All user reviews for the Vox Tonelab SE

First, it really changes a digital multi-effects!
Of course, we are used to press the button "Clapton," on the "Satriani", & Co. .. there, not that! It is true, as the other guys here say, it depends on what you plug into it. Here, no cheating, a Fender Strato does not sound like a Gibson SG. Like the good old days; advantage and disadvantage. We love it or hate it.
I like. I knew the old pedals that blow, and Digital. But here, at least, was sound, stage and studio (tested and made compraisons).
It sounds real, direct, or even too much sometimes, but "YFO métrizé labeti"

In addition, if you get lost in the prog, yet simple, try the program on PC (Mac?), Who saves everything, and facilitates manipulations.

UTILIZATION

The config, just read, and edit on a regular computer.
To edit, if a zikos says "it's too sharp, there," just select "amp", and adjust the treble. Is that clear? Then later, if it's going, press 2 times "write", and oh surprise, it's still! No more simple, basic.

The layout of pedals can be full of surprises. For that, better to use the editor. A pedal may control the intensity of the echo or the speed of the phaser, while the other will be a wha, instead of the volume, or something else, if you want! the dream, it's been 30 years I expected that. (Reference to a user of my age who did not like).

The big thing is the ability to calibrate the tempo of the echo with "control". For example, when the drummer moves his chopsticks, press the button 4 times ur, and the echo will syncrhro with the song. Same with the flanger, phasing, etc ...

SOUND QUALITY

The sound, well, it's more "live amp" that many pedals "mega-turbo-over-destroyer", but it depends on what you do. I have also a Line 6 Guitar Port, which only works on my PC (when the shit does not usb). But here, there's no words. It is "scratch".

Tested with: Fender Strato, Vigier Passion2, Apex 84, Ovation Country legend ...
Every time? well, cest not the same!

About using MIDI, the parameters are recognized in Cubase SX when you move the pedals, but the tempo of the echo does not seem to react to the tempo change (for now at least). Too bad, it could make a real "VST hardware".

In addition, for the most reticent, it can disengage the effects presets to use as a set of independent pedals. Plus a built-in tuner.

For cons, the weight is there. But it must be done to deter zikos smoking and drinking, especially if we take DELIVERIES (joke, though ...)! but hey, given the number of amp heads and cabinets you are carrying. That said, it looks solid. (Hey, Vox is Chinese?)

OVERALL OPINION

It's been one month that I have, and I find a real difference (besides, my hair grows on the front). I do not master yet, but it's like buying a set of pedals. Do not worry, just a little practice.

The price? I got it new for € 420 ... in Audio Partner to Pigalle. 15 days of waiting, but hey, close to home, it is still worth € 500!

As y 'is one that has already been said, buy 4 or 5 pedals "vintage", and do the accounts.

I would do this choice, except of course the day they come out the version "over + mega trick"

So this pedal is an amp simulator and not a multi purpose (what I thought at the beginning ...) and plays his role very well! technology combines analog and digital thanks to the bottle! sounds are easily editable! even via a PC with appropriate software!

UTILIZATION

Operation is very simple, of the edebut, we chose a lighter sound and it sounds! I personally hung the vulgar from the beginning! Yes, I came across it directly as I turned, I look no further my first reaction was: I want it !!!!!!
The manual is clear and little more french! that happiness!

SOUND QUALITY

So the surprise I loved her just the famous vulgar! regardless of the amp will sound great! certainly different from one amp to another but keep the grain researc! I use an ibanez rg370 therefore (I adore and who is given his sh13 soon!) and I have nothing to add I love it!

OVERALL OPINION

Superb!

That says it all ...

UTILIZATION

Trs simple configuration.
Editing sounds easy, intuitive.
Manuel trs clear, effective and even pdagogique.

SOUND QUALITY

The effects are sufficient.
Start with an Essay.
Part prampli, modlisation is ... flateuse but inefficient.

