All user reviews for the Marshall MG101FX [2009-2011]

Transo modeling, 100w Marshall connected to an HP 12 "under 4ohms, modeling technology lamps" CSR "

2 Channels: a Clean / Crunch and Overdrive channel divided into two parts OD1/OD2.

Reverb.

Integrated effects.

Like everyone else, I refer you to the manufacturer's website for details, but in practice it is quite comprehensive.

UTILIZATION

The configuration is it simple?

Yes. Not much to say, two channels (a potential crunch on the clean). features are fairly basic, no incomprehensible buttons.


The manual is clear and sufficient? ...

The manual is pretty useless ... really. Two three facts about security, blah, but nothing concrete. Some proposals to address your beast, not disgusting, it can help when you do not know them well to make a base and rework.


Gets it easy to sound good?

Within the capabilities of the amp, yeah. The knobs are quite effective, and intuitive.


Overall nothing to say about the use of the amp. It's basic, it works well. Two three knobs and buttons fun: CSR, contour, in the context of an amp that is aimed at beginners, it allows to discover something else that the volume and EQ gain anything.

Headphones output and an outer loop for effects. Same comment as above, it breaks no three-legged duck but it has the merit to discover these features.

The effects are very imprecise, but it can be used easily.

SOUNDS

Is it your style of music?

Personally I am very Metal. I love the large output levels, tight gains, accuracy, and especially well this incisive and sound.
In this case this amp does not meet these expectations, which is quite normal, whatever the quality of the amp, since we are on a Marshall (or almost), and the mark although sometimes surprising is not known for his amps 'hi-gain'.


With what (s) guitar (s) / low (s) or effect (s) do you play?

For a moment on a Jackson Warrior XT mounted Saymour Duncan SH-13 (Dimebag Darrell), large output level, with a natural V EQ.

Forward with a Cort EVL-K4 mounted (EMG-HZ H4 Bridge and Neck)

Various pedals that marched over the years.


What kind of sound you get and with what settings ("crystalline", "bold", ....)?

I speak very little of the clean channel of the amp. Firstly because I do not use it a lot, and on the other hand because it is quite commonplace. Cold, Law, soulless. Therefore, it transcribes well though the sound of the guitar, really it is very right, which is a plus. But it stops there. I will not say that it is possible to have a 'nice' clean.

On the distortion:

As mentioned above, the headroom is quite (very?) Limited. The sound itself is not terrible I think. Besides this lack of gain, we see a real lack of dynamics. It is soft, it is mouuuuu.

Some of the settings, no way to override this "bweuh bweuh bweuh" specific bad mediums when working a little palm-mute.

The sound does not lack warmth provided when activating the option 'CSR' (which is actually a 'simulation' of lamps. This is not terrible, I mean, it does not ring, but then not all lamp, but it has the merit of bringing a little warmth in the sound). And it is possible a little fiddling to get a clean crunch, but never really effective by the severe lack of attack. Do not disable the CSR, it is useless.

I weigh my words to try to keep an objective opinion, but the saturation of this amp is really disgusting. the sound is too round, really very soft. it seems to have no serious acute on the part of his guitar and when it happens in the treble, although clean, the sound did it this time ... No no bass sustain.

In reality, the real strength of this amp is that it is very very right. As clean as distortion really respects the instrument, no worries on that side. And give him a good positive, it goes very nicely with a pedalboard. It is always a Transo, so exit the real heat, and suddenly the real good sound, but with good pedal that makes coffee (I had for some time a distortion of tube Blackstar, and it sounded. nothing to do with the vile distortion naturally provided by the amp).

To determine the effects ... put a name to an effect, it's cool, absolute ... The delay is very average, not very far chorus, flanger GREATLY increases the volume of the amp .. . This is not bad for mumuse, but concretely, it stinks a little ass.


What are the sounds you prefer, you hate?

To do a quick summary of the pavement above:

The pros:

- Amp very right, respecting the soul of his instrument, and accepting the pedals very well that he sticks to the bottom.
- On secondhand worth more expensive, and always y'en 15 for sale near you, hehe
- 100w adpanne when there's need.
- Can be used to put a synth above, it is once again right.

the -:

- The OD1 channel is useless, the crunch of the clean channel is more dynamic and versatile.
- The OD2 channel is awful, not the slightest aggression (And I'm not saying this because I play Metal, really there's nothing to do).
- The higher up the volume, the more they draft: (


OVERALL OPINION

How long have you use it?

I have a home now for 6/7 years. I used both in amp head that repeats at the start.


Have you tried many other models before buying it?

