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siewicz
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Published on 04/07/11 at 10:1140W all-tube amp
2 Entries
HP 12 "Eminence
Canal Clean / Lead with Bright for clean
3-band EQ, Reverb, Presence, Effects loop.
Footswitch (Channel / Reverb)
A small vintage tremolo and it'd be great!
UTILIZATION
Extremely simple to use without falling into Minimalism (rocker30 without reverb, or loop, for example) and sublissime sonority (covers as his counterparts from other brands, and even in fender).
Note nevertheless that dépotent 40W max. The sound comes out between 1.5 and 2, and 2 you're already on top of everything!
I will complete the occasion.
SOUNDS
The amp only at first.
All channels, the peculiarity of this amp is the surgical precision of sound. Guarantee of high quality. The clean is simply sumptuous. Very bluesy on it, but at the same time it fits well with everything. The crunch going very well, always very precise very dynamic, fat or sharp or bland.
Tests music store, direct comparison with Blackstar HT CLUB40, AC15CC1 Vox, Laney VC30 112, Fender Hot Road III Deluxe and Deville 412 Fender Hot Road
The Blackstar is completely overwhelmed I do not go on, and the Laney seems bland, like a transistor can seem bland beside the laney. And I wanted to return to his british vox, this trial has completely discouraged me. The vox is totally unbalanced, poorly regulated, rather than cutting edge, it now seems shrill and without the presence of very poor quality (made in china requires).
Where it gets interesting is to compare with other Fender in the same range. The Hot Road Deluxe is disqualified. The clean although already very well is much less accurate when the crunch, we do not know that Fender wanted to do ... kind of a big ugly any disto impossible to settle with a more "more drive" that does not help. In contrast, the Deville is much in this tradition of quality. Its a little different, a little far by its distribution (410 anyway), but we keep the precision and beauty of sound as clean as on the crunch.
Indirect comparison with Peavey Delta Blues and Orange Rocker 30
I own the DeltaBlue few years now, and that is to replace as I am led to all these tests. The comparison is not the easiest (spent lamps ... I do not remember most of the original sound), but knowing that I had not bought the light I remember a great amp that stays in the same lineage. With perhaps a little less precision, a clean equally warm, but low overflowing when properly adjusted.
The rocker 30 was another blow to the heart, but the price, there is no switch, reverb, loops, in clean form of equalizer that even if the sound is fine (much shot british rock) the criteria disposal are very numerous.
Comparisons made by playing Gibson Les Paul Std 93 'Classic 57/57 + and equipped Gretsch Electromatic g5120 equipped with TV Jones.
OVERALL OPINION
Pros:
All except the least.
Cons:
No tremolo (I have on my DeltaBlue, vehicle dynamics and is well on certain types of songs), but hey, we're not going to make any cheese.
The volume, which is immediately very high. (Master Volume and channel
2 Entries
HP 12 "Eminence
Canal Clean / Lead with Bright for clean
3-band EQ, Reverb, Presence, Effects loop.
Footswitch (Channel / Reverb)
A small vintage tremolo and it'd be great!
UTILIZATION
Extremely simple to use without falling into Minimalism (rocker30 without reverb, or loop, for example) and sublissime sonority (covers as his counterparts from other brands, and even in fender).
Note nevertheless that dépotent 40W max. The sound comes out between 1.5 and 2, and 2 you're already on top of everything!
I will complete the occasion.
SOUNDS
The amp only at first.
All channels, the peculiarity of this amp is the surgical precision of sound. Guarantee of high quality. The clean is simply sumptuous. Very bluesy on it, but at the same time it fits well with everything. The crunch going very well, always very precise very dynamic, fat or sharp or bland.
Tests music store, direct comparison with Blackstar HT CLUB40, AC15CC1 Vox, Laney VC30 112, Fender Hot Road III Deluxe and Deville 412 Fender Hot Road
The Blackstar is completely overwhelmed I do not go on, and the Laney seems bland, like a transistor can seem bland beside the laney. And I wanted to return to his british vox, this trial has completely discouraged me. The vox is totally unbalanced, poorly regulated, rather than cutting edge, it now seems shrill and without the presence of very poor quality (made in china requires).
Where it gets interesting is to compare with other Fender in the same range. The Hot Road Deluxe is disqualified. The clean although already very well is much less accurate when the crunch, we do not know that Fender wanted to do ... kind of a big ugly any disto impossible to settle with a more "more drive" that does not help. In contrast, the Deville is much in this tradition of quality. Its a little different, a little far by its distribution (410 anyway), but we keep the precision and beauty of sound as clean as on the crunch.
Indirect comparison with Peavey Delta Blues and Orange Rocker 30
I own the DeltaBlue few years now, and that is to replace as I am led to all these tests. The comparison is not the easiest (spent lamps ... I do not remember most of the original sound), but knowing that I had not bought the light I remember a great amp that stays in the same lineage. With perhaps a little less precision, a clean equally warm, but low overflowing when properly adjusted.
The rocker 30 was another blow to the heart, but the price, there is no switch, reverb, loops, in clean form of equalizer that even if the sound is fine (much shot british rock) the criteria disposal are very numerous.
Comparisons made by playing Gibson Les Paul Std 93 'Classic 57/57 + and equipped Gretsch Electromatic g5120 equipped with TV Jones.
OVERALL OPINION
Pros:
All except the least.
Cons:
No tremolo (I have on my DeltaBlue, vehicle dynamics and is well on certain types of songs), but hey, we're not going to make any cheese.
The volume, which is immediately very high. (Master Volume and channel