All user reviews for the Line 6 POD XT Live

Large range of effect available on the Line6 site.
Editable via PC and USB connection.
Known full tick (Jack, noon, USB ....).

UTILIZATION

The grip is relatively fast.
Be careful when changing game to equalize the volume if it hurts the ears.
Obviously the latter is common to many multi-effects.
We found the manual carefree French on the Line6 site.

SOUND QUALITY

The effects are good for this age bracket.
It is far from the picks.
The simuls distos are not too bad, especially with maiśc.est modulation and delay that multi stands.
Utlise Jazzmaster with a Les Paul and a TV.

OVERALL OPINION

I have this multi for two years, and I'm very happy.
Although I want to separate myself to go to the dedicated effects, I do not regret my purchase.
Perfect to get an idea of ​​the effects that appeal.
Before I had a Boss ME50 which sounds much worse.
Excellent value for money for a Swiss Army knife that troubleshoots and well suited to live.
I would do this choice without worry, knowing that the new models do not reinvent anything.

Swiss Army knife, there is everything can dream every guitarist in this machine. No effects loop but an important asset a start / stop here to look stupid but many pedals do not ...
Half of the Carpathians are locked even as many other brands, it sucks!

UTILIZATION

I'll get right to it, if you go out and play the product out of the box, it does not come out much like all pedals of this type. After 2 years of Digitech RP, thanks to Line 6 edit software in two half days I already have a 20aine patches that take the road through notament sharing customtones.
Configuration by the LCD screen is already warmer there not see much. Wha a little hard to trigger.

SOUND QUALITY

Excellent for you can take the trouble to look for the right settings ...
It was the sound of thing very quickly it still must go to the trouble to set everything here from its material, if you adjust the sound output in a Telecaster with a TSA15 here will not do it for a strat into a Marshall once we understand we work here we see the equalization changes radically if the simulation result is not.

OVERALL OPINION

My config TSA15H Ibanez with his cab Ideally, it is neutral in clean so no coloration of sound or very little and four vintage guitars, so I have to twicker when I change my guitar and I would say that c ' is a good sign it means that the sound that comes is respected.
There are many effects that carton and saturation for all tastes, the simulation of the cab in Greenback is excellent. I find this amazing product and frankly I would not do the math of what it contains virtually means ...

Full effect, is its map, editable, easy to do so ... but what's with the digital sound? These are are anything but realistic

UTILIZATION

The manual is too complex but clearly explains all the same, very simple editor that can be used in the studio and live at home ... well everywhere. Its use is very convenient

SOUND QUALITY

The sound quality is very poor: half are of poor quality, half the remaining half are unusable, and the remaining parties is drinking or nice used: the whawha, delay, reverb, chorus etc. are nice ... nbe but not rely on distortion, fuzz and other

OVERALL OPINION

I used two years, this was my first model ... digital is over for me now because of the sound quality, I pass pedalboard

- Considerable effects: chorus, compressor, distortion, over drive, fuzz, flanger, wha-wha .. I forget because there really. Programmable on his own computer or through the database Line6: practice.
- 100% digital and good connectors (in, out, phone, noon).
- Crank very robust.

UTILIZATION

Its use is much simpler than the PC interface on the pedal itself. Admittedly, the user manual leaves enough dreamer: it is very brief (especially the French version compared to the U.S. version) and so it's a little fend for yourself. The problem at Line 6 is that you register to download applications or drivers to connect to the PC and once registered it is IMPOSSIBLE (after selling the hardware for example) to unsubscribe. It is to save lives!

SOUND QUALITY

I play a musicman Luke (therefore active EMG pickups) and frankly it's cold. If you hope to have the sound of Steve Lukather at low cost, drop and this is normal. It's digital, ie that are not components that react but simply a series of 0 and 1, injected into a processor that you "factory" sound.
Noise levels between different types of amplifiers are also a big problem.

OVERALL OPINION

Nothing to say about the multitude of effects available if too because we know what to choose and many are similar.
Nothing to say no more about the convenience of accessible memory (pedalboard) at any time and the interface on PC far more friendly than at lunchtime for novices. However it's digital, so cold, always reacts the same way over from analogue (normal). But I think the biggest problem of this type of equipment is the disparity in sound level between the different types of amps. It's really a pain to align, either one is too strong or too weak.
Used about 4 years but finally the good old income lamps and analog effects (but not good). This is a "Swiss knife" to know many things proposed and no qualities but ideal for young beginners. The requirement comes with experience but if it had existed 30 years ago!!

