All user reviews for the Fender Super Champ XD

Hybrid amplifier (DSP prampli + 1 / 2 12AX7 - lamps amp 1 / 2 + 2x 12AX7 6V6)
Power: 15W (+ cardboard on site Fender amp - 20W depending on user manual)
Connections: 1 guitar input, 1 output HP, 1 line out for sound system, a channel switch and effects)
Rglages and effects: cf Previous notice

UTILIZATION

Super simple setup
The use of Voices is sufficient alone. The rglages severe acute gain and allow to refine.
Manual clear and sufficient (2 pages)
It can be very useful to look at the forums (usage tips, modifications, ...)

SOUNDS

Style of music: pop, rock and some blues (ideal)
I play with a Fender strato Mexican, a LAG RS200 and a Ovation Celebrity
The sounds are great:
- The voice with 16 Ovation is a rgal (10/10)
- The clean is perfect (10/10)
- Voices are the good and average trs (10/10 for some 5 / 10 for others) but as it has all the correct sounds for my playing style I put the global 10/10

OVERALL OPINION

I've had four days.
I love the sounds (especially clean and acoustic).
Too bad there have not SETTING THE Middle (but I do not feel the need for the moment)
Report A Quality / Price excellent
I would do this choice.
I wanted to buy a Peavey Windsor Studio (which is hard out), but the forum and the tests that I have heard on the Super Champ convinced me to take the Fender. I do not regret. Thank you all who have the DMOS available on forums.

Amp 15w lamps

UTILIZATION

This gives her a very easy, because it has a lot y'en

SOUNDS

I use my 7th modlisation (Vox AC30)

trs between modern and beautiful sound rtro.

OVERALL OPINION

I recently but I issue my opinion to say that it lacks one essential thing: an effects loop!

how I did with my 12 pedals!

'll have to go out on the line out, go through my things, and plug into my sound system, it is a shame.

for 300, it is a matter nanmoins solid gold!

I wish they would leave a MODEL suprieur lightweight, with a bigger hp, an effects loop and maybe a 3rd channel.

if not a hand, I conquered

Fender Super Champ XD, see the above description, they are perfect.

UTILIZATION

It is a Fender amp that I use with a TV Baja, no mistake, it's going well together, very easy to get the right sound effects are decent, and no one forces you to use modeling to you do not like, I find the "Metal" a little messy. Everything was OK for the position "sound" with an Ovation-for example-is better than acceptable, really versatile this little amp ... .. The manual say it was designed ecologigue, praiseworthy , to save paper! but, well .. things are going well, the unit comes with a pair of ears can be used at will, all the same gaffe on the button "volume" it spits out very quickly ..!

SOUNDS

I use a Telecaster Baja Classic and with this amp it's not a forced marriage, in his clear, or 4 on 2nd channel, a little reverb and it is pure Fender though .. a friend tried the over his Les Paul ... it works (as the individual!) it makes me think of something else there, here a notice that advises to make a speaker to use the windy night it suggested .. extending a Jensen or a Celestion 12-inch, I tend to agree, the 10-inch original I think it would show its limits if it imposed any sauce ... obviously the amp if you are a music lover like me "room" it will be fine.

OVERALL OPINION

I use it recently (three months) and I did not find major fault and certainly not that of the price! With the experience I would do if this choice?? bah .. is the value that guided me, 300 hundred euros, though it's great place, yes I would do whatever ... the Fender Blues Junior ...

