All user reviews for the Marshall 1960A JCM800 Lead

I am almost positive that the Marshal 1960A cabinet is the most prevalent speaker cabinet on the planet. I myself, have owned 6 or 7 of them over the last few years. Sure, they may not be as refined as other cabs out there, but nothing says rock like a Marshall cab. No matter how many times I sell all of my 1960 cabs, I end up finding a great deal on a used one and I snag it.

These cabs come loaded with Celestion G12T-75's. They are far from being my favorite speaker. But, they can do the job. I find them somewhat harsh and scooped, but that may work in your favor if you have a very mid heavy amp. I just think they are way too 'colored' and I wish these cabs came with something a little more neutral.

As I mentioned in my 1960TV review, these cabs are great, but have some cheap parts. The handles, casters, tolex, and jack assembly are very cheap. These are what tend to crack, break, tear, and get messed up on these cabs. Also, the wiring is somewhat thin and cheap. I'm not a big fan of the particle board back panel. If you can overlook these things, or upgrade them, you have the potential to snag a great cab for stupid cheap. I have never paid more than $400 for one of these, and that was with Vintage 30's. The two I currently own now, I purchased for $200 a piece. That's crazy! Also, they have the look and tend to look more and more awesome with wear.

Overall, you honestly can't go wrong with one. I prefer the 1960B (straight front), but a 1960A will do you right.

- Grid brown, white strap.
- Large white logo.
- Black vinyl.
- 4 HP G12T-75W Celestion S88 12.
- 300 Watts.
- On wheels.
- Non-switchable mono (16 Ohms).
- Dim (mm): 760 x 830 x 360, weight: 37 Kg

I use it for six months, I have nothing wrong ...
The thing I like least, I am all up to you that I do not like the brown of the "frontal tissue" ...
I tried the jcm 900, the current, I liked the way compar jcm 800, construction, al-Lamla and plywood for the other ...
I pay 1000 francs the pair occas ... a guy who has employed 15 years and I have taken they will always tip top ...
If I found such an opportunity, yes I would do is choice, but I must say that I test the V30 and that is something else compared to 75w celestion speaker to ...

So: what the 4x12 Celestion are not deemed to be the top brand. A priori, the design of the baffle is basic, not really different from 900. Yet, by dint of trying to repeat the various speakers and concerts, even mesa (my worst memory, and 2 times more! Is believed to please ...-, of Stiletto in a 4x12 vintage 30: infamous porridge) I came to realize the critical importance of this cabinet for my sound.

It is very (too) clean. Do not expect a vintage sound raspy, but to spread a very pure and clear, well balanced, "noble". It does not overflow bass or treble. Interest? whatever the place and the conditions under which you play, no surprise, you find your sound, unlike some expensive speakers in hostile environments. In addition, it provides a huge presence in the solo, and when to transplant: but happiness for the sound engineer for the report is easy to work on the front. In addition to the dispersion is excellent on stage. If you go to my myspace (profile), you can take a look and an ear on the videos: the sound of the camcorder is the scene, even without transplanting. So you have the right to criticize my sound as I set

One thing is sure: it is inconceivable to play on a head 800 (or other post 80's marshall for that matter) without the baffle, for he will bring the softness of her famous, and will highlight the marshall bite, more than any other brand speakers (JCM900, jvm 2000 or for that matter) really lower my taste.

Now for the actual sounds, this is probably not the most "about". But for a vintage sound, it will provide accurate and "smooth" sound, with great clarity in a group (so you do more excuses to put everything thoroughly).

If I had the need, the choice I would do without hesitation!

Edit (27/09/2008) on HP: not a big reputation, I said, yet recently the product Celestion Gt65 "reissue". Myself, I just bought G12T65 of 80 years to customize a 4x12 (V30 I have for sale soon). Apparently I'm not a fan of this sul hp, since it seems that mister Robben Ford team all caissons. And since the sound of the man, he has not really an ear out loud!

Features:

4 Celestion G12T-75s @ 300w mono/150w stereo (each side)
4 & 16 ohm mono ouputs
8 ohm stereo ouputs
Birch ply construction
MDF back panel

The construction of this cab leaves something to be desired. While it's built of quality materials (besides the back panel, which is made out of MDF), Marshall definitely cuts corners on these cabs. I've played quite a few new (and used) ones, and all of them suffered from the same downfalls. The screws around and inside the entire cab aren't screwed in tightly, leading to unwanted vibrations at higher volumes. The openings aren't properly sealed and release air. The MDF back panel is better replaced with a birch panel. The speakers are clipped on, instead of soldered, with thin wiring. The baffle board support beam is screwed in off-center.

These problems can be fixed by:

- Securely screwing in all screws (especially on the baffle board)
- Replacing the back panel with birch
- Caulking around the baffle board, handle inserts and jack plate for a tight seal
- Screwing in the baffle board beam in the center
- Soldering the wires to the jacks, using heavier gauge wire

With all these mods, you should have a very nice sounding, high quality cabinet that sounds great and only takes a few minutes to do the mods.

As far as the sound goes, the stock G12T-75s aren't for everyone. I find they mix well with Marshall amps, and other mid-gain to low-gain amps, as they have a scooped mid range that balances out an amp with a prevalent mid spike (like Marshalls), and also work great for a cleaner sounding amp, where scooping the mids a bit will produce a nice, chimey, clean tone. However, I don't find they work well with most modern voiced, high gain amps, as they produce too much of a scoop in the mids, and leave the amp's tone hallow and sterile.

Pickiness aside, these cabs sound great, especially for the price you can get them for on the used market. While I wouldn't suggest these for everyone, if you can find one at a cheap price, and don't mind putting in a little work to get it in tip-top shape, they're certainly hard to beat!