All user reviews for the Dunlop Crybaby 535Q

Dunlop wah wah with several sounds with an original sound
Analog pedal
1 in 1 out
1 between power supply (not included)
9V battery location (beware 2 batteries in the model that I possde 1 but now I think)
1 latral button to select the type of wah 5 positions
2 button below a practice ...: / to the volume of the wah, you can earn 20 dB and 1 for change agu
7 for the two buttons below the pedal with access

USE

Config we can not simply
Obtained sounds very easy, except that to change from below is the galre
Clear manual with more examples of guitarist known

SOUND QUALITY

Dunlop> Nickel Effect
It gets even sounds Vox or Morley: it is the interest of latral button
I plug a guitar but it can also connect a low (but there is a model spcial low)
All sounds are of quality but be careful not to push too much the variable Q (agu) and the increase in dB otherwise it's very garish but we can love
The latral button to quickly change the sounds

NOTICE GLOBAL

I use it for a few years
The most annoying is the buttons below but the solidity and quality sounds are all
I have not tried other models before buying
Good qualitprix report: 1300FF era but I think it much augmentercemment
With the experience I would do the choice, but may be I would choose the simplest original model

Any analog pedal with possibility to choose the frquence mdium of "Wah."
(6frquences choice) according to the desired effect. (Glossy dark)
It can also trigger a boost of +20 dB, convenient for solos (Warning, this too will add to the distortion)
It also provides a true bypass, which means that your basic sound (no effect) will not color the wah when not in use.
There is (still) two small buttons (not really failes use) on the cot top left of the pedal for an alternative frequency drives, I do not really use truth, the bulk of its making is with the main rglage.


USE

I do not remember if there was a manual, (surely a small cardboard explanation as often with Dunlop) but either fawn, a Wah, it's quite understand faile ...
Power supply: battery or mains a choice ...

SOUND QUALITY

The sound is will you make, believe me!
I also use it well with my JS 1000 in solo or with stratocaster (funky rhythms in clear or solo) double or single microphones, little gain or bottom, it still sounds! A must ..

NOTICE GLOBAL

I use it for 2 years and I have never regretted my choice, and has never shown a single sign of weakness. (Uses in RPTES / live)
I was playing earlier on the Digitech EX-7 which had 2 numriques Wah, so there is no real comparison, you really feel the sound "rl" analog.
What I love most: the choice of frquence the "Wah" you can really have his desire.
What I like least: (looking good) A little too chre ...

wha multi adjustable from anywhere with an integrated boost !!!

UTILIZATION

everything is simple and clear presets are provided with the same instructions !!

SOUND QUALITY

sound ... yeah, so since it is adjustable from everywhere, it should not be a problem for anyone .... everyone should get to find his account and he wants his !!!

I find the sound very good, either qq guitars !!!

and effective nikel and super boost !!!!

OVERALL OPINION

I used almost 10 months, from time to time on qq rehearsal ....
And ... the only flaw I found the pedal travel a little short ... I liked most !!!

I got to 70% in-store, a super deal.

to compare with my ex BBE wha, I put them on the same level.

two very good pedals. (Avoid GBC95 !!!)

1. CARACTÉRISTIQUESQuels are the effects, or types of effects available? What technology is used? (Analog, digital, tube ...) Are they editable? Via an editor for Mac / PC? What is the connection? (Audio / MIDI) Is it a rack or rack-mount model?

bin is the Dunlop wah, but configurable.
On the outside there is nothing apart from other, except the large knob (6 catches, 6 sounds, sort of EQ), the two trimpots tiny little mushroom and pink on the side (boost of + /-15db)
To the left is the mini pcb inside and Fasel red (+ hot), power input. Everything is solid, no complaints.
I take just one point because not true bypass, but hard bypass ...
There's a small stain not even switched on (^ personal, it does not bother me, but for manic or if I had a upmarket config + ...)

UTILIZATION

2. UTILISATIONLa general configuration is simple? Editing sounds and effects is easy? The manual is clear and sufficient? ...