Hey, my name is Carson, I play in a classic rock "cover band" and I have a band that plays christian songs for small or new youth groups . I play lead guitar for both and and I've been playing for about 4 years.

I bought my PODxt Live at Guitar Center in Charlotte, NC, for $380.00.

One of my favorite things of the PODxt Live is that you can hook it up the PC and download tones of your choice i.e.-van halen, zakk wylde, etc... Another thing you can do is take one of the many presets and change it around it call it your own. There are many other things you can do on your PC with Line 6, like
download Line 6 edit or Line 6 monkey, those things make everything a WHOLE lot easier when your downloading tones. Line 6 edit you can make your own tone and save it to your PODxt Live and even give it a name! There are many other things you can do with the PODxt Live but if I explained them all you would be reading this all night.

The only thing I don't like abouth this pedal is that you can't plug in a second guitar (for fun).

The PODxt Live is shaped in a rectangle and it is black. The screen and stomp pedals are also
lit so it makes it easier to see in the dark.

If you have been playing guitar for 1 year or 100 years I strongly suggest the PODxt Live, but if want lug around your big half-stacks and 3 billion pedals thats fine with me! But having it all on a 1x2 pedal is ALOT easier

This review was originally published on http://www.musicgearreview.com

Hello, sorry a bit late here is the opinion on the Pod XT Live.
On the outskirts is a sturdy product I used to live a cinquentaine times a year for 6 years and really no problem.
You can also load sounds or types of microphones on the net.
This is a digital pedal not very bulky. About 40cm on 30cm.
It offers modulations amps, pedals, and guitar sounds typical ... but the result is well finished.

UTILIZATION

The handling of programs and the impact is fairly simple to use, and on stage we can have everything under their feet quickly.
The manual is very clear and we can learn a lot about the effects of past and present. Very interesting.

SOUND QUALITY

The sounds are real but have to work a little above, the speaker simulator works fine too.
There is an excellent effect that combined with its low saturated and have to wrap the sustain is the Vetta juice which is really great.
The delays and reverbs are good.
Many choices of saturation from the amps and speakers that can also select.
Wha and the volume are also very effective.
The clean sounds are not bad once again have to get good équalisations and settings.

OVERALL OPINION

This is a good handy device that allowed me to play (professionally I mean) in many small places.
To save as it is a nice tool, that can deliver great sounds and with all the ease of management share the connection out live on a sound card, or direct to disk.

many effects, simulations .... digital

UTILIZATION

overall it is really simple: you select the effect or amp, turn the knobs.

The display is on a small monochrome screen (orange).

The amp simulation is detachable or adjustable to your amp type.

SOUND QUALITY

The possibilities are endless, the quality is good but not necessarily musical.

I use it with a standard guitar, but it is possible to connect a Line 6 Variax guitar and control through the pedal.

OVERALL OPINION

I used it 2 years on stage, Repette studio.

the biggest worries is to have a level unequaled: you can go from an amp with an acoustic reverb has a Soldano simulation area with a metal front.
So even if the output level is identical with the rendering equalization can take you to the very present the inaudible! And even if you try to fix this before the headphone, which is not the same reaction as the sound of the room ..
C But the problem of a priori all cranks.

The good thing however is the USB plug that allows to use the Pod XT Live as a sound card! And that changes everything: no latent (the treatment is in the pedal), the sound is super nickel (since tranfer digitally pc).

In short, this model is a bit outdated but reliable, solid, professional, easy and with many possibilities.

Taken at the secondhand, if it meets your needs has, no worries.

All digital and emule a lot of effects of all type.
Editable boiboite or so on the mac or pc ... So there's a small point that even when interret, you can not edit EVERYTHING on the computer, such as the assignment of orders for the expression pedal bah ... ah ... yes, will have to look ....
The connection of Bouzin is complete but there is no effects loop (added from above by the models that followed.)
So we find: guitar input jack, stereo jack output, Variax input, headphone mini jack MIDI IN and OUT and USB.
There's something to see happen ... but still, missing fx loop ... (shit shit!)

UTILIZATION

So how does it work? It works basically like a chaining pedals, no more or less with the possibility of modulation or delays in the beginning and end of string with the impact that has on the ca ... the manual is clear and clear, easy to program, short line 6. I had a boss before Gt5 was a bit more complex but also more powerful at the issue ... you could really make strange sounds with ....

