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Matt HudsonSurprisingly good guitar amp mic
Published on 04/30/21 at 00:01I have had an Audix D4 mic for a couple of years and have mainly used it on floor tom and percussion and bass cabinets. I had a guitar player in the studio a few months ago who wanted to try a kick drum mic on his guitar amp. So I thought ummm, let's try this D4, what a surprise it sounded fantastic. Thought it may have been a one off situation so I have since tried it on guitar a few more times and it always sounds great. I have set it up with SM7B and tried it against a SM57 and a few other common guitar mics for comparison and I have and have generally preferred the D4 capture. Give one a go on guitar you may be surprised, I was.…
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I have had an Audix D4 mic for a couple of years and have mainly used it on floor tom and percussion and bass cabinets. I had a guitar player in the studio a few months ago who wanted to try a kick drum mic on his guitar amp. So I thought ummm, let's try this D4, what a surprise it sounded fantastic. Thought it may have been a one off situation so I have since tried it on guitar a few more times and it always sounds great. I have set it up with SM7B and tried it against a SM57 and a few other common guitar mics for comparison and I have and have generally preferred the D4 capture. Give one a go on guitar you may be surprised, I was.
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Anonymous Thunder
Published on 10/29/11 at 14:15The Audix D4 is a dynamic microphone designed for use with instruments. It has a frequency response that is tailored to use with lower instruments, and Audix advertises the Audix D4 as being great on a kick drum, a bass amp, and any other low instruments due to its "flat, linear, response." The microphone has a hypercardioid pickup pattern, and it is capable of handling sound pressure levels of up to 144 dB.
It also boasts many of Audix's signature taglines for its microphones. The D4 has a proprietary anti feedback design, isolates each instrument's "sweet spot," and has a very low mass diaphragm to improve its transient response. It also has exceptional feedback and off axis...…
It also boasts many of Audix's signature taglines for its microphones. The D4 has a proprietary anti feedback design, isolates each instrument's "sweet spot," and has a very low mass diaphragm to improve its transient response. It also has exceptional feedback and off axis...…
Read more
The Audix D4 is a dynamic microphone designed for use with instruments. It has a frequency response that is tailored to use with lower instruments, and Audix advertises the Audix D4 as being great on a kick drum, a bass amp, and any other low instruments due to its "flat, linear, response." The microphone has a hypercardioid pickup pattern, and it is capable of handling sound pressure levels of up to 144 dB.
It also boasts many of Audix's signature taglines for its microphones. The D4 has a proprietary anti feedback design, isolates each instrument's "sweet spot," and has a very low mass diaphragm to improve its transient response. It also has exceptional feedback and off axis rejection, and it built very ruggedly, so that it is capable of taking a trashing or a beating. The microphone itself does admittedly look a little bit cheap, not quite keeping in line with many of Audix's other microphones. However, this is entirely deceptive, and the ruggedness of these microphones does in fact hold true to Audix's claims, completely contrary to what one may expect when seeing this microphone. The D4 has a frequency response from 40 Hz to 18,000 Hz, and is very much like the D2 in that it is under 4 inches long and weighs just over a quarter of a pound.
OVERALL OPINION
The Audix D4, in use, has that thunderous sound that one may expect from an Audix drum microphone, and this one is particular keeps it tight and clean. It sounds a little bit oxymoronic, but the truth is, the Audix D4 has the special unquantifiable something that makes the microphone very versatile, especially in the studio. It gives you that big sound, but does not make it impossible to tone it down by coloring it.
I can without hesitation recommend the Audix D4 to anyone who wants just a little more oomph out of their drums but is just slightly afraid of the muddiness that usually comes with that oomph.
