All user reviews for the Eventide TimeFactor

Ddie pedal only to delays, very solid offering 9 delays (vintage and modern) and a looper. The technology is digital and sounds are called via potentiometers 10 implants very well and very sensitive to handling. The whole is robust and pleasant to the eye. There is no edition of sounds via pc but a betting software update of the OS of the pedal or it will be possible in the future (depending Eventide) of Tlcharger new presets .dropoff window Everything works very well on my powerbook G4 encountered no concern nickel! it is a public beta version 2.0. Finally the connection is the most complete that exists on a pedal of delays guitar. My opinion is low compared to a Line 6 DL4 I sold there are few (I gard 3 years), TC ND-1 NOVA DELAY I've tested one week and electro -harmonix deluxe memory man I possde.

USE

The configuration is one of the strong points of the pedal, not liking this too much digital pedal is very intuitive to use, the edition of sounds and their backup and rankings only take few minutes to assimilate, we can focus solely on his head without taking the technique.Le the manual is in English, not his personal GNER me but if you want to use p dale in Controller afternoon or connatre every corner translation would be welcome. Esprons qu'Eventide hear us.

SOUND QUALITY

The effects are very good qualities, varis clean, you can have warm enough sound, but it is far from the heat of a deluxe memory man. It's a little cleaner than line 6 DL4 which applied a modliser old effects, we can not go on like twist that's why I have my gard electro-harmonix. As against some effects are REALLY beautiful (more personality than ND-1 TC) has already heard the numbers in production and Eventide book a small collection of his famous rglages. I mostly use vintage delay, tape echo, multitap delay and band. I do not use the looper so I would not talk about. In brief but excellent quality heat more and be the top, can be in the next updates. I use this pedal with a telecaster branch in a vox and at the beginning I found it modified my sound, then I have modified the type of bypass to enter true bypass and nickel I keep my sound but I lose the opportunity to be able to die after having stopp delays the effect. We can not have our cake and eat it too. Too bad. For those who will use the pedal with a synth for example is excellent (test on a clavia)

NOTICE GLOBAL

I use it for 10 days in rpeter and soon on stage, the sound quality is excellent, the possibility to store 20 presets (infinity midi) has t dterminante for me ( only 2 DL4 and 9 for the TC) is a style of Editors, Joy Division, Radiohead and I need to have my rgls delays on each zic not need any tweaking at each times. When I go on testicle veus a lil ride on deluxe MemoryMan and voila. The edition is excellent much better than other pedals, expansion possibilities exist, the connection of a pedal of expression is a breeze and the possibilities dcuple the time factor. In short it is a perfectly why was it bought I did not expect to have a roland space echo (why not preset a future download?) But I would have liked a sound a little more hot. I would do this choice and quality / price ratio is very good when we see its possibilities.

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UTILIZATION

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SOUND QUALITY

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OVERALL OPINION

<p>It sounds terrible, it is well designed, practical requirement to use an additional footswitch, but it is very fragile. I brought it in for repair because it took my sound for 1/2 second when I activais / désactivais, the store eventually pass me a new, service too long ... Changed 2 times because of power supply cable cuts alone to wear, footswitches unreliable because they do not work every time (very annoying for tap tempo), selector guitar / line broke while I was there never touch ... In short, the components used on the air cheap.
Otherwise, it sounds terrible anyway! Rafi M is a moron and too stupid to know what good sound is. </p><p>&nbsp;</p>

Everything has been said, I'm just trying to complete the previous reviews, hoping that this opinion (purely personal) will be helpful (I want to thank this site and all Fanziens because their opinions help me a lot in my choice)

For simplicity, we underfoot a delay pedal with 9 types of delays and a looper.
Each of the models proposed delays to setup two delays A and B with their own mix, feedback ... etc..
The pedal is digital. It can connect to a console (live or studio) or directly into the amp (or amp loop)
Via USB, you can also save presets on computer and make updates provided by Eventide (the current version, 3.5, has significantly improved the pedal, I will come below)
It has 100 presets recordable (50 banks of two presets). All we want to noon. But you can program the machine to display only a few presets (I reduced to 20 presets for not juggle footswitches for example)

UTILIZATION

The manual is very well ... And especially essential! Nothing too complicated but it will venture into the menus.
For example, I activated two interesting features: catchup (uh, I'll explain that another day!) And bypass + delay (the delay tail is not cut when cutting effect is great. However, this mode is not true bypass but nothing to indicate the level of sound quality)
Then, we must admit that the pedal is not plug and play. It takes a little fiddling ... But quand'on is accustomed to delays, not need a degree! Knobs at the top are normal.