15 Watts: all lights but with a system that uses complex of modlisation the only one 12AX7 Manir SECRTS! Channel 1: Class A but no crunch and it's cool even when you push the 15 Watts! and channel 2: modlisation amp super mind-blowing, the plexi is terrible!
Connection but not enough complte loop effects
8 ohm output for an external cab, with a 2 * 12 nikel for rpt!
use in combo! the 10 inch is good, but not large high-volume distortion

UTILIZATION

Super simple setup
good sound very easy! volume for channel 1, gain and volume for channel 2 for all amps modliss (select), and a bass treeble a common 2 channels (a is less But even as top Agree).
o unnecessary manual just for the description of the amplifiers modliss

SOUNDS

Nickel for my style rock / fusion, super clear sound on channel 1
and good crunch and good distortion on channel 2 modlisations
For cons, I'm not the opinion of everyone on modlisations amp "mtal!"
mtal for hardcore, I know because I'm not and I'm not a fan, but good modlisation big distortion is possible on channel 2, 13 slction! and I think it sounds terrible to have the big sound, even on the HP 10 of the amplifier. APRS is its volume grate guitar pickups do not saturate too low (requires HP 10) but on a 2 * 12, no worries.
The effects are quite good overall, just need to not abuse the intensity level rglage otherwise it's worse.

OVERALL OPINION

I've had one month, and I am more than happy, I modlisation Plexi sound is not REALLY have a pod xt or other ToneLab, with heat lamps. Fidler is enough in the sound that i like. Finally, to résumé for its price, it's a bomb, I have never believed the lights as good for that price, APRS I'm not a guy who has played on the Soldano or Bogner but other I have a good ear!!
this is just the opinion to express my joy for having met this beautiful

See previous message

A complaint about the connections, lack a loop effect

UTILIZATION

Channel 1 has the same volume clear bottom hot round one can connect pedals
Channel 2 power tubes with modeling good crunch sounds mixed feelings for large saturations
good effects presets button potentiometer dosing

SOUNDS

All types of music
With a good guitar with good pickups you'll get all the sounds
I can not judge the sound trash, and other sounds of this type is not my thing

OVERALL OPINION

Semi-professional musician (50 dates musette orchestra variety rock) I was stunned by the quality / price ratio. When purchased, I was left with a budget of EUR 500/1000, making an effort, I tried twenty amps prices in this niche, and demarcate deem. Wanting to check out of curiosity, the statements of reporters journals, I am left with a superfield ........

That evening I played Baloch and so we must make a living, battery and electronic musicians ear monitor, it does not have a problem
I plan to buy a second for stereo (mutieffet)

15 watt all-tube amp with built-in digital multi-effects
Two channels
Many sounds for all styles of music: Blues, Rock, Country, Jazz, Metal, etc..
Black vinyl coating with a silver grille
Chrome buttons and mechanical
Weight 10.9 kg

UTILIZATION

Very easy to use the amp was on a super his deep, warm, rich harmonics of the lamps, the only problem is the lack of footswich (optional and only needs to be a fender footswich) therefore the part I use is 8 / 10.

SOUNDS

The I believe I have found the Holy Grail! This hybrid amplifier gives you a handy range of sounds impressive with the grain and quality Fender.Et contrary to some opinions I found metal sounds very well, good in May when it bought a fender amp for sound fender and it is served!

OVERALL OPINION

For 320 euros I believe no better, the sound is truly exceptional!
if I had bought this amp I do it again without hesitation pets.

Well, what the XD.
We will not all rpter hours.

UTILIZATION

Its clear nickel the first time.
EEDS adjustments to balance the sound as voice channels, for some trs disparate ds The models that we are in high gain amp / saturation. It fau rgler volume and the gain buttons and have a little experience so as not to fcher with neighbors or explode the ear by turning the knob one notch too!

Manuel ... ultra simplistic. But good. The IDE was even when playing with to find its own rglages. The manual is not helpful to rev a.

SOUNDS

Clean sounds excellent. Good dynamic, fast rponse, etc..

Difficult trs low noise though. It rises quickly, trs trs quickly. In the case of a small pice / appratement is very fast trs.

OVERALL OPINION

Reu past week.

THE Fender's well made here and l. The versatility and value qualitprix. Ps we hardly need effect pedals to sound "basic".

