Running in 24 bit, stereo
preamp section can be bypassed (as in fact all effects) to use the valve as a multi-fx effects in the loop of an amplifier, a sound system, in addition to effects pedals guitar / bass ...
It is fully controllable by noon, stereo outputs, guitar entrance facade is in either the back of the rack ... headphone out, preamp section has lamp (12AX7) or transistor .... Lastly, good!
list of effects:
whawha, whammy, reverb, delay, chorus, echo, flanger, tremolo, 4-band eq, 10 band eq, 10 different simulations of HP, pitch shifter, sampler, arpeggiator, detune, phaser, noise gate, phase inverter, compressor, 3 distos a lamp, 3 distos transistors
Very easy to use but complete.
It can be set in detail each effect parameter.
Effect of very good quality, much better than a Boss GT6.
Ue used gibson Les Paul, it sounds fabulous.
For 200 euros OCCAZ, do not hesitate!
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rolandh's review (This content has been automatically translated from French)
Effects: As stated in the dj Previous opinion, this camera has a wide range of effects of a high quality. This lack may be just a harmonizer. Otherwise, it is far above some devices currently sold. The chorus is wonderful, the delay and reverb trs pure desire and settings.
Technology: being part of the quality of digital effects (really) pro, there is a lamp with an analog prampli efficient compressor and noise gate just as effective 4-band equalizer and a completely parameter. A dose even when, if pushed too far, adgrade a little sound.
Connections: trs simple two input jack (one front, the rear one), two outputs (L / R), an insertion, midi in / out / thru, in short, all the ncessaire. No XLR
For use, is something else. It is the one realizes that it's pro ... and that is not forcment height. Dj for qualizer totally Settings, it's great but changes a little of the classic "treble / middle / bass" of the standard guitar amp. But when we realized, was going. We just spend a few hours to sculpt the sound (and realize that BPS has not pass, but that's another story ...) The modulation effects are very s simple to use too. The delay has going again. But then the rverb ... especially the "big reverb," I never understood anything (I must say that I soon abandoned. In short, résumé: Easy for basic functions, but if you want to grind the bowels of the bte, it is not given to nophyte I am. As for the manual, it is not always clear trs ...
So it's really the foot. At least for me. It's really a matter of taste, so I'll try to be objective enough: clean sounds are excellent, the crunch bad, the traditional saturation (Marshall style), and the average gain for hi-mi-da- BLES! Clearly, if you want a machine to simulate your favorite amp, forget it. on the other hand if you like crisp, powerful saturation, worth a try. But it is clear that this device has a personality (which is a I love it!) And that has not please everyone. I personally have not found better, APRS trying a little of everything (POD xt, v-amp, PSA1, g7, JMP1 ,...)
I use it for many years and I never tire of it. DJ I had a lot of other devices (see above) and I always return it. For heavy distortion, I always use the disto "grunge" in the "no digital", so no effect for prserver whole dynamic and I can tell you that I dj tonn more than one. Guitarists often come ask me what I play with APRS a concert, it's a sign. Few people who know the craft. It is a little inaperu pass, probably because of his personality. It does not sound like a marshall or a mesa boogie or a peavey, ... adroute and a bit.
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Totomusique's review (This content has been automatically translated from French)
This rack is just great, the reverb and chorus of mad, hot and strong distortions with it.
I use it since 1998 and I changed the battery 1 time, if RAS.
Péampli lamp, all parameters are adjustable, there's room for maneuver almost infinite.
In short, the foot.
We must spend time with your owner and test without stopping. For me at least.
If you have a chance to get one, do not hesitate ...