Summit TLA-100A - "MUST HAVE FOR VOCALS"
Simple not much to it but a must have for vocalist that have no technique. I have used this piece for over 7 years and it never disappoints me. It is a must have on the front end of singers that have…
Summit TLA-100A - "great hardware"
The Summit Audio TLA 100A Tube Leveling Amp is well worth the high penny that it cost. This unit has a classic design feel to it, there are no extra special designs on it. Its just plain and simple,…
Summit ECS-410 Everest - "on a budget?"
The Summit ECS 410 channel strip in my opinion is the best channel strip you can get for your buck. Both the pre-amp section and the compressor section are extremely useful. Most of the time I will r…
Summit MPE-200 - moosers's review
The Summit MPE-200 is a high end microphone dual channel preamplifier and equalizer. It was designed by Rupert Neve in tandem with Summit Audio. It's got analog circuity, but works with LED screens…
Summit 2BA-221 - moosers's review
The Summit 2BA-221 is a single channel microphone preamp that has variable impedance and vacuum tube outputs. It it made up of solely analog components and has both XLR and 1/4" connections for inpu…
Summit FEQ-50 - moosers's review
The Summit FEQ-50 is a single channel passive equalizer made up of analog components. It has XLR connections as well as 1/4", including options for output routing through either the tube or solid st…
Summit DCL-200 - moosers's review
The Summit DCL-200 is a dual channel compressor/limiter in the form of an analog piece of outboard gear. The unit has XLR connections for inputs and outputs, and also has 1/4 inch connections for li…
Summit ECS-410 Everest - moosers's review
The Summit ECS-410 Everest is a very modern looking channel strip consisting of mic preamplifier, an equalizer, and a compressor. The unit has both a solid state and tube make up, and you have the o…
Summit TD-100 - moosers's review
The Summit TD-100 is top tier tube based direct input box. I haven't seen too many models like this that are tube based and are only an instrument and not mic pre amp. The unit is an analog one tha…
Summit 2BA-221 - aligi's review
translatedTransistor technology and lamp I had to buy an extension for the power Racker Extensive connection that lets you do many things. UTILIZATION For a small mono amp can be configured quite compl…
Summit TLA-100A - U-FLYstudio's review
translatedHybrid compressor lamp (12AX7A) Type "leveler" Selector 115-230V, External side chain can selection on the rear panel: symmetrical or asymmetrical UTILIZATION leveler easy to use, reduc…
Summit EQP-200B - " musical and sweet"
translatedPultec EQ schematic stereo tube UTILIZATION simple is degreased with the bass cut filter and the filter with a soft reboost similar to the high side with a slightly grainy for the medium and ve…
Summit FEQ-50 - " The top in this price range!"
translatedIt is a monophonic analog equalizer. 4-band passive. The gain is compensated only at the chain ends via two outputs combined. One lamp in class A, the other transistor in class A / B. I / O: Com…
Summit TD-100 - " Impeccable!"
translatedDirect box / instrument preamp lamp input jack for instrument Direct output jack out in frontage polarity and ground control in the back: XLR headphone Unbalanced output Rackable wit…
Summit TPA200B - vix's review
translatedThis is a hybrid preamp bouble very good. Hybrid means that half work with lamps, with half of the transistors. Connections: 2 XLR mic in, 2 XLR line out, 2 balanced line jacks in, two asymmetric j…
Summit TPA200B - Rainqlm's review
translatedSee above. A 9 / 10 actually common for the 48v 2-way Small precision is a 2U rack! UTILIZATION Big buttons, good sturdy switch well. Turn the gain knob to attack the lamp is a vritable fu…
Summit TPA200B - sachaa's review
translated... UTILIZATION It's really simple, two pots per channel. SOUND QUALITY Superb sound quality, its warm, clear and transparent (no color). The summit compress slightly if I'm not mistaken ev…
Summit MPE-200 - U-FLYstudio's review
translatedDouble microphone preamp with 2 channels 4-band parametric equalizer, 4 physical inputs and 4 outputs (2 for the pre amp and 2 for the EQ) which allows a compressor to put between each channel, for…
Summit 2BA-221 - graigue's review
translatedVariable impedance microphone preamp, Mic / Line tube direct box, a half rack. The solid, 3.7 kb! The buttons a bit fragile perhaps, but do with time ...! The 2BA-221 offers entry-level microphone…
Summit TLA-50 - milkie's review
translatedIt is a mono compressor Limit lamp, while analog simply. The 12AX7 is a Ruby, I replaced it with a NOS Sylvania ..... much better! input and output XLR and JACK UTILIZATION Super easy to us…
Summit TLA-100A - " Epatant report QualitPrix when used!"
translatedAnalog mono compressor rack. Hybrid lamp / transformer. No PC edition XLR connectors for input and output jack for side-chain and the link for the treatment stro. No Midi connectors. The box is stron…
Summit 2BA-221 - ahura-mazda's review
translatedCHARACTERISTICS to see other opinions that dtaillent trs well. The Routing options are really INTERESTING. Half-rack. UTILIZATION I have used it for a year primarily for voice. The manual is clear …
Summit 2BA-221 - The straws's review
translatedPrampli Hybrid mono possdant several advantages of gain and output that offers many possibilities! Connections: Entries: - The line between traditional jack - A classic among Microphone -…
Summit TPA200B - lunt's review
translatedBranch on a motu 828 mkII UTILIZATION Thanks to record guitars drive which allows for excellent decision-saturated guitars (the drive acting to excite it brings out the harmonics and other driv…
Summit DCL-200 - realc's review
translatedI use DCL200 studio pro for 3 years and I do not get enough! This is a dual mono compressor with stereo link button, tube and transistors ... and that's what is beautiful. It is dynamic as the transi…
- 1
- 2