Line 6 Floor POD

12 Amp Modl clbres
7 Types of effects (2 simultaneous)
-Phaser, chorus, flanger, trmolo, delay, reverb-
PDAL volume / wha
64 pRSET
1 Tuner
Between a CD/MP3 input jack Between 1 / guitar
2 Outputs L / R jacks (either to enter a mixer in Stereo or mono with a
one of the two to an amp)
NO CONNECTION PC (either USB or MIDI)
IT'S ALL DIGITAL (but bad!)
Voil brive outline that this small caractrisent pdalier in plastoc. For more details visit the site "LINE6"

UTILIZATION

For the grip, it's easy. This is really pdalier trs basic, not making head at paramtrages: you only need to know to work with her memory, her ears and her fingers gently turning the pretty chrome buttons s, for there is no den visual (either around the knobs or digital display), such as with a ZOOM G2.L 'edition of a patch is, it normally: it supports diverse to "save", displaying a flashing numro patch and turn it is played The manual is quite explicit, as pdalier simple, so no big problem of this ct l

SOUND QUALITY

Given the limited amount of effects (modulation and reverb / Dlay), one would expect p belief or a super quality Well it is not! A costs at the headphone is the one that is fully realized in this mdiocrit pdalier! The Dlay does not even come out stro, the chorus, it is almost mono, only the hall reverb mode gives a semblance of "spacial". The WHA is average, simus Amp almost all look alike, snoring across ds we force a little on the "drive" and a noise gate does not exist! What what has been done with the guys at LINE6 for "CRER" something like that and I am correct! (I regret my RP7 by far, certainly more complete, but in a different quality effects)

OVERALL OPINION

Actually, I have not used for long: He returned directly reach the Tagra the store where I bought it after two days! But I waited impatiently for the release of this pdalier.C 'silent a good idea / concept to a pdalier "basic" grouping effects or indispensales traditional guitarist; with simus Amp clbres and a door prize of all. In addition, samples / DMOS the FLOOR POD LINE6 on the site are quite "touts" but misleading and suddenly we have done: We forget that derrire console mix, there is probably a pro!
So in the end, I opt for a ZOOM A2-1u, and really has nothing to see!. In addition, it is cheaper and has allowed me to buy lamps for my amp!

12 amp simulations
100% numrique
64 presets
cool effects to settle
a pedal: that's what missing in pod

UTILIZATION

Extremely simple
the effects are easy to re-create
the manual is very simple, but sufficient: you have to "play with the knobs" just

SOUND QUALITY

Effects and very effective ralistes
used with a Fender Start HSS and a Marshall amp: that happiness!

OVERALL OPINION

I've had 4 months
quality price ratio perfectly honest
I would do without this choice hsiter
Russianness to another Line 6!

12 amp simulations
100% numrique
64 presets
expression pedal
Unfortunately no interface pc

UTILIZATION

Operation is simple simple simple. The shipping is fast and the effects prcise and manual .... amme we do not need ....

SOUND QUALITY

I use the pod with a Flying V BC Rich NT and various amps (those found at the scene together ....) I only use a few effects and it is especially to be able to carry around a good distortion on any amp I opt for this floorpod.
The quality is good but quickly becomes miserable when rglages are not made properly, but the default is a scratch, not the pod
In short I needed to lug my amp rglages everywhere and it really is the perfect tool. Line 6 is the modlisation amp is really a love story, it must be said finger and the ear (if aieaieaie).

OVERALL OPINION

I use the pod for nine months, and I am delighted. Line 6 gnral, we love it or dtest but I remain convinced that the default of the countless floorpod you see on the net are often default guitarist who uses it.
It's really the IDAL to a guitarist who wants to have his nikel in any situation and wants to color his game without being a fanatic forcment effects of all kinds.
I put a particular mention to the duo spcial BC Rich / Line 6, which really helps to get heavy and powerful sound at the same time hyper prcis, IDAL for mtal is the perfect duo.
In addition, on any amp in any room, it's really childish to correct its rglages to really get the sound DSIR.
on the other hand I repeat, the fan will be any effects trsdus, they should better orient themselves on the other pod o Fully mtriels dvous the effect. The effects of casual fans will be delighted on the other hand, and mtaleux enchants.

I said that this product will serve as my backup and Woodbrass pedals allowed me to find it at a reasonable price (do Google to compare prices and thereby make a difference!). In fact I already have a POD 2.0 with its Floorboard pedal and I am satisfied.

good product easy to use, it can be implemented quickly and enjoy. the sounds of the amps are there, I trust because I 've never tried all the amps real FloorPod modeling offers.

one can only scroll through the backups by incrementing its pressure on the foot switches, so be careful to get organized because it is not ideal on stage, the limit for each piece, provide only two sound rated by side. So I'm a little disappointed that the third switch does not align a third backup.

UTILIZATION

The compressor and gain control are operative, by equalizing against the east month, especially the serious button inefficient.
the effects of modulation and delay / reverb will be used sparingly under penalty of its imprecise and too delusional.
the pedal is nice, the wah-wah I would say there are better blah!

the noise gate is especially useful for sounds "modern high gain", otherwise the box wasp we break the ears. sure thereby to compensate for the sustain with the compressor because the noise gate will tend to decrease it.

the bypass can be very useful if you want to find and enjoy your amp real end of the chain and extend the possibilities, against cuts / establishment effect is not obvious, the supposed cut distortion does not work from conclusive, however the outage effects works well.

SOUND QUALITY

I use my telecaster Japan in 1989 with a Mesa Boogie Mark 3.

OVERALL OPINION

My average score rose to 7 / 10 so pretty good overall, a little experience can raise the note!