It was my first 'big' amp, I had some Transos smaller forwards, but old, secondhand. I keep in mind when I bought it was day and night.
Since I had some 'all-lamps', and ... Day and night hehe


What is the particular feature you like best and least?

See above most is that it is right, and very receptive to good instruments and pedals. The less ... Well, it's that it's shit what.


How would you rate the quality / price?
With experience, you do again this choice? ...

At the time, the value was disastrous. it was costing more than 350 € for a big transo unusable without pedals, really is the fact that it is stamped Marshall did buy me ... The Line6, Roland Cube and other modeling amps sound of time, often less expensive, are really much better.

Today, they are found secondhand for a pittance, and I think it's worth much more instantly. Do not get me not to say stupidity, they may have to be corrected this, but I guess it's better than a secondhand Marshall 100DFX the recent new MG range. But I have not tested, so this is a guess.

Is what I would do this choice? mmh ... Nine not, secondhand yeah.

I would just like to say that I always use regularly today. When I train at home, the big 120W lamps is not made for it, and it helps me altogether.

Specifically, for a beginner or for practice, it's not bad. Just do not buy a new one. It's bullshit that the new Marshall MG: p

Hoping that I think can help.

transistor with FX 100w

UTILIZATION

easy, I personally only use the OD .2
gain in half, Tube Screamer and Strat, perfect for me.

it is so dynamic that it is sufficient to lower the volume knob to lighten her, and vice versa etc thingy.

I love the delay too, which sounds very "tape echo" greasy anything
we just adjust the volume of the effect, this is VERY good.

SOUNDS

I did 2 live ch'tit with the sound is fabulous.
solo is ecstasy.


very dynamic amp, it intends different sounds of the 5 positions selector. (which dear to my heart)

home no need to Tube Screamer .... rarely say.
live for solos yes, it is better ..... for single pickups.

OVERALL OPINION

I use it since ... Mmm .... I dont know more, 4 years I think.

I think he has a very nice grain, very Satrianien, and is very dynamic.

and I do not get it at all why so many people down the ....
good, too bad for them.

I tried a combo JCM.2000 bin .... I did not find better than my amp .....
I find very close in sound signature and feeling ..... but not better.

this is a very good amp that MG.100.dfx
that I should find myself a second yours

Transistor, 100W, Intgr effects, 4-channel presets, effects loop, ...

UTILIZATION

Trs simple, however ncessite a little time to adapt if it is your first amp (but you get used to rev faster).

This gives a good sound very easy.

The manual is clear and helps beginners with this amp (including presets).

The presets are very practical for concerts and to switch between one another's (light / crunch / distortion) via the footswitch, you can also prselectionner effects on a channel in order to have timely which replaces the effect pedals.

SOUNDS

It is perfect for rock / hard rock / blues.

I use a Gibson Les Paul and the sound is very well for a transistor. The clean sound is excellent for a Marshall.

OVERALL OPINION

I use it for a year. I have tried many other models before buying.

I would do what choice for the quality of the amp but I now search for new sounds and I am obliged to leave: (

I highly recommend it for beginners in a group and for the first concert!

Transistor 100 W 4-channel presets. I add the footswich comes with very practical. Say anything more, everything said in the previous ones t notice.

UTILIZATION

The use is very simple, for new as to confirm them, we obtain easily the DSIR.

The amp is versatile and makes four channels allow you to change rglages quickly. In short, ideal for rptitions as for concerts.

SOUNDS

Despite crunch means, the receiver catches up clear sound just wonderful for a marshall. The overdrive typical of the brand have come close to me. Ideal for any rock, blues, hard rock ...

OVERALL OPINION

Owner of this amp for 6 months I can only recommend this marshall able to play with any guitar! Some great concerts vcus with this amp, the price the Do not hesitate if you want to point you in the sounds rock.

Transistor, 100W, integrated effects, 4-channel presets, effects loop, ...

UTILIZATION

Very simple, but requires a little time to adapt if it is your first amp (but you get used very quickly).
We obtain easily a good sound.
The manual is clear and helps us start with this amp (including presets).
The presets are great for concerts and can switch from one sound to another (bright / crunch / distortion) via the footswitch, you can also preselect effects on a channel in order to be on time which replaces effects pedals.

SOUNDS

It is perfect for rock / hard rock / blues.
I use a Gibson Les Paul and the sound is fine for a transistor. The clean sound is excellent for a Marshall.

OVERALL OPINION

I use it for a year. I tried many other models before buying.
I would do well this choice for the quality of the amp but I now search for new sounds and I am obliged to leave: (
I highly recommend it to start in the first group and concerts!

