saturation for large distortion with classic extreme.pedale IN and OUT.alim by batteries or 9Volt kind boss.le pedal is "a little big" and takes up space ....
full of possible settings, more or less effective but to find the desired sound.
level sound is not bad tout.on arrives to find the desired sound after a few minutes.cependant, acute attention to that can soon become criars ...
I think overall all means remain the same.
with a lot of the drive even when its lack of precision and "body."
this pedal has replaced the metal muff pedal on my board.en effect the metal muff laché me 2 times because of problems of power supply.
after I go on line 6 (uber metal) but it was too cold and sound really missing "body", I think this is the digital that did not delighted with the line 6.
So after these two pedals I turned on the metal-end.du blow j "there is almost my happiness and it takes place in my pedal-board for a year ... but we have to get the evidence that has manufacturing is really not in sound ... small switch all begin to have false contacts .... even by returning to the store (Rockline has toulouse) nothing fait.parfois this pedal " comes "a mute way aleatoire.desfois is not cut but the sound is really altered metal ... so ended my weekend.
I had to replace the essayeer Tech21 U.S. steel (which is a very good pedal) but it does not match the desired sound .... I finished with a krank distortus maximus, and for now it suits me well ...
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McphistoKing's review (This content has been automatically translated from French)
Analog distortion pedal made in China, reproducing the sounds of saturated high gain amps.
Four EQ bands: low, mid freq, middle, high.
Setting: level and dist.
Four selectable filters for switches: 1 / amp simulator, 2 / filter modern, normal, classic, 3 / high filter, cut the mids and acting on 4 / filter normal, bright and warm.
Entry in and out.
Battery power or 9 volt power supply type Boss.
Like all pedals of the analog is plug'n'play but the presence of filters and a four-band equalizer allows many rélages and rich sound.
We must therefore, to find his sound, look at the settings a bit longer than a traditional distortion pedal, but nothing very complicated.
This pedal is one of the best distortion I've tried, it buries itself all major brands.
I use it with a willow strat's, a Fender Band Master head 1965 and a 2x12 cabinet with Celestion G12H.
The Metal End when engaged turns your amp into a roaring beast and we obtain high gain saturation of vintage and modern metal.
The sound is warm and clear, it seems to have a second amp.
Turning down the volume on the guitar remains accurate throughout the race and it loses almost no frequencies.
But the strength of this pedal and brand Biyang the same time, is that it fits on many amps: Fender Deluxe Reverb, Marshall JCM 800, Roland Jazz Chorus, etc..