![Peavey Classic 30 [1993-2004]](https://img.audiofanzine.com/img/product/normal/9/7/971.jpg?fm=pjpg&w=300&h=218&fit=max&s=c97e865d04817f309b910f3c6ef74832)
View other reviews for this product:
ianker
Published on 04/07/11 at 11:25
Tube amplifier 30W Class A. Reverb, 3 band EQ (shared with 2 channels), effects loop, external speaker output. In this price range, difficult to ask for more.
UTILIZATION
Configuration could not be more simple, just turn the knobs. The manual does not really, except for the usual precautions, perhaps. This gives a good sound quickly.
SOUNDS
I play mostly rock (in the broadest sense, without going through metal), and this amp suits me perfectly.
The clean sound is very round, and the crunch is absolutely fantastic. This is the main reason that made me buy this amp over another, it's clear who can adapt to any style of rock easily. Moreover, the effects go well on this amp, which is not always the case on other models I've tried. The overdrive channel is not bad, but I'd rather use a dedicated purpose. The reverb is excellent, settle very sparingly (it quickly becomes a mess).
I usually played on an SG (thus 2 humbucker) and a fourth body type ES135 (always humbuckers). I also use an Ibanez UE400 Multi-effects.
OVERALL OPINION
I use it for a little over a year in a home studio Treaty (so I can push the amp as loud as I want).
I tested many models before finding one that is best for my use and guitars that I use. I'm not allergic to transistor amps, so I really tried a little of everything. Finally, I stopped on a Roland Jazz Chorus, the Orange AD30, Vox AC30, and Classic 30. I have known Roland for several years, and I find it really enjoyable to play, but he married badly in my guitars. At Orange, it does work well, but the sound is pretty distorted when we use external effects. Vox had my preference, but I really fear that the sound is not versatile enough (it really typed in Vox, which is also the charm of this amp). Finally, the Classic 30 was best suited to my needs.
What I like most:
- Clear sound and crunch
- Reverb
- Effects loop (despite the fact that there is no knob to adjust the level, it's nice to be thought)
- Can be used for heating in winter (oh yes, it heats hard!)
What I like least:
- No standby
- Can make you deaf (for the 30W, it rocks really)
- Very heavy, fortunately I did not move
Ultimately, the price / quality ratio is exceptional. Of course, you should try this amp with your guitar, because it really varies from one skyscraper to another. I remake that choice without hesitation. If I had more money, I would certainly broaden my other amps sound mix, but I would keep the Classic 30 which was really a versatile sound (keeping a record blues / rock though).
UTILIZATION
Configuration could not be more simple, just turn the knobs. The manual does not really, except for the usual precautions, perhaps. This gives a good sound quickly.
SOUNDS
I play mostly rock (in the broadest sense, without going through metal), and this amp suits me perfectly.
The clean sound is very round, and the crunch is absolutely fantastic. This is the main reason that made me buy this amp over another, it's clear who can adapt to any style of rock easily. Moreover, the effects go well on this amp, which is not always the case on other models I've tried. The overdrive channel is not bad, but I'd rather use a dedicated purpose. The reverb is excellent, settle very sparingly (it quickly becomes a mess).
I usually played on an SG (thus 2 humbucker) and a fourth body type ES135 (always humbuckers). I also use an Ibanez UE400 Multi-effects.
OVERALL OPINION
I use it for a little over a year in a home studio Treaty (so I can push the amp as loud as I want).
I tested many models before finding one that is best for my use and guitars that I use. I'm not allergic to transistor amps, so I really tried a little of everything. Finally, I stopped on a Roland Jazz Chorus, the Orange AD30, Vox AC30, and Classic 30. I have known Roland for several years, and I find it really enjoyable to play, but he married badly in my guitars. At Orange, it does work well, but the sound is pretty distorted when we use external effects. Vox had my preference, but I really fear that the sound is not versatile enough (it really typed in Vox, which is also the charm of this amp). Finally, the Classic 30 was best suited to my needs.
What I like most:
- Clear sound and crunch
- Reverb
- Effects loop (despite the fact that there is no knob to adjust the level, it's nice to be thought)
- Can be used for heating in winter (oh yes, it heats hard!)
What I like least:
- No standby
- Can make you deaf (for the 30W, it rocks really)
- Very heavy, fortunately I did not move
Ultimately, the price / quality ratio is exceptional. Of course, you should try this amp with your guitar, because it really varies from one skyscraper to another. I remake that choice without hesitation. If I had more money, I would certainly broaden my other amps sound mix, but I would keep the Classic 30 which was really a versatile sound (keeping a record blues / rock though).