All user reviews for the Peavey ValveKing 112

Oops, erreur.cet notice is for the 212 and not the 112 !!!!!

t said anything adj
missing perhaps a line output

USE

Super simple, I try the plug-and-play and is the cas.pour my zic style, 3 sound enough.

SONORITS

For rock is bon.le its clear aime.faut is hot as I say that I spend the hybrid to the all-lamps ...
the boost is a more apprciable for virtually have a 3rd channel.
the other guitarist plays on Hot-Rod with a Les Paul, and now I pierce the mix without pb, which n'tait not the case with my hybrid amp 100W ...
I play on a 93 std roxanne with mini-humbuckers Di-Marzio

NOTICE GLOBAL

Less than 600 euros in store, pedal offered, 5 year warranty: very good quality-price ratio.
has not perhaps not worth the 2000 amps but to do good large single rock, I was going very well.
on the other hand, it is heavy cow !!! I'll probably install grips on the side

Tube amp 50W
1 reverb, Gain! and a knob to change the grain of the U.S. / British (ditto Blackstar)

UTILIZATION

The config is very simple, the manual I have opened by acquired conscience before making lamps and HP

SOUNDS

Personal I need a large range of sound, light fenderien the cleaner through the prog rock, punk, metal see so I struggled a bit to find an amp capable of fulfilling these conditions for a price very reasonable.
Originally this is good, even very good, but it is so subjective ... I'm a perfectionist and I chose to go in search of the Supreme grain ....

I changed the lights for a grain a bit more flexible but very biting, I had the Mesa so I am not deprived. HP missing for my taste tolerance in high and low frequencies, I cracked my uis a CELESTION 100 € (yes ... anyway)

And then it sounds graaave .......... I put 10 after my original mod but already it was worth a good 8. I can live and breathe the beast, it vibrates, it whines, it sings, it feedback .....

PS / I wallow on Fender Jaguar HH (grose saturation) and an Ibanez quarter average fund range
PS2 / the selector grain U.S. / UK, well it's still subtle eh, do not be surprised, Blackstar better managed this find.

OVERALL OPINION

I've had more than a year, I had the Bugera Marshall (lamps and transistor), the Crate, Fender (but nothing to do, Fender knows nothing about the distortion that rips off her pants ! lol) and VOX
Even config origin, quality price ratio is very good, it's tough, it sounds and you can play with at home without a good sound without flatten the neighbors wall. For rehearsal or small concert is also nickel, the guy does not let p'ti dismantled over other instrumentals and password bnickel frequency, not boiled anything ...
It is oriented for those who want to gain but again, the clean channel is a pleasant surprise
The footswitch is cheap, I thought it would be six months but it is actually super tough ...

Tube amp 50W Class AA / B

UTILIZATION

Simple configuration (that is what an amp, need to find fiddle)
Equalizer and independent channel volume
Reverb for both channels, only problem

SOUNDS

For clean sounds, it's really not bad at all.
The crunch, no.

OVERALL OPINION

I changed the bulbs to put the Mesa 6L6 power and EHX 12AX7 preamp in.
It changes everything.

I changed the HP G12 for CELESTION, and it sounds much better.
But it is not that.

The trick is to have the proper pedals to get the sound I want, and that's unfortunate.

C'pas a choice I do it again, unless I was the large metal.
(This is my first real tube amp)

See other opinions
The lamps are not excellent but it was predictable given the price.
Ps: note that the switch board is not provided! you will pay a 30aine euros more.