OVERALL OPINION

I found the friendly edition trs, the sufficient effect, perfect ergonomics, the robust chassis, trs attractive prices, in short, everything to please.
Well NO!
Not at all.
Obviously clean sounds 'go', but plug a Start into a DI Avalon and direct console, which is 100 times better.
The crunch is saturated, distortion, overdrive, ... all have the same defect: total lack of prsence.
None of these sounds do not emerge from a mix, even in qulisant, compressing ...
Sr good home, with your amp, headphones or your speakers, you'll find a huge, warm, brilliant ... How flattering.
But scne, your sound will merge with that of the breakdown of the club, and this, regardless of the receiver cabinet configuration chosen.
The amps are modlisations trs good, bravo for the research and Fidler (MODEL for each, the buttons change fontion we journey through the history of the guitar ...) but DSOL made less and better:
those who want a Twin achtent a Twin, and those who love achtent Boogie Boogie.
Instead of giving us the means to do our sound, this device offers plenty of sound dj STRP, but fake.
I played on Roland VG-88, by the way, I go back no light in it but the same in the dark, it sounds!.
The VG-88, we start from nothing, everything is Settings, and do you do your sound.
I will not go this choice, since I returned.

No need to return to this point, everyone knows the characteristics of the machine, or go see the other view, detailed enough on the issue. I just regret the lack of USB connectivity but hey it would mean a score of 9.99 .. j'arondi good and I put 10 ^ ^

UTILIZATION

A highlight of the ToneLab! Very easy to use. At first I grant you saw it may seem scary, buttons has no end. Fortunately the designers are very well thought out operation, optimized for the stage. Everything is at hand (or foot) and not have to go searching through menus to edit sound. You turn the knobs, the sound is happiness. ^ ^ If the manual is excellent for those who will be lost copy of clarity and simplicity!

SOUND QUALITY

So what about this? Well hats off Vox! A multitude of sounds together into a single pedal his somewhat impressive, but when we hear more on the quality of modeling is in love! Effects, contrary to what one can hear, are not far behind. Of course prefer a neutral amp, a PA or headphones to amplify the ToneLab, not typed amp too, but hey its still happening. By disabling the modulation amp I have access to a good amount of effects of very good quality for my valbee, and I turn the modulations when I go through my headphone. The sound is always excellent!

OVERALL OPINION

Its been 2 weeks now I have and love! The lamp n'aporte aparence not just marketing as some say, but a true sound quality! I can be a simulation can least three correct mesa boogie but it's a personal opinion, if I like it! This is my first multi purpose and probably my last, I intend to keep! Quality / price ratio excellent, or sounds for many buy "a scores of effects pedals, the AC30, JCM800, Triple Rectifier ...." I stop right there but you understand that the budget is not really the same. Good because the sound will be probably better with the amp and pedal original but still a good price to see it going to take ... Personally I find my happiness in this amp simulator, and if I repeat this choice Devaya well ... I would not have it again because I keep it ^ ^ anyway I plan to buy to go with a PE60 ...

See previous ones opinion and official website.

UTILIZATION

A Premire for the ToneLab SE is quite dstabilisant but you get done quickly trs.

Configuration instinctive manual clear and Retailer.

Prsence of the two pedals of expression is a +.

SOUND QUALITY

Audio quality level is stunning confess.
I had read many positive opinion about it but I really t surprised by the warmth of the sound. A single lamp, but you can feel good.

APRS I do not know all the original amps so I can not talk too much about the "fidlitquot; simulations, but again the sound quality is excellent.

The factory presets are correct but the pleasure comes when you called your own sounds (trs INTUIVA Fawn by the way).

However I have a doubt regarding the utlisation the ToneLab SE for the big mtal (for dpanner OK but not if you only play was finally in my opinion), shows all the bte its potential in the sound blues, rock, hard rock of ACDC, punk, and vintage gnral. APRS I play with microphones SH1 and SH4 then orients vintage, that is why the TSE me.

The effects are more or less Russian and useful, sometimes with duplicates (eg rotary effect). A BMOL for the wah wah to me, I recommend having one dedicates pedals. The modulations are correct if we take the time to find the sound you want). The reverb and delay are of good quality overall.

Prsence of the two pedals again be very useful.

Anyway that's good, the good rev. I think everything has t say about that.

OVERALL OPINION

I use it for 3 or 4 months now.
I love the simplicity of using the can (live as in-home studio) and the quality of sounds, including the heat of the amp simulation.

I never tried other amp simulators except that of my Cube-30 (not too similar) so I can not compare.

Résumé in the Tonelab SE is an excellent compromise for those who want to address a wide range of musical styles without buying more amps. Obviously a is not a good all-tube amp, but the prices can have fun dj without rob a bank

I would do without this choice hsiter.

