All user reviews for the AER Compact 60

transistors
reverb, gain, treble serious mediums ..
60 W
jack or XLR

UTILIZATION

yes
no manual
the sound is (in my opinion) perfect for use with microphones, however some find too compressed, I like

SOUNDS

I use it only for singing or the sound with acoustic microphone ... I hate piezo
I therefore rule the more neutral and clear as possible

OVERALL OPINION

I have 2 years and last year, I purchased a second for the two connected on one serve me micro mini sound system.
I was immediately seduced by this model: power, quality, durability, mobile computing, neutrality
as any material ... he can not do everything on a power, it is no flat
value for money is good

Transistor
two channels
1 jack with gain bass middle treble, switch, Mic / Line switch a "color"
1 jack / XLR with bass treble gain
1 send and return (can be used as a third input for guitar equipped with an active preamp)
1 dose knob effect (canal1/canal2) button effect level switch selection effects (4 reverb effects, chorus and mix ...)
1 master button
headphone output
tuner output
power 60 Watts RMS into 4 ohms ... Thank you for the technical information, Midièse

UTILIZATION

Very easy to use (for me essential criterion)
The sound reproduction is excellent with my archtop (its fantastic) I was also excited by rendering my first Godin (Multiac (Duet): the fact that it has two microphones allow beautiful combinations.
However, I'm a little less excited about my new rendering Godin (Multiac SA), a little dry for my taste ... Despite my mods with the knobs of the guitar AND amp.

SOUNDS

For jazz "sound" c'' is fantastic. For Bossa Nova, Latin jazz, that's fine ... If you are not allergic to the sound that lacks a bit of roundness (nylon strings) I relativiserai specifying only a Multiac Duet, is quite impressive.

OVERALL OPINION

I use it for more than 5 years, with the same pleasure!
VERY convenient (no more than 6 kgs, it takes little space and yet it is enough to play in a trio / jazz 4tet), I use it now as part of a guitar duo. He also served many trio (vocals, guitar, percussion).
Well, this gem is not given, but occas' around € 600, it can be an excellent deal.

Transistor
two channels
1 jack with gain bass middle treble, switch, Mic / Line switch a "color"
1 jack / XLR with bass treble gain
1 send and return (can be used as a third input for guitar equipped with an active preamp)
1 dose knob effect (canal1/canal2) button effect level switch selection effects (4 reverb effects, chorus and mix ...)
1 master button
headphone output
tuner output
power 60 watts but nothing to do with the usual watts, here are megawatts

UTILIZATION

Very simple, one branch, we put all the knobs in the middle of equations, we drop the master and it sounds!
His most pure: you will hear the sound of your instrument

SOUNDS

Suitable for all
guitarist singer small group (with a small mixer connected in mono output on channel 2)
but also with a strat and a GR55 or VG88: it sounds terrible!
Same with electric guitar and effects pedals (ovredrive, Crunch ...)

OVERALL OPINION

For 8 years, he never gave me yet ... I did not spare

Value: super top, beautiful!
Value for money: AAAAAAAAAAAAAAAARRRRRRRRRRRRGGGGGGHHHHH it stings!

All was said about this amp, I can only tell you my feelings on this noise that I use with an acoustic-electric guitar

Reproduction is just powerful, faithful.
piezo equipped guitar (from my perspective) or its rotten bad bill =
guitar in good order and internal mic sound quality = sublissime.

It is a powerful amp without fioritue (eq basic minimum effect).
I think, anyway, if you want to "sculpt" the SON, an external preamp is often recommended (no matter how sound or combo amp on hand).

Having used this amp with the same guitar (d first with a piezo microphone and then another system), I can tell you that everything they say about the "cold" side of the machine is wrong.

all depends on the equipment upstream: p

For what is sound, power, compact side, transportable and its operational life (I've been 11 years old) .... 10 out of 10.

UTILIZATION

easy.

SOUNDS

superb.

OVERALL OPINION

must to have.

- Amplifiers non lamp acoustic instruments trend (the violin, guitar etc.).

-2 Independent channels plus an effects processor including reverb, flanger, delay choice

- 60 watts

- Inputs: XLR or jack
outputs: mix out, DI, headphones.

UTILIZATION

The configuration is it simple?

yes very simple.


Gets it easy to sound good?

Oh yes, a lot of dynamics and precision, the player has to behave.


The manual is clear and sufficient?

I do not remember to have had a look, it's a guitar amp, not an airliner.

