All user reviews for the Line 6 Variax 600

The Variax 600 is made in Korea.
It has 22 frets.
It has a vibrato Baggs
3 knobs: one volume, one tone and a selector knob scratch
The neck is maple, screwed.

The handle is very enjoyable to play, typical stratovolcano, access to acute is easy and the ergonomics are good, the guitar is light and well balanced.
It comes with an output pedal, allowing
1 / to feed via stereo jack provided
2 / to switch an XLR output to an output jack, useful to remove the acoustic guitar sounds (very well done) on a live or acoustic amp on the sound system.

Its level, there are simulations Fender Stratocaster and Telecaster, Gibson Les Paul (Standard, Studio, Junior ...). Half boxes guitars, Jazz guitars, 12 string, acoustic, acoustic 12 strings, dobros, one (one?) Sitar and banjo.
And it sounds!
I tested live on pc on a small marshall transistors and a JCM, it sounds impeccably on three configurations.
It is impossible not to find a configuration adapted to his style!
Just a little flat on the 12-string, the effect is more of an Octaver that the true 12-string ... which is still logic.
There are no recent simulations guitar or microphone active but simulations les paul already have a big sound.

A small flat on the palm mute, crunches is obtained by putting her palm against the ropes!

it will be four months since I use it.
I love the vintage look!
I forgot to mention these individual micro-piezo wonderful that simulate more efficiently enough famous guitars possible to pass from a phone Selector Tool of tuning to another, it's great!
Combined with the workbench for editing the songs, it provides all the tunings without changing ties, without adjusting the handle!
This also allows for example to have a bass sound on both E string and LA and normal sound for the other strings, which eliminates the need of bassist
Bass sounds obtained are friendly to the wound strings, but horrible on the high strings troi
In short, it's really an interesting guitar for both the stage and in the studio, very nice to play and with delicate sonorities.

View LINE 6 website.

The violin is well finished and good quality the handle is pleasant, access to acute is correct.
Vibrato is sympathetic, use it wisely under penalty of dsaccordage.
Holding agreement is not what is the best I enlve a point for that.
The weight is that of a standard guitar, she leans slightly forward when standing.
The contrles are plas and effective.
It behaves like a normal guitar, glisss, bend, taping, etc ...
There is no sound delay because it is not a midi sensor, there is a mic cord.
I think that the inside of the guitar there is a multi-effects simply because we just send a rsultat with a multi-effects, but not as sharp, well simply connatre the effects and interactions, except that it is powerful and DDI.
The pedal used direct Housing Case of amps and other selections and food is very well done.
The manual is very good.

Ha! sound, I can not tell you, but if I tell you!
First, here is my configuration, BOSS multi-effects (GT PRO), amplified speakers RCF (ART 310A).
I would not do any comparison with the original models.
The clean and crunch sounds are excellent bill whatsoever in rhythmic or solo.
The lead sounds are very good solo for a rhythmic goes quite well.
In fact for heavy rhythmic sounds it feels too microphones, which has consquence to have a sound that is not full, it sounds slightly electro.
Acoustic sounds are correct on arpges and solo.
In rhythm without much attack is good, if we attack her fawn s'crase the limiter.
The sitar and other sounds, adpend how we used them and on what styles, a is no good.

Purists go your way, except perhaps for clean and crunch sounds.
Lovers of big sounds tchent (lead full rhythmic sounds), forget.
For concerts holding agreement can be a handicap lightweight.
For studio and research sound is excellent.
For me it's a great guitar.
I use it for a few months.
This is the SECOND I because the First was a series of default (see the forum).
I would do this choice.
Critical updates are mine, and also dpendent gots and colors.

For features, I refer you to the site very didactic line 6
pretty decent Korean manufacturing
the violin is clean, even if the varnish of the handle is thick enough
the frets are smallish, but well placed round Surla
there is a lack of push-button selection of models, which prevents any custom backup in banks.
the vendor is accustomed to the Variax, and it is loaded in 5 minutes before even sell me
I add that the battery access door is very easy to open (no screws!)
Finally, the gig-bag offered is really nickel and very padded

The handle has a fairly flat profile, which was a bit confused, but it is nice and fast enough
the action is set low which arranges things
guitar light enough and well trained, pleasant to take control
the sounds are very easy to select, and the two banks are customs practices for quick access
a familiar problem: a place of understanding very average (if only one uses the tremolo) that being it is mounted with a draft which does not help low
therefore provide block
the cable sfournis are nickel (neutrik a lifetime warranty!) and the robust housing
this guitar is really not complicated to use, plug and you turn a knob ...
It's not a gas plant!