Silent says it all

UTILIZATION

Operation is intuitive and trs is partly why I turned to the TSE. No need to spend a sleepless night for paramtrer sounds all done using knobs (like on an amp). We turn, has come!
Prsence the two expression pedals is also more compared to competitors.
The manual is very well done, clear trs, trs well explained points APRS points, and trs forcment subjective reading everything is great.

SOUND QUALITY

Well, as I often read ds forum, it is foremost an amp simulator, not a multi-purpose. If you therefore seeks to effect straight out of a sci-fi movie, will not be a good tool. There's just all the Necessary for guitar players and it is still one of the reasons behind my choice: I did not want to find myself with tons of effects, half of me would never and are more galre rgler. L I have what I need (Chorus, flanger, delay, reverb).

I start with good points ngatifs (which are my own):
- The Rducteur noise, I find it efficient trs. For my part I qd even a lot of buzz, especially with distorted sounds. I use the paralllement rducteur my old BOSS GX700 works much better. But I tjs a buzz of the power supply of the TSE and microphones in my scraper (a left-handed Fender Stratocaster made in Japan) but the it is a pb inhrent my guitar left-handed Japanese Mr. ... (There is a post about it on the forum)
- Pitch Shifter: not good
- The Ring Mod: never had my Boss GX700 useful, has not change with the TSE.
- One point which we do not talk enough, no doubt: you can edit only one effect of the "pedals" is - that if you want a wha wha and a compressor example (or maybe a fuzz or overdrive ... etc) for the same, well, it's not possible! Is to know.

Well, now the positives:
- Sound: clearly orient "vintage". Do not say the clean sounds are excellent, all amps combined. The crunch sounds are great also. Distos sounds are good for hard trs fawn AC DC, Led Zep and Deep Purple. APRS was not all the means to afford a Mesa or ENGL. We do with what we have, and it is more than satisfactory.
The 16 amp panel modliss provide more than enough for what I do.
- Channels A and B: very practical, they offer the possibility to edit two DIFFERENT amps and cabinets, potentially two DIFFERENT sounds for a given program. What I do personally is to use as a clean channel and a channel distortion, using the same amp but the gain rglant Different.
- Fashion Fx or "effect pedals" to enable or to cut diffrent sections. This allows you to add an overdrive solos of your time and then remove it. Ditto for the modulation, delay and rverb.
- Switch Control: Allows diffrent manipulations, tap tempo for the delay, on / off certain effects.
- The two expression pedals: trs useful. Many functions are assignable to the pedals, the list is rather long example is the tps of delay, the drive of one of the pedals of distos the wha (off course), volume, etc ... . They may be on or off using a small switch in situ them. Just a lgre pressure on the top of the pedals.
Voil I did not turn prs.

OVERALL OPINION

I use it for about a month.
What I parat the less convenient it is to change Manir programs. Two switches up and down to change the bank and the switches 1 4 for changing preset. Obviously not to go from preset 1 to 4 bank, for example, four of the bank 9 or 20! Fortunately I have the solution: use a pdalier noon to control the change of the TSE program, which allows me to leave and more activate FX. (My Yamaha MFC10 which I used to drive my Boss GX700 is not yet retired).
What I like most: clean sounds and crunch, the two pedals and expression ... the bag to carry!
Good quality price, buy nine for 449.
It's a choice I would do.
In good résumé trs pdalier if you are looking vintage sounds and you play jazz, blues, pop / rock or heavy metal of Led Zep. A fair bit of the same for any large distos trs.

Amp simulator, blah blah blah ...

UTILIZATION

Using ToneLab SE is simple, which takes time is finding the sound you have in mind. There are many functions and so the possibilities are numerous.

Editing sounds is easy but again, we will have to spend time to tune the sound with onions. The factory presets are nice, but they are mostly there to give examples of what can be achieved. The use of impact is often exaggerated, it hits you right away to the ears and you say "Oh yeah, we can do that!"

The manual is well fucked, entirely in French, but it does not replace testing / personal errors. It is used to find out what are the knobs, but obviously it is difficult to describe his writing, much less to give all possible combinations. Read this before you try for yourself ...

SOUND QUALITY

The effects are realistic? I do not know, I've never played any of the amps in the Tonelab SE, so ...
The effects are effective, numerous combinations multiply the possibilities. For rock and pop / rock, it's perfect. For other styles, see other opinions, I do not know (heavy, thrash, jazz, bossa nova ...), I do not practice.

