5-BAND EQ LAMPS
High pass and low pass
4 Parametric kinds bell (no shelves)
Crant and frequency of 30 to 200 for 1 to 160 800 2, 1 and 3 for 4KH 5 25 4
XLR input and output, and direct connection to patch (jack in very +4 or - 10)
missing my taste a jack unbalanced input (keyboard or instrument) to the front level line in front to be on top!
the same for the exit
The buttons are well spaced it's pretty clear and convenient to use
I think despite all the action are not very accurate when any of the one makes slight corrections
a stereo coupling would have been sympah
but it does not exist on this kind deproduit
can be put on or off each filter
the indication clear sound and the use of correct buttons
In quality it is very musical
made to color an outlet rather a mix or can easily saturate the lamp without this being aggressive
EQ is still soft and a musical regale
the bass is awesome
the acute ass is late but very vintage: must love
c not very crystalline as in Avalon but low medim and serious are monstrous
To have compar at home dtc mind not print photo the more I a good price
1350 new music in the west has bedoule!
aud Essue are manley or Avalon but the price c something else in this price range is impatable I have not test the audio TL that my remains discreet and transparent. the color drawmer
I stick it in the ass a comp ameck 90/98 cl and it makes good
This processor is a stereo equalizer parametric type tubes. The two channels are exactly identical. The connectivity though simple (one XLR input and one output per channel), comes with a stereo channel insert therefore, unbalanced.
An inverter is used to select the high input / output insertion between-10dB and +4 dBm.
In front we have no less than 8 sections inland. The input level is adjustable over a range of 40dB (-20 to +20 dB) and the corresponding potentiometer is surmounted by a bar graph summary of five LEDs.
This EQ has no less than six sections of filtering through channels, each can be independently-off function, in my opinion this is an important asset when adjusting the tone of a modulation to tune and easely make the effect of each section and worked on the sound.
The 1961 is equipped with a high-pass filter input and a low pass output.
The 1961 is an excellent parametric equalizer at the outset but in addition, it is tube, which does not spoil anything, quite the contrary. The tubes are understood in the circuits, and it's a good idea to have, in addition to the four buffers in the EQ section, to have added a pair of dual triode for power output.
Is on this kind of machine that you realize that hybrid technology has completely defensible arguments, and very interesting. The result is very convincing and very musical .. Please note, however, not to saturate the circuit overloads, musicality find it very diminished ..