Immersive Soundscapes Earsight microphone - XLR Version - "Earsight P48 in ORTF with Zoom F3"
I must say that I am very satisfied with this selected pair of microphones. I built, through 3D printing, a support to position them in ORTF angled at 110 degrees to each other, with the capsules 17 …
Sony ECM-56 - "SONY ECM56"
Used as main recording mics in stereo pair configuration and mono spot mics early in recording studio setup circa 1984 Recorded to Teac 3440 4 track reel to reel for folk rock and classical(stereo p…
JTS CX-509 - "Great for overheads and instrument-miking"
I found this mic by pure chance, while I'd known the CX-516 and 508 for long. I now own four pairs of it. I use it live, for overheads or to mike instruments up. Very sensitive -like all condense…
Audio-Technica ATM 33R - CROPUS's review
translatedMicrophone for voice and instruments taken in the studio (donées manufacturer) this microphone is a cardioid condenser and requires phantom power to the 9-52 VLTs .Unlike the "ATM 33 A" does not wo…
DPA Microphones d:vote 4099 - " Top"
translatedMicro declined in the version for violin OVERALL OPINION How long have you use it? 1 complete we in different environments (one for a cocktail, a duet for a religious ceremony and training vari…
Apex Electronics 220 - " Good product"
translatedI use it for a few months now, it is a measurement microphone Omnidirectional directivity. - Frequency Response (Hz) 20-20000 - Impedance 250½, - Sensitivity -63dB. Max 105 dB SPL - S / N rat…
Audio-Technica AT2031 - " Excellent price / quality ratio"
translatedA small cigar capacitor (which cash still 141 db) with a low cut at 150 Hz which is not common in this price range and making it readily ideal for string instruments frotées or plucked. I chose th…
RODE M5 - " Perfect"
translatedAcoustic Principle Pressure Gradient Active Electronics JFET impedance converter with bi-polar output buffer Capsule Diameter 0.50 "(12.7 mm) Polar Pattern Cardioid Address Type End Frequen…
AKG C547BL - " Surprise live"
translatedMicro hyper-cardioid for kick drum that pose inside. OVERALL OPINION This is the best bass drum mic that I had on hand. I do not know and have used 2 times. A group that I had background mus…
Shure 849 - " A good microphone overhead"
translatedCardioid electret OVERALL OPINION I use it for a few months and I am not disappointed. I previously used a pair of ATM10 and a pair of PG81. The sound is less aggressive compared to PG81 I …
DPA Microphones d:vote 4099 - " a must"
translatedElectret microphones instrument OVERALL OPINION j have two and I use them mainly for the accordion and it changed my life akg 416 517 etc. shure beta 98 and 350 atm audio technica pro 35 …
Shure Prologue 16LLC - " Efficient, economic"
translatedElectret cardioid microphone back. Powered by 1.5 V AA battery in the microphone body. On-off switch. XLR 600 Ohm OVERALL OPINION I, I bought a pair ages ago for recovery of instruments on …
Realistic PZM - " Useful, functional."
translatedPZM (pressure zone microphone). Omnidirectional semi-hemispherical. Made by Tandy (Radio Shack) Crown under license. Miking coherent avoiding occasions of direct sounds and reflections, generatin…
LD Systems BM1 - " Convenient, cheap."
translatedPZM (pressure zone microphone) or Boundary Microphone (hence its name BM1). Omnidirectional semi-hemispherical. Made in China by LD Systems. Miking coherent avoiding occasions of direct sounds an…
JTS CX-508 - " Excellent for micro wind"
translatedMicrophone for wind instruments or left hand accordion. Back-electret microphone requiring 48V phantom power on the table. A version of CX-508W (W for wireless) are, in mini-XLR for connection to…