UTILIZATION

The configuration is simple and rapidly obtained a pleasant sound in the clear.
For the lead channel that is a little more complicated. I never managed to get a clean sound.
I did some concerts and despite its small size, it rivaled a Marshall 4 HP (power of lamps: P)
The amp has the particularity of being able to change the texture between Class A and Class A / B. Personally I've never heard a huge difference (is more of a gadget)

SOUNDS

I play mostly blues / rock / thrash metal (megadeth).
I have a custom epiphone lespaul elite, but I also tried with a jackson kelly.
For the clean sound is a treat. The sound is really good, a little reverb and quickly satisfied.
For lead, the sound is muffled and fat. For my part impossible to use even for metal.
So I use pedals to add gain (fuzz face, boss ds2, bbpreamp signing Timmons) and I am very satisfied with the result. (Hence the note)

OVERALL OPINION

I have since 2008 and I am very pleased with this amp.
I had tried some of them at the time, but I'm really fond of the lamp.
For the price I think it is a good opportunity (a nuance I'm not aware of what is being done now).
I actually bought this amp for clear sound. In the long term be little change lamps for quality but you may just be paying half the lights on the amp (to see).
Personally I serves as a basic amp that comes from clean and I add pedals distortion, phaser etc. as needed. I am satisfied with the result.

all lamps 50w amp

UTILIZATION

no need for manual
for its seedy by changing the lamps against the speaker (vintage30) and a preamp style palmer this is not the bomb oulier is a short tube amp I do not revenderais.

SOUNDS

all I can do with

a clean beautiful crunch, saturation and big nickel
I play lespaul and Telecaster

all is good on this amp after some edit.

OVERALL OPINION

for 5 or 6 years of happiness he sends serious
yes marshall MG30 and a transistor jvm205
practical transport
price / quality ratio exceptional yeah I bought new 372 euros
yes I would do is choose the bomb with a preamp that goes well (it's all lamp)

A power of 50 Watts developed by HP 12 "Valve King VK112 on has two 6L6GC and three 12AX7.

2ch, bright and saturated, the diode clipping full channel saturated ...

It has a reverb, an effects loop with protected entry and a selector control speaker response (resonance) which I have not yet understood the full meaning but which has an influence on the sound.

UTILIZATION

The manual, I had not, so that's done.

Setup is simple!

Clearly, a button bright, super efficient, volume, equalization (typical Fender).
Lead by a boost, gain, equalization (typed Marshall).

SOUNDS

The clean sound is great, very fenderien, very bright.

Sanal the lead is not great, ca saturates very straight and very chemical drafts (I know that this concept is very subjective but for me it means that it is not a saturation that comes from lamps but also diode clipping).

In short you have understood, the lead channel is probably good for playing metal or something even more gore, but for blues, rock or even hard to the former, it is not quite right ... (Fortunately have found on the internet for a mod to bring things old-school, in summary, by-passes a floor preamp (of 4) and the diode clipping, and then frankly, it's pretty cool!) .

OVERALL OPINION

Good to be clear, this is an exchange, I do not think I'll buy, because 50 Watt all-tube, it's a little ears bleed and it is oriented modern.

I repeats the clean sound is great, the lead goes well with the mod, but (it is loose) for me it is not.

The value for money is very good (attention, discount super fast and in my opinion it is better to buy secondhand), but not for music hairy.

In conclusion, I do not think I would do this choice, but you understand that it is rather a mismatch between what I play and what it is doing.

Under 16 Ohm 50 Watt
A speaker 12 "ValveKing
Lamps: 2 x 6L6GC and three 12AX7 x
Two channels indépandants (Footswitchable)
EQ thomann separated by channel
Lead channel controls: gain / volume boost (Footswitchable)
Output for external speaker
Adjustable reverb
Effects loop
Resonance switch
Amp simulation class A / B
Dimensions: 464 x 543 x 260mm
Weight: 21 Kg
Optional footswitch

UTILIZATION

Operation is extremely easy! 2 channels with two different equalizers and checking feet, we would not have been happier for that price. In addition, the manual provided the setting that offers to find her close to the limit quality of the amp fairly easily.