SOUNDS

Will it fit your style of music?

This is an amp that serves for faithfully reproduce acoustic sounds, so more transparency color.
With what (s) guitar (s) / low (s) or effect (s) do you play?
electro acoustic guitar, steel strings, nylon ...
jazz electric guitar gibson es


What kind of sound you get and with what settings ("crystalline", "bold", ....)?

rather in the lens type, generosity is relative low, it is rather an amp that is in the midrange and treble, so too for bassists.


What are the sounds you prefer, you hate?

I like the amps have either:

personal and specific color or be transparent and allow to provide the best and in detail the quality of your playing, and it is rather lá in the second case.

OVERALL OPINION

How long have you use it?

2006> 2013 = 7 years

What is the particular feature you like best and least?

Plus: all in one
The least: I'm still looking ... not found


Have you tried many other models before buying it?

Some modeled similar competing brands, all assets in a compact I did not find format.


How would you rate the quality / price? With experience, you do again this choice? ...

Essential enough for semi-pro and pro lovers acoustic sound musicians in need of amplification amplifiers, this amp can be used in all types of conditions in itself á á la Grosse scene where he can (once again by the output DI) used preamp wedge for the player ... through the local clubs and repeated

See also

UTILIZATION

Using fairly simple. The settings are very effective and sound can (must?) Will work fine.
The manual is quite clear, but we can live without ...
Obtained immediately sound good but will have to "fine tune" with the instrument used for this amp can be used for many things: acoustic guitars, electric violin, vocals, harmonica ...
The use for the scene is perfect: small, lightweight connectors ...

SOUNDS

There is no "bluff" as some amps can be very flattering effects immediately but ultimately boring. It has an incredible dynamic, impressive power reserves for its size. Effects (reverb, chorus, delay) are very thin and beautiful qualities you will not get a "sound space" with them ... it will require to add pedals.
No, in finesse!
I personally use a folk guitar (takamine EN10C), this is perfect! But I've played with ropes nylons (godin multiac) ... Auf! This is fantastic!

OVERALL OPINION

Of pro gear! (All sound engineers will tell you)
I had already used fender (nothing), a Roland AC60 (not bad but (too) immediately flattering, treble and bass less defined, and then much less dynamic power!) Of boxes direct ... Not there I SURE amp, his faithful practice, which sends THE sound of your guitar! If this is not nice ... change the guitar!
Is not given, it is true, but it is long. Look what you can put in gear we tired after a while ... It is more expensive!

Transistor amplifier (60 W)

Face (left to right):
Channel 1:
Input High / Low (impdance)
Clip / Gain / Colour / Bass / Middle / Treble
Between 6.3 mm jack. Switch to the sensitivity dajuster dentre. High (high impdance): only for instruments quipsdun pizo sensor. Low (low impdance) pramplificateurs active team of instruments and microphones magntiques. Indicator of saturation. CONTRL dentre level. Mdiums contour filter. CONTRL serious. Mdiums of CONTRL. CONTRL treble.

Channel 2:
Input Line / Mic
Clip / Gain / Bass / Treble / Eff. Pan / Select / Return / Power / Master
With combination XLR and XLR jack 6.3 mm mle. Switch to the sensitivity dajuster dentre. Line: sources with line level, instruments with active and pramplificateurs magntiques microphones, Mic: Microphone symtrique fantme powered 30V. Indicator of saturation. CONTRL dentre level. CONTRL serious. CONTRL treble. CONTRL distribution of effects between the two channels. Switch to two programs deffet (rverbration, rverbration / time limit). Levels of CONTRL leffet house. Indicator of power. CONTRL gnral volume level.

Rear (left to right):
Phones / Tuner / Line-out / DI-Out / Send / Return / F / S Power
Headphone output. Tuner Output APRS Master the CONTRL. Output (line) pramplificateur the APRS CONTRL Tone with effect from the APRS and CONTRL Master (this output can be used to lenregistrement). XLR (DI) APRS to the CONTRL Tone but no effect and before the Master CONTRL. Output for external gnrateur deffet. Between gnrateur deffet for external or other source, eg CD. Footswitch connection for a double with which the effects can be enabled / disables. Switch mains with fuse compartment (1A slow).

UTILIZATION

Configuration extremely simple!

