Using Distortion During Mixdown - A guide to mixing music - Part 93
LearningThis time around, we'll focus on distortion.
A review of the Universal Audio Fender ’55 Tweed Deluxe… - Tweed Indeed
Written testUniversal Audio has released plug-ins for quite a few guitar amps in the last couple of years, but its new Fender ’55 Tweed Deluxe is its first foray into the Fender amp world, and it’s a doozy. The …
Using Buses to Make a Mix More Cohesive - A guide to mixing music - Part 92
LearningIn the coming weeks we'll discuss in detail the so-called "glue" effect, in other words how to make the mix more homogeneous using different procedures. Today we'll discuss a simple method to emphasi…
A review of the PSP 2445 Digital Reverberator plug-in - A Powerful Ambience
Written testWith the release of version 1.2 of its 2445 reverb, PSP now has the official blessing of EMT, the company that made the outboard reverb units modeled in this plug-in. We figured that was a good reaso…
The Relationship Between Reverb and Delay - A guide to mixing music - Part 91
LearningTo close the chapter dedicated to the use of delay during mixdown, we'll look into the relationship between reverb and delay.
Video review of Audified MixChecker - Check Please!
Written testThe MixChecker plug-in from Audified makes it possible to reference your mix on a wide range of simulated speaker types to see how it translates. How well does it work? Find out in this video review.
Fill It Up with Delay - A guide to mixing music - Part 90
LearningThis week we'll look into a somewhat particular use of delay ─ as a way of filling up a mix. You certainly won't be able to use this technique every day, but it can come in pretty handy to "dress up"…
A video review of the new synth from Lethal Audio - Killer Sounds from Lethal
Written testLethal Audio recently released Lethal, a crisp-sounding "rompler"-style software instrument with a heavy emphasis on EDM, but which will also be useful for pop, rock, hip-hop, and film scoring.
Using Delay Instead of Reverb - A guide to mixing music - Part 88
LearningIn this installment, I'll show you how to use delay instead of reverb to reinforce the sonic cohesion of your mix.
Top 5 reverb plug-ins for giving your mixes professiona… - My Favorite Reverb Plug-Ins
LearningOne of the most useful audio plug-in types in any computer-based studio toolbox is reverb. In this article, I’ll look at my five current “go-to” reverb plug-in choices. But first, a little background.
Slapback and Doubling with Delay - A guide to mixing music - Part 87
LearningThis time around, we'll look at two "classic" uses of the delay effect.
Multitalented producer Greg Wells talks about his craft… - Producing for the Art of It
LearningAlthough he spent most of his childhood playing and studying music, it wasn’t until Greg Wells was 18 that he got bitten by the recording bug. “I got my parents to co-sign a loan, and I bought a Mac …
The Use of Delay - A guide to mixing music - Part 86
LearningAfter closing the chapter dedicated to the use of reverb during mixdown, we will now focus on a relatively similar topic: delay.
We interview the author of “The Great British Recording… - The Golden Age of British Recording
Interview / PodcastIn the early 1960s, at the beginning of the British Invasion, the studio scene in England was thriving, but the British studios used different gear and got a very different sound than their U.S. coun…
Reverb Tools of the Trade - A guide to mixing music - Part 85
LearningToday we'll close the chapter on reverb with one last suggestion and a short list of plug-ins I personally like to use when working with sound spaces.
A review of IK Multimedia's Lurssen Mastering Console - Mastering Made Painless
Written testThe Lurssen Mastering Console is new mastering software from IK Multimedia that was created in conjunction with Gavin Lurssen at Lurssen Mastering in Los Angeles, a high-profile facility that’s resp…
Lateral Movement with Reverb - A guide to mixing music - Part 84
LearningThis week we'll discuss a swaying technique which will allow you to easily create the illusion of lateral movement using reverb exclusively.
Responsive Reverb - A guide to mixing music - Part 83
LearningSo far we have reviewed quite extensively the "classic" uses of reverb during mixdown, but I would now like to invite you to discover more exotic applications in the next couple of articles. These ar…
We interview the author of "Beatles Gear: The Ultimate … - Fab Four Gear!
Interview / PodcastDid you know that John Lennon’s first guitar was a Gallotone Champion acoustic that he ordered from a catalog, or that George Harrison played a Framus Hootenanny 12-string on “Help," or that Ringo st…
Unreal Soundscapes - A guide to mixing music - Part 82
LearningLast time, we saw how to recreate a realistic sound space with the three last buses of the setup I suggested to use when working with reverb. This week we'll address the concept of depth in a sound s…
Multiply your creative processing with these multi-effe… - 5 Multi-Effects Plug-Ins You Might Have Missed
LearningYou could collect individual plug-ins that deliver the kinds of effects you use most; that’s one approach, and a popular one. Another is to use a single plug-in that offers lots of effects for sound …
Glue It Down with Reverb - A guide to mixing music - Part 80
LearningToday I'll focus on the sixth bus of my personal reverb mixing setup. As I told you before, this bus is aimed at producing the so-called "glue" effect. In other words, the more or less signal you sen…
A video review of Eventide Anthology X - A Big Bundle of Processing
Written testThe Eventide Anthology X bundle ($999 street) offers users a large collection of effects processing plug-ins. Although there's an emphasis on the harmonizer/delay type effects that Eventide is famous…
Choosing Reverb Sounds - A guide to mixing music - Part 79
LearningToday we'll follow up on the previous article by discussing the presets for five of the nine reverb buses of the template I proposed.
Getting Down to Work with Reverb - A guide to mixing music - Part 78
LearningWe have been discussing reverb for quite some time now, although in a more or less theoretical way. I know it can get a bit frustrating but, trust me, it was necessary. Now that we are done with all …