I tested the Tonelab SE with the following gear:
- Electro-acoustic Seagull
- Ibanez electric guitar, telecaster type

Connected to:
- Amp electro-acoustic Peavey EFX-110 (position on Tonelab SE Amp)
- Marshall Amp 100W studio again (on position Tonelab SE Amp)
- Hifi amplifier Cambridge Audio + JBL (Tonelab SE Line of position)
- Monitoring speakers Event Electronics TR8 (Tonelab SE Line of position)
- The headphone, Beyer Dynamic DT990 Pro

Regardless of the setting (setting personal or factory preset), the sound with the electro is clearer than the power, which seems quite logical. Distortion-free sound is distorted when I use it with the electric guitar. Therefore fine tuning to get a sound similar (but will of course not identical) when changing guitar but we want to keep roughly the same sound.

I found the sound very loud and rough by plugging the Tonelab SE amp Peavey for the electro-acoustic and playing with my electro-acoustic. Of all the combinations I tried, it was the least pleasing to the ear. Disappointing. Is it due to the amp (which has a beautiful sound when I plug my guitar just above, without added effect) that is not provided for this? Is that the result would be the same on another electro-acoustic amp? I do not know, but in my case, the result is not very pleasant.

On Marshall amp, with my electro-acoustic, the result is a little garish, and be careful to adjust the gain on a low level to avoid feedback. But by playing with the settings (including lowering the treble and the bass a little amount), I scored very correct, though a bit tiring after a while. I have not tried to play the electric guitar in this configuration. I will post my opinion once it's done.

On stereo amp, the result is very good, either with electro-acoustic or electric. My pregnant aging unfortunately tend to get a little to the serious, but due to my speakers. Knowing this, I would like included in the result. By plugging headphones into the amp, the result is much better because my headphone is better than just my speakers, so the amp is not at issue.

With a headset connected directly to the headphone output of the Tonelab SE, the sound is also very good. Again, it depends on the headphones used. I tried the walkman with headphones is not great , closed with headphones Sony, average quality (purchased within 60 euros) is ... medium, but with my DT990 Pro is excellent!
And this, both with an electro-acoustic with an electric.

Finally, I got the best result on my monitor speakers (well, on one, I plugged directly puique Tonelab SE on one of my pregnant TR8). While there, the sound is excellent, accurate. However, the result with good headphones or plugged into the Tonelab SE directly or connected to the stereo amp, gives a result almost as good. But still, it's more fun to play openly agree, rather than just the headphone!
And again, both with an electro-acoustic with an electric.

Well, so it's great, but it has the quality of the items you plug the Tonelab SE is good, otherwise the sound quality may become poor. Finally I say that because I took the time to experiment and I could compare, but no point of comparison in any case, the Tonelab SE provides the tones varied and of excellent quality .

OVERALL OPINION

I use the Tonelab SE for only a few days (great Christmas !).

What I like most: the sound, with some excellent work. The possibilities for extremely large configurations. A priori, its strength, even if it is too early to judge.
What I like least: it's big anyway for the home studio. My girlfriend is beginning to accumulate crisis to see the stuff in the room, not to mention the son who piled under the desk ... Anyway, on stage or in repeats is not a problem.

Regarding the price, I paid exactly 404 euros (four hundred) in Bonneuil Milonga (Paris region). After thinking a mistake, another reader of the site told me it had paid the same price in another Milonga (Grenoble). So far as I know the lowest price we could find in France or elsewhere in Europe. Until the other line up

"It is simple, there is everything to play rock or more typical vintage 90s, blues, funk, whatever you want ... APRS is on, the spirit of the vox is so for large distos mtal, will look elsewhere, it's not really the IDAL even if the sounds of front or large marshall plutt are effective! we will say that it is not his major focus. effect level, there are 11 types of pedals (wah, auto wah, fuzz, octave, ovedrive, distortion, treble boost ,...), 11 types of modulations (flanger, chorus, Filtron, rotary, voice .. .) and 11 types of reverb, 11 types of delays, as saying that There's plenty to do.
It ToneLab possde a miniature lamp beautifully.
Nivau pc-connection is not great, the cable is not provided, and there's not much tweaking, but if any APRS Research and vintage it has been, we will not s'embter go rummaging on a PC.
-Connectivity: from a jack, Stereo out, MIDI IN connectors / out, effects loops.