The sounds are rich and varied
for most, not knowing the original, I can not tell if they are faithful
in any case it is true to the idea that I'm this or that guitar (from the disk etc ...)
the nuances of the game are well made (vibrato, harmonics ..)
CA Larsen incredible but true even with some distortion and a les paul (moi ca me astonished)
for acoustic sound, drop the idea to use your guitar amp AC does not
this will work is full of good things even if it sometimes takes to be careful to detect the difference between such and such a model ... Maybe not I hearing fine enough?

This guitar is a very good model
it is fun to play physically, which is very important
it restores the game well
there are lots of different sounds and musical
I would advise against having only AC, but no more than it's been an investment excllent
is obviously confusing and sometimes forget some a priori but honestly this is not the monster or the shame that we described here and there ...
remember that 60 years ago there were no microphones on the guitar, then refuse progress past the stage of success like the frieze passeism
there is no reason to be haughty with those who love this guitar, it would be rather large for instrument makers, who themselves have a perfect violin, to match the diversity offered
in this sense, to another budget, the PRS 513 is another way, but expect the others?

Which country? the frets, pickups etc ... see data sheet
It's a real guitar varnish is good trs qualitvintage crme kind starto) the guitar is more beautiful in real life than in pictures (that's toy!)
the vibrato is more like a floyd that a classic fender therefore more flexible
Trs simple use of fender type:
Volume, tonalitbr /> Slecteur 5 positions
slecteur guitar is simple
Mapple round neck
plutt look at what we INTERESTED sound and jouabilit ...

The handle is a hybrid between cash and half Strato
Access in simple Treble
Excellent ergonomics not heavy
For audio
A lot of possibilitbr /> I will be honnte because I play Gibson Lespaul 68 deluxe, Fender and Takamine starto 1982 EN 30 C then the heavy ...
I jou in with rpt and registration.
On micro cube, on sound and marshall
For the acoustic sounds on a sound
It allowed me to find the sound of Gibson and Guild acoustics and play without feedback VERY STRONG impossible with TAKA
+ Ralistes the sounds: I would say all
In addition to the site can rgler LINE 6 finest 12-string sounds and body ... see forum

This allows me to switch to full song accompaniment Banjo chorus of half cash and finish with a tl ...
IDAL is lctriques guitar amp on a neutral (the micro cube reproduces all) and an acoustic sound.
Recording (numriques Fostex 8-track) is standard.
Prfres sounds are those that I did not with my current guitar.
The 6 line does not reach its "exclusive" on my gibson but for the price of the old les paul I have 3 line 6 ...
Attention without added effects, the guitar is to play the guitar Fidler ..
She does not forgive errors will reproduce what you play a bad solo .. on line 6 will be a bad solo .. trs while a solo full of bad effects on a guitar for some will be hope (trash etc. ..)...
Finally it is a good guitar that costs less CHRE that it would buy the guitars

I've had two months
The +: sounds to new ides composed of riffs etc. ..
The -: s'adpater the future of the guitar ..
I had twenty scratch before ...
I always find the same sound (mine) whatever the moidles and amps ... no matter the price ..
Quality price ratio: normal
Good choice if I had enough $ I would take good acoustics also ..

Variax 600 Blue, made in China, but the finish is honnte trs.
22 frets, micro piezo.
Three knobs are, from the prs moves away at the ropes: volume, tone and select the MODEL of scratches, and also a micro slecteur.
Note that the volume buttons and Tone ragissent as the original select MODEL.
The handle is Rabl.
Required to correct agreement (I have not used the vibrato ...) but the tuning is made more due dlicat mcaniques of average quality.

The neck seems trs neutral. I plutt habitu play on electro-acoustic and the neck of the Variax did everything for me and for any type of game
Access in no acute problem.
To get a good sound, it's not complicated trs: just plug the guitar, then you select the type of guitar (electric, half box, acoustic, sitar, banjo, dobro ... ) and forcment, there are more of a sound that pleases!
The pots may be too much in the game of rope, which can sometimes GNER in rhythm, but not enough to smash your guitar on the floor, even when you're impulsive.
With the POD XT Live, you can record the type of guitar pdalier in each patch, which can change with a click of the foot type of scratches, the type of amp and effect and without latency simultanment : MAGIC!
Another plus: a free software instrument making "Variax Workbench" when a pod and the Variax which to choose, dplacer turn the microphones, changing table and give as desired to the MODEL MODEL of a new skyscraper or even!