I tried this amp again in a rather loud volume ....
We will do for short features, 100 Watts amp (hum hum ..) transistor, 2 channels light / crunch, OD1 / OD2. 4 built-in effects no top at all apart from the reverb not too bad, all you need to not annoy the neighbors (headphone, line out, effects loop, etc. ..)
the buttons on the front are nice but overall are not much (at least its most garish, distortion more or less messy .... that's it ..)
HP 12 'frankly cheap in sound reproduction.
otherwise, look pretty good issue, but what is it for a good sound?

UTILIZATION

To the first question, namely, the config is it simple, I say yes to who has an IQ above 12!

To the second question, "we get a good sound easy?" I would say it is almost impossible to get a good sound!
not a fan of screaming marshall, I develop the next chapter.

The third issue of the manual, I know, it was not in the studio ...

SOUNDS

Let me be clear, I do not know if he has not agreed a particular style. I owned a MG30 in the past until something better, and what can happen with a 30W transo used to play with or without ambition of their particular spend a lot less with a so-called 100 W repeats oriented rather see little gig in bars.
I played on this thing with my 57 classic Riviera mounted and it was the horror ...
its a draft, a feedback greater than what can cause my JTM30 a volume equal a poor sound diffusion, very right (big if you put on the side of the receiver seems more dull sound) and this again and again Feedback huge (and that's all he even has a huge ....) m 3 forcing me to mute the sound between the tracks.
the distortion is barely audible a slurry, the light is ok, a little slam and not too ugly but very cold and not very musical.
This was true with the rest of the MG 30 with 100W, the FDD circuit is a selling point, do not expect this approach would sound a little light, it really has nothing to do . those who tell you otherwise are either seller or have never played on a tube amp in their lives.

OVERALL OPINION

As you can see, I is definitely not like this amp. anyone who has played once in his life on a marshall transistor even at 15/20 years ago knows what I mean.
the old Valvestate series although not extraordinary, but consistent, giving more, and it is not even comparable to the old 5275 series or the master of the 80's that lead them sounded really no course marshall meet the sound of their big brothers lamp, but the fat british rock'n'roll spirit was there.
So if I have an advice for a young Scrooge who dreams of English legend but can not afford to invest in a JVM, if the budget is € 350 (price of that thing nine! ! yeah anyway! ...) he eyeing an opportunity to (a VS 100 to cost a hundred dollars, a 200/250 in 5275 but was finding harder ..)
€ 350 and then in time, you can access easily to all-tube 30W and there you really underfoot noise level power and heat ...
short, no sound, after all, average power, a low HP, it's expensive paid the logo of a legend on the front .....

All told t

UTILIZATION

So the sounds are fairly simple to get when you know the amp, but beginners may break your teeth on it. For my part, I put a lot of time finding the sound that I liked, but now that I realized the trick, just a break with little head
Regarding the manual, the vendor does to me simply not provided.

SOUNDS

Without the amp simulation: ugly, whatever I do. No way to get a sound with a minimum of dcence except pe with audio, and more. It's cold, it's flat, it's ugly.

WITH simulation: it is the longer the same amp.
Obviously, it did not full the charm of lamps, but they get it quickly QQE right thing, for all styles.

In terms of effects: the rverb prcise is beautiful and the FX, the same.
The overdrive is 2 trs good to play hardrock and large fully satisfied me when I played on passive humbuckers. EMG on my assets, for against, it is sorely lacking in power and is full of interference, but at the same time, when we pass from the EMG, we take an in gnral of distortion pedals adapt to the passage (while waiting to have it, I stretch my pdalier BOSS ME-50 and my behringer ultra-metal (shame on me))
The OD1 allows me, with a legalization prcise to obtain a small effect of old marshall, nice to type in an old rock or blues on occasion.
The crunch: be it with my old pickups with emg and I always find ugly, but I am the ultimate test: the stratum 'of my friend should be able to turn it up in my estimation (the crunch on humbuckers, I never hang)
Positive: full volume, a REALLY hard g ******, the power is amazing, while keeping the quality of sound

ADD: I finally test this srieusement crunch, it gives, there is no complaining, it is quite honorable of a good guitar.

OVERALL OPINION

Most:
overdrive, although qu'inadapt with active pickups
the effects of bne qualitbr /> power

The -:
Resistors of the footswitch, the APRS cable DCON one week
overdrive unusable with my emg: '(
The report price is not quality is what I've seen better, but the amp the advantage of being trsrsistant, I think it should take a long time despite intensive .