SOUNDS

The amp excels on the clean channel, it has no identity as a Fender or Marshall for example, which makes finding a sound that goes from slamming (with BRIGHT engaged) in his very fat. On the lead channel, the receiver allows amplitude of its lower (it is impossible to get such extreme saturations screamo) but it is very good for saturations less extreme kind rock n 'roll. The resonant switch and unnecessary and choice class A / AB quickly forgotten by the fact that he has the back of the beast. A gain boost and volume can affect the channel but will saturate quickly banished by the precision lost by their activation. The presence of an effects loop is noted as an optional footswitch unfortunately very expensive.

OVERALL OPINION

I use it for a month and I'm thrilled, of course we saw the ultimate in sound but the price was also a world of difference! I advise anyone who finds the lamp and to those who make the scene on a budget. Unnecessary to take such power to play at home, a 15 W suffirai ample.
That choice I will ever share the quality / price competition that literally explodes.

Tube amp (3 pre amp and 2 upstairs), 50 watts. Two entrances, one with more output level than the other, thus allowing a home game without the beast scream, yeah bah 50 watt lamp still

UTILIZATION

It's very easy to use two channels clean / saturation settings, each with their volume, and bass / middle / treble. The clean channel offers an additional mode "bright" which gives a clean enough slamming (I use it only rarely, because too garish for me). Depending on your guitar will clean round, warm, even at low volume, no worries, and then snapping at will. Saturate the clean channel with volume, like all tube amps, and, ca does matter!
Saturation level, there is a button that can boost the volume on the spot but I'm not convinced. There is also a button to boost the gain, and by ca cons sends heavy! I note still a loss of accuracy in the sound, it is less defined when this button is pressed (AC also can just be my guitar who knows ...) We'll crunch and light bluesy distortion to much hard rock, in short a nice range of sounds!

SOUNDS

Its level, personally I love it. This amp is not typed, you do not have the grain FENDER or MARSHALL etc. ... it's a sound on the whole fairly crude it takes work and you're done that pleased me directly. The clean is perfect for my taste, crunch nickel with the volume (note the ears and the neighbors on the other hand )
The only drawback is the loss of definition when the button "Gain Boost" is engaged

OVERALL OPINION

It's been 7 months that I have, and I use it often enough, and we can say what you want the whole is perfectly mounted, it's solid! at home or in groups, it is suitable for both situations, on the other hand if you are in an apartment, or in a house rather small, ca may not stick. With the experience I remake that choice for sure. The foot switch is included, for just over € 500, while a lamp, with a spring reverb, 50 watts is perfect. One word: go

I used the Peavey ValveKing 112 about 8 months ago. Was not real sure if this was the amp for me, but I read the other reviews both here and on other sites. Tone is a very personal thing as we all know. I tried it in the store, but in my setting and my ax it is always going to different. Got to say right out of the box with all the presets the ValveKing 112 will ROCK your socks off. Now down load the Peavey Edit program and your off. Anything you can think or feel is at your finger tips.

UTILIZATION

It does take a bit of learning to use the program to set your tone, but in the end it so worth it however the dials are easy to use and can do the same thing. All this is great till you get the chance. Get the break and take it on stage. Will it keep up with the tube amps? YES. I made it out of the garage and joined a classic rock cover band around Atlanta.."It's all Relative"..and let me tell everyone first hand this amp will easly keep up with a full band. VOX AC30 with a 4 x 10 cab, double bass stack and drums now throw in the keyboard.

SOUNDS

The Valve King 112 can lead it all and blast out there or mellow out and have a good time in the background. Your Choise all with a clean clear tone or as much grundge as you like. Got to have at least the MK II foot board even if you can only use 4 presets. I even use the ValveKing with my Acoustic/electric, just have to set one preset with a lower gain and your off. Sound is great once you get it dialed in. So here you have an amp that can hang with the big boys on the stage or at home.

OVERALL OPINION

Overall, very happy with the sound, i recommend this to anyone!

The amp is 50 watts lamps, "" 150 watts>> is that the reverb, but it sounds too good.

UTILIZATION

The config is super simple, the sound is amazing, really arvle the quality of my guitars (REAL REAL stratocaster and les paul, imitations begin m'nerver ...). No need for manual, everything is clear.

