I use the head with the cabinet TB100H ad-hoc TB412A Ibanez. I think therefore covers the torque head and cabinet TB100H TB412A.

Transistor amplifier
120w rms into 4 ohms / 100W RMS into 8 ohms
Output 2 HP - footswitch connector (reverb, boost, channel, mid shift)

Reverb

Boost - 2 EQ bass / medium / treble - independent reverb for each channel - presence

Effects loop - headphones

Cabinet 4 x 12 "it seems the HP Ibanez Powerjam
Power handling 400w rms of Baffle (800w peak) in mono - 200w RMS stereo (400w peak)

UTILIZATION

Simple config:

one branch, it sets the gain, equalization and forward the music!
No need to tamper for 1 hour to operate this amp.

EQ very effective to the proper awesome sound.

SOUNDS

Instead, I play Rock / Progressive Rock / Blues. It suits me perfectly for this purpose.

First, the distorted sounds: It's not too bad for a transistor amp. But it lacks dynamics. It's not in a good Marshall ... but better than some Fender transistor distortion.
As against this crunch gets great sounds using the boost on the clean channel. Bluesy and it is very hot. A very good crunch ...

Now, sounds clear: There great surprise! It's slamming, relatively warm and clear. Can be crystalline or oily depending on the settings. Many relief and above all a holy potato
We can not say that it has its own personality, but its low coloration can reveal precisely the effects of their personalities without having a sound too typical.

So if the channel distortion is not for you, connect a good pedal on the clean channel.
So I had the opportunity to push the amp hard. It does not seem to saturate easily sounds clear. My ears are saturated faster ...
The truly serious bump!

However, forget the reverb. It is pretty bad.
I put 8 / 10 because the distortion and reverb are top ...

OVERALL OPINION

If emcombrement a stack does not scare you, then this amp is ok.

He has a great clean sound but the channel is not saturated terrible. The addition of a pedal is needed.
He developed a sacred power and with the trunk. Manufacturing seems serious.
I, who swore by the tenors of the market (Fender, Vox, Hughes & Kettner), my curiosity prompted me to try this amp. I do not regret at all.
When I think that some time ago, I found it crazy to have a stack. Because it's too big or too loud, etc ...
Well now I find it difficult to return to a combo. I never had a combo that sounded as well and yet I had some (Fender Performer 1000 / Fender Roc Pro 700 / Peavey Classic 30 / Behringer GMX 212 / Marshall Valvestate - MG100DFX)

Unless my back screams of pain when moving frequently ...