 - It Can Happen to Anybody - The Loudness War - Part 8Learning- This is the next installment in our article series dedicated to the race for volume, its consequences on music, sound and human ears. 
 - Dialing in a Multiband Compressor - A guide to mixing music - Part 40Learning- In the previous article we saw how multiband compression can be used at the mixing stage. Today I'll show you how to dial in a multiband compressor to get the best results. 
 - In tandem with Advance series controllers, VIP lets you… - [Video] Akai VIP Software in ActionLearning- We recently reviewed the Akai Advance 49 keyboard. In fact, we gave it an Audiofanzine Award for Innovation. A big part of the value of the Advance series keyboards is that they include VIP software … 
 - A First Look at Multiband Compression - A guide to mixing music - Part 39Learning- In this new installment we'll tackle multiband compression during mixdown. 
 - Compression as Glue - A guide to mixing music - Part 38Learning- This week we'll look into a side effect of compression that's beneficial, as long as you use it wisely. It's the so-called "glue" effect that takes place when you use a compressor on a group of track… 
 - Mastering and remastering - The Loudness War - Part 7Learning- Here's the latest installment in our series of articles dedicated to the race for volume, and its consequences on music, sound and human ears. 
 - These instruments and effects may not be well known, bu… - 5 Cool Plug-ins You May Never Have Heard OfLearning- Some people become addicted to plug-ins; others become connoisseurs. That is, they're borderline addicts but too refined to splurge on just anything. They need a certain something, which is what the… 
 - Sidechain Compression - A guide to mixing music - Part 37Learning- Today we'll continue unveiling new tricks and tips on compression with an installment dedicated to the sidechain. 
 - A review of the EastWest Composer Cloud subscription se… - Instruments from the CloudWritten test- Subscription-based plans are becoming more common for music software. While presumably a good thing for the developers, they’re not necessarily so great for users, who have to pay over and over for a… 
 - Sonarworks Headphone Calibration Review - High CaliberWritten test- You all know what it's like to finish a mix that sounds amazing on your headphones and then try to show it to your grandma on her hi-fi system, only to discover that it sounds terrible. The mix is co… 
 - Classic Gear Spotlight: The Les Paul - Part 2 - And the Guitar Was Born!Learning- The telephone rings. Pegg's back suddenly stiffens, she adjusts her glasses before picking up the phone. She can tell by the timbre of the voice that asks for Ted McCarty that it's bad news for her b… 
 - Serial Compression - A guide to mixing music - Part 35Learning- Now that we've seen the basic usage of compression when mixing, I'll walk you through a couple of tips and tricks that I'm sure you'll find quite useful. This week we'll look into a technique that mi… 
 - Classic Gear Spotlight: The Les Paul - Part 1 - History of the Les PaulLearning- The tale begins in Winter 1951. 
 - Review of the Akai Advance 49 Keyboard Controller - Advancing the State of the ArtWritten testInnovation award- Imagine a MIDI-controller keyboard that lets you seamlessly switch between virtual instruments from different manufacturers, keeps all your patches together in a single browser, and automatically map… 
 - The Opposite of Punchy - A guide to mixing music - Part 34Learning- Today, I invite you to continue exploring the possibilities of dynamics processing at the microdynamic level. After having dealt with "punchy" sounds, we'll use dynamics to go for the opposite — "rou… 
 - Make Your Mix Punchy with Compression - A guide to mixing music - Part 33Learning- After looking at some applications of compression at the macrodynamic level in the two previous articles, we'll deal here with microdynamics, starting with how to get a "punchy" sound. 
 - Sensomusic Usine Hollyhock II Review - Music in BloomWritten testBest Product award- There are lots of software solutions for live performance. Strangely enough, Sensomusic's Usine Hollyhock II doesn't come up on the radar as often as other products. And yet... 
 - The Right Way to Loudness - A guide to mixing music - Part 32Learning- Today we'll continue our discovery of the use of compression with an application that will surely interest all of you: An increase in loudness. 
 - A review of the new plug-ins in Universal Audio UAD 8.1… - Another Three from UADWritten test- Universal Audio just released a new version of its software for Apollo and other UAD-2 devices. The release is highlighted by three new plug-ins, including spot-on emulations of the Neve 88RS Channel… 
 - Add Consistency with Compression - A guide to mixing music - Part 31Learning- In this episode, we'll concentrate on dynamics processing during mixdown, and we'll see how to use compression to give consistency to your tracks. This usage, in my opinion, is the most important one… 
 - A review of SONiVOX Tony Coleman Drums - Tony Goes VirtualWritten test- SONiVOX's Tony Coleman Drums (Mac/Win), is a virtual drum plug-in featuring sampled kit sounds from Coleman, who’s played with a who’s who of blues and R&B artists including B.B. King, Bobby Blue Bl… 
 - Louder Doesn't Mean Better - The Loudness War - Part 3Learning- In this installment, we'll look at the consequences of the loudness war on music, sound and human ears. 
 - Virtual Tone Tips for Guitarists - How to get killer sounds with your amp-modeling plug-inLearning- The debate about real amps versus modeling amps is over. Numerous blind tests among players and engineers have revealed that it’s often impossible to distinguish modeled amps from the real thing, esp… 
 - Compression in the Volume Wars - The Loudness War - Part 2Learning- Today we'll continue our series on the volume wars. This time, we'll focus on mainly on compression. 
 - Find Your Latency Threshold - Understand and minimize latency when recording in your DAW – Part 2Learning- Finding an acceptable level of latency is something everyone making music with computers must deal with at times. For some of us it's child's play, but for some others it can get complicated very qui… 
 
                             
                






