1977
- Series: Big Muff
- Category: Fuzz pedals
- Added in our database on: 07/05/2010
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