All user reviews for the Epiphone Valve Junior Head
|12 reviews||67 %|
|4 reviews||22 %|
|1 user review||6 %|
|1 user review||6 %|
King Loudness's review"Not my thing..."
Getting a good sound is okay considering there is only one sound - on. It gets slowly more overdriven and louder as you turn it up but the core tone stays the same. Since there are no EQ controls, the tone is pretty much going to be factored by your guitar, cabinet and the volume you're playing at. You could run pedals in front of it to change the tone as well, but of its own merit the amp doesn't offer much flexibility.
This amp sounds the same with whichever guitars I've tried. The tone is a little flat for my liking and I'd have liked at least a tone control in order to tame some of the brightness or add some more in. Of its own devices the amp sounds fairly generic and boring... I'm not particularly a fan of sterile sounding cleans with no control over the amount of breakup. I admire the attempt but I think only having a volume control is a serious limitation to this amp and it definitely turns me off. It doesn't really do much other than that one quasi broken up clean sound unless you modify it or use pedals.
All in all I think the Epiphone Valve Junior is an admirable attempt, but it falls short of the mark for me. The lack of tonal flexibility, the rather flat and lifeless sound and the fact that it's so dependent on other tonal factors make it really unappealing to me. They're about $150 new which is overpriced to me considering you're getting a box with speaker/input jacks and a volume control. If you are looking for something to mod, maybe try one of these, but in its stock form it's really not worth much, at least to me.
1 people found this review helpful
M Elise's review
The amp could not be easier to use obviously. As you turn up the volume the sound goes from clean to dirty. At full volume the amp is surprisingly loud which is not a plus because the purpose of a low wattage amp is to make overdriven sound at low volume levels. At full volume through a Marshall cabinet the amp is almost just loud enough to play in a band with if you have a power drummer playing an old drum kit but not quite.
This amp is most suitable for recording and practice at home. I use mine with a Weber attenuator to keep the volume down when turning up. I play mine through a single cabinet with a 12 inch Celestion G12H30 speaker. The amp produces an immediate somewhat brittle type of sound that I rightly or wrongly associate with class A amps. It is not as warm a sound as I get from my other more normal tube amps. The sound has a fidelity which lends itself to recording I think because the amp is very quiet and the notes you play are very clear,tight & immediate. The amp starts to really distort with the volume knob about halfway up depending on what pickups your playing. At full volume the amp produces a very distorted singing like tone that is excellent for lead but probably to harsh for rhythm except in small well placed doses. At about 3 oclock the amp sounds better for rhythm and produces a sound that sounds closer to power tube distortion than preamp tube distortion and thats good.
I do not recommend this amp as your only amp because its too limiting. This amp is more suitable as a second amp to practice through or use to add variety to your recordings. These amps can be bought new for only $150 and used for $100 and thats part of the attraction. I believe they have been big sellers and now other companies are offering alternatives in the same wattage and price range. The amp is cool and will probably maintain its market value over time but for me its too brittle sounding to be something I can fully love but from what I can tell many other people love em.
Maltigow's review (This content has been automatically translated from French)" Small amp, small review"
A knob, an input, output 4, 8 and 16 ohms.
Good build quality, not absolutely cheap.
Information easy to find on the net more technical.
B # tch, please ...
It sounds great, and you turn the knob, the more it saturates point. Too powerful to play back in the apartment, but at low volumes it is suitable if the HP is not dependent on the potato that he sends. At worst, the acquisition of an attenuator for a 5W is not death.
His natural style is rock, but it supports very well the pedals gain, which opens to all styles. Good compliance with it too ...
A guitarist can not not have fun with this kind of toy.
I learned to really serve me an all-tube amp with this, even if it was not my first.
Purchased at the base to play at home without détapisser, but big mistake, too powerful to be pushed without disturbing.
Of its simplicity, it has allowed me to really realize easily the effect of a change in lamp preamp, find my taste in the material, the same for HP.
Considering the price, overall quality, versatility and look, and with 5 years back, for my use as side / buff / fun / homestudio / deco amp, I stick him on October 1st sincere.
6 of 6 people found this review helpful
Billy Hill's review (This content has been automatically translated from French)" Hard to beat!"
The sound is what it is it is difficult to change.
I use it only at home on a 2x12 V30 cabinet (this is my only speaker that I use on my bandmaster and the valve junior) I play blues, surf, rockabilly, garage with a jazzmaster and a Danelectro.
I tried it with my kid who was good but the battery is really limited. No chance to use it in plain in groups ...
I note though that for those looking for an amp to play in the room while the kids are asleep and your nénette watching TV is shredded because its 5 watt are Home Team ...
To use this I get an attenuator Weber and it's done ...
Early in the race we come to have a clear sound not too dégeu. it is on is not good fender but have to compare what is comparable. At the half it was already a good nice crunch. Beyond that saturates quite fast enough but it gets rough. The pedals go well above ...
I play the harmonica as above and it is not bad at all ...