Easy to use, yes, but to find the right combination of sound, there's a lot of possibilities in fact. Small trimmers are too small, there's nothing written on it and I'm wrong every time, but it's better than if they were in the housing.
Ah yes, some pleignent that the effect is hard to enclancher, bin simply remove a rubber sle penny tray and voila, 2 X easier!
Otherwise, you appuies bin, and you enclanches Wawate you, nothing complex.

SOUND QUALITY

3. QUALITY SONORELes effects are they effective, responsive and realistic enough? Which instruments do you use? Which ones do you prefer, you hate?

So I had an old VOX, sold and regretted later (sound sooooo sweet).
So I bought it after seeing it and playing Satch for versatility, I was happy, but hey, I also bought a new Vox 847 USA made, but disappointed (they are actually Dunlop réestampillées in my opinion), so I stay on the 535 that satisfies me

OVERALL OPINION

4. NOTICE GLOBALDepuis how long you use it? What is so special that you love the most, least? Did you tried many other models before buying it? How would you rate the quality / price? With experience, you do again this choice? ...

2 years
tried two Vox

I love the multitude of sounds, I use it mainly for solos filter, I like to have a sound very serious but not stifled.

It would take a true bypass, an LED lamp ignition (I think Rondat made this mod), and trims with a marking on it to get lost, if not very well. Attention, according to the power supply it can rumble. Personally I use the one spot and it's complete silence and I also use the adapter on the stack for well over clip

I was in search for a good wah. Got it from guitar center for about $120 (with tax and what-not).

This thing is not only versatile, but loud like
a mad man! It has so many options: from classic
Jimi wah to straight-out overdriven lead wah. In fact, when I want to push my leads out there, I simply cranked it up (Q-knob, boost, and range) and play, leaving the wah pushed down! And ofcourse, you can turn it off via toe-switch.

The only beefs I had with it is that when you push the switch, turning the effect on/off doesn't always happen so fast. Also, it did not come with an adapter.

This thing is one rockin' heap! Great construction and always a pleasure to use. Very smooth action and even if I push down in rapid movements, the wah is responsive.

Don't waste your time on that "classic Wah" from Morley. I tried it out and it takes your distortion and shits on it! This wah can add distortion (in fact it's very good at doing that) or give you clean, buttery wah! BUY IT!!!

This review was originally published on http://www.musicgearreview.com

I got this pedal out of the friday ad a local newspaper that sells things second hand. I got it for £50. I got it because i really wanted a wah pedal and as this one was surposed to be good i got it.

There are numerous things that I like about the unit like its amazing sound and numerous wah effects (six in all) it really can wail. It is also good because it makes no noise when pluged in, most pedals make a sort of fuzzy sound of scream on certain effects but with this bastard they don't.

err ummm err well it has no distortion so if you want to play heavy you need an amp with good gain or an overdrive pedal. (four words Electro Harmonix Big Muff.)

This thing is built very strong, it is made mostly from metal and thick plastic. So it ways a bit. It was second hand but in perfect condition apart from a slight scratch in the toe.16

An INCREDIBLE wah pedal it has it all good sound, multiple effects, well built, good looks and it even locks so you can't accidently use it during a song. GET IT. I got it for a great price but it would probaly be hard to get it for less but if you shop around I'm sure you could get a good deal.

This review was originally published on http://www.musicgearreview.com

I bought this wah because Crybaby was the only brand of wah I had continuously come across. I figured I'ld get some room for tailoring my sound with the tone-selector pot. I had just turned 15, and hit my farther up for it as a birthday present. He liked saying "wah-wah" and hence thought it a good idea to get this gift for me. I think it cost around $300 AUD from turramusic.com.au

I like it for the sole purpose I aquired this unit...It lets me wah. Sometimes it puts out pristine steel like angelic quantitys of wah tone. It can also double up as a frog burping sounding pedal.