SOUND QUALITY

His side ... bah, go let's say it's like comparing the special effects of Star Wars 70 years and the last ... it happens, it's nice but it is much better even if some aujoud'hui modulations are downright good. Abuse of the side line 6 always want to compare the incomparable is a little torn but a chorus of 70 years is difficult to compare with something of this machine, although it is emulated. It's digital, it's not hot like a pedal all the same. (Do not push it either)
I only use very little or no preamp section of thing. In fact I use the tuner, volume, modulation and reverb time since I used the effects loop of my amp. For this, it's okay but for the preamp you should use a dedicated amp type neutral.
I used to see my Pod in my head marshall tube for example using a simulated preamp direct to rectify the input power and faith, not hurt the ca ...
For the rest we will say that after a few settings you can use it as a sound card to register in the computer (garageband for me). And it works without annoying latency.
Side effects so I like the modulations, delays and reverbs for the rest, will be ironed.
All that is in the fx junkie pack is for me the real crap ... useless and not really interresting ... whammy simulation is the same ... we are very far from a real good but we far as the price ...

OVERALL OPINION

After 7 years (already!) Of loyal service I therefore seeks to replace this pedal with a larger and more recent. I thought the pod 500 hd for the collection of effects in it and sound quality for the above amp emulations. I am still thinking ... I tate ... we'll see ...
It's not a bad machine, it lasts without failure May sbon There's stuff that I like and others that irritate me as the fact of not being able to assign as the new pod hd other effects on the pedal "amp" and "stomp" in order to put / remove on the fly ... but the 500 hd fix that (and also removes the switch start-up industry!!)
Go is compact, it makes a lot of stuff and there's still effects not found in competitors such as the uni vibe so we will say that it is a good pedal even if I not tried every pedal of the earth and that I simply read the data sheet to buy it.
With time and looking back in 2005, there was no better for 500 euro then I think o will say it was not such a bad choice ... since I have always (if unbearable I would have already cast)
Good animal will ... ^ ^
Today we find plenty of opportunity for a shot of cider so it is even more the blow ..

A sound box
Part 1 amp simulation
Part 1 effects
Eq + various tools, etc. ..
Good connection

UTILIZATION

Config not so obvious to a neophyte, simple for those who are accustomed to this kind of machines.
Manual very cool clear and complete
Very pleasant Edition via the supplied software

SOUND QUALITY

Quality sound very nice but you have to take me time to configure the beast according to his needs.
This is very important, it takes so much time but the result is often very convincing.
We must test the sounds at home with the same volule on scene because the sound of the pod are very sensitive to changes in volume.

OVERALL OPINION

I do not like too many amps simulated, but the effects are fun and AGEC time, we get a good result.

a plethora of effects are available through the magic of digital technology, the better to see the manufacturer's website
effects can be edited via line6 edit software (Mac and PC)
Connectivity: USB, guitar input jack 6.35 + Variax input, MIDI IN and OUT (through), headphone jack into two 6.35 + amp outputs: one right and one left jack 6.35, and an input auxiliary

UTILIZATION

configuration very intuitive, clear and comprehensive manual, editing is via the software is super easy (it's like to deal with real effects and amps) on the other hand edit directly through the pod quickly becomes hassle

SOUND QUALITY

modeling of effects and amp are very realistic and even bluffing with headphones, a little less if plugged into an amp (or so you have to spend time tweaking the settings) as each amp is different and therefore interact differently the pod
I bought a power amp, Tech21 is fairly neutral as it has no preamp it does not alter the sounds of the pod too

OVERALL OPINION

I use it for several years and is the only model of multi-effect modeling that I tried.
I love how easy it is to create or even download presets from the Internet and the ease to change preset live or repeating through the pedal format, what is missing in my opinion it is a second guitar input for able to connect before the pod stereo effects.
value for money is always good when you see the number of effects and amps.
With the experience I remake that choice even if ultimately I use more for the record to repeat.
Attention, even if the models are excellent digital sound live has not made exactly the same as analog. For use in home studio cons nothing to say is ultra powerful and realistic

Almost all effects are available, except for a Detune for example, is very complete.

The technology is digital, it's a preamp modeling.

The effects and sounds can be edited from the bracket and from the software Pod Farm 2 (or Gearbox, more convenient because it allows transert sounds between the PC and the pedals, Line 6 edit the application no longer developed for windows 7).