You can program a delay, as with any matter, with a latency in milliseconds but also, and especially, according to the tempo. Small aside: I'm rather remained, analog with all my gear but the delay effect is certainly the first that can not cross the fearful to the digital sound is very good, there may be a delay deteriorating as repetitions own (so you win on all fronts). But the possibility of programming the tempo provides flexibility fabulous (very important when you love delays specific to The Edge for example) can be defined as the pulsation (foot or by turning the knob) and then we chose the small delay the black one in the dotted eighth ... etc.. (Anglo-Saxon ratings, 1/4, 1/8). Rehearsals are very accurate (without tedious calculation) and you can then change the pulse delay while keeping a snug.

There is a mode bank (there are two presets under foot rested and sailing in the memory of the machine) and a mode where you play program where the beast and a footswitch can freeze the delay to make a kind of water . Cool.

The new update will always be remembered in advance but now we can walk down (we have two seconds to turn the knob). Eventide therefore takes into account critical to improve beast!
You can also name the presets (I love!)

It remains to speak of the looper, I find it best but I confess that I do not utiilise this pedal for it (I prefer the jamman)

SOUND QUALITY

Its level, there is nothing to throw!
Having memories is really handy live.
You can get a lot of different effects, and the pedal is still be a creative tool: Eventide offers its factory presets of beautiful models and sounds of space we can still modify the environ.
We can even recreate the effects of flange, phaser, leslie, chorus (which are ultimately based on a sound delay) convincing (or even extra reverb).
But the basic function remains the Delay and TimeFactor shines in the area. It is certainly in the high end. Whether the delay in subtle or more now, I love what comes out of this machine.

Note: With an optional footswitch, it was even more opportunities to walk and creativity needs to be multiplied with an expression pedal, but I have not had the chance to try it.

OVERALL OPINION

I've had two years now.
The more time passes, the more I love this pedal. I more control and more I like it actually.
Before I had more modestly a Boss DD 6 and my little Line6 Echopark two good pedals but there we go to the next level.
The pedal is very expensive (I got it secondhand, and it was already bad), but now I understand that breaks his piggy bank for such a wonder. Eventide and thanks to updates, further improving the machine (some caveats previous opinions are obsolete!)
I can only advise ...

The Eventide brand has always made world class effects with inspiring amounts of flexibility in terms of crafting unique sounds. Until the Factor series stompboxes were released, it was hardly attainable as the larger, more powerful rack units offered were thousands of dollars. The TimeFactor is my first experience with the line, and so far I'm significantly impressed with what is offered. The unit features 10 individual time based effects (Digital, Vintage, Tape, Mod, Ducked, Band, Filter Pong, Multitap, Reverse, Looper), 100 factory presets, as well as midi capability. The front panel of the unit sports an impressive number of rotary controls for effects parameters as well as selecting effects to use. Touching on the looks of the pedal, the TimeFactor is very sleek and modern. An expensive looking pedal bound to add flash to your pedalboard.




UTILIZATION

The amount of real time control available through midi support and expression pedal compatibility, coupled with the stereo options in the I/O make this pedal a dream for gigging musicians. The sound quality may be not quite at the level of other boutique manufacturers such as Strymon and JHS, but the amount of presets and the room to create large volumes of instantly recallable patches makes up with quite a competitive edge.


SOUND QUALITY

The sounds of the TimeFactor are great. The loop feature is very well laid out with the footswitches, allowing you to create nice ambient moments inside a set. A lot of the presets are perfectly useable and make for light work dialing in a sound that fits for a particular part.

OVERALL OPINION

The Eventide TimeFactor is an excellent delay for gigging musicians especially. If you need midi control and enough storage room to fit patches for recall, you will be served well with this pedal. The direct competition to the TimeFactor is the Strymon Timeline. The TimeFactor can be had commonly for around $299 on the used market, while the Strymon is a rare catch altogether in the used market.

