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3.9/5(5 reviews)
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abyssum
Published on 11/15/14 at 10:31 (This content has been automatically translated from French)
interressant
USE
interressant
SOUNDS
interressant
NOTICE GLOBAL
interressant
USE
interressant
SOUNDS
interressant
NOTICE GLOBAL
interressant
03
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Raimus
Published on 09/06/12 at 13:07 (This content has been automatically translated from French)
a small cheap keyboard 80, as there can!!
all is said in other reviews
UTILIZATION
The editing is not easy, but with a bit of repetition is remembered easily manipes the most common. Once the operating range it becomes quite simple but still long if you want to be precise.
The problem with this system is that the issue can not act on the fluid. for example there are 99 possible values for the cutoff, and when we act we live above means notches value and not a fluid motion. I do not know if I'm clear, a brief rise cutoff can sometimes be ugly because of it.
SOUNDS
80 to be cheap
opportunity to make pretty cheesy organ, but looked too low it will be the crazy...…
all is said in other reviews
UTILIZATION
The editing is not easy, but with a bit of repetition is remembered easily manipes the most common. Once the operating range it becomes quite simple but still long if you want to be precise.
The problem with this system is that the issue can not act on the fluid. for example there are 99 possible values for the cutoff, and when we act we live above means notches value and not a fluid motion. I do not know if I'm clear, a brief rise cutoff can sometimes be ugly because of it.
SOUNDS
80 to be cheap
opportunity to make pretty cheesy organ, but looked too low it will be the crazy...…
Read more
a small cheap keyboard 80, as there can!!
all is said in other reviews
UTILIZATION
The editing is not easy, but with a bit of repetition is remembered easily manipes the most common. Once the operating range it becomes quite simple but still long if you want to be precise.
The problem with this system is that the issue can not act on the fluid. for example there are 99 possible values for the cutoff, and when we act we live above means notches value and not a fluid motion. I do not know if I'm clear, a brief rise cutoff can sometimes be ugly because of it.
SOUNDS
80 to be cheap
opportunity to make pretty cheesy organ, but looked too low it will be the crazy complicated ...
Chorus and pretty without it all be a little bland in this keyboard
OVERALL OPINION
what I like most is the side 80, the least that is the issue ...
I love joystick also very fun
all is said in other reviews
UTILIZATION
The editing is not easy, but with a bit of repetition is remembered easily manipes the most common. Once the operating range it becomes quite simple but still long if you want to be precise.
The problem with this system is that the issue can not act on the fluid. for example there are 99 possible values for the cutoff, and when we act we live above means notches value and not a fluid motion. I do not know if I'm clear, a brief rise cutoff can sometimes be ugly because of it.
SOUNDS
80 to be cheap
opportunity to make pretty cheesy organ, but looked too low it will be the crazy complicated ...
Chorus and pretty without it all be a little bland in this keyboard
OVERALL OPINION
what I like most is the side 80, the least that is the issue ...
I love joystick also very fun
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20
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patrice_
analog low-end
Published on 11/27/11 at 23:29 (This content has been automatically translated from French)The korg poly 800 possde synthse a basic with some originality:
- Voice polyphony 4-2-oscillator or an oscillator 8 votes
- Square oscillator with 4 octaves diffrent stackable on each oscillator (16 '- 8' - 4 '- 2')
-3 Envelopes 5 segments: 1 volume + 1 for each oscillator freq filter cutoff
- 1 LFO osc applicable basic and / or filter
- Gnrateur white noise
- Stereo chorus
- A small one track squenceur simplissime
The big default:
- Big Problem: a single filter, so the notes successively supported when playing an agreement by the single pass filter and therefore the only filter envelope (fortunately possibility of redclanchement each press of the shell successive key)...…
- Voice polyphony 4-2-oscillator or an oscillator 8 votes
- Square oscillator with 4 octaves diffrent stackable on each oscillator (16 '- 8' - 4 '- 2')
-3 Envelopes 5 segments: 1 volume + 1 for each oscillator freq filter cutoff
- 1 LFO osc applicable basic and / or filter
- Gnrateur white noise
- Stereo chorus
- A small one track squenceur simplissime
The big default:
- Big Problem: a single filter, so the notes successively supported when playing an agreement by the single pass filter and therefore the only filter envelope (fortunately possibility of redclanchement each press of the shell successive key)...…
Read more
The korg poly 800 possde synthse a basic with some originality:
- Voice polyphony 4-2-oscillator or an oscillator 8 votes
- Square oscillator with 4 octaves diffrent stackable on each oscillator (16 '- 8' - 4 '- 2')
-3 Envelopes 5 segments: 1 volume + 1 for each oscillator freq filter cutoff
- 1 LFO osc applicable basic and / or filter
- Gnrateur white noise
- Stereo chorus
- A small one track squenceur simplissime
The big default:
- Big Problem: a single filter, so the notes successively supported when playing an agreement by the single pass filter and therefore the only filter envelope (fortunately possibility of redclanchement each press of the shell successive key)
- No chorus rglage (on / off)
- Bad keyboard without VLOC qualitbr /> - MIDI simplified: no Sysex for changing sounds (have to use interface synthou save the sample set (obligation to use the interface "cassette"!)