UTILIZATION

Trs single-configuration from what I've seen on other pdaliers (including boss ...). a stepfather may seem complicated to beginners, but finally did not. ts is reached quickly find fiddling sounds great, and there is plenty of room to store what you want (96 programmable sounds).
To the u-is simple. we choose the type of amp and cabinet that will possibly with, then add what you want. pedals, modulation, reverb, delay. everything is very easy ditable. again, one of the great strengths of the ToneLab RSID in both pedals. and can be assigned a volume and PDAL was then free for other pedals use: wah, speed delay, flanger, delay reverb intensity, feedback, and company, and it trs tr s INTERESTED.
-The manual is clear trs, trs really nice and full. there are many indications of all effects, sound and proposals, including correspondences between amps and cabinets. In addition, any operation there is very well explained and with great simplicity.

SOUND QUALITY

Trs-all is generally good. the reverb leave us a choice, as the delays, some nice trs, including the delay in cross Stereo or otherwise. the wah is trsraliste, making trs fun, distos the pedals are good, and simulations trsralistes. sr specially mentions many simulations of vox, but also in fender or marshall who are really smashing.
I use a fender telecaster american deluxe hotrail up with, all connected to a tech 21 (the ideal solution to boost the ToneLab). Well a ring of hell!
I'm a fan of their particulirement wah, trsrussie, and some overdrive too bourrines kind of tube or super od od. APRS is a TRS good distortion pedals including the orange, which is good fun. I use a lot of simulations and vox fender for clean and crunch, and the plutt Marshall and company for sounds more saturated.
a little regret because I think a capital: the tremolo. it is good up to a certain degree. if you want a seriously hach ​​you can not do with the ToneLab. certainly, by pushing the bottom, you have a fairly clear distinction, but hey, a little more t have a well. and also some effects would have t be welcome, like a little whammy, we could tweak, but that will never be the height of the real whammy.

OVERALL OPINION

I recently prs 8 months.
I love the variation on his mind and relatively vintage: we can have both sound antiquated, but also more modern. I also like its solid even if I have a squeaky pedals right now, but it's not much, a lil shot of grease and go. I do not really blame him working stream, I love this pdalier. plus he has a really great look!
I had tried before the boss or digitech pdaliers I never apprci and ToneLab Has my rvlation, a true marvel!
report quality price level, it is not intubated. Although it is a pdalier quite expensive, but considering the quality of the sounds and the product, we do not have at all!
if I ever buy a pdalier, for whatever reason, mo DEFINITIONS choice will turn to the ToneLab is both On success it met my needs. vox to Arussi THE pdalier destiny vintage rock guitarists.

I think everything has been said.

UTILIZATION

The use of the pedals is very intuitive and well thought out. The only downside would be having to bend down to change settings and especially the fact that some effects are not used simultaneously because stored in the same section: not to have such a Fuzz and Wah-Wah simultaneously (frustrating Hendrixophiles for our friends). The ability to have two channels for the same bank keeps its settings in effect while moving from a clean saturation for example.

SOUND QUALITY

While some effects are little if at all, they are generally of good quality and allow all sorts of sound experiments: special mention has to compress the Wah and modulation effects. Combined with modeling amps and speakers of very good quality they provide a very wide range of sounds even if each has a tendency to toujors program sounds that are similar in terms of its style.
The sounds range from blues to hard rock and if made of metal will just be disappointed, fans of strange sounds and experimental music will find something that suits them as long as he not afraid to hack in every sense.

OVERALL OPINION

I bought mine secondhand (through advertisements Audiofanzine for that matter), I use it for about a year and a half and I'm still glad it by repeating or to record demos. The modulation button gives me a bit of trouble for some time but other than that no problem.
The value for money seems correct and it is a purchase I advise any guitarist looking for sounds of various amps and effects but with little place e on a budget.

FYI, I play with a guitarist who uses this pdalier, and frankly it is much more bored than I am with my config: - pod2 and all-tube amp mesa course more dynamic processors and effects; to find adapted ons s, the more I read the rverberations are excellent?? DSOL trs but far from being the case! failures are numerous and the gear souflle death, we have to add on to hush the sound is clean! in short I can not find this so interesting pdalier, and then in a otut frankly not top its for real.

trs cordially and especially musically.