I will not go into the technical details. My Timefactor is the latest firmware version, 3.5 when I write these lines.
Overall the pedal is very well built, the chassis is solid, trusted and switches will anyway not often used because I bought among other MIDI capabilities.
Only regret: everything goes through the DSP, not as in Strymon which offers "analog dry".

UTILIZATION

This is not a pedal that control in a few minutes, there is clearly a time (: D) before using it correctly, the fault of many options that need to know. It is not difficult for many, you just take your time, which is a bit frustrating when unpacking. Once assimilated operation, it works alone.
A tip: remember to enable the catchup, handy for editing presets.
The only problem: changing banks and presets. By default only the right switch to increment the banks, but none for the decrement. Skip the bank 4 bank 3 is a horror. However, it is possible to reduce the number of banks in the setup menu. I have also enjoyed a preset + / - via CC.

SOUND QUALITY

This is the highlight of the Timefactor.
I mostly use DuckedDelay and TapeEcho. The first for the lead, although it was set a delay that does not eat her dry. The second for clean sounds, there has clearly been an increase since the last firmware.
I also created a chorus more than satisfactory with VintageDelay, and with the extra reverb MultiTapDelay. Briefly, a mini multi-effect for the price of a delay.
Overall I am very satisfied with the sound quality of the pedal, I use mainly digital delays and this is the area of ​​Eventide battery and it is excellent. Those who prefer such delays will be directed more towards Tape Strymon El Capistan is the bluffing.
Other modes that interest me little, the looper is unfortunately too limited.
I mostly used in a parallel loop with the active dry kill, I play a few days ago in series and it works well too. Relay bypass mode can not be distinguished difference, but anyway my effects loop is switchable ... Other modes are possible depending on the use.

OVERALL OPINION

Overall I am delighted with this pedal. Increased frustration from the beginning we arrive at simple delays or completely extravagant, but always pleasant. This is an expensive pedal but with many advantages.
As more modern oriented delays the Eventide seems to me to be a better choice, fans of vintage sounds will turn to Strymon Timeline and.

cf. descriptions easily accessible.

UTILIZATION

Once you understand the internal software of Eventide, this is not always easy admittedly (but it not the consideration of multiple possibilities offered by this material?), Almost everything is possible. Eventide is a renowned brand and this pedal has updates that give the impression upon each of them, to have something of a new pedal. The latest version of the program (3.5) including bonuses, in particular allows one to display the preset name that is played: awesome!
Eventide forum is also a source that provides a definite plus.

In terms of using midi: fantastic. It is through a footswitch noon that this pedal (and others: ModFactor, and PitchFactor SpaceFactor) offers tremendous opportunities.

This pedal is very effective as a pedalboard in a rack.

SOUND QUALITY

Again, this type of distributed pedal from Eventide is high quality: line-or instrument, or line output amplifier, power to change the volume of preset worked.
IL must of course ensure the quality of the rest of the complete signal chain (jacks, cables, other pedals, etc ...), in order to assess the result.

OVERALL OPINION

Having acquired each of the Eventide pedals As their respective output, and already knowing the racks of Eventide (H3000, Eclipse, etc. ..), I think that this is very good for pedals who can invest a little understanding of the internal software, and who has the means to preserve the quality of the whole chain of effects, racks, amps etc. ....

The Eventide Timefactor is a "do-it-all" digital delay unit that is know for it's studio quality delay sounds. It has 10 different delay types including ModDelay, Tape Echo, Ducking Delay, Vintage Delay, Band Delay, Filter Pong, Multitap and reverse. Then has a 12 second looper. The unit has stereo ins and outs with switches for both sides for line level or guitar level. Very convenient. It's many features can be controlled via midi, expression pedal or an auxiliary footswitch. The firmware can be updated via USB and a download from the Eventide site. It's very simple. Everything is solid when it comes to construction. The pedal and the switches feel like a tank to me.

UTILIZATION

This pedal has a lot going on and can be somewhat overwhelming to someone who is new to Eventide's pedals. But once you understand how to edit the sounds it gets very easy. You can pretty much get any delay sound out of this thing. The 11 knobs control an insane amount of parameters, if you cannot get the sound you're looking for it's probably your fault. The manual goes over each knob and how to edit the presets very clearly. One of the more usable manuals I've used for a pedal. This pedal really opens up with the 3 button auxiliary switch. I would completely recommend getting one if you purchase this unit.