Types of music playing: trip-hop, reggae, blues, grunge dfouler opportunity to ...
I mainly home studio and I always looking for different sounds set on bases sometimes acoustic, sometimes electronic: the Variax and Pod XT live fill me with happiness right now (yesterday, 18h 2am with mini break to eat ... time goes too fast with its sounds l!)
I play prfre headphone, but out of good speakers in salon, trs ca also makes good, with or without a pod.
The sounds that can come out are all original and enjoyable (for some small BMOL modlisation 12-string but), whether fat or lens, with or without effects. Trs quickly found what we seek.
I have a weakness for tlcasters, Lespaul Gibsons, Gretsch, sitar and banjo.

I use the Vaiax 600 for 5 days I bought it at R-Music Douai in the north only 709 (look for cheaper ...) and I t trs good advice. I have a whole jou APRS Saturday afternoon at the store with the Variax 300, which sounds exactly the same, but I prfre the 600 in blue, with vibrato and finishing (wood, varnished ...) that makes me happy.
I know some trs sounds mythical electric guitars, the Variax but includes all the sounds I expected from an electric.
A small snag for those who want change to MODEL scratch using the pod xt live: you must buy a RJ45 cable and more (I took my one line because it offers six air stronger: the 6 39 m) to connect the Variax to the pod. Biensr can connect it what you want by Manir traditional, but the pod and the Variax interraction lorqu'on no longer uses a jack.
I would do this choice with his eyes closed, lulled by the sweet sound of this guitar particulire trs, trs interresting price and amabilis dconcertante the seller.

The above all is said

The handle for me seems a little big but I have to get used to.
Access to acute: no pb
The ergo: the stratum is so for me that has one, that suits me
Get sound .. you turn the selector and rock and roll ..

Making in several styles, great versatility of this instrument.
I play on my input ISIS but I also have a Vox amp.
All sounds are nice, not knowing all the guitars I emulated sound basis for strat and I will play again with the original

I use it for a week the only thing I can put it away immediately vibrato: annoying, not at all and disagreements ergo the Variax and God knows if I use it with my strat USD.
As against the value for money for technical innovation, several guitars in one, there are no photos: it's great!!
For the home studio and maquetteselle is great, no hum, no need to disconnect and reconnect without a stop at last: no no no, I have no regrets!

That says it all down!

I carrment Science and by the quality of this guitar jouabilit

Directly on a slice, or amps, the total happiness. To live, I use two amps, a guitar and an access switch and I included the case is of the ball.
I am often with my friends paris musicos "conservative" by sending registration. 0.1% are able to make the difference between an original and Variax. The purists are often wrong time, even if for some modlisations, even when we can find some approximations.

We are husband for over a year, and it's always the honeymoon.
If I change it to buy the original MODELS .......... So notice Lotto
I had the original which gave me much pleasure, but it gave that s what it had! The Variax is what it is, but it gives the maximum.
In view of the services rendered, the report quality price honnte trs.
I just released the vibrato, it's really the m. ...
I resign! A 700 can be but hardtail (no vibrato) and when Mr. Line 6 will give them a maple neck, the I crack.

Modlisation guitar, I think not need to list the modlises scratch.
1 volume, 1 tone, 1 slecteur microphones / guitars.
A mache trs end, flatter than a conventional round stratum (as for back as the frets).

Channel trs enjoyable to play, very flat, the frets are thinner than a gibson, more than one strat Paisses, the sensation of play approaches (in less anyway).

Access in acute done everything correct (double cutaway.
It is a bit heavier than a Start.

This gives a good sound VERY easily, I will discuss the sounds below.

Point ngatif:

The output levels can be very Ingala diffrent between the guitars (logical single coil humbucker ...), but it is adjustable with the Workbench I strongly recommend. (T corrected this problem on the new Variax 600: see my other review).

No microphones, which is good for those who likes to play catch between their computer and amp, but for users Ebow, went like a sound (a little louder).

I put 8 which is a very good note (I must be the margin of the day I will note a US Start, PRS or other high-end guitars)

Ah, the important point.

To remain as I confess objetctif can be in love with his Fender (I play a Start with a Blues Deluxe)

My AYou PCHS, I can tell you that the guitars are modlises plustot Russias.
Sure, purists multi-millionaires go your way, is not sound 100% like the original. But with a compressor (a lacks a bit of compression) and an amp lamps is that of happiness. Of the Tele Les Paul Special through the 12-string acoustic and a superb sound.