In retrospect, I regret even when just this amp. I bought it for its power, and now realize that it will serve me even when nothing. If I had to buy an amp, I would choose a good full-plutt lamps slightly less powerful, or a large lamp with a full JCM 4x12 "1960, to as large

See previous ones opinion

UTILIZATION

The config is intuitive (at least on paper), no need to book.
on the other hand in terms of finding the "right sound" I think it's impossible (see below) less be deaf! To limit the damage, it is better to start the FDD and RVer amp to have a lamp! MDR
The overdrive on the clean channel is unusable as the jump in volume between the light and the sound is standard crunch.
The EQ is zero (the knobs mdiums ragissent does not at all) on this point this amp is at least Fidler other Marshall.
For effects, you must juggle a single knob to select and rgler 4 effects (as well say that the speed of rgler ms delay the fourth race of the knob Relva feat).

SOUNDS

The FDD button toggles sound "horrible" "ugly".

The clean sound is the worst. We can not say Marshall is experts in the Contents, but they are the surpasss! The sound is flat and has no DEFINITIONS in mdiums / treble.
OD1 found on the color Marshall if you are not too demanding (sound AC / DC what the poor!) Against the other when passing in saturated infme was a soup that has the advantage of hide all the mistakes of play as it is impossible to distinguish the notes to one another.

Also this amp has a knack for transforming high-end guitars in pans. I had a better sound with the Ibanez range between 100 to my cousin with my PRS Custom 22!

The effects are acceptable, the chorus is even good plutt (add impractical on its clear).

Note: euhhh ...... go for a crunch and the chorus

OVERALL OPINION

I was told that Marshall is no longer what c'tait but I did not think this! The British firm is now a shadow of itself and does not rest on its reputable for us to lay stuff at Jim Harley and Behringer (except the price).

I tested this amp with my cousin, the (unfortunate) Owner 'of this thing, and my old Valvestate ct passes for a Dual Rectifier! Today I play on lights at all, but I just want to warn beginners who want to find a good sound and power for not too expensive.

The report qualitprix (300) is dplorable compartment that can be found at Vox and Fender (with pramp lamps and more).

Exprience with: a leak absolutely!!

This is the 100 watt amp in this series. They have wattage amp that range from all over the map for these amps. This one ha basically the same features and tone as the others but just in a 100 watt version. They produce a usable tone and nice jamming type practice amp for someone needing something with built in effects.


Marshall MG100FX Features

* 100 watt output
* 4 storable channels
* Digital effects including Delay, Chorus, Phaser or Flanger
* Digital reverb
* Power amp damping
* MP3/Line input
* Emulated Line/Headphone output
* External Effects Loop
* MG footcontroller compatibility


UTILIZATION

Reverb & FX
The MG100FX amplifier provides three simultaneous effects, Reverb, Delay and one of three Modulation effects (Chorus, Phaser, or Flanger).

Tap Tempo
Use tap tempo to set your delay times as easily as tapping your foot. Tap Tempo switch is used for the Delay effect only.

MP3/Line In
Jam along to your favorite bands or personal recordings by connecting to your MP3 or CD player to this convenient 1/8 inch input jack.

Headphones & Line Out
The Headphone/Line out provides speaker emulation, so you can hear your guitar like its being blasted through powerful speakers or record direct to a source without using a microphone.

Damping
Make it sound like your using 2 completely different amplifiers. When Damping is Off the power amp response resembles the feel of a classic power amp with emphasized middle and limited bass and treble. Switching Damping On will boost the speaker resonances both in the bass and high frequency ranges.

FX Loop
The FX Return socket on the rear panel is used to connect the your favorite external effects pedals or processor. The FX loop is series and set at instrument level so both guitar FX or professional units can be connected.

SOUNDS

This is a good practice amp and that is about it. It is beyond me why you would need 100 watts of solid state tone, but hey whatever works for them. Don't try to go out and gig with this amp though because the sound man will laugh you right off the stage. Use a good Gibson Les Paul with this amp or another guitar with a humbucker style pickup in it. You need that extra coil to try and tame some of the harsh frequencies inherent to this amp.

OVERALL OPINION

These amps come in new right at around $550, which is a bit high for me. This is not a tube amp and does not have the fell what so ever of a real tube valve amp. You can find other amps used and new with tubes for less than this. Start with Blackstar and you will get a solid sounding tube amp. You won't get the effects but who cares. It is a much better performing amplifier.

This is Marshall attempt at the introductory amps for the beginner or low budget guitar players. You get 100 watts of power and a front end digital processor. Along with the reverb in the the amp it has several other effects such as Chorus, Phaser, Flanger, Delay. For the quiet player it has a headphone input so if you desire to play at home quietly or in your office this is a great feature.

You get four channel for quick jumping and storage. This is easy for those with limited space and money and don;t want to shell out a ton of money for amps, cabinet, and effects galore.