SOUND QUALITY

I've used my TimeFactor for guitar, keys and vocals. It works wonders on all of them. This pedal is very silent and has true analog bypass. I haven't experienced any popping when I engage any switches. I was very happy about that.

More than any other sound I use the modulation delay and the tape echo the most. They can be tweaked down to the tee. I have a very nice Deluxe Memory Man sound on mine, it's very accurate. I also really like the multitap. You can set two delays to numbers in the Fibonacci sequence and get some very very cool sounds with that.

OVERALL OPINION

There is nothing about this delay unit that I can complain about. It was everything I expected and more and I have had zero issues in the entire time I've had it. I've used the DD-20, DL-4, RE-20 and a few other small digital delays and this thing takes the cake and more. The quality and sound is above par with anything I've used the price is sort of high but it's definitely worth it. I found mine on a forum with a auxiliary switch built by Dan at T1M for only $325 in very great condition. Worth every penny.

Delay pedals numrique.
View Previous notice (that is, below) for dtails.

UTILIZATION

Easy to use when you know what a time limit. I have not seen the manual.

SOUND QUALITY

Excelllllent!
I tried this with a mate PDAL. I loved it.
The sound is clear plutt numrique, but the beautiful numrique, as found in such Elektron. With some of that heat diffrent some of the fat analog.
The sound is a clinical purity, but without the coldness or hardness sometimes found in the numrique. It does not feel weak or artifacts in the high rev and the sound is full.

OVERALL OPINION

I made a toy this evening with pedals. I rgal.
It exudes quality manufacturing and its sounds mre!

Personally (but it's personal), I will use it more readily the effect of the time limit hack table live on a variety of sources. Guitars, of sr, but also other instruments including synths, rhythms and so on. on which it works wonders. Besides the profusion and quality of knobs make it enjoyable and full of possibilities the tinkering sounds in real time. Morali I would come to regret that the footswitch (albeit beefy) are not buttons, more enjoyable to mimine.
If Eventide was willing to get us out of a table-top version ... : Love:

The PDAL is a marvel. Eat it good.

A beautiful plant delay as the name implies. The beautiful, very pro digital, creative, real box inspiration, beyond the common delay as the possibilities are immense.
It is truly intuitive and comprehensive. Large painful XLR connectivity had been a little more.

UTILIZATION

Everything is simple and intuitive! I flew over after an hour of manual hack for hidden features. Rather than 10 thousand explanations will try it.

SOUND QUALITY

Fine delays ... Lays ... ... ays èzzzzzzzz ....
I use a Takamine electro (tan 10c) via an internship pass 300.
Respect of the instrument is almost complete. 10c on my tan the sound seems to be slightly compressed, a softer-poilichon Crystal clear (this is the trick to describe that comes to mind) which is not unpleasant. The acute slamming my cool tube preamp (not as announced Tak, the best preamp in the world) is thereby softens slightly.
J'adoooooooooore all delays, all of which are very different.

OVERALL OPINION

A day of use, my opinion is very young but frankly, I tried the nova delay and after the Eventide and there's no doubt: format digital delay pedal and there's no better far, far away!
Ginning just agree and my decision was made (and still some crushing of buttons).
It has a huge creative potential.
Floyds lovers, of U2, the great outdoors, electro, acoustic, guitars (all hair and styles), singers, dancers, birds, herbs, bacteria etc ... All will want one and that, it's shit!
It is a tad expensive, yes, but instead of putting large sums into yet another gizmo Boss gt, Digitech GNX stuff, live pod Bouzin are certainly armored effects often 95 percent-blah blah or worse , think!
The Eventide + two, three pedals well chosen and you enter another dimension.
In any case we must try and will get back. It's really a craft genial!

See notice below. It's beautiful and strong.

UTILIZATION

Simple, intuitive ... French manual for download in pdf. A € 400, I would have liked a printed version.

SOUND QUALITY

Effects of beauty, but can only really compete with tape echo.

OVERALL OPINION

My view from the version 1.0 firmware.