SOUNDS

To play the Led Zeppelin is the perfect amp, as much as heavy metal blues, everything is nikel, but this stuff is demanding I explain, I test with an Ibanez Ergodyne, and I t see how the sound is mdiocre, it is greedy and wants the guitars up to its capabilities. Not to be used with a guitar 300 euros, you lose time, money, and most of you would.

OVERALL OPINION

I use it for the past four months, everything I like in this amp, I am a lover of Jimmy Page, and this amp is made for me but it can not please everyone, large mtaleux Marshall will address or mesa boogie.
Before, j'tais on line6 and I felt the difference, especially at the price, 500 euros for this stuff, it's almost free.
If I had not slammed all my tunes, I'll buy another

Combo All Tube 50 W

Vintage Spring Reverb

UTILIZATION

Simple Config

Take your time to find such a beautiful sound saturated; many possibilities with the various rglages (a knob rear to switch from Class A / B). Effects loop on the front, practice. Pdalier option: o (to change the channel and engage the boost.

SOUNDS

It's hot, it's beautiful, it lights at all what!
The cleans sounds are sublime, agrments a little chorus and time limit is the top ...

Once fully saturated rgl sound is simply bouriffant is pchu while maintaining the precision of sound. It finds its expression with a quality guitar, I play on the vintage (Tele Deluxe 76): it is impressive. I also have guitars latest issue: with a Variax, makes a really good, like a PRS Santana SE.
Personally, the saturated background does not suit me, but it's a matter of taste.

OVERALL OPINION

Bought a month ago at 435 euros on line effects, I use it coupled with a Line 6 Spider 112 in a crunch sound with Stereo Chorus Ibanez, a boss digital delay and a Rocktron Metal Planet for sounds trs saturated. This config is perfect for me, I really found the sound I was looking for!

I regret that the switch is optional ...

Overall, this amp is a Russianness, especially at the price at which it is found, the report is exceptional qualitprix

All-tube amp (3 x 12AX7 and 2 x in pramp 6L6GC power), 50W, 2 instrument inputs, an effects loop, a HP Output 8 ohms, a jack for the footswitch (not livr.deux CHANNELS with EQ on each channel. The clean channel possde a bright switch which is actually a boost of up mdiums priori, and which also has the effect of increasing Whereas the volume of the channel when it is engaged.
Distortion channel for an SETTING THE gain more, and two switches: a gain boost (which also necessarily acts on the volume), and a boost in volume that is noticeable only when the channel e voume saturated is at least 12.
An on / off switch and a standby.
Therefore quite complete, t must have a line out with possibly an HP emulation for transplanting. But hey, with a red box, the problem is rsolu. The footswitch does have fun too, the DDI MODEL possde LED indicator for channel and for the boost. The reverb is not switchable with the footswitch (thus only changing the channel, and gain boost / L channel volume saturated as it would make a nice t deuxime footswitch to act only on the gain boost, or boost the volume, and to bypass the reverb.

UTILIZATION

The configuration is fairly simple. 3-band EQ on each channel. The subtle will be in the possibility of rglage Class A / AB switch and a small varying rponse HP to bring out more or less bass.
This gives her her very easy. The trs rglages are basic, but effective.
No big surprise rglage in fact so. Knob on the rear to "drag" Class A Class AB changes the rendering, but I personally do not touch anymore (Class AB background)
Note that the volume is effective rglage ds dpart, no abrupt jump (which is sometimes the case and makes the amp unusable in an apartment)