I have a version of the manual in French quite clear to those who know the minimum amplification.
Moreover, the basic use (voice, guitar, for example) is quite intuitive and it's almost plug / play. The knobs are fairly standard across: Gain, EQ, effects, effects pan (to add or remove in one of two channels), effect level (I MODEL old with only one option rverb or a single option with Dlay rverb) and master. There are some switches to change the imput in low / high (impdance) or if line / mic on channel 2. A troisime options for both effects.

There are good sound quite easily!

SOUNDS

This amp should totally my style of music.

I play plutt of MPB (Popular Music brsilienne), but not that of bossa and samba. So I use the guitar mainly nylon, with enough rhythm Submitted (many samba-funk, samba-rock, the more traditional genres as well, finally a broad range of rhythms and styles brsiliens). has meant that I dj branch of the voice and guitar Scheer (amplifies Obviously), but also percussion instruments with mic clip, violin rustic micro- contact, and even bass in situations galres o bassist did not take his amp!

And plays! The small bbte is really versatile! Obviously dpend this context and I do not mean that it replaces a bass amp. Far from the but the question is that for small spaces with prsentations plutt informal and quiet (small rception or bar), it works well in gnral trs for voice and guitar in particular.

And that's not all because I use it also as a return of both DI and scne, especially for rabeca (rustic violin), and my guitar (but not the two branches together of course).

For instruments (from line), this little amp is spcial for Electroacoustic guitar, especially for nylon strings. So my case, my choice lpoque do.
I use a Godin Multiac and sound from the amp is more than simply correct. It gives us back what we play.

For microphones and instruments including voice, those prfrent effects, color or warm voice or anything like that, it is better to take a further option pedals or amp. It gives back a sound quite right.

I bought long ago for playing in small bars, and for this it is very well. Not just in terms of sound but also for the practicable (lightweight, no clutter and powerful enough to be heard without breaking the ears of customers ct of the amp).

OVERALL OPINION

I have over 10 years (it is the old models), bought used a friend.
Adj He traveled extensively and took shots of yours forever.

Excellent voice and guitar to play in small spaces without major compromises.

But it is really versatile because I use it for some time for plutt scne as a return and DI. And this is the "most" because the analog signal processor AER Compact 60 is a dot limit, a subsonic filter and enhancer. In short, a means for Godin, just like the guitars piezo magntique dots capture the clicks of the attack of the fingers, mdiateurs or nails are partially limitsdj the source. This can be really embtant for some styles of music (with distortion, for example), but with a guitar Electroacoustic capture piezo gnral it is an asset. Just an EQ pedals and you're jou. You could almost open hand dun compressor. In any case, no longer exclusively dpend possibilities of hardware (table mix, etc.) o rooms you play for this kind of problem rgler frquent enough.

I certainly would do the same choice.

Transistor amplifier of 60 watts. All connectors are essential Submitted. Reduces effects but rather devilishly effective. A quality reverb trs own. 2 separate channels, one optimized for voice. In addition it is ultra lightweight and can be mounted on a tripod.

UTILIZATION

Config trs simple, you turn (watch the volume!) And we play. The sound is the best I've heard on an amp Electroacoustic. I redcouvre my Martin. No need for manual, everything is simple. A bit of breath occurs even when heard, but it s'loignant forget this fact.

SOUNDS

I play contemporary pop rock guitar and vocals. Accompanied by my looper, I am thrilled. Note that output "direct" is present, and plugs into a soundcard, I can record my times with the quality of sound of the amp.

OVERALL OPINION

Since one month, I do not spend more. I tried everything before (Marschall 50 and 100 but too bulky goods). T20 Troubadour, good dpanner. I remake that choice without hsiter. Finally, more than 800 even when the machine!

Its super clear electro-acoustic
4 rverb effects (warm - bright-Chorus-Flanger)
2 inputs (micro channel)

UTILIZATION

Config and simple manual

SOUNDS

Electro-acoustic guitar ibanez
its crystalline

OVERALL OPINION

1 week (I can not m'arrter evening)
I have all tried a Marshall AS 50 R with a friend (it's really Marshall, and not clear in my Electro-Acoustic got 400 but it is true)
Price: As announced on the internet is 810 aprsngociation (attention often displayed 900 or more in store)
Do not try it without the 800 in your pocket, you will die if you do not take it!
(I have 9 / 10 all over for perfection scare me).

-Transistor
-60w
-Jack inputs, XLR, effects loop, headphone, footswitch
Receiver, line out, di out.
-Settings: gain, bass, middle, treble, master
effects pan, return.
On this amp, there are only two effects: reverb and delay.