It also boasts many of Audix's signature taglines for its microphones. The D4 has a proprietary anti feedback design, isolates each instrument's "sweet spot," and has a very low mass diaphragm to improve its transient response. It also has exceptional feedback and off axis rejection, and it built very ruggedly, so that it is capable of taking a trashing or a beating. The microphone itself does admittedly look a little bit cheap, not quite keeping in line with many of Audix's other microphones. However, this is entirely deceptive, and the ruggedness of these microphones does in fact hold true to Audix's claims, completely contrary to what one may expect when seeing this microphone. The D4 has a frequency response from 40 Hz to 18,000 Hz, and is very much like the D2 in that it is under 4 inches long and weighs just over a quarter of a pound.
OVERALL OPINION
The Audix D4, in use, has that thunderous sound that one may expect from an Audix drum microphone, and this one is particular keeps it tight and clean. It sounds a little bit oxymoronic, but the truth is, the Audix D4 has the special unquantifiable something that makes the microphone very versatile, especially in the studio. It gives you that big sound, but does not make it impossible to tone it down by coloring it.
I can without hesitation recommend the Audix D4 to anyone who wants just a little more oomph out of their drums but is just slightly afraid of the muddiness that usually comes with that oomph.
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davedogPublished on 03/02/09 at 19:06
The Audix D4 is a moving coil dynamic primarily designed for use with percussion of all types but more specifically drums.
It is a rugged and excellent sounding mic much in the vein of a Sennheiser MD409. The lows are tight and full while it also demonstrates clear and accurate mids and highs.
It is fairly flat down to 38hz and has that nice rise around 2k that gives that great presence and klik to a drum strike.
All of the Audix D series are small and easily placed on a busy drum kit. Except the D6 of course.
The D4 was the original kik drum design before the D6 was released and here it shines brightly. A lot of low-end for the size.
OVERALL OPINION
I have been using this mic for...…
It is a rugged and excellent sounding mic much in the vein of a Sennheiser MD409. The lows are tight and full while it also demonstrates clear and accurate mids and highs.
It is fairly flat down to 38hz and has that nice rise around 2k that gives that great presence and klik to a drum strike.
All of the Audix D series are small and easily placed on a busy drum kit. Except the D6 of course.
The D4 was the original kik drum design before the D6 was released and here it shines brightly. A lot of low-end for the size.
OVERALL OPINION
I have been using this mic for...…
Read more
The Audix D4 is a moving coil dynamic primarily designed for use with percussion of all types but more specifically drums.
It is a rugged and excellent sounding mic much in the vein of a Sennheiser MD409. The lows are tight and full while it also demonstrates clear and accurate mids and highs.
It is fairly flat down to 38hz and has that nice rise around 2k that gives that great presence and klik to a drum strike.
All of the Audix D series are small and easily placed on a busy drum kit. Except the D6 of course.
The D4 was the original kik drum design before the D6 was released and here it shines brightly. A lot of low-end for the size.
OVERALL OPINION
I have been using this mic for seven years now. Both live and in the studio. It has never failed and has taken a beating . The finish is barely marred even with its use as a low-tom mic, and zero dents from stick strikes. The D-series is a very hardy mic.
In the studio I like it as a kik drum mic right in on the beater for the klik and a tight lowend response. I use it in conjunction with either another dynamic at the front head, usually an ATM25, or a condenser in a tight cardiod pattern.
It is also a surprisingly excellent sounding mic for a heavy guitar part played through a multi-speakered cabinet. Its hyper-cardioid pattern helps with phase issues in a multi-mic placement on this type of cabinet.
The entire kit of D-series I bought all those years back have been nothing but a great bargain and I would definately own them all again.
It is a rugged and excellent sounding mic much in the vein of a Sennheiser MD409. The lows are tight and full while it also demonstrates clear and accurate mids and highs.
It is fairly flat down to 38hz and has that nice rise around 2k that gives that great presence and klik to a drum strike.
All of the Audix D series are small and easily placed on a busy drum kit. Except the D6 of course.
The D4 was the original kik drum design before the D6 was released and here it shines brightly. A lot of low-end for the size.
