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4.0/5(1 reviews)
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berlGood mic for bass accordion!
Published on 05/06/12 at 09:34 (This content has been automatically translated from French)Mic for bass accordion, percussion. Fixing clamp, small swivel gooseneck.
Electret microphone requiring 48V phantom power on the table.
A version of CX-506W (W for wireless) are, in mini-XLR for connection to the HF or Shure brand, or use a box mix of PS-PS-500 battery.
OVERALL OPINION
Use since 2010: I spent my accordion and singing in HF to play among the dancers.
Before that I used the AKG microphones MicroMic or other kind tie.
Sound quality: from the microphones I was using previously, I found a good balance of sound, a medium neither aggressive nor tormented. In short, perfectly fine for bass.
Construction: correct and without risk of breakage important. Reliable...…
Electret microphone requiring 48V phantom power on the table.
A version of CX-506W (W for wireless) are, in mini-XLR for connection to the HF or Shure brand, or use a box mix of PS-PS-500 battery.
OVERALL OPINION
Use since 2010: I spent my accordion and singing in HF to play among the dancers.
Before that I used the AKG microphones MicroMic or other kind tie.
Sound quality: from the microphones I was using previously, I found a good balance of sound, a medium neither aggressive nor tormented. In short, perfectly fine for bass.
Construction: correct and without risk of breakage important. Reliable...…
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Mic for bass accordion, percussion. Fixing clamp, small swivel gooseneck.
Electret microphone requiring 48V phantom power on the table.
A version of CX-506W (W for wireless) are, in mini-XLR for connection to the HF or Shure brand, or use a box mix of PS-PS-500 battery.
OVERALL OPINION
Use since 2010: I spent my accordion and singing in HF to play among the dancers.
Before that I used the AKG microphones MicroMic or other kind tie.
Sound quality: from the microphones I was using previously, I found a good balance of sound, a medium neither aggressive nor tormented. In short, perfectly fine for bass.
Construction: correct and without risk of breakage important. Reliable (no failures, no spitting). Mounting clamp and convenient mini-gooseneck not bulky.
Small problem: the gooseneck does not rotate 360 degrees so depending on where you want to capture, we must put the clamp in one direction or the other. It's a shame, it should not change much in the manufacture ...
Price / quality: unbeatable! 90 euros for a micro mini-gooseneck good quality, with its built-in phantom power XLR, what more
Electret microphone requiring 48V phantom power on the table.
A version of CX-506W (W for wireless) are, in mini-XLR for connection to the HF or Shure brand, or use a box mix of PS-PS-500 battery.
OVERALL OPINION
Use since 2010: I spent my accordion and singing in HF to play among the dancers.
Before that I used the AKG microphones MicroMic or other kind tie.
Sound quality: from the microphones I was using previously, I found a good balance of sound, a medium neither aggressive nor tormented. In short, perfectly fine for bass.
Construction: correct and without risk of breakage important. Reliable (no failures, no spitting). Mounting clamp and convenient mini-gooseneck not bulky.
Small problem: the gooseneck does not rotate 360 degrees so depending on where you want to capture, we must put the clamp in one direction or the other. It's a shame, it should not change much in the manufacture ...
Price / quality: unbeatable! 90 euros for a micro mini-gooseneck good quality, with its built-in phantom power XLR, what more
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Tech. sheet
- Manufacturer: JTS
- Model: CX-506
- Category: Electret Microphones
- Added in our database on: 01/05/2005
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Electrostatic microphones
Other names: cx 506, cx506