QUALITIES:
- Superior sound quality
- Wealth of modeling
- Profusion settings
- Intuitive and accurate
- True Bypass can
- The ability to save its settings
- Expression Pedal multi-assignable (can act on several parameters at once)
- Audio Connectors: mono / stereo amp / loop / line
- Midi
- Update USB

DEFECTS:

A little annoying
- It lacks a bit of heat on vintage effects.
- The looper could have been lengthened a little (12s is not enough to save if only 8 measures, while Digital Deluxe MemoryMan reaches 30 seconds, enough to work a 12-bar at ease).
- Inability to time from self-oscillation (will be fixed in firmware version 2)
- I would have appreciated some free presets and more (20 more banks coming in V2)
Quite annoying
- No switch: you have to unplug the transformer when not in use.
- A DSP bypass not transparent enough and causing a slight lag in the dry signal.
- No tap tempo mode presets on the bank unless you buy an auxiliary switch

In short, the final version of the firmware (currently in beta testing) is expected at a halt to make this a marvel masterpiece immortal.

For the feature, see the following opinion very detailed and well done.

UTILIZATION

As in the following opinion, I would say its use is very simple. The menu structure is very well thought out. Level selectors, can be integrated into any configuration. I said this because, first, the presence of selectors level is very rare on the pedals (Please Eventide) and secondly, I use this pedal not on guitar but on turntables and a sampler in a loop effect and it allowed me to completely remove the differences in level of return I met with the Line 6 DL4. After that, I fully agree with the following opinion with one regret: no switch to turn on / off the machine, seen at this price and the electronics inside, it looks a bit light and not very seriously; but I reassure myself by saying qu'Eventide is a registered still very serious and if they have not switch is that there is no danger and that it was not worth the trouble to take the lead.

SOUND QUALITY

Well, bah there ...
Is happiness, most excellent effects, it sounds serious his mother!
It's beautiful, it's (very beautiful) digital, but it can be hot or cold, it can be specific or downright disgusting and destructive. The potential damage of the feedback is huge. By noon, all parameters are controllable, can have a preset load instantly (I was able to change my sequence presets, very handy in live). MIDI can be dumped ... in short, very full at noon.
However, it is clear that we are not in the modeling, we can approach the delay and vintage classics but the purpose of this pedal is not what to impersonate another, it has its own identity . And compared to the Line 6 DL4, some effects are better achieved at Line 6, for example, the Tape Echo. Line 6 is quite closely approximates a real Space Echo (and I know what I mean, I have a RE-201) whereas in Eventide, I have the impression that this is an echo delay based on a Vintage type who were grafted algorithms wow and flutter. But as I said above, it is not his goal and to promote its pedal, Eventide says they even have built nine of their most legendary algorithms, so the worst part is the modeling of machines Eventide so we will not cry ...

OVERALL OPINION

I traded my Line 6 DL4 2 months ago and I do not regret at all. If during the purchase of my DL4 (3 years ago) were the Time Factor, I opted for it especially given the price difference (approx € 50).
This pedal has its own identity which is felt at once in music. Besides, the modeling pedals are a bit "ordinary" even if they sound good.
What I like least is that, for now, there is no preset editor for PC / Mac, the USB port is only used for upgrades of soft and south ( Finally, I think we can use it like that), hopefully one day we will do Eventide surprise from a publisher.

Well, it was in this small boiboite (roughly 12 cm x 19cm, for convenient pedalboard loaded) one of the most effective time to date: 9 types of time, quite different from one another looper + function.
It&#39;s all digital, and that means less than any other digital delay is so well done.
To my knowledge, there is no editor on PC or Mac, it might seem excited damaging to the keyboard, but its absence does not feel hard, because the effects are easily edited directly on the machine ( its just a breeze).
The connection is more than complete (in full stereo jacks, MIDI, USB, with switches, pedal). A nice thing is that you can specify both input and sotie level, line or instrument. Chipotons: miss just a headphone jack.
The case seems very solid, the switches are nice. New small reserve for the knobs, they are nice but seem slightly below the rest in terms of strength (that means: less indestructible than the knobs at the Boss)