UTILIZATION

Features
100 watt output

4 storable channels

Digital effects including Delay, Chorus, Phaser or Flanger

Digital reverb

Power amp damping

MP3/Line input

Emulated Line/Headphone output

External Effects Loop

MG footcontroller compatibility

SOUNDS

This amp is not a tone monster and will not and should not be on any stage where I play. This is a basic practice amp and light jamming at home amp. You get four programmable channels with what ever effects and distortion/clean/crunch tone you like. So if you want four different tones that you can quickly jump to and from then this is a good amp for that. You don't need to go out and buy a bunch of equipment and effects because all of the are right here built inside. That is fund if you just need to practice at home or in the office. This amp sound best with a Gibson Les Paul or Sg. I love the Marshall's and Gibson s just connect tonally.

OVERALL OPINION

At the new price of about $499 it isn't that bad of a buy. If you are looking for a good amp that you don't have to worry about and just need for practicing or silent playing and you need that Marshall tone then this is a good amp for those purposes. This isn't going to go on stage anywhere or be good for recording, but if you need simplicity in a practice amp then this is a great amp for that. It has a good enough tone for getting your chops down or feeling out the neck of the guitar. I would recommend this to any Marshall fan looking for a solid practice amp.

These amps are basically Marshall's introductory series amps for the low budget individual. The amp doesn't sound all that bad but won't compete with a JCM 800 or a plexi in an way. The tone from it is a bit harsh as expected for a solid state amp, but fun to jam on at home. These are not stage amps and just because it says 100watts doesn't mean you should have enough power to play a gig. The thing sound like garbage in a band setting. Plus you don't want the sound man to look at you and laugh because you brought this thing on stage with you.

Marshall MG101FX 100-watt Guitar Combo Amp with Effects and Reverb Features:

Output: 100 watts RMS
Speaker: 1 x 12"
Channels: Four, storable
Digital effects, digital reverb
Line in for MP3 and other music players
Headphone/line out with speaker emulation
External effects loop
Power amp damping
2-button footswitch included


UTILIZATION

Details
Type Solid State
Number of Channels 2
Power 100W
Speakers 1 x 12"
Effects
Reverb
EQ Bass, Middle, Treble
No Amp Modeling
Preamp Tubes No Tubes
Power Tubes No Tubes
Inputs 1 x Instrument, 1 x MP3/Line (1/8")
Outputs 1 x Headphone (1/8")
Footswitch I/O
Effects Loop
Height 20.79"
Width 23.27"
Depth 11.14"
Weight 44.1 lbs.

SOUNDS

Honestly save yourself some time and but a Marshall JCM2000 for a little more than the asking price of this. you can get one used for around $650 now a days. This thing belongs in the trash along with most of the Vox products being produced today. Peavey even has some amps that are tube driven for around this price and sound much better.

It doesn't matter what guitar you are using because it will color your guitar tone to trash when plugged into this amp. If you are simply looking for a practice amp and are set on it being a Marshall then maybe you can get away with this amp. It does have some effects on it which will save some money and time for the beginning guitar player.

OVERALL OPINION

At new these amps come in at around $480, which is a bit high comparatively to a Roland amp or Peavey amp that is solid state and basically does the same exact thing.

I am a huge Marshall fan and I would say save you money for a JCM2000 used or a Peavey 6505 and get a cheap Boss delay pedal and you'll be set.

hello

all features have been mentioned above or below ^ ^
So 100watts
15In one of knob settings
taking guitar (ahh good!)
an effects loop in a power cd etc etc. .....

UTILIZATION

The amp itself has a lot of button to know a lil bit settle anyway eh!
Personal manual I've never opened ^ ^
get a good sound with this amp made it obtains no right its not exellent but corect. At first it was quite Simpati but soon makes the ride!

sound level is clear:

Normally, the sound is warm but not cold either it sounds about right

for the crunch:

I find it simply infamous blues should sound it sounds metal sound is over-compress amateur blues you've finally understood!
Canal OD 1:

I like the sound or the gain to 6 before it was unlike anything after it's horrible

OD 2 channel:

I use it just when I want a sound enough lead with the contour has 10 reverb his pass was about.

SOUNDS

Me I should have a party for my rock style but not the rest is horrible for the blues

the clean sound is still pure enough and fat enough disto

I play a gibson sg

I like the distortion to try to get closer to his style of AC / DC but not super super so I'll invest in a tube amp

OVERALL OPINION

I use it for a year
I love her like no distortion OD1 crunch sound effects that compress the sound
it is still a bit cherro
I do not think I'll buy this amp if I had the time to test it.