UTILIZATION

-Configuration is very simple.
-A good sound is easily obtained.
Purchased-hand without a manual. (Not required)

SOUNDS

-I suitable for styles that I play with my takamine NP25c, picking, blues, bossa, folk, classical.
-The effects are not great, I added two pedals (boss digital reverb and chorus all bosses).

OVERALL OPINION

I use it for 2 years.
The special-I like most is the sound from this amp
compared to this tiny size.
-Good value for money. (The AER are expensive but the quality is at the appointment).
In retrospect, I do not regret my choice but by being a little patient I could have bought
AER domino to be really excellent.

See instructions.
60 Watt true in Watt and Co. impressive for such a small volume. Warning: Sound 2 x 30 W (Roland AC-60) are not equal to 60 W
Little breath.
An anti-Larsen would have been nice.

UTILIZATION

Very easy to use.
One branch, it sounds Rochereau (hell for our friends in Paris)

SOUNDS

I use an AKG 411 sensor on a violin.
The sound is transparent.
With this amp, the sensor must be challenged if it does not sound good.

OVERALL OPINION

I compared with the AC-60. The AS-50 is a pressure cooker ...
It is expensive, but we keep an amp. Worth to wait for the sub to pay.
Super lightweight.
Lack an anti-feedback and hybrid connector XLR / Jack input 1 (Jack only)
The sound quality is really impressive.
Recommended for classical musicians and those who want an acoustic sound as possible.

AER Compact 60
transistors
hp bicone

UTILIZATION

Very easy to use and very versatile
with a steel guitar
with a nylon guitar
with an electric guitar (his jazz mico severe)
singing
by repeating
with the dobro
short, I am really very happy.
taken up by the sound of the XLR output is even better

SOUNDS

I use it with my takamine ean15c and a Regal dobro with the microphone is a serious fender tele
The sound is very neutral and restores the sound of many instruments
I just use the reverb

OVERALL OPINION

Two years of use is 3 hours per week
never encountered any problems
it is more lightweight and compact

Transistor 60 W, all is said in other reviews. I emphasize: amazing strength and weight.

UTILIZATION

Very simple configuration, style fisher price, however I did that four years.

SOUNDS

I play with multiac godin nylon Joe pass epiphone, jazz and bossa, I use the reverb. It's delicious. The singer connects with me and it bothers me not at all, the sound is niquel.

OVERALL OPINION

For a year I got for my birthday three years as a gift from my parents. I like its weight, clear sound (I even know if it is a distortion). Before that I had a roland jazz chorus 127 kg with a sound of shit. The value for money is unbeatable, I'm so happy that I feel I have received as a gift, really 800 euros for that is the dream. Now I need all the other amps aer please. I accept the donations aer. I aer, aer I love you, ik libe dich aer, aer, do you Baize?

See other opinions.

UTILIZATION

This gives her IMMEDIATE superb clear, trs really beautiful. The manual is not necessary (I got mine - in French - on the internet)

SOUNDS

I play a little bit of everything (blues, jazz, pop rock, folk ...). I use an acoustic guitar team of a B-Band, the sound is pure trs, nothing wrong. I use also an ES335, jazz sounds are perfect for trs. When I want a little cruncher j'intercale a PDAL (SansAmp).

OVERALL OPINION

I bought some time ago and am therefore in full honeymoon.
What I like about it is its small size, weight trslgr, carry bag with pockets to put the jacks, etc.. The screw to install it on a mic stand (very practical, even essential, particularly for group play).
What I like least: the size of small knobs to activate the contour medium, the high / low and mic / line but I have too big fingers.
I tried other amps length (roland, Schertler ,...)
I would do this choice even if the price is how to say .... arghhh!

Mine is one of the first and changes have been made.

UTILIZATION

On small scenes indoors or outdoors. On a level microphone or failing on a chair to place the amp author ears of the audience. No buttons, settings, or unnecessary accessories. No need. Phantom power supply incorporated.
Manual useless. On larger stages and only for the guitar, the sound engineer takes the output XLR-effects-before I made my sound back, he, his facade. No blurs. In fact, it is at this point in DI box and which box!