It was widely pointing out the qualities in other reviews, while major defects, which could be pricks, or when options amlioration to "THE" perfect small combo.
It lacks a button SETTING THE sensitivity of.
All other devices "of his" have a dsormais. It allows rgler level of an instrument, and thus overcome too strong even at low volume lice rune small pice eg. Ditto if you include a multi-effects (fortunately mine has a model that rglage output level).

How has rsoudre? I round the bp with a wireless transmitter (T-Bone Thomann, excellent!). It does not introduce any spurious or modification of the sound, but as the case of rception rglage has a level, I decline, and hop. I can turn up the volume, boost the gain (even to the max, well saturated), have great distortion, while a volume of 4-6 and with a noise level consistent with a trs apartment and neighbors. Can not do with the level of normal in my Cort, del to a volume of 3, the walls shake!
A stupid default: the mono jack on the direct output.

When I return I got out of a collection's outdoor amplification "stereo", my chain, just, well I have the sound of a cot (left), both mono jack. On most devices, the outputs are either 2-channel D + G, and G is Mono / Stereo (mono channel sent back on two channels). That's when even more convenient!

RESOLUTION of the problem: btement solder a jack Stereo, by connecting the output wire on both legs D & G. And hop. The sound of the chain, with rglage volume.

Note: as the level of instrument is strong, as the output level is low. Obliged to sound almost melts on the chain when plugged into the AUX input. They have not been tested Fender, or what? The again, a small button bte rglage output level would still rsolu.

THE ultimate default then ... But the design of the range ... It lacks a Second Entry. It is in front jack on the clean channel, or even live without effects, etc.. or as a simple relationship between the / line in. (Eg mini-jack.) To connect a multi purpose, a looper, a MP3/CD, etc. and play at the same time. C'tait bte while, but it is missing. Because if you "intgre" the source, of course, it goes through the change in the sound of the amp (gain, effect, etc.). Gloubiboulga and it's guaranteed.

So conclusion:

EXCELLENT PRODUCT. But little better, with 3-4 lower case dtails pasc cot that would dearly (<$ 20 at all likely!) But would have greatly enhanced the cot practice of using domestic ( c.. d. "non sono / concert") of the BTE.

When will version 2.0 of XD?

Everything t dj said.
I confirm that this amp is powerful enough to play in groups.

UTILIZATION

Ultra simple and effective clean sounds and crunch Mmmmmm!

SOUNDS

For blues, rock, pop-rock, funk, jazz is a rgal.

OVERALL OPINION

It's really a good little amp, with both simple as double coils.
For those who find it lacks scale, serious, I did a little test, I plugged the line out of the fender on the line between a roland cube bass and 30W does.
the sound is full and wider dissemination.
I use an overtube Jacques pedals in between with a slight drive, it gnre the crunch on channel one, acted as a boost in the simulations.
This amp is very well for the price and if I do it again c'tait repeat the same choice

I put a ten MRIT well.

Amp lamp modlisations
power 15 w quivaut which a transistor 30 w
see the reviews previous ones for the connection and the effects

UTILIZATION

The configuration is very simple. For a sound that appeals must be Prior test everything and remembering rglages.
The resulting sound is convincing and the manual trs trs clear.

SOUNDS

I play blues rock, IDAL is an amp for this style of music.
I play it with my small collection of guitars (812 PACIFICA, WASHBURN PRO 66, S60 GUILD D 51 SQUIER, Ibanez AGS 83. It is with the strato guitar style and I get the neck pickup sounds to me like the most from modlisation vintage Fender amps.

OVERALL OPINION

I use it for a month. His only default: a lack of medium that I compensate by making substantive and serious limiting acute at level 5. I'm pretty skeptical about modlisations and the profusion of sounds you can get. This is my first amp modlisations because of a Manir gnrale, I do not like the effects and privilgie plugging the guitar directly into the amp. That said I t poustoufl by modlisations amps fender (brand requires). Other modlisations are also well rendered also trs (including VOX). Bought new 250 euros. The ratio quality price is excellent.