UTILIZATION

Everything is very simple architecture and well thought out. 3 modes: bank (to access the various banks ... (necessarily) two presets; play (while the switches have different functions: on / off - freeze - tap tempo) system (in bulk and to simplify, to set MIDI functions, auxiliary switches ...)
Manuel OK, not necessarily very fun when we saw Line6, but it&#39;s going overall. It looks like the Modfactor, side and less abstruse.
Oh, one nice thing: the System menu, you can choose the type of bypass (true bypass, or bypass digital plus another which I can not remember the name). Regardless of the type chosen, the signal is not altered when bypass (normal for a true bypass but longer surprising for a bypass digital, and trust me, I&#39;m quite looking on this point).
Connected, the camera turns ultra silent so another good point. on the other hand, it is necessary to strike a power supply, rather difficult to replace (to date) with a pedal power because the device is requesting Ma (1200 according to the leaflet, which excludes a lot of power)

SOUND QUALITY

Aaaaaaaaaah, the effects ... It&#39;s very good, there&#39;s nothing to say. As much as I expressed reservations about the Modfactor, which currently sleeps quietly in its box until my next crisis to revise my stuff, as here, there&#39;s no worry, it&#39;s tip top quality.
There is actually a double within 3 seconds each: double, because we have two independent delay lines, used in series (if it connects mono input). These two periods may have different tempos, different from feedback. But they will share the second row of knobs, which, basically, to set the "quality" of rehearsals (the band filters for delay in the distribution espce rehearsals for the multitap, modulation period for the mod, alterations signal for the tape echo ...).
I said before, I tested the time onboard multi-effects and other amp simulators (POD2, PODXT, PODX3, Boss VF1) and other specific time (for Maxon AD9 analog and Boss DD20 for digital). Those are the points of comparison.
Here, you enter directly into another category. Overall, everything sounds more "accurate": the digital delay reproduces exactly what he sends analog delays are fucking without falling into the gloubiboulga after two repetitions (but can not you do it too) .. . I will not go around all that I have noticed, but that&#39;s the idea.
Which is quite fun is to read posts on the forum of users of Eventide (quite effectively by the way) who constantly cry for modeling delay. That&#39;s not the philosophy of Eventide! We can probably get closer to the sounds of legendary times, but this is not the purpose of this pedal. Here we are in the Eventide, period. If your delusion is to play on modeling, stay on Line6

For my part, I do not use all the time available, far from it, but I was pretty traumatized by the tape echo, multitap delay (which allows much closer to a reverb), the mod time (with some settings, there may be a chorus of great effect, much better than the Modfactor, a peak anyway). Some other time limits are very well done (especially the band delay, with filters on the rehearsals, to remake 2001, the Space Odyssey), but I&#39;m not interested in relation to music I do. I would have some reservations about ducked time (actually, more because I see too much use that we can do) and the reverse, that does not work like I expect (it works differently from the Boss DD20 I think, but I can not say how).
Finally, the looper, I can not really talk about it, because I&#39;m not at all familiar with such devices. Apparently he did a good job (still need to know loop, frankly, I downright evil, shame on me) and this function quite funny (to increase the playback speed of the loop to start the loop of Another point that its point of departure, ...).

The big highlight of the pedal, like ModFactor, the ability to assign the expression pedal to any or all of the settings buttons, opening doors rather incredible in terms of textures. Just this function will let you hours of headache, not to make adjustments (it is really easy to assign a motion knob to the expression pedal), but for your imagination and find sounds. This is clearly a great tool to promote creativity.

The low point against, and really disappointed me was the Spillover function does not work as I expected. This function normally allows you to continue the repetitions of a period when it is disabled. In this configuration, it works great. on the other hand, it works less well when moving from one time period to another active asset. In this case, the repetitions of the first period continued in the second period, but taking the characteristics of this second period (feedback, delay type, etc. ...). This is clearly disappointing, and all the more surprising that this function works great over time as basic as the Boss DD20. Go, hop, just for that, -2 points, grrrrr.

OVERALL OPINION

I use it since last spring, first intermittently and in recent weeks, he joined permanently my pedalboard. The value for money is very attractive. None of the time I tried him arrive at the ankle, not least because it is rare to have a function assignable expression pedal (in time the general public, I believe that only the Line6 DL4 of, I tried a few minutes could do so).
So, I put my Boss DD20 also in the closet, and it should not come out before long.
And yes, if I ask, I would do this election if I were to lose this device.
Sorry for not being able to view a more comprehensive (there really much to say about this unit until it is complete) a, but for specific questions, there&#39;s the forum

Dj trs well explained below to the CHARACTERISTICS. The case inspires confidence and looks very tough, while remaining fairly compact.

