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timberson
Published on 11/11/08 at 13:50
CHARACTERISTICS add anything on.
The USB seems a bit fragile.
Too bad the VST plug-in is paying ...
UTILIZATION
Ergonomics General for the craft seems to me fits the scne: there are 4 sounds available with a single tap of the foot (which is enough for a song gnrale) and more possibilities to add or remove certain components of these sounds (the delay, the modulation effect ...).
The wah-whah which can also be added anywhere is a plus.
As for the edition, it is better to use your PC if you do not want to break your back or put the gear on the knees (bah yeah but there dj guitar!), Especially the screen is small. But PC is nice to trs DIFFERENT MODELS of skins that provide the bulk yet what our ears hear is that amp sounds familiar!
CHAC at the controls of the amp (drive, prsence, etc ...) Live is very practical.
The programming of the sounds is forcment tedious given the number of advantages of the constitution of which are stacked and the number of paramtres each floor but you can not have the cake and butter (full gear forcment is a bit complicated.
After a few days, we begin to distinguish their preferences and we leave the office or some effects MODELS to devote what pleases our ears.
The manual is well done and easy to understand (although I have an English version) and brings in more cultural stuff on the history of the guitar electric.
SOUND QUALITY
In gnral, The models are fairly amp ralistes Varis and, if combined with good cabs. I perticulirement will appreciate the dynamic that really gives the impression that this creature hides the lamps.
The effects are also pluttralistes but I dcu t just by the chorus and flanger.
The Dlay and reverbs are Russian, we can measure them with REALLY subtilis and their combination is a rgal.
I use the pod with a Gibson RD and a Godin Freeway in between my speakers and gnral monitoring output. I tried to plug it into my little amp but it sounds altre so I quickly abandoned. The costs at headphone is also nice).
I apprci heavy distortion that you get with DIFFERENT amp (Marshall, Mesa Boogie and Line 6 originals MODELS), combined with cuts if needed. The clean sounds are also trs colors and you can really get closer to sound studio.
OVERALL OPINION
I've had three weeks and I'm delighted. In rcoutant the sound obtained with my old stuff (a poor transistor amplifier and an old Korg AX 1G), I t surprised by its quality chapter: it quickly s'ahbitue luxury.
Although Sr, Ca is certainly not a true potato amp, and not the ct emotional, physical and rewarding it feels to be a rel but we must admit that power accumulate as many good quality hardware for trs in such a small box Relva a real treat for someone who has always known the frustration of being unable to afford the lack of resources.
So, yes, the report qualitprix is hell (I got 200 of OCCAZ.
I hsit with the zoom G9-2TT and I never know if I made the best choice but in any case, it is an excellent choice!
The USB seems a bit fragile.
Too bad the VST plug-in is paying ...
UTILIZATION
Ergonomics General for the craft seems to me fits the scne: there are 4 sounds available with a single tap of the foot (which is enough for a song gnrale) and more possibilities to add or remove certain components of these sounds (the delay, the modulation effect ...).
The wah-whah which can also be added anywhere is a plus.
As for the edition, it is better to use your PC if you do not want to break your back or put the gear on the knees (bah yeah but there dj guitar!), Especially the screen is small. But PC is nice to trs DIFFERENT MODELS of skins that provide the bulk yet what our ears hear is that amp sounds familiar!
CHAC at the controls of the amp (drive, prsence, etc ...) Live is very practical.
The programming of the sounds is forcment tedious given the number of advantages of the constitution of which are stacked and the number of paramtres each floor but you can not have the cake and butter (full gear forcment is a bit complicated.
After a few days, we begin to distinguish their preferences and we leave the office or some effects MODELS to devote what pleases our ears.
The manual is well done and easy to understand (although I have an English version) and brings in more cultural stuff on the history of the guitar electric.
SOUND QUALITY
In gnral, The models are fairly amp ralistes Varis and, if combined with good cabs. I perticulirement will appreciate the dynamic that really gives the impression that this creature hides the lamps.
The effects are also pluttralistes but I dcu t just by the chorus and flanger.
The Dlay and reverbs are Russian, we can measure them with REALLY subtilis and their combination is a rgal.
I use the pod with a Gibson RD and a Godin Freeway in between my speakers and gnral monitoring output. I tried to plug it into my little amp but it sounds altre so I quickly abandoned. The costs at headphone is also nice).
I apprci heavy distortion that you get with DIFFERENT amp (Marshall, Mesa Boogie and Line 6 originals MODELS), combined with cuts if needed. The clean sounds are also trs colors and you can really get closer to sound studio.
OVERALL OPINION
I've had three weeks and I'm delighted. In rcoutant the sound obtained with my old stuff (a poor transistor amplifier and an old Korg AX 1G), I t surprised by its quality chapter: it quickly s'ahbitue luxury.
Although Sr, Ca is certainly not a true potato amp, and not the ct emotional, physical and rewarding it feels to be a rel but we must admit that power accumulate as many good quality hardware for trs in such a small box Relva a real treat for someone who has always known the frustration of being unable to afford the lack of resources.
So, yes, the report qualitprix is hell (I got 200 of OCCAZ.
I hsit with the zoom G9-2TT and I never know if I made the best choice but in any case, it is an excellent choice!