The advantage with this amp is that you can easily change it. I change the lamp by EH preamp 12AX7 and Sovtek kept the original (power tube) and more than surprising result. The clean sound is oddly enhanced and saturation as well. I find it useless to try to describe it to the sound with words but I can assure you that you can easily improve. I planned to change the transformer to improve the overall sound. To see ...
I use it every day for 6 months. It suits me perfectly. I was looking for a cheap and good amp and I found! He serves as a guinea pig for different experiences that I do not want to test on my old Fender ...
Only thing missing would be a bit of a knob tone history can vary guitars.
For those who want to get into the mod amp is a good basis for your future experiences (better than the VOX AC 30 that you get the father, for example lucky)
In summary, for the price you can go with your eyes closed. But beware, this amp did I think that for domestic use or for solo project.
If it can be snapped I'll take anything but I saw a very good experience that I will not regret in any way.
4 of 4 people found this review helpful
lovenunu's review (This content has been automatically translated from French)" What the ... ?"
Heat lamps are left, the volume is adjusted ... All right, you can play.
My friend told me mnms63 kindly lent with a 1x12 "passive rocktron few days ... and I am amazed.
I tested it with a lag ak-100.
With the OVD-302 belcat was an overdrive, mild to desire.
With mt-2 boss ... We start from a very heavy metal.
With the boss md-2 ... It can even shred, that you ask for?
I could try it 3 days, and compared to my old combo peavey studio pro 112, it sent ... the principle of plug'n'play I really like, at least, was sound and that's it ... not need to take the lead. Audiophiles should be avoided like the plague, but I like it.
When my means allow that, I think go buy one!
1 people found this review helpful
mnms63's review (This content has been automatically translated from French)" The remainder of the wrath of god ..."
The connection is simple and well made. A jack input and three outputs HP 4ohms, 8ohms and 16 ohms, in other words we can plug any hp.
Performance data for 5 watts but actually sounds like a transistor 30w. It's just amazing what comes out of this little beast. In requisitioned it broadly covers a drummer normal limit being to keep clear sound for the past moitiee volume which leads to a high volume output, the sound can cruncher (with a magnificent sound of hot tube amp) while of course being directly related to what you put in upstream of lampli (microphone type, pedals ...). With a simple strat pickups and can push a little, while with double crunch it fast enough, if it is to the TDCA was the natural sound with no additional effect.
The trimming is you can not because we have a summary knob single volume and this is it, no EQ or trimming the gain is crude. We must therefore use the EQ pedal or a multi-effects.
As said before the config is basic, with only one knob necessarily, but this one is very specific and dose precisely the output level.
No manual and no need.
The sound is perfect for those seeking a warm sound of tube amp with lots of harmonics, it reminds me of the sound of my 100w Marshall JCM900 combo when I pushed him. The same potato and grain similar except that one is not obliged to prevent the neighboring district to get that sound.
For my style of music should be quite, you can do without effects pedal and play live, it sounds vraimment. For blues or rock 70 is nickel. According to more modern sounds, we must put the pedals, attention to the choice of multi-effects, digital does not necessarily marry well, like my marshall of aillor. I even made of metal with a multi-base effect over and it sounded good anyway. Please also note choice of HP, like any amp that determines the color. For example a 4x12 it's huge.
Personally I play on one or two HP rocktron 1x12 I plug in series or in parallel if I want to emphasize the grain or the power (compared to the different impedance in both cases) and it sounds great.
I play a Strat DeSUS with us in 1977 with three active EMG SA or SE with a Yamaha 211 (a simple double) or a Fender Lead II pickups with original finish and a Vig Eruption with EMG HZ passive (excellent mics by the way). All sound great with each a different sound.
I love the sound at half volume, or slightly more, it is very sensitive to the way in which you attack the strings and it handles very well the guitar volume, we go from crunch to a clear sound without losing too powerful and is especially logistics light, no need to lug around the van full.
I do not hate any sound since there is only one.
I use it for about a year.
I have an amp and multi-effects rack and I had some amplifiers, transistors and lamps with a marshall 100w combo, whose main fault was that he had a huge sound but only at high volume and there was not tenable .
I like the feature, there are several, is the first feather weight, simplicity and ultimately the warm lamps.
The one I like least, it would be necessary to equalize as the model just above and a reverb, which does not seem rédibitoire insofar as one can choose or even a pedal for each effect .
I bought this amp used because I sought an amp requisitioned lighter than my rack, I think it is no longer sold as new and I'm really pleased.
I certainly do it again this Chois
fab255's review (This content has been automatically translated from French)" Good natural crunch"
can not do a simple volume knob and basta
I play with a Les Paul Supreme and blade texas standard (copy strat micro system with simple passive / active / treble boost bass).
In the apartment's only clear if the walls tremble and neighbors crucify me.
Just repeats the bin with the les paul it live crunch. With the blade I have a clear range larger (single microphone).
The sound is very low level guts. Midrange and treble although this somewhat absent. the 12-hp is something to do in my opinion. Its very vintage I would say.