UTILIZATION

Configure sound is a little complicated, more possible to quickly change to give such a scene can be useful ... in addition, breakdown of super tuner!! brief not top this thing!

SOUND QUALITY

By L against the sound quality is not bad, however, the breath is the sound so Submitted for guitarists called "vitage" but why not own the sound is not!

OVERALL OPINION

While the remaining one is a great Mystra! an 'there is simply no! use for a year and frankly I don not opt ​​for this type of machine. see the number of vox sell on the site, talking to himself!
frankly when comparing a pod or v amp, with quality prices, it is opting for these small machines modlisation couple of good speakers and amps especially good reverb or additional effects.

I think no need to (re) Submitted the MODEL.

Korg is the designer and manufacturer.

Moreover, for those that the price of a little put off bte, try the KORG AX3000G it possde practically the same effects and amp simulations, the light within, but with a quality soundscape is honorable ...

UTILIZATION

The PSE appreil weight and seems pretty robust.

Using intuitive gnrale trs. Just turn the potentiomtres to find the sought-its. The 96 patches (all ditables) are more than enough. Connected via a PC MIDI interface, the edition of sounds is easier: it soon to be bent double ...
The manual is well done, with lots of tips to search his office sounds amps or effects simulated.
Too bad when even the names of the original MODELS are not informed. Ibanez Tube Screamer is called Tube OD, Marshall JTM 45 amplifier is called UK Blues ... For my part I sometimes struggle to find the "real" name of an effect. A shame then.

SOUND QUALITY

The cons for it really well. The effects are trsralistes. For example, I compared a wahwah wahwah simulates a real, personal and well I am unable to make the difference (some may may be).
I mainly use a US LoneStar Start (HSS) and a Fender FM212 amp.
This amp n'tant not an exeptional quality, I plug the Tonelab not in between instrument but between effects loop, and I happiness. The sound is warm, round, and it is leisure will appreciate the quality of simulated DIFFERENT amps. On this point, my prfrs are tweed 2x12 (aka Fender Twin Reverb), the Black 4x10 (aka Fender Bassman), the UK Blues (JTM 45) and the UK 80 (JCM 8OO). And of course the Vox amps (I guess the home ingnieurs Korg been put special care care for these models).
It also possde effect simulates an acoustic guitar rather practitioner. So I wanted to plug my LAG jumbo and idem, it's good. Couraging I therefore pass the economy of a sound amplifier that I missed a bit.

The simulated effects are fairly standard but falls well is those I DSIR ...

OVERALL OPINION

will make a one month that I use extensively in my home or rpt. (Achet mid-December 2005)
Its size is gnreux you do not need to aim for a switch, there is no break when changing patch, the expression pedals are soft and prcises, it's really short scne East.

The report quality price? Just buy 5 or 6 good effects pedals and makes you the price of a Tonelab SE. Well, the ToneLab possde 50 effects, 16 amp models and 11 speaker simulation trs good quality. Trs good report quality price then.

EDIT 12-06-06:

Yesterday problem of switch A / B and one that did not work. Concert imminent, can not send OPG, and impossible without it. Opening the product (properly I would not lose benefitted the warranty). The springs under the situs buttons should "settle" over time. The solution: stick with small labels to reduce the apparent distance-switch. The advantage is that if I put the TLSE rpar I dcolle the labels and my password inaperue intervention ...

Go here http://la-poisse.ifrance.com/ for more info.
EDIT 14-05-07:

More than a year of use and still no problem (Connectivity, food, push buttons, pedals, everything is OK). The bag wears out quickly in the corners, I prvois to make or buy a boiboite to transport it. I do not play electric guitar without my TLSE. Same for recording, I connect a mono output table 01V96, or a sound card E-MU. I record the same sound that comes out (go away) from my amp.

We'll make it short for once:
- There are not thousands of effects and amps, just ncessaire, a magnificent modlisation pedals and amp + speakers all typs trs.
For the rest, see the datasheet.
- Pramp lamp
- All sounds are perfectly JTable (see below)
- Connection: send / return (jack), MIDI I / O (DIN), Jack Stereo Mono 3.5 or 2 jack (left, right) or 2 with any one fawn knob for volume g nral output, input jack (yes bah ...)

- In short, the ncessaire is, for all cases.