So it&#39;s a hybrid amp:
<ul>

prampli hybrid modulation (so electronic) / lamp

All Tube amplifiers.

</ul>

The electronic part is a special circuit called the Fender DSP, which mimics a rponse prampli all lamps, while allowing mulate several DIFFERENT MODELS amp, and add effects numriques. It has 16 amp modulation, mostly inspired MODELS Fender, and five types of effects: reverb, delay, tremolo, chorus, Vibratone.

The dlivre amp 15 watts, making dj not bad for an amp lamps (lamps amp sounds in a much stronger gnral, power scabies, as its counterparts transistors) . Not using that apart I will not comment on full power, but it is usable rev low volume, as we shall see.

Level connections, there are between one guitar (not in December &#39, an output for an external 8 ohm cabinet and something to plug a footswitch. It only lacks two things:
<ul>

An effects loop, even if personally I would not use at all. In addition it is quite logical, in the case of an amplifier East "vintage". But it will rdibitoire for some.

The headphone output, which would t more for an amp East "home". However apparently it&#39;s pretty complicated to install on an amp lamps ...

</ul>

UTILIZATION

The configuration of the amp is very simple, especially compared collgues modlisation some of its plants that are sometimes gas ...

The amplifier is divided into two channels:
<ul>

Channel 1 is a clear "pure lamps," in which it appears that the DSP circuit intervenes little.

Channel 2 gives a choice of 15 modulation amp Different.

</ul>

Changing from one channel to another one touch of a button, or using a footswitch.
Both channels have gain and volume SETTING THE indpendants, but share a common qualisation with two knobs: bass / treble. And I do not understand: o pass the knob of mdiums? It seems that a cot would not dear to install one, and would probably add to the finesse rglages ... It is not catstrophique but it&#39;s a shame.

In use, the amp can be modlisations diffrent trs, particularly in terms of volume and qualisation, which limits the use of the amplifier as a two-channel: it be difficult to find a rgalge to move from one channel to another in the middle of a song. From this perspective the Super Champ is more of a "dual-channel" a "true" dual channel.

A low volume, the amp appears exploitable trs, trs with a good sound volume "conversation" and "howl", and sound a little less good but trs valid volume "murmur". However, this will require tame the volume knob, which may prove annoying to beginners trs. Wholesale flat, the amp sounds too much from 2.1 to 10, and no sound n&#39;met below 1.5 (as a minimum graduation). We must therefore exercise finger to find the level IDAL ... Over time we become trs fort this game, but beginners is agaant trs.

The effects on them are rglent two knobs, and are also common to both channels: no way to program a channel "effective" channel and a "no effect". The config is also the trs simple: one knob to select the effect DSIR for a second rgler affect the percentage of the effect in relation to its "dry" without effect. We can thus make the effect more discrete or trs Submitted. For the cons is the only paramtre on which to play: the lments as speed or delay trmolo prrgls are, with the possibility to choose between three pr rglages Different. This is exploitable for use anecdotal, but is somewhat limiting for those who base their sound effects, or effects trs want to make: no way to go in DLIR noisy weird. Can also combine several effects together.

It is very easy to get a good sound. It is for me the one of the major advantages of this amp. Pesques on all modlisations, just plug the guitar to get a nice sound, the knobs of qualisation do not have that refined. Also the sound is transparent trs, and really respect the characters that are part of the guitars.

In fact, compared for example my old amp (Vox AD30VT), the Super Champ does not look like an amp modlisation: single use, impossible to keep in memory the sound program, its very s transparent. Apart from a choice of modlisations, we really feel like an amp handle "normal", not a computer, which I find enjoyable trs.

The manual is really bad. Two pages in French only, with no explanation, for example, prcautions respect to the use of an amp lamps. Fortunately there is Internet.



SOUNDS

So the sound ...