I use it repeats the last 6 months. Power level that moved more than my marshall MG30DFX (30w transistor). Sufficient if the drummer is not a monster.
I had gone to buy an amp lamp in a budget of 600 €. I tried lots of amps and when I tried the ear I hit the roof. Why? I was looking for a true vintage lamp his puke.
This is typically the kind of amp are you doing way down to have a true natural saturation and it sounds damn serious.
In fact the highlight of the amp is also its weak point. That is, in the apartment you forget the crunch because of the neighbors and repeating you forgotten the clean bulk.
In addition I have a shit pedal and frankly it works less well than my marshall transistor except for a foot: the volume pedal.
The volume pedal is a distortion pedal with this amp.
So the highlight is a real crunch lamp screaming for really cheap, and bass crazy.
In fact the highlight of the amp is also its weak point.
That is to say that he does not like the pedals and not very versatile. very distinctive vintage. but that's why we love him.
You plug a volume pedal you doing the sound of the amp and go back to my prick.
major63000's review (This content has been automatically translated from French)" magic to begin in sweetness"
therefore ultra simplistic setup: After the heating time necessary, turn the volume to boost the sound and make cruncher. Difficult to get any easier
Perfect for beginners with any lamp. I play pop rock and it goes from light to crunch without problem, playing on the volume or position of micros.Je plays a Mexican Stratocaster with EMG SL kit with POD XT live pedal. The challenge was to marry my POD XT Live (very cold when it is amplified, and heat lamps. Trial and error for a night before I understood that I had to turn the output volume of my POD 1 / 3 of all my patches do not push too hard and the Valve Junior does not do cruncher immediately. Once reconfigured patches (third volume, deactivation simulations amp and cabs), I found a more than adequate ... in any case very far from its original POD. POD do I use that module effect (reverb, delay, chorus, comp and gate, OD and distortion). Heresy to some, the worst choice, because the XT is known to eat the dynamics of sound .... well, mind you, after all plugged in my rehearsal room on a 4x12 Marshall cabinet, I have a perfect sound in the mix, covering battery even when its clear and all the versatility of the POD, still handy to have a march on its configs live, volume, wah all in a single box. Patches with LOTS of compression are sounding the valve junior like a big beast of funk, while keeping a sound very clear (volume at 15h minimum). Even the OD and distortion in the attack on valve obvious retain heat lamp, incomparable to that of pure POD. A crunch which great on a Stereophonics, a disto on a flawless ZZTop ... in short, the ideal marriage.
I use it for two months. Not tried bcp models, and especially not in good condition (not his guitar in hand, the seller who stomp beside you to eject ...). So, the price made me crack first.
I love the lack of settings, as I tinker all in the POD, just adjust the volume depending on the song. Look good and sound zicos bluffing all who pass through the rehearsal room.
Excellent value for money, given the quantum leap in terms of its heat. I think I spend more wicked soon, like 15 or 50 watts, but for now I take the featherweight of the craft.
If you want to restore warmth to your amp simulator pedal, no need to fiddle about for hours in the menus: they stick this little valve at the outlet and presto!
pujol813's review (This content has been automatically translated from French)
It appears that chimpanzees are able to do laboratory work. A musician should succeed.
We get the sound we made with her fingers.
I plug in a bunch of electric guitars on it: the simple, double, half-box, in the twelve strings.
However, I found it a little blurry. Not enough bass or slapping. I brought up the new lamp by a specialist (the guy who makes amps Plextone in Toulouse). He took out his trash in 1962 with a Sylvania air ecstatic alchemist who has found a new recipe Larchmütz, he stuck preamp and it has another, which I immediately forgot the reference to amplification. Since it is much better, more dynamic, more compressed. And creamy enough when you go up the towers.
I play in apartment. I do not go above the 9 / 10 hours. Beyond that, it is the invasion of Chechnya by Russian tanks.
Whether denervation cruncher type punk, I put a preamp Line 6 AM4 (something quite rare on which I wrote a review).
I have a Boss ME 50 effects and a boost Plextone (always the same alchemist Toulouse) before I plug the multi-effects.
Result is not crystal-Fender is still not spoof, it does not cost 100 euros, but that's fine. That said, I always thought that the guitars are paramount and that it is the most simple amp in extrayent the substantial sonority. He is the quintessential.
I've had two years. I tried just about everything that exists. Because art. All in all, I wonder if I want to go beyond this facility.
Dependant2lazik's review (This content has been automatically translated from French)
There is no easier a quarter turn clean, crunch to the light half a big crunch very dirty bottom.
Sympa is a little below half for his classic bluesy well, I play with a lag to RX200 seymour sh1 sh4. The speakers for now bah is a little hard so I probably not exploiting its full potential. Even when we feel most of the lamp, the warm sound.
I use it for a week, it's small simple retro look with faux leather, I jou a fender super 60, line 6 spider, orange crush, nothing to do with line 6 and a small orange but ct fender found. I got to 55 so nothing to say perfect condition during the trs are not expensive.