Connectivity is fairly comprehensive: Output Jack L (mono) and R, headphone jack, USB port, digital output, expression pedal jack pedal additional MIDI IN and OUT, and I can forget ...

UTILIZATION

POD XTlive is quite easy to learn, but work on the pedal sounds live is quite difficult since it is necessary to look to get ...

In revance is extremely simple PC with a graphical representation of the various modules.

Note that the POD XT Live is a very correct audio interface for the PC, can record without latency in Cubase (ASIO good stable drivers for Windows 7) or any other DAW via USB.

The manual, I am voting no, I've never opened ...

SOUND QUALITY

The effects seem effective and realistic, especially the modeling pedals like the Fuzz or Screamer. The Chorus are quite sumblimes as well as Delay.

The reverb is a little worse but it is not essential for a guitar pedal.

The preamp simulations are also very good, and there are even pre-amp simulations, such as a Tube Drive on the sound output of my Godin LGX Electroacoustic I can to restore power and heat.

Finally, for the amplification, the rest must be plugged into a mixer and out on the PA, or else use a power amp developed for completely neutral, as the Tech21 Power Engine 60, which gives more realism to the sound of the guitar makes HP.

on the other hand of grace never connect directly to a guitar amp with a preamp itself, in the extreme rigor, it can be done through the Return of the effects loop of the amp to Chinte the preamp section. But I did this test including a Peavey Classic 30, it is very difficult to keep the sounds created on the PC to the headset or the PA.

OVERALL OPINION

I use it since its release in fact if I made a break of one year to try something else, I bought a used one then. But it's been over 10 years that I play on the Line 6 modeling, when the POD XT did not exist, I played the first little bean brand, POD simple.

It is excellent value for money especially during (Anyway, it is no longer produts, so hot to buy nine probably =.

With the experience I would do so this choice, but then I probably will have to turn to the all-new HD modeling, I am in no hurry ...

In fact, we find everything and anything as fact, reverb, echo (delay) of saturation, cleans, etc ... etc ... and everyone to make sauce!
It's digital, so the sound is a little cold. All connectors are present, MIDI and USB (RJ45) to connect to the computer with Gearbox and download sounds from other musicians on-line (that pretty good).

UTILIZATION

The CG is pretty simple to understand. The manual is quite clear
Editing sounds is the future and to the taste of everyone, but nothing too complicated.

SOUND QUALITY

As I said above, there are all so good delay, one or two other effects of saturated and enough cans for music "normal" but that can be used if it is a little crazy hardcore progressive jazz metal ( if you know what I mean)

OVERALL OPINION

I used it 2 years and then sold to the X3 LIVE which is the same with qqs additional parameters. Previously I had tried the Boss GT3 and even before the Korg AX 30 G.
What I like most is that it is a pedal for the stage so very strong, the least that there are too many sounds that I use to rien.Je prefer pedals with only 5 super saturations, 5 Very good delay, reverb and chorus / flanger, and 5 very good sound clean. For me it would be ideal.

simulations of all kinds multi purpose USB sound card

very complete in connection

all numrique

UTILIZATION

config? not so simple as that the notch of the masses for not using them makes case

Describes the manual many effects but less in depth ldition paramtres

SOUND QUALITY

good sound: I have used that sound card in my computer and it works fine no lag or crash edition of the software works very well
to import the patch is a bit heavy gearbox is
also means a Difference of sound when you open a Difference Level I do not know where it comes from

I plugged in my monitor speakers connected to the pod makes ca better than computer speakers

realistic? I do not know J have never had a Soldano or mesa boogie!
l I use with my gibson les paul but I could have a play with it like Paul Beuscher

like everyone else, I also tried facade of a tube amp and it sounds horrible c is not

ca should sound in the studio live in a console

OVERALL OPINION

I have more c was very convenient for the evening jamming with headphones on the computer with Ableton Live perfect! its pretty flattering to beginners you may record their compositions in mp3 is himself a small pro with a big sound

but as stated above ca tired c is the same regardless of the scraper

dynamics is not a part may be in its best light that I've been able to make this cot is simulated to bypass the amp and put a nice day and the delay had something fun and dynamic straw!

boat is what I say but when you taste the lights and pedals are no returns unless there is an urge to jam at night when everyone is in bed

Everybody knows now what amp simulator / multi-purpose. It's digital of course.