However my flying carpet feeling is pulled out from under me when it makes my sound appear to be squashed out the backside of a hippo. This isn't nice to the ears of others nor to the solo that just started to go up a notch and thus collapsed to the sound that would find itself more at home in arse.

Exterior is tough and would protect it's guts if dropped. I've heard others refer to Crybabys as having some false harmonics. My Crybaby has false sounding tones that come and go but I HAVE ALWAYS RUN IT OFF A 3.6 - 12 volt AC/DC CONVERTER. Even though it's set to 9volts, these types of AC adapters ARE BAD FOR YOUR TOYS.

I wish I had researched more and found a wah with the tone I find my playing lends to. I like Quality but prefer sense of character. I would of liked to try a vox or a RMC wah. I have however found a setting on my faulty wah that gives me an incredible distortion tone. I give it a four because it could be your dream pedal. It's just not mine.

This review was originally published on http://www.musicgearreview.com

Ba is a wah pedal, basic, no frills, nothing editable. Analog solid pedal, jack in, jack out, supply and access hatch to the battery (very convenient). A knob has several notches to select frequency ranges, two mini knob to adjust the boost and the total frequency range used by the wah, and a button to activate the boost (20db I think it is adjustable through a mini knob on the side of the wah). A small LED ca was not refusing, but I quibble!

UTILIZATION

Very simple, the wah is activated via the switch on and balance the sauce!
Edition of its very simple, just one knob to turn and has enabled a boost when you want, the rest is the movement of a classic wah with your foot!

SOUND QUALITY

Ba is the sound cry baby wah, ca sends the sauce, it is expressive, what the legendary!
Frequency ranges proposed by the knob's fairly well defined, but honestly, I expected to hear the differences more "obvious", it was certainly different sounds in order to find his wah sound according to his tastes, but not a huge versatility either.
With the unit can be a good funk, even if it is cut for solos rather large rock or metal sounds.

Small flat, the boost only works on my clean channel of my amp, I do not understand why, maybe because it's digital (line 6 spidervalve 212), but basically the boost fulfills its office in clean ( not really my use), and distortion, ba ca me add unwanted noise and ca "dirty" sound ... pity it was still one of the arguments justifying my purchase to boost my solos ...

But if the level I was not surprised, having already had a GCB-95 under the foot. With my ltd KH-202 is the sound of kirky in his solos with my Bc Rich, I can touch has it all: funk, blues, big rock, metal.

So -1 for sounds not too different and -1 for the boost.

OVERALL OPINION

I use it since February, and before she had the GCB-95. Specifically it is the same except you can change the sound and there is a boost.

I especially like the sound, but I have a bit of my hunger when differences in the sound knob, and the boost does not work on my distos.
The price / quality ratio is good OCCAZ, I find a new chouillat expensive, especially if the boost does not work everywhere.

But the choice I would do without hesitation to € 100 it's worth it was just "the ultimate" cry baby underfoot (I do not mean of course the model rack and there you can edit your complete his A to Z) to test whether the Dimebag version is better and if the price difference is justified.

The 8 / 10 is justified by the small disappointments mentioned above, otherwise it is good stuff.

Wah Wah standard.
An input and an output jack.

UTILIZATION

Very very simple to use. This pedal is in place, it does not move a foot of each action.
It is in my opinion one of the pedals with the best touch. Personally, I have not seen No better wah wah.

SOUND QUALITY

Indeed very effective, it is taken very quickly to Jimi Hendrix . L I use with my Epiphone LP Std and a multi effects pedal BOSS ME 50. Since Boss knows tjrs not do wah wah, I still use a cry baby.

OVERALL OPINION

I used the nearly three years. S certainly the pedal is a little more flexible in mechanical but is Always a pleasure to use.
Very good value for money.

See other reviews ...

UTILIZATION

A wah wah, the splus complioqu to use them is at the ankle joint that was going on ...