SOUNDS

It is ideally suited my style of music. Currently, I play in a formation which contains the classic rock of the years 60-70 (Many Elvis). It does rev well clear. However my personal style is much more Hard Rock, Pop or rock, and again it is Submitted. In my opinion, he can get away in a few prs all styles, except possibly a distortion rather shoot or it will come easily limitations.
The clean channel can possibly saturate lgrement in class A if there are enough microphones pchus (such as those of my gibson), otherwise it offers a nice range of sounds hot enough, which become trs chattering when the bright is engaged. Transcribed trs well the subtleties of the game, a real treat.
The channel is saturated sound ... clear ... saturation grows enough (to love) but lacks a bit of got my DEFINITIONS. I prfre in crunch. I added a Vox Bulldog in order to have sound DIFFERENT saturated and good quality but the channel of the amplifier is saturated trs exploitable even when.
My preferences is therefore clear sound of this amp vritablement surprised me (I tried gallant a store H & K 20th Anniversary trs good in short, a classic 30 I prcis are fewer and too much power at once, and I also test on my Hot Rod collgue, pretty clear sound with ValveKing can approach, but mid-able saturation).
The sound has a saturated trs got my nice crunch. But sounds more saturated ACDC or Iron Maiden style, he trs fine.

OVERALL OPINION

I use it for about 3 weeks. I replaced the spring reverb by Accutronics Belton of my old Bandit (totally compatible, in fact, the Belton is a reproduction of the cheap Chinese amricaine). I use also the old footswitch top of my Bandit 112, a nickel market, but not led. I ordered a footswitch H & K in Thoman (half the price of peavey), it should work, otherwise I will leave a complment mind before June 2006. I donnt Entire satisfaction. I have yet to connect the HP bricoller interspersed in a red box as a given that the HP is directly connected by two rows of terminals directly reread the amp, so no output jack for the internal HP .
Trs so versatile.
Report quality unbeatable price I think. Well worth amps 650E. Then, from an amp 1200E, must see. Try any fawn if possible reliability levels we will see, I asked a rparateur for the moment no returns (compared to the classic 30 who had known her some dboires output).
With the experience: I would do without this choice problem, considering the price, was not worth the shot without it. I spar with my Vox AD60-VT (modlisation) gain in indniable DEFINITIONS and dynamic, but certainly must then buy effects.

T says it all!
enough for the room, apartment, house the RPET and even small concerts
for larger rooms need a transplant and balance in the micro mixer

the BMOL: football switches qd same shit lol
small photo:
http://perso.orange.fr/teambiohazard/all.JPG

UTILIZATION

Config pretty simple when you know well his pedals and his guitar
even beginners when it's going to do a quick trs hand
the rear knob "texture" (Class A / B -> A) deserves attention that the switch of the same "resonance" that alters the damping of the membrane of HP in a factory preset is A good sound that sends easily.

SOUNDS

It will be my style of metallica has ehndrix through clapton satriani van halen and
I t bluff by the quality of clean crunch ca not even 10! what is more (and less for some I concd) live the "clean headroom" peavey home (it is especially the 6L6 own too)
timer (which sends a progressive charge lamps ignition) is also gnial: no "CLOC" in the HP qd it goes into standby / on

saturations ranging from the crunch with the gain saturation extreme skiing and a gain boost. ca ca prcis still does not bleed! it will still add an equalizer when you type in the very heavy metal for the saturation is certainly modern, but my taste in difficult digging mediums (personal opinion)
In contrast, the harmonics are superb and this amp is versatile trs trs

OVERALL OPINION

For three months now I do not regret this purchase, I heard everything and anything about this serie component cheap ... collapse frequency drives ...
I had more positive ngatif echo and I heard these echoes many APRS my purchase I set out to buy a JCM 800 for OCCAZ only was the MODEL 100W as the use was the main apartment was not even evisageable!

I tried several MODELS and I fell in love for a quality price report copy (lai prfr at 30 or 50 classic question of feeling that's all)
Peavey offers a 5 year warranty which is not ngligeable either.

APRS is much like any sr must try, it is far from Marshall and other fender is a grain that I love and which will not please everyone forcment my personal love that's why this note j'attibue APRS you!

