Amp 50W lamps, 3-channel indpendants, rverbe.

Level connections:
Between an instrument, 3 speaker outputs (for diffrent impdances) dpart a mono effect, a mono effects return, making a "line out" to connect directly to a mixer. ..
Midi in, out and through ...

Rglages:
Ch1: Volume, bass, med, high, reverb, bright.
Ch2: Gain, Volume, bass, med, high, reverb, bright, modern.
Ch3: Gain, Volume, bass, med, high, reverb, bright, modern, boost, expand.
Power: Volume 1, Volume2, Prsence, Fxmix, Damping / Tight, reverb.

The channel change is controlled either by the pdalier provided either by twelve o'clock!

So full rev.
In addition to the small blue LEDs is class!

UTILIZATION

Well it's not complicated you branches, you put everything back, you touch your guitar and you comb rear, you're propelled against the wall Premire which soon s'fondrer , neighbors screaming and the cops dbarquent ...

That said the manual is very well done! But in English ...

SOUNDS

Well, 50W dja has more than enough to bury your nag drummer, whether on or scne rpeter.
I plugged an Ibanez S prestige it.

Clean channel:
I find the right trs, trs cold without tural personality. To play a few arpges the fact, to play funky too. To play jazz or blues is dead, it will use channel 2.
Crunch channel:
The crunch will be the lightweight disto rock: large gain range. With a low gain and good rglages of Eq, we obtain trs cool sounds almost clear: round, warm, good dynamics. Ideal for jazz or blues!
By pushing the gain you get rock sound with a good grain, net prcis. By pressing "modern" we move from a Led Zep's just a more ... uh Modern! More trachea in fact.
Channel 3:
More gain than channel 2. Gain by pushing the bottom, Inrush and expand the boost we get a sound almost metal. But when the gain is 10 there are some noise which is invited (front 9 there's no breath!).

Grain is distos trssr. With a lot of mid / high. It trs prcis has does not bleed and the game appears consistent trs well. It can be a little lack of roundness and warmth ...

rglage the "Bright" is not effective and the trs legalization could be more effective: it looks like a passive legalization: not adding bass / med / high, it removes the ves: 0 y 'no, 10 is normally passes. T have an active dmentiel Eq ...

I think that by changing the lights (I have the original lamps), it must be amliorer everything: having a clear channel warmer and have more gain on channel 3.

Days of power for the two volumes are potentiomtres seen: ITP boost the volume when you solo and presto!

The knob of prsence gives prsence ... Say anything ...

The reverb ... Well ... uh Bof ... I have not tested a long time and I use it ...

The mute button ... is not really a mute, if you push the amp back you snap the mute and when you play bah There's even a little pti sound coming ... For not having sound at all he prfrera the "stand by".

OVERALL OPINION

I use it for 1 month. I was looking for a versatile amp that could rev me jazz, blues, funk, rock and metal. And above all controllable noon to sync it with my multi purpose.
Alone was not sound bad, but the o is a dmentiel is when I use it with my GSP2101 ... With the config: Guitar -> Pramp GSP -> Pramp TT50H -> effects of GSP -> TT50H power. I can adjust the channel clear for a much warmer sound, boost the signal before attacking the distos, rectfier distos the 15 bands with Eq ... And suddenly I can do what I want!!

This is an amp that gives her a fairly modern, I think on a "marketing" it is to compete with the heads marshall TSL100, it works wonders.

The ratio quality price is excellent. But if I had to find an amp as versatile in that price range, I think I would try to find a rack Brunetti Star T ...

Solid level of thing ... When I reu, the matrix of channel change unplug silent, probably because of transportation, I had to open the connector plug for ... All connectors except taient colls l. .. No bowl. Otherwise, I find the front of the box (on which there is the logo) is a bit light ...