All user reviews of 5/5 for the E-MU XL-7

Full Trs

UTILIZATION

Trs intuitive, excellent ergonomics

SOUNDS

The sounds are in the spirit trs varis tech-house-electro etc. .... just brilliant but trs well done, big sound for most especially if we go back all in moog filter example! For my part I use flash ram that allow me to sample via an ultra emu and to make my own banks!

OVERALL OPINION

I've had eight months and uses it mostly for Live, the sequencer is excellent execussion fast, since the price has dropped it in my opinion the best quality price, with regard to the possibility trs are pro, I had nothing wrong .... if the price of blank Flash, but still the cheapest on the market (400 euros for 32MB against the same price for 8 mo at akai)
Trs trs good machine

Sound quality:

Trs sounds correct, we feel we can beacoup couraging things with this sound module, not just the tek, incursions into the trip hop, electro or soft / hard are possible, the sounds are trs different effect, and the few instruments "sound" are quite ralistes, they are not necessary and not worth the sounds of a DEDICATED ROM, however.

Touch is excellent for rhythm parts, it is recommended that it add a MIDI controller for a reply from VLOC dcente. Effects? Premire a view, they are not falling, and then begins q'y used to, and there comes a time when we can really do without it. The sound is present, powerful, even without using them, even the multiplayer mode makes the full power thanks sounds, and for arpgiateurs (32 simultanment used), the diversity provides good versatility, add filters and this possibility of time rel edition is virtually the DLIR. The filters are empty, Russian, have a single bass line in a filter of TB, to remind you of memories!

CHARACTERISTICS:

Poly 128 REAL, no notes or evanescent truncated during a visit just loaded it is far from the workstation good for one or two sounds together but admit their limits to 16 parts at the same time. (Edit> passages really care for the machine just hangs on the notes with long release time, or the parties arpeggios. Just in genral to remake the party criminalizes removing the note blocking, and it rgl)

I last year, sounds not even called me more than enough even without that "it is ncssaire to touch it, and it may be no worse The edition of a sound is rvlant particulirement complex and confusing (but powerful, is not mprendre). SoundDiver use is almost essential, but I do not know if the ditone of XL t implanted in the log.
(Amended December 25, 2004> are the changes are fairly easy, and extremely powerful, knowing that we can stack four sounds at the same time, synthse of custom settings and filters are multiplied s all, but with a little practice we found it easily. Mention specially for arpgiateurs, superb)
Fortunately, we can act in real time on 16 global parameters of each sound thanks to the knobs on the front. The squenceur is pretty straightforward, once you got used to the recording / edition of squence is fast, once you get used to (same pattern as)

the itty bitty screen does not help the Czech, and that the Achilles heel of the beast: for it against each pattern can easily remix: the panacea when all aralise our patterns and we s'apprte remix, but before you do that is the holy grail, as you be patient and aspirin.
(Edit> Finally, it is not a limiting factor, is limit the unnecessary step, once you play a squence. Instead two small notches (on the LCD screen + r troclair) AIM might have a wide screen the MC 909, it would be much more ergonomic)

Opinion gnral:

report quality unbeatable price (600 euros even on occasion, it's well worth) is an investment for the studio, recording, scne, the communion of the youngest: he will accompany you everywhere and for long. If you can pair the squenceur with a good sampler, you have an almost perfect instrument that CONTRL in real time all custom settings, there's no wiggle is the ultimate weapon for scne, and the sound of the DMOD bte will not be outclassed or before long, you can always add three expansion cards, pls for versatility. With a 808 SP and M1, I use XL for electro, trip hop, electronic rock, dance and tek orientation should not cut all the people that make Autes genres, with a little imagination you can make some groovy sounds nice, although the original ROM of the bte prdispose music on the move;
The XL 7 has the power of a squenceur soft 'but without the ease of use and has sounds that tap into the red without forcing, and in addition they know to be gentle, and the control surface you will CONTRL all your instruments, samplers, sound modules, and even levels in Cubase (CONTRL squenceur without the mouse, you rviez!).

Only problem: the screen, which really serves the machine, the squenceur not as good as what we have rv and color, although it is not lost on scne.

Finally, add the price of PHAT BOY, a YAM RM1X, and expanders ROLAND E MU and you will see soon that this is found in one and the same machine, to look questionable, but dnt power and musicality will not leave you in marble, they may even compound your srieusement Global Warming!

UTILIZATION

I said everything.

SOUNDS

Yes, yes.

