Log in
EN
FR

SeriesGibson Jimmy Page

6 products found

Filter
Sort by
Evaluation
  • Reviewed or not
  • Editor’s award
  • Reviewed by Audiofanzine
Availability
  • Available or not
  • Sold new or used
  • Sold new
  • Sold used
Must-have products
  • All products
  • Flagship products
  • Best rated products
  • Hot products
  • Popular products
Price
  • Freeware
€
Clear
Sort by
  • Popularity
  • User ratings
  • Price - low to high
  • Price - high to low
  • Used price, increasing
  • Used price, decreasing
  • Name (from A to Z)
  • Name (from Z to A)
  • Added on
Sort results
  • Popularity
  • User ratings
  • Price - low to high
  • Price - high to low
  • Used price, increasing
  • Used price, decreasing
  • Name (from A to Z)
  • Name (from Z to A)
  • Added on
Filter results 6 results found
Evaluation
Availability
Must-have products
Price
  • Freeware
Show results

The best Gibson Jimmy Page reviews

The reviews Audiofanzine members found the most helpful.
  • « Led Zep mojo »

    Aside from Les Paul himself, I'd venture to say that Jimmy Page was one of the most famous people to ever use a Gibson, so it was only natural he'd have his own guitar. The guitar features a mahogany body with a maple top, a mahogany set neck with a rosewood fretboard, standard trapezoid inlays, 22 frets, a tune-o-matic bridge, pickguard, two humbuckers, two volumes, two tones, push/pull setup and a three way switch. UTILIZATION The guitar was put together decently. The frets were leveled and properly crowned. The binding was done correctly, and there were some nice nubs going on. It was smooth when moving up and down the neck. However, the nut needed to be fixed up a bit. Whenever you tuned up, you could hear a big of a "ping" noise. That's because the nut was binding up in the slot. This can cause tuning instability and other issues once you start playing and bending. Some filing and graphite fixed it up, but just keep that in mind if you try one of these out. SOUNDS This is one of the most versatile Les Pauls out there. First of all, the stock pickups aren't too bad. They have that classic Les Paul sound going on. The bridge is bitey but still very thick sounding. It works awesome for those huge rhythm tones when paired with a Marshall. The neck pickup has a bit of a bite to it, but it's still fairly warm. Turn the tone pot, and you got enough warmth for those smooth lead lines and fat clean tones. The guitar also has some coil splitting/parallel thing going on that adds tons of versatility to this for extra tones. Try pulling the knobs and see how you like it. OVERALL OPINION This is easily one of the most versatile Les Pauls to ever hit the market. If you can find one of these at a decent price (fat chance), I recommend trying to get it. They're not worth the money, but I can see why they go for as high as they do.

  • « The other Page guitar »

    Jimmy Page is quite well known for his main guitar, but he also has another one that doesn't seem to get as much attention for whatever reason. The number two is similar to his number one, but it has some special switches hidden underneath the pickguard for extra tonal options. The guitar features a mahogany body with a maple top, mahogany neck with a rosewood fretboard, 22 frets, trapezoid inlays, pickguard, binding, hard tail bridge, two humbuckers, two volumes, two tones and a three way switch. UTILIZATION These models are put together very well. The first thing you notice is that the finish itself was pretty much flawless. I couldn't find any drips or any issues where the binding meets the paint. The nut itself was cut perfectly, so there were no tuning problems to worry about. The frets on this were nicely leveled, and I was able to get some nice action going. The ends were also not sharp, so it didn't hurt your hand every time you went up and down the neck. The toggle switches are pretty positive, although I find they're a bit of a pain to get at. Getting at the higher frets is the same as any other Les Paul in that it's not that great. SOUNDS The guitar is super versatile thanks to the wiring and switches that are equipped on this guitar. If I want to get that bright, single coil kinda tone, it's just a push away. It really opens a lot of different tonal possibilities, and I kinda wish that Gibson would include these options on every guitar. The guitar sounds pretty good, but they're stock Gibson pickups. I'm not totally crazy about these. The sound average, in my opinion. The bridge is medium output, and it sounds fat. However, it doesn't overdrive the amp like I like my pickups to. The neck is a bit too bright for my tastes, but you can calm it down with the tone pot. OVERALL OPINION The price is a bit out there, but it's one of the most versatile Les Pauls out there. I really like the looks of this, and it played great. If you're going to buy one, buy used as you'll save a good bit of money. Try searching forums or something as that'll be the best place to find one at a good price.

  • « Jimmy Page's sig »

    Jimmy Page is probably the number one guitarist I think of when I think of Les Pauls. He's been a player of Les Paul guitars since before I was born, and he continues to play them to this day. The guitar features a mahogany body with a maple top, mahogany neck with a rosewood fretboard, 22 frets, trapezoid inlays, pickguard, binding, hard tail bridge, two humbuckers, two volumes, two tones and a three way switch. The guitar also has some push/pull switches going on for extra tones. UTILIZATION These guitars are pretty cool in that they're packed with features. I'll get to most of them in the sound section, but the push/pull pots that Gibson uses generally have a nice and positive feeling to them. Sometimes lower end Jacksons will have the entire knob pull off because of how awful the push/pull pot is, but I never experienced that issue on these models. The fretwork was great on this; there were no sharp edges that slice up your hand, and the frets were perfectly crowned. The nut itself was cut nicely, too. SOUNDS This guitar is crazy versatile. First of all, the pickups in this are pretty cool for that vintage kind of vibe. Plug into a Marshall or Vox, and you got that great hard rock tone in spades. The bridge has some nice bite to it, but it isn't overly bitey. The neck had some bite to it as well, but I was able to get a smooth lead tone by backing off of the tone knob a bit. The real cool stuff happens once you start messing with the push/pull knobs on this. There are tons of tones to be had with this guitar, and I find it to be one of the more versatile Les Pauls that Gibson offers. OVERALL OPINION This is one of the more versatile guitars that Gibson offers. The whole push/pull pot setup on this allows you to get tons of different tones. The biggest issue with this is that it costs quite a bit of money. If you can afford it, I say go for it. If you can't and are good with a soldering iron, there are better options out there for you. I'm sure the fanboys will have no trouble buying this, however.