UTILIZATION

Level use, the apps provided by Line 6 are used to tweak and damn quickly. In addition there is a sound bank online that allow you to quickly find what the are looking for.
Hacking on the pod-even with the small screen is more of masochism that something else on the other hand ... The manual is well done Line 6 even if the humor is quite confusing ...

SOUND QUALITY

J pod I use this with almost all of my instruments:
- Ibanez Sabre 97
- Gibson Les Paul Studio
- G. Lynch Signature LTD baritone
- F50-E LTD

For guitars, I have been quite satisfied but I have not found No particular nuances.
My preferred use at home and the only one that I regret:
my LP branch above, the POD uses preamp. My friend had hers as well. The two PODs were returning on a power-amp Marshall 8008 stereo cab and a Harley Benton G212V. The c was great. The nature of the power-amp though justice was well transparent to the pod and c was very convenient.
8 So for the home. 4 live. J will return later.

What I hated:
- Too much sound. In the end I lost myself in the settings and I never finding her. But I have no doubt that it is possible.
- Why call this POD LIVE? Because it is formatted pedals? Can not make it sound by repeating. Bury me in my other guitar that he played on his full-lamp Bugera V22.

OVERALL OPINION

I use only a few months. The advantage is that c I have had for next to nothing on ebay and so I have not lost a No resale.
I was looking for a pedal of this style, very convenient to connect the table to mix and repeating with the bare minimum. I came back ...
Finally, YES c is practical and it helps out well for the registration or the headphone lead to s c, but is unusable for the stage, especially if the other guitarist has an amp lampe.Avec hindsight j would prefer to see the traditional format pocket pod. For home use, it takes less space for the same.
Since I am going on a lamp and a 333 BUGERA 18 tubemeister H & K. Suffice to say that I do not regret at all m be separated from my POD ...

See the website of Line6 ...

UTILIZATION

Given all the possibilities, yes it is easy to use.

SOUND QUALITY

Impossible not to find happiness in the whole range of amps and effects offered. I use it with a VARIAX and there is really top, going from a simple foot pressure to his acoustic guitar, a Gibson's well saturated.
What must be understood with this type of material you get is a sound similar to the recorded sound is top notch home studio for use for example. For stage I used it directly plugged into the sound, it sounds okay, but I still prefer playing with a real amp is more "hot", not to mention with the pod you are completely dependent the sound engineer.

OVERALL OPINION

I used it for 3 years with a Variax, really an interesting experience, it made me a sound palette varied. This type of material I think is very suitable for those who change her often.
What is also nice, is that it gets to know all the effects and uses combined with the Variax, the whole history of music we have at our fingertips (and feet).
I never saw him because I have been around, and I prefer playing with an amp and pedals, but I have never regretted my purchase at that price

The effects:
micro speaker amplifier simulation
disto
modulation (chorus flanger phaser rotary ...)
reverb
delay
eq
comp
wha / volume

UTILIZATION

The manual is clear super super super easy editing intuitive.

SOUND QUALITY

Question realistically I'm not a fan, but the sounds are still good, all these pedals simulation, line 6 dominates the series for my taste.
I use two configs:
Wha a (bad horsie), talk box, pod => Console very satisfactory result
Wha 2 (bad horsie), metal muff, talk box, pod, mesa quad, GX700 in the loop of the quad, and here I'm just super happy
for guitars, ibanez 7-string (the tuner was really struggling with this one), jem555, more Fender Start.

OVERALL OPINION

The quality is quite reasonable for my taste not always enough gain on the amp simulator, I always add a distortion. The remaining effect is much the road, never forgetting that it's digital, so directly in a table is not super hot, but I personally use it before a mesa quad, and it really warms up.
Editing is super easy with or without the software.
The major weakness, there is no effects loop, which is sorely lacking.
The USB output is handy for people who have little means to catch guitar.
Frankly it is a machine that I do not regret one second for purchasing at the cost of the opportunity, and the only regret having bought the basic version, while for the same price you get to find with additional pack

Pedal amp simulations and effects of guitar and bass with robust manufacturing a complete connection.
Everything is editable via the pedals or the PC / Mac via USB.
So of course we are on digital.

UTILIZATION

The configuration and editing are super simple, concise manual but to settle amp tones and effects simply turn the knobs and trust our esgourdes.

SOUND QUALITY

In effect we have a full range of the sum proposed, but there are some that are gadgets for me and which I am using absolutely not.
It is also possible to buy the Line 6 site packages offering other simulations.

OVERALL OPINION

I have four years and this is my first so no comparison with other models.

