The M7 is today one of the best rverb the terms of audio performance.
This is a relatively expensive, so I hope rverb test before buying.
I found the socity Digital Media Solutions in the 77 available that can put an M7 and M10 of prt.
Following this test the product sduit me so I ordered two days APRS home ...
try it ladopt
Setup is quick and intuitive, no need to read the manual before use.
The sound quality is impressive especially The models M7 in Version 2.
I had a Lexicon 480, a 960, a TC 6000 before the M7
Stereo Reverb with 2 IN / OUT 24/96 and 2 in analog IN / OUT AES EBU up to 192 kHz,
I / O series for tlcommande M10 M7 can grate 4. and MIDI In / Out
Machine dedicates to rverbration 1U
trs simple to use,
- 12 paramtres common: size pice, ReverbTime, select Early, early rolloff, early / reveb mix, prdly, RT x Low, low cross freq, RT x hi, hi freq cross, low cut sub, Hicut, modulation, density, distribution, ...
- Trs algorytms of "old lexicon" chamber, room, hall, flat, room, spaces
- TAP? trs currently not useful!
- 4 snapshot reminders for favorite programs that can be in-house programs or users rdits Store directly and this site
trs pure architectural style influenced by the PCM70, catch calculator 70's and dials rather close
with regard to return the program name, it returns a little stone age, but hey!!
Hand built in the United States, with relatively unstable currents weaklings, prvoir during a voltage stabilizer, but it heats internally ventilated, predict all the same a little space, it is trs silent, see photo
- Ente card and conversion in / out left
- DSP card in the center
- Card power supply breaks down right
Quite opposed to the current machines, the Bricasti THE FIRST ton costs, both it is far from the current standarts (PCM Lexion and TC M6000)
it is immediately trs resembling the Lexicon 200 or 224X (1983) in the short program, the Halls are also close enough but less dense than the AKG ADR68K which for me is one of the best (1985) and the rooms done everything in the level of 480L (1986 to V.1.0) in darker.
if you like sparkling treble in reverbs, it is better to spend its way and turn to a PCM 70 or 480L that will be a trs well here is made more acute the right, the machine offers a sound pretty rough, just the opposite of his silky the PCM70,
Bricasti the machine is a more raw, more natural, both more and more classic rock than modern lexicons appear immediately sugar and reserved young singers produced by Italian fortune!
* Say it is better to love the sound of the Berlin Philharmonic or radiohead than or Laura Pausini Lara Fabian (a plutt falls well in my case!)
I am a bit of the changes associated with size SETTING THE pice, which is a bit too subtle my taste, less ffective than the lexicon 200 for example. (In retrospect, it's just thinner and prcis!)
The argument against dffacement by the severe (VLF cut) is formidable, and effective music rev. mixing internal Premire rflexions (one 19) and diffuse sound is also simple and effective.
I have now for over 1 year
super super super! , Even more desire to redeem myself a 200 or a lexicon 224XL
Listen to "London flat" superb EMT plate, "Silver plate", "Music Room", "Worchester Hall" or "A & M chamber" which, among other real success stories
trs beautiful machine, not flattering, and trs type is rare today .... a standart! it's on!
Use what this machine is quite nice and intuitive, the information obtained by the LCD screen is enough. Cons by publishing in general can become tedious for all complex programming ..
The reverbs are absolutely beautiful and natural dense, even for long simulations, here we navigate between the old and the EMT 200 and 224XL Lexicon. As highlighted Plastok2, parameter deletion of severe (VLF cut) is formidable, it nears perfection. mixing the first internal reflection and diffusion of the latter is also absolutely beautiful. Used on violins, piano, voice and Rhodes in the studio results suggest frankly flabbergasted, we quickly "sorted" the plugs yet excellent Native Reverb Lexicon PCM and Alti-Verb proposed by the studio .. A true revelation ..
This machine (designed by Brian Zolnir one of the great guru of Lexicon, he must in part 480L and PCM70) was kindly lent me over a period of three weeks, and must admit I ' I struggled to make it .. In architectural design pro, to handle analog sources it buries everything I could listen to now, a word for that use the PCM 96 and PCM 91 and the even more versions prior to pale in hand, what a pity I have no use ..
Obviously the price can be daunting one, but given the intrinsic quality of this machine is not expensive to pay.