- No portamento
- Volume knob acts as ON / OFF
- Mandatory use of an external power supply or batteries (!)
UTILIZATION
Economic interface trs, (6 digit LED + 1 + pav numrique few buttons), but well thought ergonomics trs trs.
It's surprising, but finally, the Syth is programmed fairly easily.
I had other synth in the same era, which taient much less convenient for the ACCS and changing paramtres (though the people had an LCD alpha numriques)
Notice complte with translation and Retailer dbile -> better to read in English
SOUNDS
Of course, the original programs are far from being ralistes (!)
I no longer use this synth but I think it may have analogical CRER few nice, with a certain identity (due to the oscillators).
Avoid any mode 8 votes, as the voice mode 4 can detune the second oscillator. With the chorus in addition it makes a certain warmth.
For my part, I used it well for bass, or some synthetic cloths (not have to look to a web of violins!)
OVERALL OPINION
Overall, looking at the technical choices, we understand that this synth a silent low end of the era.
Presented in the present context, it is a real identity with analoqique own sound, so I think usable.
I do not use more because the type of sound no longer reflects my current style.
- Voice polyphony 4-2-oscillator or an oscillator 8 votes
- Square oscillator with 4 octaves diffrent stackable on each oscillator (16 '- 8' - 4 '- 2')
-3 Envelopes 5 segments: 1 volume + 1 for each oscillator freq filter cutoff
- 1 LFO osc applicable basic and / or filter
- Gnrateur white noise
- Stereo chorus
- A small one track squenceur simplissime
The big default:
- Big Problem: a single filter, so the notes successively supported when playing an agreement by the single pass filter and therefore the only filter envelope (fortunately possibility of redclanchement each press of the shell successive key)
- No chorus rglage (on / off)
- Bad keyboard without VLOC qualitbr /> - MIDI simplified: no Sysex for changing sounds (have to use interface synthou save the sample set (obligation to use the interface "cassette"!)
- No portamento
- Volume knob acts as ON / OFF
- Mandatory use of an external power supply or batteries (!)
UTILIZATION
Economic interface trs, (6 digit LED + 1 + pav numrique few buttons), but well thought ergonomics trs trs.
It's surprising, but finally, the Syth is programmed fairly easily.
I had other synth in the same era, which taient much less convenient for the ACCS and changing paramtres (though the people had an LCD alpha numriques)
Notice complte with translation and Retailer dbile -> better to read in English
SOUNDS
Of course, the original programs are far from being ralistes (!)
I no longer use this synth but I think it may have analogical CRER few nice, with a certain identity (due to the oscillators).
Avoid any mode 8 votes, as the voice mode 4 can detune the second oscillator. With the chorus in addition it makes a certain warmth.
For my part, I used it well for bass, or some synthetic cloths (not have to look to a web of violins!)
OVERALL OPINION
Overall, looking at the technical choices, we understand that this synth a silent low end of the era.
Presented in the present context, it is a real identity with analoqique own sound, so I think usable.
I do not use more because the type of sound no longer reflects my current style.
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120
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Groove machine
Published on 12/01/02 at 10:36 (This content has been automatically translated from French)
Polyphonic synth October 4 to 8 channels 2 osc / track, memories, MIDI, Seq, chorus
UTILIZATION
Easy
SOUNDS
Analog honest, suitable for soft sounds
OVERALL OPINION
A MIDI controller to 1000F, with some analog troubleshoot sound good!
UTILIZATION
Easy
SOUNDS
Analog honest, suitable for soft sounds
OVERALL OPINION
A MIDI controller to 1000F, with some analog troubleshoot sound good!
15
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Tech. sheet
- Manufacturer: Korg
- Model: Poly-800
- Category: Analog Synths
- Added in our database on: 04/08/2004
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Synthesizers/Racks/Modules
Other names: poly 800, poly800