UTILIZATION

I prcise I use this on a rhodes. (Rhodes - RAT2 - TimeFactor - twin reverb 65 '). Operation is simple logic and especially trs. Sr Although, I must have read the entire manual to get started as a good maniac I am. (It is in English). Fortunately it allowed me to immediately understand the various fontions and other menus and sub-menus. For this, the small LED screen and really handy. I use it with the line 6 expression pedals (that is one of the features that attracts me the most), and it's very practical to see on the screen DIFFERENT paramtres which are modified with the pedals in real time, with a value chifre.
This time, the use of my trs delay becomes really expressive: there is when we want really, just a note if necessary.

SOUND QUALITY

Then the how to say, broke! Really beautiful to see anything with simple delays or multi-effects I had used before. The sound is warm, round, or dirty prcis choice ... in short I love, love ...

OVERALL OPINION

I use it for three weeks, with use in concert. 1st Session of an APRS rglages and research sounds, I found what I was looking for quickly, and I Intgr on the expressive function of delay in my game C ' is really exciting. The delay of proper cot, without embedded music in a permanent blur. I wondered how I had done before. No, for now, nothing wrong. Despite the price, I would do without this choice hsiter. So good value qualitprix trs.

DigitalDelay, VintageDelay, TapeEcho, ModDelay, DuckedDelay, BandDelay, FilterPong, Multitap, Reverse, Looper.

Format PDAL non ditable PC or Mac, but updates available at Eventide.com

MIDI and audio connectors Mono / Stro

UTILIZATION

The edition of sounds and can not be easy From the time we know rgler a delay and what type of delay used to achieve his ends.

In addition the manual (in English) is trs clear dcris each button and the changes they bring about sound.

A small sheet comes with a few examples of delay known as "Where the streets have no name" or "Every Breath You Take" to get an ide of rglages.

SOUND QUALITY

What about the quality: it eventide ........ Perfect!!

OVERALL OPINION

I use it for 3 months.
I had a carbon copy before and used the effects of my Eventide Eclipse TimeFactor unfortunately TimeFactor effect of monopolizing the two algorithms available from the clips. t so I have to buy the pedals in order to combine it with the Eclipse.
The ratio quality price is good for a trs pedals of the invoice.
I achter lexprience with 2 or 3 if I could .......

At a high price, the timefactor comes with a high level of features. Some players might scoff at paying this much for a digital delay, but the features are great on paper. Two delays at once, bank mode, repeat switch, a large library of delays including tape, mod, ducking, reverse, and multitap delay. It's even got a looper. There's not much you can't do with this unit. The editing is quick and easy. The control layout is a great relief to anyone who's used a pedal delay before. Everything is organized well and needs little explanation. On top of that, the timefactor has midi and usb, and stereo functionality.

UTILIZATION

The manual is great. Really. Eventide explains everything you would want to know. I typically use the unit in bank mode. When I'm at home editing presets I just switch to play mode and start twisting knobs. I have used it with a midi controller and that's easy too. I have not used the looper but from reading the manual it seems very functional. The tap feature was a deal maker for me. I love the dotted 8th tap and it's easy to use on the timefactor.

SOUND QUALITY

I primarily use the vintage and tape delays with a Gretsch Duo Jet and a Vox AC30HW. The modelling for these sounds is spot on, and with Eventide's updates they are even better. The vintage delay responds just as it should, getting muffled as the feedbacks trail off. The tape delay also sound 100% real to me. You can adjust how "old or vintage" you want these effects to sound via the modification knobs, which is a plus. Overall you can get any sort of delay you need. Classic eventide delay sounds can be had or you can get some very ethereal sounds with the reverse and mo delays.

OVERALL OPINION

As far as functionality and features, this unit kills. I've heard a lot of people say the sound quality isn't quite up to par with a truly analog delay, but I disagree. I think this is a great sounding delay that delivers what it promises. The midi is great to have. This is a chameleon of a delay pedal in that it can fit any player's needs.