A big highlight for Gibson ES are amazing (Go Go Go Johnny B Good)

Well you have not inquitez also works very well on a transistor amp (I have a Line6 Spider 2112).

I explain any more, I just want to give you the urge to try it, the guitar will do the rest (notice to dtracteurs Variax rebels, who have never touch one)

I use it for two years, I sold for model above.

Indeed for an old guitar (not me) the Variax 300 can make a cheap.
The 600 is the same with a round of very good quality and vibrato, and offers a better quality price.

Any fawn even for 2000 will not scratch so much.

I advised the PERONNES like me was not sure if a Start or a Gibson (I take the brands) would please them thoroughly. 500 aves here for you both (and even more) with some accssoires ring perfectly.

18/08/11:

For nearly three years that I have. What I had tried was the concept of "25 guitars in one." I even swore in good faith to my beloved minister of finance with the purchase, there would be no other behind (lie without the knowledge of my own free will).

In an attempt to achieve nirvana for digital scratching, I even bought a Pod XT Live OCCAZ almost new. After three years, is the record:

The emulation of guitar is stirring in the middle of a mix. In fact, Line6 has succeeded in generating the evocation of guitars emulated like a phenomenon of self suggestion. You catch yourself saying "yeah, it sounds like a really well ..." but it is not one. on the other hand, played alone, apart from the folk and the emulation of the sitar, it's not a carbon copy of Start, Tele and others LP. The character "squabbling" Rickenbaker of microphones, for example, is not rendered properly.

Much less is the cold side of the digital programming: for example, the emulation of Start is calculated for not sustain, and it shows: the notes die artificially, and all in the same way. On emulations Explorer (or Firebird, I can not remember what Line6 has assigned as resemblance), for example, she died the same way, but just with a longer holding time. In this regard, the analog of a single coil or humbucker one is irreplaceable, sorry to tell Line6.

Another drawback to the use of force emulated their sound qualities, certainly, but above all their faults fixed (see the issue of sustain), the Variax makes you want to own the original models ... and there are 25!

In short, today I change my tune. Contrary to what I read here and there, the Variax 600 has a good violin, it is physically very enjoyable to play long hours, and I canned, but I do more than the intended use of scratch a little unconventional: Start, Tele and LP are not at all the presets that I use, I have the originals or good copies.

The sound of the Variax, in particular, are a pleasure to listen to, and the comparison between the size of one against five Variax Acoustic pleads really in favor of digital. The 12-string Rick is also nice, the sitar is funny.

Emulations of ES and Rockabilly are also very successful. It already makes a bundle of perfectly usable justifies the reputation of the instrument.

The price / quality ratio is unbeatable, in my opinion, and I had more chance to nab the new home Thotho with a 20% reduction because it was a "B stock" purchased and returned within a month by the previous owner. The pair formed by this guitar with the Pod XT is an almost perfect success, with few defects closely related to the numerical technique used.

Knowing what I know of this model today, I still do it again this choice.

Made in Core, the handle is strat-like, the bridge / vibrato is a contribution LRBaggs. Line6 prtend they rglent their easels to come back against the body butter the rear: this n'tait not my case. So I did and since there is no problem keeping any agreement, even using the vibrato (but I'm not a raging rod!). I think that's the trick to the agreement is 100% reliable. on the other hand, you can not blow up the tremolo to the note.
The fineness of rglage is excellent in height, width, depth (can not be far l. ..) you can really make his personal rglage.
The box full of electronics at once seems quite hollow, and sounds really good and trs trs high vacuum for a solidbody and the sustain is not that of a dense wood with key scratches bne, but there is the snap of the button Rabl.

The handle is hell! is a real highway, comparable in quality to many beautiful guitars trs Chres more ... It is really good on this instrument. And not to find a pleasant sound, it must be allergic guitar!

For the sound quality, I think really differs in the view of the Champs Badger. I use the Pod XT Live (with digital cable so that even when 40 rating, no connection with the clumsy power supply included). I tried on my monitorings and my Tannoy 600 RCF 310A (DCID brand is in vogue!). Sounds Tele, Strats, Les Paul, ES 335 and Gretch trs are bluffing in clean, crunch on, in saturated ... Which is quite thunderous, is that even the sustain is different depending on the MODELS (short for Start and Tele, longer for paul). So I do not agree with the criticism regarding Previous sustain: it is quite honorable, but I think it is the will of ingnieurs have shortened the sustain of certain sounds (when playing low volume and hear the natural sound and amplified the contrast is strange to beginners). However, a more intensive use APRS, I find even when they sustain SETTING THE stratum and relatively short tele in the light (another ct I do not know what is expected to behave a stratum of 59 because I have my own boys ... the house). I wondered also if there is a difference with the Sustain 700: Line 6 rpondu me that these two were strictly the same MODELS sustain and even electronic (so why So pay double with a 700? for design ?)...