ADD THE 13/04/2008: My pdalier DEATH because buttons and shit like the bastard. The switch changes make no difference, Integrated Circuits certainly a bug. This problem is rcurant the Tonelab. This is intolerable on a machine worth 500 lcher leaving you in 3 years!

UTILIZATION

For use, the concept is very simple:
- 1 button (at the foot, of course) can switch to "pedals" or "Preset" (hold = tuner, with a panel of LED Green / Red ddi nothing that a)

- In "pedals", IT CAN BE USED other switch is:
-> Button A / B to change the channel like any amp
-> Button 1-Pedal: to enable / disables effects pedals (distortion or other)
-> Button 2-Modulation: to enable / disables modulation pedals (chorus or other)
-> 3-Button Delay: to enable / disables the time limit PDAL
-> Button 4-Reverb: to enable / disables rverb

- In "Preset"
-> Button A / B to change the channel like any amp
-> 1,2,3,4 Button: to change the memory (14) in the bank select (124)

In short, you can use this pdalier like analog pedals c'tait 4 + 1 amp branches SERIES (former) or as a system that in modern modlisation.

ADD THE 13/04/2008: My pdalier DEATH because buttons and shit like the bastard. The switch changes make no difference, Integrated Circuits certainly a bug. This problem is rcurant the Tonelab. This is intolerable on a machine worth 500 lcher leaving you in 3 years!

SOUND QUALITY

For rglages, even not need the notch, there's every knob like on the real amps and pedals true, and everything is described directly above.

For the sounds, everything Modl scored his era one time or another, and it's a pleasure to use, especially since it does not Noit in the mass (the choice is not monstrous, a dozen pedals, mod, delay, amp, speaker cabinet, reverb).

All is available immediately without going through a menu that dfile 3 hours, there's that turn and click.

Used with guitar Whale Whalebone 55 (hollowed mahogany set neck Seymour Duncan SH55 Seth Lover). The sound is absolutely gniale, tantt round and soft, dry tantt filthy, according to the amp and pedals chosen. Beautiful large rock to jazz.

ADD THE 13/04/2008: My pdalier DEATH because buttons and shit like the bastard. The switch changes make no difference, Integrated Circuits certainly a bug. This problem is rcurant the Tonelab. This is intolerable on a machine worth 500 lcher leaving you in 3 years!

OVERALL OPINION

- I use it since its release.
- I love all of this stuff, incredibly easy to use (although sr, you have to fiddle with more than 5 minutes to understand the subtleties ... say an hour with the manual to take advantage of any background) .
- Attention, it is not enough rpter in the manual it is important to rgler parmamtre the "out" according to that on which the branch (guitar amplifier or line). This provides a sound that suited gnialement derrire, but if not rgler, a feedback or the sound is awful).
- The report qualitprix? Gnial, as long as one is "open" (I'm sick of these guys who say that modlisation amp like the amp is not worth it ... even 10 times expensive, still happy!).

- I try other pdaliers the Boss GT8 in particular. This is much more "gas factory", with the added sound very modern (in contrast with the many characters the Tonelab Vintage). I conoit all the same as according to what you want to do, it can also be a solution INTERESTED.

ADD THE 13/04/2008: My pdalier DEATH because buttons and shit like the bastard. The switch changes make no difference, Integrated Circuits certainly a bug. This problem is rcurant the Tonelab. This is intolerable on a machine worth 500 lcher leaving you in 3 years!

The list of people who have had this problem and found a solution (or not), note that nothing works for me and this is gnralise!:
- http://la-poisse.ifrance.com/
- http://www.tonelab.free.fr/forum/viewtopic.php?f=25&t=558
- http://www.tonelab.free.fr/forum/viewforum.php?f=25&sid=1051ec9f3cb911629ee853ce2201ff32
- http://www.tonelab.net/node/1502
- https://www.zikinf.com/annonces/dispannonce.php?annonce=339043
- See also the opinion of "sergedudu" a little lower.
- Etc, etc ...

- How long have you use it?
I use it for a year and a half
- What is so special that you like most and least?
I love almost any sound! it is saturated or clean / acoustic ..
- Have you tried many other models before buying it?
just two, that of a friend (forgot the brand ...) and the ZOOM 606
- How would you rate the quality / price?
Really the price / quality ratio is excellent!
- With experience, you do again this choice? ...
again! twice even!

UTILIZATION

N / A

SOUND QUALITY

N / A

OVERALL OPINION

N / A