+: The extremely helpful at all in a sturdy box in a not too large (less than most pedal-boards) and even if not very light (sign of strength) is always much less heavy and cumbersome that amp head, a speaker and a pedal-board not to mention all the cables with problems.

For the musician playing the guitar and the bass and the Pod XT Live has something to satisfy most needs in this one pedalboard.

The reactivity of Line 6 to resolve problems on their hardware, I talk about it here:

- Ben if the digital practices are, for me, not as hot as the analog, with after a failure (motherboard problem I talk about in the link above) out of my Pod had my old Fender Champ lamps and all my effects pedals have rediscovered the heat and vibration of the output amplifier.
The adjustment effects in Live impossible without going into settings Pod.

+ & -: The very one that if a + is completely unusable in case of failure of one component while on an analog channel it is sufficient to bypass or replace the defective part.
Sounds neat and cleanly, but just may be too "clean".

Value for money is good. Impossible to get for that price all the amps, effects, etc. not to mention that there has perhaps the place to put everything in its local Zique.

I would do this choice? The question remains suspended and ... the most and the least being balanced! Anyway saw the fall of its price, and the argus new motherboard I do not part with it though ...

Happy owner of a PODxt Live: Here are my views on the subject.

For all the features it says here: https://line6.com/podxtlive/FR/

UTILIZATION

I used a PODXT formerly led by my old pedalboard GT3 (by noon).
So thanks to this pedal is the 2 in 1 more conviale and with more options:
I find the use of simple architectural / Especially since the advent of the new version of GuitarPort

The edition and sounds almost as easy as the PODxt, it lacks the volume portard reverb, you have to get the setting in a menu, which is not practical.
I was able to recover all of the sounds of my pod XT.
For now level sound quality I did not feel much difference ... BUT
It is on my old patch in the pod XT have changed: I have Satus less fat and volume levels of certain sounds softer or louder ... The problem just a knob that they were allowing us to add a guitar and if more or less powerful to mitigate, CSA / NORM,
The manual is clear enough.

Regret:
- The volume is generally a very lil knob on the front, it's not super practical and is not meant to be trippoté all the time!
- The reverb to get inside the menu, although c shame.
- The screen and less contrasted (although there is a setting) than in the normal XT.

SOUND QUALITY

The sound is super Line 6, although frankly I already know the sound of the pod xt and abilities, but every time I'm really surprised when I need to make a new sound, one is able to be something to pass the cock in ass, the integrated model pack Fx offers new interesting things (well it depends what).
I use this device with my Musicman Luke2, and it simpa, I plan to buy can be a Variax because right now, the big advantage is that thanks to the pod xt live on just the pilot and the 'power!
And for me, before I was against buying the Variax as it had to enter a new foot pedal with transformer to power in more gas plant I had to lug me ...
I also use the pod xt live into my electro acoustic preamp (godin multiac).
I use two stage monitors to listen.
+ A foot to redirect the worm either scratching.
I have an expression pedal but I still have not tried to see if it was compatible

knowing that it incorporates new parameters to be used on a conventional amp

OVERALL OPINION

I use it for 2 days.
I like the feature + is ... really ... it's all in one for 500 €!
I did not even think about two seconds before I buy, I literally thrown on it!
Fancher and I regret my purchase!
it seems really tough! for those interested: it is too aesthetical level class (c fortunately not the reason for my purchase ...)
Value for money is simple: do the math: Pod XT + + power supply and control flowboard Variax model pack + Fx + saves space + time savings ...
In short when you see the gas plant that I had before, are not thinking more than 2 seconds!

T all good words, a more pti for USB over its direct competitor of the moment
Software "offered" for the edition of his practices are ... Possibility of rcuprer of ready-made patch ... On the site of line6
I found the tuner prcis readable and easy to use ... despite my size and so spare me the distance from the ground (1.90 m)
It is true that an LCD screen a bit bigger would have t more enjoyable ....

UTILIZATION

I t surprised by the relative ease to get good sound without spending three hours and without even reading the manual. Must understand the spirit of SETTING THE basis and we a its fast enough .... rglages + For purposes must return to the manual using a kind Harraps pti dico ... Yes the manual is in English :-( pnible for some of pdalier the same price bought in France not sold ....