SOUNDS

For singing with neumann sm58 and 105 kms. Folk, blues, country, French chanson. Clear, clean and precise without being aggressive, a little roundness in the medium, and heat in the lower medium. Not really serious but suddenly no drooling and intrusive. Just enough for voice, guitar and EQ for room acoustics. The SM58 comes super well, removing the bass on channel-voice. The voice and the presence of the grain. I put a small compressor Boss on guitar and one voice (in moderation is not rolls). Especially on the voice that promotes good grades, it thickens a little sound (in moderation!) And it takes the flesh and the amp follows perfectly. We then just lower the level, the voice is right in front, balanced and the guitar clean, pretty, pretty. I find the reverb a bit long, but I do not know what it is on the newer models.

OVERALL OPINION

Mine is the first generation available in France: 1998. I think the brand has made some improvements on the effects. I've never had a single problem. The body has been beaten, but all is well protected, nothing more than that could break. The HP is well protected. I had played before on other amps, Roland, Marshall, Peavey. And even more recently. Nothing comparable. Its failure: it is a bit prescriptive. The ideal would be to add to it a satellite of the brand. For the guitar there may be other amps as well as or cheaper or better. But the voice I have neither found nor heard best in the genre. In a Neumann KMS 105. Ouawou! Phenomenal! I'm speechless!

60 watt transistors
2 inputs, 1 jack and XLR clasiique or jack with phantom power supply integrated, can be deactivated by a small knob next to it ..
line outputs, headphone, DI, ..
reverb and delay small integrated possibility of an outer loop ..

UTILIZATION

Very simple, basically you plug the instrument, adjust volume and EQ, a bit of reverb (in an apartment is better) and that's it .. good, depending on the instrument plugged in, there are small adjustments to make but nothing too terrible

the manual is very concise but more than adequate, not completely useless for a first use anyway ..

SOUNDS

So I tested it with different instruments and the price of a few small adjustments on the EQ and gain, it quickly finds the best possible sound of the instrument in question ..

-With a yamaha nylon string, I can tweak a little, but by reducing the bass and midrange is very convincing; critallin, clear .. lack can be a bit of heat, but it must be due to the instrument ..
Then, a gretsch 6040 with large pulleys mesh dish, so rather dedicated to jazz .. there by against the sound is excellent right now, ranging from a grain very mellow sound to a "gypsy" always based on the equalization .. much better than my old marshall (ok, it's not a reference for clean sounds ..)
Then electro-valley and blues, then there is the top, all the nuances of the game and the instrument are made, means the wood, rubbing your fingers, be it picking, simple accompaniment, that happiness!
- To finish a LGXT godin (Seymour) Same, beautiful clear sound very jazzy in the neck position, stratabound in easel, with all possible intermediate ..

I am not fun to stick a distortion on it, so no opinion on it ..

I will complete the opinion section for the song when I made some recordings ..

OVERALL OPINION

So after a few hours of use, my opinion is necessarily incomplete, but say that the amp seems to correspond to my expectations, a true and warm acoustic sound, even at low volume .. of course if you plug a pan, there will be a very nice sound pan .. logic.

I tried other amps, certainly less expensive, but honestly, I did not see the difference with the clean channel of a conventional transistor amplifier ..

I got nine to 750 euros, and I do not think there on the market a better product at this price .. to follow after a few months of use

See more advice
Please note: between 2 XLR microphone has a phantom power intgre (30 volts). What is not empty at first because there is no button to disable! She is still active. (Thanks for the info Nylon)

UTILIZATION

I use it
- To accompany choirs and a few small shows, with a Takamine CP32 (conventional nylon string) or an Ibanez AEL10E-BK (type BBand folk), a multi-effect pedals Yamaha Magic Stomp and a microphone or Rode NT3 Shure SM58.
- On scne: I plug my SM57 (fltes - voice - harmonica) and I refer all the sound output via DI. My sound is still as I DSIR, just like home when I m'entrane with.

The -:
- Mine came with a silent cover, no pockets :-(. I rivet a large canvas bag for CD in order to put the cables.
- The lever that open the XLR is misplaced too prs wood enclosure: sometimes freezes, unplug it's a bit long.
- I prfr a "housing" for speaker stand plutt a common thread mic stand: it's a bit long screw.

SOUNDS

I always screw up on: the sound is much clearer as well.
The rverb is impeccable.
The button "contour" allows for a sound with more grain.

OVERALL OPINION

I use it for 2 years.
Very practical and uncompromising in sound: a rgal ))))

amp transistor.