OVERALL OPINION

Do not insist that Gnant.

T say any lower.
The effects are of good quality (emu what!) And the edition of presets is trs drives with its four layers.
The squenceur is very well screwed, implementation noon is complte.
I am not 10 because of the screen, too small my taste ...

UTILIZATION

I use it only as squenceur I control my sampler and synth with. The controllers are directly assignable and rec mode is very practical for the composition and live. You can save your game live with a keyboard line and also the movement of knobs. The last bone also adds many useful features such as xmix (you can mix your tracks in a pattern the other) and the function loop (you choose the length of your loop indpendamment of the total length of the pattern) .
The manual is 300 pages of a paved and it is essential given the possibility of the machine. It is very well screwed.

SOUNDS

As I said above I do not use the internal sounds but they are good trs. Originally there orients the map xlead techno and dance music for its ralistes so you revert. C numrique a big synth, by combining the layers you quickly get the big sound. The sound is clean about his trs see too! A lil ass is crgl rack.

OVERALL OPINION

I use it for 5 years, my c deuxime I cram the power supply of my Premire. There is a small protocol be observed in the extinction of the machine off with the button with the switch and faade gnral. Finally you unplug the sector.
I test the rm1x as squenceur and are not the emu picture is much more intuitive complte and especially for the components (programming noon rec mode).
Currently I sold it to buy a home mv roland story to finalize some tracks on CD.

The features are tremendous. 16 track sequencer suitable for live use, great sounds, very hands on tactile control. Every single knob and button can be assigned to your liking if desired. Almost every menu and editing feature is never more then 2 button presses away. The box features 2 midi outs, 4 audio outs as well as digital audio outs. There is only midi in however and the command station can only sequence 16 tracks at a time despite its 32 track capabilities. Effects are limited usually to the machine as a whole, but can be overcome with the use of the filters much of the time. It also features a usb plug, which only has limited functionality. I think it was added merely as an after thought by EMU

Price paid: 500 USD

UTILIZATION

Initially the box is very intimidating. its quite heavey and well built, and the manual is well over 260 pages. more then 300 with the many addedums from OS updates. The manual is very easy to read, and once its read through opeation is a breeze. The command station was designed for live use, and succesds at it. Features are merely a touch away and everything can be done with two hands. Things can be touch at times with the smaller lcd screen, but due to almost everything being labled and accessable through the triggers and knobs navigation does not need to rely on reading the lcd screen.

SOUNDS

Overall the sound quality is very nice. The XL-7 is a rompler, which provides both flexabilities and limitations to the sound making capability. All of the standard waveforms are there including some variations on them called "Audityxxxxx" (insert your favorite wavfrom into "xxx". Since the wavforms are samples, not DSP or analog they sound quite good, but not exact. Unless your going for a classic saw rip or something similar however one will not know the difference. there is also quite a collection of other noises, hits pads, samples and such suitable for electronic music. Each patatch in the XL-7 is saved independantly, and you can use any sample in the box to create patches with up to 4 layers per voice. Each layer can be routed, and patched through various key ranges on a keyboard to create evolving sounds. There is also an extensive patchord system which allows you to rout ANY paramater to modulate any other paramater. This goes way beyond any simple LFO routing. To add even more to this you also have the delicious z-plain filters which make EMU gear so famous. up to 12 pole filtering capabilities with EQ, distortions, Wahs and much more. Of course the classic LPF, HPF, BPF are included as well. the only problems arise that since the routing is so deep the sound can often times get out of your control. a sound maybe modulating or changing, and you just cant figure out what is affecting it. you'll be scrolling through patch-chords and filters and cant figure it out sometimes.

OVERALL OPINION

Very well built. its an aluminum or steel casing. the sides are black plasitc, but I have not had any problems with them. They are easily removeable to rack mount the command station. Repair is easy as the machine opens up nicely and is easy for a user to install new roms if desired.

I love this thing with all my heart. They are sadly now discontinued. Buy one if you can. It is the heart of my live Pa project and is equally powerfull in the studio. Owning anything discontinued always draws envy. The bright yellow casing always drasw people's attention to the stage or in the studio. The "wow" factor certainly is present. The flexability is quite remarkable. The power of a synth, but with the added features of layerable and mixable sounds. As a standalone midi sequencer in and of itself it is probably one of the best around, and can be the heart of anyone's studio if they want it to.

Originally posted on FutureProducers.com
Posted by: sup909 ( 8-, 2004)