It&#39;s perfect. A low volume, it is simply the best amp I know. It is well DGRAD sr slightly below the volume "conversation", but still usable. A volume "conversation" and above is a rgal. The sound is clear, dynamic, equilibrated according trs IDE that I made an amp lamps. Although sr, it gets even better going up the sound, which is pretty tempting, but watch out for neighbors and ears, because the amp is soon a lot of noise ...

Personally I use only flat, with an ES335 and a Telecaster CHRE not up to P90. No guitar "type Fender" So. I play jazz (well, as long as possible ...), Blues and Rock &#39;60s and &#39;70s. So almost EXCLUSIVELY from clean and crunch, never heavy distortion.

Premire, Reue ide a break too rpandue no, Fender amps do not sound "better" with Fender type guitars. First, because nothing "sounds better", that is a matter of taste. Then the sound "style Gibson guitar + Fender amp" is the basic sound of Blues and much of the Rock (Stones, Neil Young ...). Personally I prfre far the Fender amp with a guitar humbuckers. That being said.

Channel 1 is, as we said, trs close its "raw" of the amp, the DSP circuit intervening only slightly. This is a clear vintage trs, trs living trs dynamic that "dirty" as and when it mounts the volume. Ideal for the Blues and Jazz. One can even get a nice crunch background condition of being deaf or become prt trs quickly. This channel also Ragit trs well with overdrive pedals, the amp a fawn all lamps. My Bad Monkey is mconaissable!

Channel 2 offers 15 amp modlisation diffrent, sweeping the whole range of backgrounds Fender today, almost. It includes:
<ul>

3 amps "tweed" is to say the older Fender, clear of saturated trs. Trs good. The lighter is trs compress which can be useful to play the Dire Straits, for example, and the more saturated is really saturated and trs trs dirty. One approaches a little of Neil Young&#39;s live ...

3 amps "Blackface" TRS clear enough saturated. Trs good too.

3 amps "British": a Vox not unlike a Vox, a Marshall vintage trs good but not clear, a Marshall "modern", East Metal, which I find totally hideous.

3 amps "Hot Rod", the current range of Fender, which includes among others the trsrput Blues Junior. May be my prfrs, especially the first two and especially for the Blues in crunch and "light sale".

2 amps "Metal" awful. Supersaturation, very noisy and not subtle at all, I also found them a much more "electronic" than the other modulations. But then I do not play n&#39;coute Metal ...

1 amp "Jazz" which sounds trs clumps with a solid body guitar, but comes into its own with a real jazz guitar half body. However for the Jazz I would prfre channel 1.

and finally an amp "sound" quite surprising. All modlisations of this type until I tried the silent trs ugly, but here we have a sound that made enough noise even on an electric guitar, without too artificial. However, it remains quite anecdotal and will not be an illusion from Real Audio!

</ul>

Overall I am satisfied with TRS, except modlisations Metal. Achter a Fender but to play the Metal? As a general rule, this amp is a Fender amp. It is less versatile than some other amps modlisation, but in return, provides a much more assertive characters. What will make you a nice Jamble if you do not like Fender amps ...

The effects on them are pretty average I got, except rverbe, which is doing its job (I do not put much). None are terrible, they are all usable Manir anecdotal, but those who base their sound effects will have a few pedals. The "Vibratone" for example does not weight for my Small Stone, but even when it is fun to use. Do it again, as stated above, not much possibility to rglages.


OVERALL OPINION

I use this amp for several months, three years of APRS Vox AD30VT, another hybrid amp modlisation / lamp, and I am satisfied with TRS.

Basically, the positives:
<ul>

The best sound I ever heard volume "conversation"

Trs a nice volume "murmur"

A great volume "cry" (I&#39;m not all beyond)

Full Fender sound! (I love)

Effects honntes

Rgler simple, we get a good sound quickly trs

</ul>
Ngatifs points:
<ul>

The volume knob is really boring to play not much use when it was not the hand (but eventually come)

Makes you want to play hard

Metal sounds not great (but I do not like the Metal)

Palette rglages limit the effects

No knob of mdiums?