2 channels:
channel 1 -> input jack, 4 knobs: gain, bass, middle and treble
channel 2 -> input jack or XLR, 3 knobs: gain, bass and treble
and an effect section with a switch to select the effect (4 choices) and 2 knobs: mix to dose between the two channels and return to assay the amount of effect.
Note that the quality of the effect is very good.

level connections, there is everything you need: DI output (XLR) line or, tuner, phone, send, return, footswitch

UTILIZATION

config simple.

SOUNDS

ideal for an acoustic instrument (guitar, violin ,...).
the sound is very faithful. very straight.
with an acoustic guitar, you can you point to any stage of the world without blushing: you have the serious stuff!

on the other hand, this is not the same if you plug a guitar. in this case, it's as if you branch your guitar into a PA system. also: EAR, acoustic the people, the purpose is clear.
for the electric, I used for rehearsals or jam as convenient to carry.

OVERALL OPINION

I use it for 5 years and I will keep forever.
the sound is very straight, very professional with my acoustic guitar.
again, it's very convenient to transport for jam or repetitions for electric

it's expensive on the day you buy it, but as time passes, the more you tell yourself that you made the right choice.

60w amp real ... Simple, intuitive controls ...
Unpacking (I had not seen in real life) it's a little scary (it is hardly bigger than a pack of 24 ...), but once connected, it's impressive to hear the sound and power in such a small volume ...
I, who wanted a simple configuration for aperitifs or concerts-concerts, it seems perfect ...
It remains, however, test it by testing conditions but I am confident when I left to its volume in bar ...

UTILIZATION

Very easy to use and easy handling. Simple adjustments to picking a good sound (button "color"). I had a bit more searching for the sound of the guitar played with a pick or fingers.

SOUNDS

I play on a series Tackamine G (medium range) without seeking the individual (no effects pedals): the sound is pure enough and reproduces the sound of the guitar (via its amplification, it is not his natural anyway).
The integrated reverb is very good even if you can not adjust the depth (hall, room, etc.).

OVERALL OPINION

I did that for a week. So far, I spent my guitar directly into the mixer (with DI pedal noise), but the worries of concert settings led me to find another solution (and besides that I had to change my speakers ...).
I have not yet found a negative side ... The only downside might be the thread that puts the EAR on a mic stand ... It's ok to repeat at home but I do not opt ​​for this system in concert. The risk is great that it can not be found on the floor ... And then it does not turn right and the left (unless moving the whole foot). I think I've seen adapters to put on a real speaker stand in the € 20 ... To be confirmed ...
The price is significant but I did not want to invest in lower quality gear for fear of some time tell me that I should go to the line above ... But it seems to me to argue ....

This is a version of the EAR-2 Compact60 clad wood. Mine is I think Pine (light wood). There is a darker version (rosewood I think). It provides a channel with jack, gain, bass, mid, high, contour (it changes color) and adjust the input level (microphone active or passive). The second channel has an input jack mixed XLR (with phantom power), gain, bass treble, input level. In the overall volume, tuning and selection of the effect (more reverb and chorus), balance (to the effect between the two channels). Behind: output emulation hp jack and XLR output tuner and effects loop. Too bad there is not an exit hp for a satellite to increase circulation. Otherwise, it is 60 w and has a transistor technology and an 8-hp dual cone.

UTILIZATION

It's simple to use, the English manual is not essential.

<p class="bbcode-cite"> Quote: <span>- Gets it easy to sound good?</span>
The amp is very true: it depends on the instrument that he branch. But I've never seen anyone criticize the sound of this amp.
The push to release the XLR is hard to handle.

SOUNDS

I use it to amplify acoustic guitars (Martin 000C16, GC31C Yamaha, Aria MM20), through different microphones. I also use it for jazz with a Gretsch 6120, a Gibson ES335 and a Les Paul). The sound is sumptuous. It works great if only one standpipe for the well-distributed. People are often surprised by the sound that comes out of this little box. Even at high volume, it does not saturate. The power is really exploitable.

It seems that the wooden chest slightly modified the sound, I know the standard EAR, I have not seen any difference. But the wood version is so much more beautiful.

OVERALL OPINION

I've had a year and a half. At first I had problems with the reverb module. Two passages in SAV, a rant and all is well. The strength of this amp lies both in its very loyal and works with all nylon strings that metal, which in its extreme portability. It weighs less than 10 kg bag and delivered for transportation is well designed. I also like its discretion. When you do classical, we do not like coming on stage with a three body as a rocker. We seek the most discreet device that amplifies by being forgotten.
It is expensive, but I have not found anything better at this price. By far. For cons, I would try Acoustic Image that look very good too.