All user reviews of 5/5 for the Shure SM58

for singing I'm a singer in a rock band pop

OVERALL OPINION

and I must say that it is rusted Bonetti in the strength of spluttering over for about 20 25 years and more he feels the Guinness (and yes I love a good set for a Guinness!) d in ais bought another ago Feb. 3 years for the harvester which is the chorus from the group and I m were saying it JEVAIS refiller the old and new, but finally taking the No. I keep the old man over potatoes I think due to the fact that the foam is compacted over the years

including brief you laura c is the microphone singing enduring for many years and who never gave up my
I put him everywhere so 10

A legend that it is true that micro sound it produces is not as cool as some of the competitors but you must recognize this versatility that is lacking in many, the simplicity of handling this sound to its name This reliability and give us clearly too few places or occur amateur musicians provides a sound worthy of the name and good old SM 58 is doing with honor whatever the gear used. I think he still has good years ahead of him on all the scenes of the world.
Musically. Lawrence

OVERALL OPINION

I use the HF model UR2 and I tested many models Neumann, Shure, AKG, coming back to good old SM 58, which certainly did not sound some others, but what versatility.

This is a Dynamic microphone.  It can be used in almost any setting.  I don't recommend it for Vocals in a Studio setting because you should really be using a quality condenser for that.  But, I was told a few times by a few different people that the SM 58 and the SM 57 are identical microphones with the exception of the Grills.  With that being said, I have used my SM58 on all sorts of gear including Guitar amps, bass amps (in conjunction with a Beta 52a), drums (snares and toms) and yes, even vocals (before I got some nice condensors).  With the exception of Vocals, this thing sounds great on everything in the studio.  There is a reason that Shure SM mics are the industry standard.  They are very clean and crisp and they can take a really good beating and keep on trucking.  As for live situations, these things are essential for any working band or venue.  I used to host an open mic for over a year and the venue had about 6 of these and they were dropped repeatedly buy clumsy or drunk musicians and every single one worked great the whole time I was there.  On top of all that, I asked the owner at one point when he got the mics and he said many years ago.  When it comes down to preference however, I always take my Shure Beta 58a and my BG 5.1 vocal condenser if its just me singing through them.  The SM 58 always rides along but the other two are just all around better/stronger mics.

OVERALL OPINION

One of the best things about all Shure Mics is the amazing warranty they have.  Even when its out of warranty, no matter what happened, or what condition it is in, you can always send it to shure with a nominal fee (about $35 to $40) and get a brand spanking new one in return.   Besides that, this mic also gets props for its ability to take a beating and still sound great.   For the price (under $100) and its durability, this is a great mic.  The precision and quality of the sound is excellent for a mic in this price range.  I have used many different condenser mics including Samsons, Audix (also very nice), and behringer and the only one that can share the stage in my opinion is the Audix.  The rest are just wastes of money.  Yes, I would definitely keep a few of these around all the time.  You never know when you might need one and you can always be sure that it will live up to its reputation.

This dynamic mic is usable for live and studio settings, but it definitely works better in a live setting. There are some instances where it is a good mic to have in the studio. It's quite similar in design to the SM57, the obvious difference being the cap. The round cap on the 58 makes it more ideal for vocals in a live setting, since its ability to pick up voices is enhanced by the cap. In reality, it can be used for almost anything that the SM57 can be used on, which includes guitar/bass/keyboard amps, horns, and some percussion. Many people find that they can be used for almost anything. In the studio, or when recording at home, it can be used for many things, and while it's rarely the best choice, it can make do as a snare mic or horn mic when on an extremely tight budget.

OVERALL OPINION

I've used these mics for about 8 years and have never had a problem. I like using them for live vocals mostly. They are virtually indestructible and the sound quality has never deteriorated or gotten worse. I like the versatility of them a lot as well. For someone who isn't an audiophile, or hasn't been around microphones for very long, the differences between this mic and some of its higher-end dynamic mic counterparts is barely noticeable, or sometimes not noticeable at all. For this reason, they are more than worth the price. In fact, I've yet to find a mic in their price range that even comes close. I would say that anybody who plays live, and any broke musician who wants to start recording at home would be wise to purchase at least one of these mics. They are better in groups, though, and most people end up buying a few, which is wise.

The shure sm-58 is a workhorse. While it is idea for vocals, it is good for live sound or studio sound but is most comfortable and commonly used in live settings. Pitted against the far superior EV brand, an untrained listener usually cant tell the difference. By no means is it cheaply made, these things are virtually indestructible. Working for a live sound company, I recommend them to most of my clients simply because they can withstand the carelessness of simple-minded singers, while maintaining a professional appearance and sound. I would not recommend it for studio recording if you have the choice to spring for some good studio quality mics. As far as the sm-57 goes, there is much speculation in likening it to the sm-58. The 58 is a vocal mic, the 57, designed for instruments. Listen to them for yourself.

OVERALL OPINION

The sm-58 was the first mic I ever got. Ive used it for around 7 years and I still have the first ones I ever got. Lending them to churches and bands over the years, they've been through everything imaginable and they still sound great. Having attended several classes on sound engineering, it is clear that the sm-58 is a good industry standard that never fails to deliver. I've seen it pitted against several mics and you just cant beat it for the price. Buying this mic will enshure your satisfaction.

The Shure SM58 is a dynamic microphone that can be used in either a live setting or the recording studio. While it is widely used in both situations, I have used it mostly in a live situation and have found that they are most useful in this setting because of how well built and long lasting these are. It has a sleek design that has almost become synonymous with what a live vocal mic looks like as it is perfect for holding and singing into. The SM58 is essentially the same microphone as the SM57 on the inside - the only difference is the grill on the SM58, which makes it more suitable for vocals. For this reason it has become an industry standard for live vocal mics because of their high sound quality, their sturdiness, and how cheap in price they are.

OVERALL OPINION

I've been using Shure SM58s for about seven years and boy can these things take a beating. I have seen ones that appear to have huge dents in them, but still work great. They are the top choice of a lot of touring bands as they can stand to take a beating and even if they get lost or stolen they are cheap and easily replaceable. These mics will definitley give you your moneys worth and even sound pretty great in the studio. In this price range I don't think I can find a mic that is as good or as reliable as this one. I'm Having a few SM58s around is always a good thing, no matter what you are doing musically. I recommend checking these out for live vocals or even for use in the studio. They're great all around mics brought to you by a great company with a great reputation for making high quality mics at reasonable prices.