SOUND QUALITY

The effects of saturation and crunch are trsralistes my taste .... The dynamic branch is good on a console ... Sound gnral is flattering at times sounds like it sounds " Lamp "... The sounds are versatile, changing from one bank to another with no particular grain pdalier li ....
Overall it meets trs correctly Lag sound of my and my Lespaul notament changes mics (stick easel or mix) are clearly sensitive trs.
I'm not a fan of big distos mtal so I will not say anything .... I rcupr Junkie pack available .... without much Intrets for my style of music

OVERALL OPINION

I use it for two days )
I wanted to express an opinion on hot first contact with this multi effect as compared to the Vox ToneLab I live before making the purchase .... I nel'ai not found it easy to use, j I found the sounds trs typs with a "grain" that I found on all distos who also did not sound terrible .... I spent an hour with the seller, we have could not find sounds that I liked, in 10 minutes with the rgl c'tait pod without using the vendor ....
In short I found it fairly easy to use .... no correlation table banging vox ....( see ...)
This replaces my stuff and my JMP1 Quadraverb + amp + speakers that I ptaient the vertebrae cluttered my car and I could not take her by consquent RPET ......
At the moment the trial is successful ... to see if the use Premire impressions are confirmed or s'infirment ...

A comprehensive description stepfather me somewhat dplace. Just a few moments to browse the web to find the CHARACTERISTICS of the machine ...
Go directly to the manufacturer's website!
Allow me to perfect 10/10 from the compltude this pod!
(You will say, adpend of what we seek ... for me there.)

UTILIZATION

The Application: It is relatively simple, but for optimal comprhension, a small (large) look in the manual required me parat. STRP? At your translations!
The documentation does Relva Ancun in case of an English or Shakespearean Baconian ... for those who know the basics of language across the Channel, it should be no problem.
About me, I use most often the pod directly in "loop return" on my combo (all transistors) ...
It is true, as is often the DCRI's studio m'apparat best mode, and then plugged into a console or monitor speakers ... but, even live in PA, the rsultats are more than acceptable. Enough to learn to use compressors, and various knobs of faade ...
I do not put (the) 9 / 10 as an ergonomic supplment would apprciable t ... (invitation paradox of butter and butter money ..)

SOUND QUALITY

To me, following my gots, and the quality of my own flag:
(Stop the futile discussions about the war sounds ... they can not be too unbalanced.)
As evokes the point prcdant, the quality is maximized under the conditions "studios" ... but excellent results can be obtained by connecting the POD amplifiers ( that of the combo for example) on the other hand ... I have some doubts about the report when it is plugged in faade (in which case one does not bypass said prampli combo) ...
Spend all costs by the rglage "What are you connected to?" About the POD.
We can then find the sound of his dreams (or so because nothing beats analog effects and racks all lamps) by finding effectively in the list, the baffle you Siera.
9 / 10 because perfection does not exist. (The phrase boat.)
The effects are excellent bills, even the most exotic can be used in electro-ambient improbable trips.

OVERALL OPINION

I do not like to ... 10/10
May be that if I had a guitar in 2500 (LP, Vigier Custom, Arkane Absolute, or Musicman PRS ..) with a string of racks pice 2500, a agrments s series of carefully chosen pedals, a pair of baffles breathtaking, and a place for the OPRA ... I would say 10/10.
But I have a Cort X-9, an H & K Attax80, a local acoustic mdiocre NOW POD XT-live ... (nan er, I forgot the mdiators and jacks).
I am discovering sounds, new horizons, and I reach even (sometimes) ignore all the circumstances that make my stuff from a hardware newbie ...
What neni! I play in a group we work and all play srieusement plutt well for our respective expriences the ... POD will indniablement something the rest ...
Bye!

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UTILIZATION

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SOUND QUALITY

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OVERALL OPINION

Ba, I'll give you express an opinion. I'm not a great guitarist (1 year of guitar) and before I had a V-amp rack. There's no photo ... I do not know the original sound of this type of amplifier simulated or I do not know what, but in any case, it sounds! It's terrible, the distos are really hot and the effects of super quality. The pedal robust, it gives confidence. The pedal is well weighted, perhaps a little short in the race ... And then there's a nice thing is that there is an entire community around PODs, which contributes greatly to the development of the device. We have a huge bank of its available on the net and editing software blackjack. Nan, top notch.
I had more stuff in my life Behring, we always end up selling them is not attached to it and it always ended in disappointment. This POD is the kind of thing you buy and that you keep, long, long time ... Frankly, it's a reference, one can not find what they are looking for here is that he can not use it.