[Feature Article] Blind testing - A guide to mixing music - Part 130
In this installment I suggest yet another way to analyze your mix through the ears of other people. The principle this time is very simple: letting a bunch of people listen to your mix without them b…
[Feature Article] Making the best of other's opinions o… - A guide to mixing music - Part 129
Last week we saw a listening method involving someone else, whose opinion we intentionally ignored. As useful as that approach might be, it doesn't spare you from having to actually consider the rema…
[Feature Article] A new look at your mix - A guide to mixing music - Part 128
Judging a mix objectively can be one of the hardest things ever. After all those hours working with a mix, it can be really hard to take a step back and judge it rightfully. And even more so for the …
[Feature Article] Critical listening outside your studio - A guide to mixing music - Part 127
The home studio environment is usually pretty far from the ideal conditions of a commercial studio, so it's strongly advised to check your mixes outside of your work space. With that in mind, today's…
[Feature Article] First retouches - A guide to mixing music - Part 126
After having gone through the critical listening sessions under your normal working conditions, the time has come for some retouches. That's why today I will show you a method that ought to make your…
[Feature Article] Tools to make critical listening easi… - A guide to mixing music - Part 125
Today I'll suggest a non-exhaustive list of tools that can make your life easier during the critical listening sessions of your mixes in your home studio.
[Feature Article] Comparative A/B listening - A guide to mixing music - Part 124
This time we will look at a very specific way of listening to your mix: comparative A/B listening. I cannot recommend you enough this method – it's hands down the most important way to listen to your…
[Feature Article] Critical listening in a home studio - A guide to mixing music - Part 123
Chronologically speaking, the critical listening stage is divided into two phases for any home studio enthusiast: the first one under his/her usual working conditions and the second one outdoors. Thi…
[Feature Article] An interview with mixing wiz Ryan West - West is Thriving in the East
Succeeding as a freelance mixing engineer in New York City is no easy feat, but Ryan West has done it—impressively. Working predominantly on the hip-hop and R&B scenes, his credit list includes such …
[Feature Article] Things to consider during critical li… - A guide to mixing music - Part 122
In order to approach the critical listening sessions seriously, here are a couple of things you might want to ask yourself while at it. You should focus mainly on two aspects, which I recommend you t…