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loupgarou2a
Published on 09/24/09 at 13:38
Best value:
Excellent
What can I say that has dj t say? Pdalier modlisation multi-effects. There is little prs everything you need: overdrive, fuzz, chorus, flanger, delay, reverb, wha, Univibe, tremolo, rotary, etc.. CRER per channel can be a clean and drive, we have many choices of formulations of amps and cabs.
Prampli lamp operates as a false light amp. Like the Fender Cyber, Vox who knows that in an amp is the amp that Global Warming lamp sound and not those of pramp, chose one of amule EL34 or 6L6 a diode with a , original, not bte and effective.
It can fly at noon (how useful?), Y insrer supplmentaires effects (why, there is not enough?) And the connection is complte. Some may blame the lack of SPDIF, personally, even in the studio, I never felt the lack.
The beginning Ds I replaced the lamp with an Electro Harmonix APRS doing various tests. It was a progrsrel and tangible.
UTILIZATION
The configuration is childish, you plug, you play.
Everything is easy ditable, the manual is clear, but TRS, unless you are beginners, are you one really need?
SOUND QUALITY
Overall it is a good product that does what one expects. N'esprez not have an original sound or the finesse of the amps and vintage effects shops. this machine is not made for that.
However, if you're the piano bar and need a set u ^ p compact and easy plug anywhere you have what you need. I did some studio o knowledge we do not ask me to be the star but to play games that would go well in the mix and production, and everyone has always t tr s satisfaction. Similarly, I happened to accompany singers and singers and I had everything I needed under the feet. I even did concerts with my band for a few years by using it.
Of course, once again, you will not have the finesse of a true Twin, or a true Marshall, but in the end what matters is your exact for the public and there is convincing this level l.
If I were to compare it's a great 4x4 for everything, city, highway, country, but it is not an Aston Martin or a limousine or a real good old Land Rover to go into the bush .. . This is a knife espce Swiss guitarist, and for the price you will not.
Personally, I did some sound banks adjust my Start and my Heritage 535 with some effects that I need it most. Once in a program I dclenche effects and change the channel like I a system that vintage. It is a fawn to archaque can be, but I find that a can be better in a logical formulation.
OVERALL OPINION
I've since its release.
I had the Pod Line 6 AX2 212 of a Line 6, Fender Cyber Twin one. I tried other things in queqlues Zoom, Korg, Yamaha and Behringer same. If the Fender comes before in terms of roundness of her (but it is mainly thanks to HP), the Tonelab comes before all others by its ergonomics, the quality of its sound and its grain gnral.
Again, although I prfre Obviously a Twin or a Marshall or a Mesa lamp with my Fulltone Hartman and others, but for global use and a certain ease of transportation and I still use keep my Tonelab.
The ratio quality price is excellent
the only - is the relative fragility of switches that it can recommend and resolder ... but it is a great product
Prampli lamp operates as a false light amp. Like the Fender Cyber, Vox who knows that in an amp is the amp that Global Warming lamp sound and not those of pramp, chose one of amule EL34 or 6L6 a diode with a , original, not bte and effective.
It can fly at noon (how useful?), Y insrer supplmentaires effects (why, there is not enough?) And the connection is complte. Some may blame the lack of SPDIF, personally, even in the studio, I never felt the lack.
The beginning Ds I replaced the lamp with an Electro Harmonix APRS doing various tests. It was a progrsrel and tangible.
UTILIZATION
The configuration is childish, you plug, you play.
Everything is easy ditable, the manual is clear, but TRS, unless you are beginners, are you one really need?
SOUND QUALITY
Overall it is a good product that does what one expects. N'esprez not have an original sound or the finesse of the amps and vintage effects shops. this machine is not made for that.
However, if you're the piano bar and need a set u ^ p compact and easy plug anywhere you have what you need. I did some studio o knowledge we do not ask me to be the star but to play games that would go well in the mix and production, and everyone has always t tr s satisfaction. Similarly, I happened to accompany singers and singers and I had everything I needed under the feet. I even did concerts with my band for a few years by using it.
Of course, once again, you will not have the finesse of a true Twin, or a true Marshall, but in the end what matters is your exact for the public and there is convincing this level l.
If I were to compare it's a great 4x4 for everything, city, highway, country, but it is not an Aston Martin or a limousine or a real good old Land Rover to go into the bush .. . This is a knife espce Swiss guitarist, and for the price you will not.
Personally, I did some sound banks adjust my Start and my Heritage 535 with some effects that I need it most. Once in a program I dclenche effects and change the channel like I a system that vintage. It is a fawn to archaque can be, but I find that a can be better in a logical formulation.
OVERALL OPINION
I've since its release.
I had the Pod Line 6 AX2 212 of a Line 6, Fender Cyber Twin one. I tried other things in queqlues Zoom, Korg, Yamaha and Behringer same. If the Fender comes before in terms of roundness of her (but it is mainly thanks to HP), the Tonelab comes before all others by its ergonomics, the quality of its sound and its grain gnral.
Again, although I prfre Obviously a Twin or a Marshall or a Mesa lamp with my Fulltone Hartman and others, but for global use and a certain ease of transportation and I still use keep my Tonelab.
The ratio quality price is excellent
the only - is the relative fragility of switches that it can recommend and resolder ... but it is a great product