All user reviews of 5/5 for the Line 6 Verbzilla

Numriques sounds, but is great, as good as the analog

UTILIZATION

This rverb contains:
One-button "mix" which determines ke rverbration level in the signal. On the left you have all the dry signal and starboard, a 100% signal rverb (no dry signal).
One-button "decay" that Sets the decay time of rverbration to silence.
One-button time which determines the delay time rverbration signal from the signal.
One-button "tone" which determines the tonality of rverbration and will signal a dark, subtle and brilliant rverb CLAT.
Slecteur-a "trail", enable it to allow the treatment Verbzilla end and keep the drop rverb when you cut the effect

The manual is well done, the evidence I have copied the pitch from above.

against by the time you have to take home for the right amount rverb, has quickly become one if its rough, but just do not rush your rglages.

SOUND QUALITY

Many choices! Ac and great, I put the list below:
- "Spring 63" bassur a spring rverb de1963. Ideal for guitar sounds rtro.
- "Spring" spring rverb
- "Flat" like the spring. rsonance mtallique
- "Room": simulates the acoustics of a room Properties
- "Chamber": rverb like a corridor or stairwell
- "Hall": simulates a concert hall
- "Ducking" but attnuations rverb hall, the volume is rverb attnu as you play and increases when you arrtez.
- "Octo" rverb followed by a kind of lightweight synthbr /> - "cave": rverb cavernous
- "Tile" rflexions simulates the acoustics of a pice as TILED bathroom
- "Echo": guess! (Not required if you have the Line 6 Echo Park)

OVERALL OPINION

I've had four months and I'm not the tt
I would do the same choice if I were to buy a rverb.

Effect "Rverbe" numrique (modlisation).
Used in mono or stereo (2 channels indpendants).
11 DIFFERENT types of rverbe, adjustable but not ditables.
Rglages:
- Tonalitbr /> - mix (dry / wet)
- Decay (duration of rverbration)
- Time (dcalage between the original signal and the rverbration beginners)

Option "Trails" when it is active: can, when you cut the effect by pressing the footswitch, to complete rverbrations that Get You Started by support.

Connections:
- 6mm between two jacks
- 2 output jacks 6mm
- Power connector compatible with the Boss power supplies (9V, the collection's outdoor +).

Foctionne battery or a spare power supply (see above).

UTILIZATION

Config simple.
Rglages easy and intuitive (it's not a witch rverbe).
Manuel trs clear, with examples of rglages.

SOUND QUALITY

Trs effective trsralistes effects.
Sound transparency apparently correct (I did not use enough to realize dj but much better than the Holy Grail that I brought to the store ...).
No noise (except in "ducking" but it is not much) or breath (that's the problem I brought the Holy Grail after two days ...).

I use the pedals with a Gibson Melody Maker and prampli Lag TL1 Spitfire or a Fender Pro Jr amp (no effects loop ...).

I prfre modes "Spring" "Chamber" "Hall" (as the classic). Hall on the mode, in particular, transparency is much better than the Holy Grail.

This rverbe me parat trs so versatile, and in addition it is stro (no scenic effects, but 2 channel spars).

OVERALL OPINION

I just buy it.

I like DIFFERENT rglages simple but complete absence of noise and transparency.

The particular feature I like least: the look (futuristic tank ...).

I tried the Electro Harmonix Holy Grail to me seems almost unusable except in "spring" on the stroke of half the knob (much less take a Danelectro CHRE this account l.

Good quality price, especially when Whereas it is Stereo.

I would do this choice because the pedals trs is versatile and efficient.

Does everything said before.
9 because the look thank you very much, the shuffled between a pedal and a tank miniaturized plastic, rather like using rsultat. But hey, it's the sound that counts (you just need to hide when you play after all!)

UTILIZATION

Configuration is very simple, and rich enough. There are not 36 buttons, and there is everything you could ask for reverb pedals.
The edition of the sounds is very simple, and with 11 prvus effects, there is necessarily happiness.

SOUND QUALITY

The effects are very practitioner. We spend the rverb rtro, the small traditional reverb, big rverbs endless and deep. Everything you need. The rendering is gnial. Nothing wrong. The effect "Octo" is original, but he seems not exploitable. But hey, why not

OVERALL OPINION

I bought it yesterday. I walked into my store of pedals, I said I needed a reverb pedals' less than 200. Immediately, I was rpondu "Verbzilla".
I t's not the rsultat. Much better than the one I had tried before. Line 6 did a great job!

The Verbzilla is a stereo digital reverb pedal with plenty of features. It has stereo ins and outs a 9VDC adapter and has a pretty unique build. The switch feels a bit weak, but it's taken all my abuse so far. It has 5 knobs and a trail switch to let the reverb trail off after it is disengaged, which is really nice.

UTILIZATION

This pedal is pretty amazing. Very tweakable and extremely useful. The five knobs are mix, decay, time, tone and the mode selector. It has 11 reverb modes: '63 Spring, Spring, Plate, Room, Chamber, Hall, Ducking, Octo, Cave, Tile and Echo. It's a very simple pedal to understand and you can get very wide ranges of reverb out of this pedal.

SOUND QUALITY

I used this particular reverb for my guitar only. But i'm sure it would be capable of doing vocals well too. I really like the '63 spring, cave and octo modes a lot. The shimmery octo mode is a lot of fun for creating soundscapes and tracks pretty fast. The Cave mode is really cool, with long decay and time with a pretty high mix it can seem to last forever. Really great for clean passages and ambient stuff. The '63 spring mode is super close to a real spring reverb and has fantastic response. I could go on and on. Very awesome sounding pedal.

OVERALL OPINION

For the price, it is an incredible buy. It has loads of features and sounds incredible. I tried a few different reverbs out before settling on this one. It just sounds fantastic. The cave sound is a very unique sound that is only found on Line 6's gear if I remember correctly. It's my favourite setting on the pedal. I'd recommend this to anyone looking for a cheap, very simple and great sounding reverb.

The Line 6 Verbzilla is a digital reverb pedal. It has 1/4 inch inputs and outputs and is not rackable as it is a stomp box. It has ten different types of reverbs and four parameters to control them. It has a wide variety of reverb sounds and easy to use overall.

UTILIZATION

The setup of this pedal is extremely easy, as is getting a good sound out of it. It has five knobs total - one for to choose the type of reverb, one for tone, one for time, one for decay, and one of mix. These controls are basic and manipulating it is quite easy. Some of the types of reverbs include hall, chamber, gate, spring, and plate. I don't have a manual for this pedal, but have never had a use to look into getting one.

SOUND QUALITY

The sound quality of the effects on this pedal are top notch. I have only used this with guitar - usually a Schecter Ultra III and a '76 Fender Twin Reverb. With this set up I am able to get some great reverbs from this pedal. Being that it has ten different types of reverbs, the pedal has the capability of getting a number of different types of reverb sounds. My favorite reverbs on this pedal are the plate and the chamber effects. This is a high quality pedal with a number of very usable reverb sounds.

OVERALL OPINION

I've been using the Line 6 Verbzilla for two years. I have found it to be an above average reverb pedal because of the overall sound quality and its ability to get a vast number of different types of reverbs. I would compare this pedal to a Boss RV-5, as both have a similar price and overall capabilities. It is hard for me to choose between both pedals, as I think both are great options. The Verbzilla has great tone quality and it won't break the bank. It has a sleek design and its versatility makes it a great all purpose reverb pedal.