OVERALL OPINION
I have been using this mic for seven years now. Both live and in the studio. It has never failed and has taken a beating . The finish is barely marred even with its use as a low-tom mic, and zero dents from stick strikes. The D-series is a very hardy mic.
In the studio I like it as a kik drum mic right in on the beater for the klik and a tight lowend response. I use it in conjunction with either another dynamic at the front head, usually an ATM25, or a condenser in a tight cardiod pattern.
It is also a surprisingly excellent sounding mic for a heavy guitar part played through a multi-speakered cabinet. Its hyper-cardioid pattern helps with phase issues in a multi-mic placement on this type of cabinet.
The entire kit of D-series I bought all those years back have been nothing but a great bargain and I would definately own them all again.
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moosersPublished on 02/25/09 at 21:43
The Audix D4 is a dynamic microphone capable of use in both the recording studio and on the stage, although I have only used it in the studio. It is a small mic and is easy to place on drums, which is what I use it for. It is built well and is enclosed in a sturdy case to avoid harm to the microphone. While it is built well, it does have a kind of cheap look to it, so don't let the appearance fool you.
OVERALL OPINION
I've been using the Audix D4 for about three years. While I was skeptical at first because of how cheap it is and because it does look kind of cheaply made, this is a great microphone for micing tom tom drums that are on the smaller end. This means drums that are 14...…
OVERALL OPINION
I've been using the Audix D4 for about three years. While I was skeptical at first because of how cheap it is and because it does look kind of cheaply made, this is a great microphone for micing tom tom drums that are on the smaller end. This means drums that are 14...…
Read more
The Audix D4 is a dynamic microphone capable of use in both the recording studio and on the stage, although I have only used it in the studio. It is a small mic and is easy to place on drums, which is what I use it for. It is built well and is enclosed in a sturdy case to avoid harm to the microphone. While it is built well, it does have a kind of cheap look to it, so don't let the appearance fool you.
OVERALL OPINION
I've been using the Audix D4 for about three years. While I was skeptical at first because of how cheap it is and because it does look kind of cheaply made, this is a great microphone for micing tom tom drums that are on the smaller end. This means drums that are 14 inches or less. They also will sound good on electric guitar, but they wouldn't be my first choice. While I would rather have a Sennheiser 421 on any tom tom drum, these are great because the the D4 is about a third of the price. This makes them a great option for the home studio owner looking for a few dynamic drum mics on the cheap. Even though I do like the D4, I would also probably rather have a Shure SM57 for any situation when it comes to recording and is only slightly more expensive than the D4. This being said, this is personal preference and I would encourage interested parties to shoot out the mics themselves if they can as it all depends on what you would like to use the mic for. This is the only Audix microphone I have used, so I don't know how it compares to any of the other Audix microphones. All in all, the Audix D4 is definitley worthy of a look when it comes to recording drums.
OVERALL OPINION
I've been using the Audix D4 for about three years. While I was skeptical at first because of how cheap it is and because it does look kind of cheaply made, this is a great microphone for micing tom tom drums that are on the smaller end. This means drums that are 14 inches or less. They also will sound good on electric guitar, but they wouldn't be my first choice. While I would rather have a Sennheiser 421 on any tom tom drum, these are great because the the D4 is about a third of the price. This makes them a great option for the home studio owner looking for a few dynamic drum mics on the cheap. Even though I do like the D4, I would also probably rather have a Shure SM57 for any situation when it comes to recording and is only slightly more expensive than the D4. This being said, this is personal preference and I would encourage interested parties to shoot out the mics themselves if they can as it all depends on what you would like to use the mic for. This is the only Audix microphone I have used, so I don't know how it compares to any of the other Audix microphones. All in all, the Audix D4 is definitley worthy of a look when it comes to recording drums.
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Tech. sheet
- Manufacturer: Audix
- Model: D4
- Category: Dynamic Microphones
- Package weight:307 g
- Added in our database on: 03/06/2006
We have no technical specifications for this product
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Other names: d4, d 4