Full Fender sound! (If you like it)

</ul>

And yes, I would do the same choice without hsiter. For home use Jazz-Blues-Rock vintage, it&#39;s the best amp btement I know.

Edict of 2011, three years of use APRS: I still love the clear sound of a canal, incredibly alive and vibrant even compares "true" all lamps. on the other hand I do not use any of the channel 2 which, in terms of dynamic, transparent and natural, does not make the weight for a small all-tube amp like the Vox east crunch Lil &#39;Night Train, or same channel one with good pedals. However the SCXD remains an excellent amp, if only for one channel, which is sufficient itself. For cons, I am skeptical of the sudden trs intrt version 5 watts, dpourvue of this famous canal 1 ...

What kind of amplification (lamp, transistor ,...)? What is the power dlivre? What connection? What rglages the effects? * ... This is a 2 channel tube amp with a modlisation. Plutt that are moving from a proper acoustic sound has a well through hard sounds bluesy.le deuxime got is in my best with the true tube sound is the clean channel of fender banging. found a volume gain a trble a bass of a CONTRL CONTRL modlisations an intensity of purpose and for the CONTRL effects.

UTILIZATION

The configuration is it simple? Gets it easy to sound good? The manual is clear and sufficient? * ... The decision is easy no major problem.

SOUNDS

Is it your style of music? With what (s) guitar (s) / low (s) or effect (s) do you play? What kinds of sounds you get and with what rglages ("crystalline", " ",....) fatty what are the sounds you prfrez, you dtest? * The sound is typical vintage blues rock'roll'roll and everything it suit.je used with an ibanez ts 1 September blues driver and a wah vox.a captures.

OVERALL OPINION

How long you use it and what is the particular feature you like best and least? Have you tried many other models before acqurir? How do you report qualitprix ? With the exprience, you do again this choice? * ... I use it for 1 month full satisfait.mais not a pro or a junior blues junior.sur what I'd recommend Jeff Beck uses it.

This is a hybrid guitar amp- part solid state, part tube, but different from most hybrids, in that it actually has tubes on BOTH the pre-amp and power-amp sides. The 12AX7 tube on the pre-amp side is not for pre amplification, but at least, it’s there! Two 6V6 tubes on the power side mean you can get power tube overdrive, if you either crank the amp, or run a speaker attenuator in-line- this amp has a jack and plug setup for the on-board speaker, so no need to install a jack.

This amp is advertised as 15 watts, which is probably accurate. Two output channels- clean and “effected,” with all the effects produced by a digital signal processor, or DSP. Amp models are sampled, and reproduced by the DSP, too. Connections include a single instrument input, headphone, and a single speaker out, which in addition to making it easier to run an attenuator, also makes it easier to drive a separate cab- two speaker outs would be nice, but are not provided.


UTILIZATION


The 16 amp models are all quite good, with the Acoustosonic and Champ models being among the best here. Other models like Jazz (after the Roland Jazz Chorus amps) and British are nice to have, and adequate, but I find only about half to one-third of the models are different enough to be worth using- there is considerable overlap between one amp model and the next. Effects are good, too, but limited, in that one can not have, say, reverb and tremolo at the same time. Some effects can be dual, but not all. Although parameters of all effects are not continuously variable- you only have three tremolo speeds, for instance- the level of the effects can be controlled- having control over only one parameter of an effect is just silly, so it’s nice to have both here.

The manual is easy to understand, and useful. I printed out a copy of the page that list the amp models and effects, and put it in the back of the amp, for quick reference.


SOUNDS

With it's own on-board effects, I don't feel the need to use many pedals with it- I use a wah pedal, and if I want both tremolo and reverb, I gotta use a pedal for one or the other. The clean channel is nice to have, for the usual switching between clean and distorted- one gripe I have is Fender uses propriatary foot switch circuitry, and you must buy different foot switches for different Fender amps- so there is an additional $40 expense, as the foot foot switch does not come standard with the amp.