In terms of acoustic sounds is well trs mdiator solo, was a bit like playing the famous Sylvain Luc Godin uses. In support agreements and a fingerpicking not worth a real acoustic dj cause of touch. The 12 strings are pouvantables. Rsonateur sounds are not too bad (except the banjo), but I am specialist in Figure, the important thing with these sounds is that it must address the pr amplification (using the preamp "acoustic Variax" the Pod, except that the output gain is much lower than other amps simmuls, so you have to add the dB output of the compressor).

Finally, all fawn even if some crappy sounds, how important: there are enough to s'clater adj!

I recently and indeed may be that my opinion will evolve over time.
I also read reviews on the personality of the machine. A priori, sr Variax all have the same sound, only the Modl ings have guitars that have so much personality (Tele and Start for example, each string has its "grain" clean, especially for the E and B) I think that sounds a lot more spcial that most guitars on the market (U.S. strats included). Obviously, I find the couple Variax / POD: I do not know how a ring with the Boss Badger (are there any amp simulations intgres in, because it is lment pricipale sound, right?)
In short, 500 to our neighbors, I think it is difficult to do without.
It's just a shame they did not do a vibrato playable by the followers of Satriani.
But me, my thing is plutt Knopfler ... then 10/10

Asian manufacturing, value for money requires no complaints on the finish. Mine is white style "Mary Kay" vintage look (white then pulls on the beige) ...
For technical specifications, a look at this website will tell you as much as I can do. The philosophy of the 600 is clearly stratabound: mapple typed round fender, narrow but relatively flat, the three buttons take up the config stratocaster (volume near the ropes so) we love always, if you take the 700!
Big plus for me indispensable: a vibrato type fender. When one knows how to use (and pay) it works very well!
I used it for the first time on stage yesterday for three hours: no worries of detuning, in any case nothing more annoying than my other instrument equipped with vibrato. Mechanical impeccable.
I forgot: I changed the strings of origin (9 / 42) for the 10/46, a bit beefier, which is probably required to improve the tuning. I put 9 / 10 since I chose this model specifically for these physical characteristics.

After three hours on stage, I can confirm that the weight is quite reasonable, in any case less cumbersome than my G & L S500 (a super-strat, but only one type of sound ...)
The handle is forgotten, especially if you're like me used to the touch mapple Fender. It is even more comfortable than the average factory setting flawless (I had the opportunity to choose among several models in the store, the standard setting was more important than the choice of color. Mine is the hair.)
The body shape is still very different from the stratum: horns narrower main part of the larger body. Beware: it will not fit in a flight case necessarily carved a stratovolcano. I abandoned the gig bag for a stronger body. People who turn me understand ...

The sounds (not the sound) is the main argument of this instrument; Initially skeptical (20 years of his Fender in his ear anyway) I came into the store with my G & L and a strato U.S. buddy, to compare the history modulations strato 59. (It is not me). It was important for me to find the feeling to go to the strato purchase. Sounds more to me would therefore avoid changing guitar on stage for acoustic ballads or plans Dobro open tuning ...
The test was conclusive. Let's be clear: I will not sell my strato, but in case of change with the guitar, I take the Line6. There is a spectrum somewhat limited at the margin (bass deeper on the real stratosphere, and dynamic a little chick on the Variax, but the "color" is there, including the sounds 2 and 4 "out of phase")
The acoustic sounds were the big surprise in rehearsal: live on the table (and especially not in a guitar amp!) We believe it. He had only seen the head of the other zicos when I played on modeling Martin D28! They were looking where I stashed the guitar .... Ditto for the sounds of the National Triplate: intro to Romeo and Juliet as a disk, all without disconnecting and reconnecting the galleys at the guitars. Total comfort, and one side "wizard" that makes her little effect. But I insist: acoustic sounds always on the mixer and the sound with a bit of reverb, XLR output only (it's in the manual)
Other sounds are very characteristic and allow me to get out a few of my habits. Gibson sounds are very convincing, particularly the P90 ("special") in saturation have a smooth texture and singing very user friendly. Try it and see.
Still limited to small sets with open agreement: the digital detuning, convenient, suffers from a delay effect very marked. So use with care.