This is an all-tube amp:
3 12AX7 preamp and 26L6GC in power, all brand Sovtek for a total power of 50W.
Two inputs, the second removes the signal 10 db. We can connect two guitars at once, but both have their level reduced by 10 db.
2 channels,
Clean: Volume, 3-band EQ, bright switch to boost treble.
Saturated: Gain, Volume, 3-band EQ, Gain Boost switch 2 and Boost Switch.
Master Reverb
effect send and return
The rear speaker output (into 16 ohms I think), switch Tight / Loose HP to emulate a closed or open, potentiometer type of power of the lamps to go from Class A to A / B.
+ Classics interuptor ON / OFF and STANDBY.
The optional footswitch (and quite expensive there ...) is not really effective, no switch for the reverb and the sound is muted during the passage from one channel to another.

UTILIZATION

No frills, this amp goes to the point. It comes easily to find their sound, even if the pots do not allow a real fine tuning, you have to play with the switch and potentiometer class. For my part, I am almost always in class A, for a more modern sound.

The manual is not really necessary. There are two examples for each channel, but rather anecdotal.

SOUNDS

The clean sound is pretty convincing, still crisp and clear on the 3 / 4 of the stroke volume, beyond, you get a sound that CRUCH some of the attacks, a treat! I really ask myself questions about the usefulness of the bright switch, which makes the sound loud and not exactly pleasant. At the same time, I play on a copy of Start 'that does not sound great, so it's best to try with a scraper.

The channel is more saturated at ease in a little distortion and overdrive register, but it has a lot of weaknesses in overdrive blues and other type crunch, especially in large distos. I play mostly metal and I must admit that even with the gain to 10, and boost, it is more of a compromise that the real big sound.
I bought a tube distortion pedal to compensate for these shortcomings, and while there, hide your grandmother is a vamp secured, the sound of metal, the real one that smells of beer and sweat!
Joking aside, for distos rock is nickel, the rest by investing in a pedal, it really has a sound deposit.
Power level is enough to play in his room, it's more than enough to repeat (the drummer does not get along if we play up the volume ...) and adequate for small concerts.

OVERALL OPINION

make it 6 months I use this amp, and there's nothing to say is good stuff. All those who are tested are in agreement with me.
The price is ridiculous for a tube amp, thank you China. One thing for sure is that it's the lamp, while the lamp, and it shows. The sound is much better than the best transistor amps I tried dozens of amps I know what I mean.
I think for young guitarists like me, this amp is the opportunity to play on the gear quality without breaking the bank. A quality / price ratio that is well worth the 9 / 10 I give this amp.

The bte: 2 3 12AX7 6L6
50w that sound, two channels, an effects loop, reverb does everything said below, no master! (-1 Hop)

UTILIZATION

It's a great amp, great for work at home, strong enough to live on.
the manual is clear, but useless ... Just spend some time finding a good sound

SOUNDS

I play mostly Grunge (Alice In Chains, Soundgarden) and the heavy old (Black Sabbath, Led Zep) and this amp fills me, I sometimes parfoit to play metal (BLS, Dream Theater, Metallica, Pantera, Sepultura) follows but is better to have a good distortion.

first the clean: not expect a crunch Marshallian albeit with a micro high-output tone zone like we can make out a slight crunch. the lens is clean, clear, really great! (Parcontre always leave the bright otherwise -> Sound boiled)

the distortion: some say it's actually a swarm of bees, I find it really good, you can switch between the guns and ACDC Van Halen, Maiden, Soundgarden.
I have no problem for the grunge I have my first edition Little Big Muff, Digitech Grunge and my trash / heavy my Shred Master Marshmall.
ptite an OD 855 of Ibanez (tube screamer like) and nikel password.

I like this amp's versatility, its hot, its very special grain and dark.

OVERALL OPINION

This is a great amp, I've since its release, no problem, it's turie.

this is my first all-tube, and he convinced me.
a lot of people think it is a cheap version in 5150 I half of 5150 agree not so cheap!
I intend to do Retube JJ ECC83 in V1, JJ or Svetlana 12AX7 in v2 and v3 in EHX 12AX7 and JJ put two power