Changing the stock ten inch speaker to a Eminence Ragin Cajun speaker is a popular mod, but I found the improvement was modest. In my opinion, this is not a cost-effective mod. Having that blue-framed speaker peeking out from the cab is cool looking, though.

OVERALL OPINION

This is a clear step above most practice amps, and can be gigged with if things don't get too loud. It does have a line-level out, so you can easily go to the board or a slaved amp with it's signal for more volume, if needed. Given it's versatility, the value is here. I've played many amps, including more than my share of little practice amps and "club" sized amps- this one bridges the gap between both. I would buy this amp again, and recommend it.

For specifications, everything has been said. I just want to add that for this budget, it really happening everywhere.

UTILIZATION

In fact, I only use channel 1.
Upstream, I Blackstar HT Dual pedal, an MXR Carbon Copy and a multi-purpose Line 6 M13.
I use this amp at 3 / 4 of volume / repeat Live allows me to have all the heat lamps and a suitable noise level. I do not like the amp for 50W or more generally, it does not exceed 1 / 3 of Knob. So in the end, a super powerful amp is not operating at full capacity (which I find totally ridiculous).

For "my" use what could be simpler?? Level, and .... euhh .... beh it!! The preamp and amp this small combo satisfies me completely. I use either the EQ or reverb!

SOUNDS

For me it is very good except for one detail, high level (three quarters), the HP'm not too so, first change to make, change the HP!

Regarding emulations:
They are all good to be close to invoice. As I said above it is a good amp saw its value for money, "but" one should not expect miracles either. Emulation emulations are: on the channel, 2 we feel on the compression of digital processing. For me, there is a huge loss of momentum! Too bad! That's why I never use this channel, I prefer good old pedals and a multi FX for small delay and reverb.

If I should note that channel 1, I would put 9 (not 10 as it is not perfect because of the small high-volume low)
But as I have noted the amps as a whole, I only takes 5 because emulations are not transcendent and what effects it has nevertheless brought the bare minimum. Put nothing much we can not intervene in any setting. I would have preferred a little spring reverb rather than a DSP preset fixed! For it must be said, is not that bad either (though ... it's really not killing!) But made not to act on parameters simply irritates me (eg Tempo Delay , tremolo speed, reverb length, etc. ...).

So for the bulk of the default DSP FX and quality of emulations, I do put a small 5! Sorry!

OVERALL OPINION

I use it for 6 months now and my config, I found enormous.
I'll even buy me a second soon to make me a small stereo since the M13 allows me.

I advise everyone who uses the guitar FX pedals and distortion / fuzz / overdrive pedal (screamer, RATS, etc. ...)

So for my use, I put a 9.

Mi lamp - digital mi - 100% nice

2 channels: 1 all-tube and a hybrid

15 watt already sent it ...

Nice trick: an output jack to line out for recording on a sound card

UTILIZATION

Very simple config

Yes we get sounds nice! the emulsion thank you!

SOUNDS

Perfect for blues, rock

This amp is the versatility, you can get a lot of different grains.

I'm surprised its dynamics (at this price!) Fender hit hard with this product

I use a Mexican Start with CS69 pickups and it makes him squarely

Sure it is classified in the early amps range, but worth the detour altogether: the sensation of lamps at home is a luxury for this price! I have a Fender Princeton boxing does not in the same category, but sometimes I leave the superfield xd to do some home studio taken by directly connecting the line out on the sound card. Stunning for this price!

OVERALL OPINION

Great little amp.

At home, in home studio is great. Nothing beats the lights, so when we are all starting to take this tube amp rather than a transistor amp.

Note that the spring reverb is not typed at all yucky! (Though other effects are not great, except perhaps the tremolo)

Versatility very interesting.

Great amp for the price!