I've had two months. I use it on stage for the directory Dire Straits: the intro guitar metal (triplate National), sound accompaniment (Where do you think you're going), his solo singing Les paul (Brothers in arms) and of course the riffs strato (sultans of swing): everything sounds so credible and above all without the fuss! With the POD 2.0 on the floor and pedal Floor board, I became a fan of Line6 for convenience (travel light) of the concept. We agree, nothing can replace the original guitars with amps that go with it but frankly, your back will thank you. Apart from a few snobs who shunned the side of the High Tech Digital, the large audience yesterday was surprised to learn that I played without amplifiers or microphones on the guitar.
A reasonable purchase, fun and a great value for me (I keep the best for last: € 551 new! But there is more at this price, the price catalog is € 907 .. . But it's worth.))

Made in China I think, the guitar has a Start type tremolo, and a double connection: a jack to connect it to power Casing it even connects your console / audio interface or via Jack XLR. Note that if you do not use the Boti, is through piles ... The guitar also has a RJ45 connector to connect to the Workbench that allows computer edit the presets of the guitar (modlisations and open tunings) ... The latter is not provided: you have to buy from ...

A five position switch and a slecteur Crant to allow accder diffrent modlisations, while two pots allow where appropriate, the level of rgler virtual microphones, or their position in relation the instrument (for modlisation acoustic guitar).

Ct violin, one can obviously not say that it is high art, but Line 6 has not ashamed nor for the price which is about the Variax 600 and saw that the electronic embeds. In fact, if the guitar does not offer the comfort of a much CHRE Start U.S., it is playable and is done fairly well the tuning ...

It has become the only INTERESTED because ACCS Variax gives a package of ready-made sounds worthy of intrt. Start, Tele, Les Paul, 335, and even acoustic banjo or sitar, there's plenty to do.

Trs sincrement, unable to say that modlisations sound like the real scratch (a real Standard Tele is more enjoyable to play his modlisation), it must be admitted that Eng Line 6 have good boss and that, in general, are modlisations trsrussies: we understand well recognized by the guitars which they rfrent, with my humble opinion On success that much more Fender VG Stratocaster and a price so infrieur.

The Telecaster, Stratocaster, Les Paul and Hollow body is REALLY usable and if only one glue derrire a good amp simulator, the Variax is transformed into a Swiss army knife for 6 string model in silence. The acoustic modlisations of their usable by any fact, even if they sound electro-acoustic and acoustic plutt, and it is a pleasure to be able to catch 2 am embter without its neighbors ... The banjo runs well too, even the guitar rsonateur. Less convincing, the twelve strings give the impression of being the six strings with a simulated chorus, but overall, it's even great when done ...

If you are a big fan of guitar and you possdez dj a stratum, a tl and a les paul, chances are you prfrerez the original copy, or question its playability Still, the Variax combines a bunch of sound quality in one instrument and that in fact, if not a real box of scne at least a practical tool for models super speed the Lumire. Not making head of the sound, turn a knob, is recorded, and the sound is to go.

Russianness really beautiful to me. And probably what we invent more INTERESTED guitar since the 50's for a ridiculous price.

Everything is said in other colors.

Here is a small informative video: [url]http://fr.youtube.com/watch?v=Ox2WqUiNbSw[/url] [/ video]

Everything is said also in other colors.

I do not know if the electronics is so fragile that say "pro-analog", I made two years it holds up. I remain skeptical. Arrter must say it is heavy: I do not agree! Have you tried a gibson sg?? A gretsh?? It is heavy '^ ^!

Usage is generally irreproachable in a finger movement going from a guitar modlisation another. Combine the Pod XT Live is a real pleasure to ease.

As everyone said, great. Tons and tons of sounds. Srieusement really you who read this review, which rvez to express, Getting to know the sounds you prfrez, to broaden your creativity or just to duplicate perfection of the classic blues and the great "Shine On Your Crazy Diamond" from Pink Floyd, anything is possible with this guitar, a price that is affordable. Down with the a priori, we do not care that this is not a "real" fender, it does its best to get sound clear and rich.

Only BMOL: I must admit that even when numrique ... Rhâââ, sometimes it's a bit poor and low-frquences medium rather low, so on some sounds I find it sharp. But only on certain sounds!

Kudos for the twelve string sound FANTASTIC.

Buy the.

You will not regret if you really know the sound PERFECTLY you want. Otherwise with its panel of its immense use necessarly be rewarding and professionalizing.