SOUND QUALITY

Bon ben cl me that I have things to say
if your fans of Jimi and Stevie, do not look, c'st one for you!
wah is the only capable of sending such a sound of tearing the brain you fuck the guts and heart. The hardest thing is the desire to rsister smash the guitar on the amp ...
in addition to the sparamtres to make it rglages trs versatile, it Paut be sweet too ...
otherwise, for the grain, it's a dunlop .. it sounds neither like a vox (the default is that it does not let serious, when you are sonoriss is blatant and ugly, even if the best grain c wah ) or as a morley (is there someone to love the sound of wah?) or as a boss (the V-wah, which is the best sound Univibe ...)
I put 10 because there is no more
Obviously, Selmon guitar and amp with whom you connect everything, may vary ... So try your stuff

OVERALL OPINION

1 only regret: it is versatile, but analog, so there is no memory to save countless rglages, one must have in his brain, his ear and his fingers ... I will therefore 9

There's here the + and - ... Say it is fairly complete in terms of real and rglages rglages whose changes are clearly visible. Everyone did a little tour. It's so serious and comprehensive.

CHAC batteries is fragile and crappy. There are different versions of feeds diffrent fawn with 1 or 2 9v batteries, a real gap in piles elsewhere ...

otherwise cahoutchouc which will stabilize stand in too easily and dampers switch in cahout also break too easily. I have a system that prfr beefier!

UTILIZATION

The rglages are fairly easy to implement and a lot of combinations are possible. The quarterly situs under the pedals are certainly not very easy hack for testing but at least once found the setup does not drgle THE FIRST okaz.

SOUND QUALITY

Sounds ptent well as clean distortion. Reporchent even when I tell them to cut the pointed and sometimes quite suddenly after a stroke position the top of the pedals. The return refund violent poorly and can sometimes lead peturb the game is as big Troux dynamics! pnible but rather used to it because the rest is really good pedals that allows trsrussis cry.

OVERALL OPINION

Apart from the problem of small vendors can now be rgls (I have one of the first model in fact) is a good investment trs, trs versatile but n cissite a little grip in some cases with extreme rglages.

See more advice or go to the website (it's nice the man).

UTILIZATION

The pedal is very easy to use little we know of turning knobs! Besides, I have the latest version of the pedal and knobs that were placed below the pedal can be found on the left side so they are now easily accessible. The circuits have also been improved because they consume less (9V adapter instead of a previously 18V)!
The manual is in English but more than enough ... shame for those who do not speak the language!
In addition, there are some examples of wha order to explore the possibilities of béééte!

SOUND QUALITY

Well here it s' no mistake, it's his crybaby! A particular grain that everyone conaît and recognizes.
The Q knob actually serves to round the curve of the filter or, conversely, to make it more pointed. It really changes the sound and makes it softer or more "dynamic" if we can say it like that.
Potentiometer centering frequency is effective and provides access to a wide range of frequencies.
The boost is useful if you want to trigger a feedback without waiting for an hour in front of his amp! In the up position, the Feedback happen very easily and we can change the note of them by changing the position of the pedal. I find it useful if you want to do a fart without feedback the ears of all the group musicos!
In his clear, it is very beautiful to listen to. One feels one side enough funk, groove enough right now.
In distortion is great for metal riffs as we stay in rather serious. In lead, it helps to take out the artificial harmonics and it makes the game more expressive.

OVERALL OPINION

I have tried this model and then I was immediately pleased with the many options for finding his own style to his game and I bought 199 euros and I think that price rather reasonable and justified for the quality of the beet screaming!
Ooooh yes I do it again this election!

Warning! This effects pedal is huge!
The effects available on the effects pedal Dunlop Rotovibe jd-4s which the following is TRUE look:



are:
<ul> Vibrato effect chorusEffet </ul>
It has a big fat knob on the side input device that regulates the intensity of the effect and always selected the same side further down a pushbutton mode button selects the mode chorus and released the Vibrato.
Finally a pedal controls the speed of the Chorus and Vibrato.

The technology used is purely analog ...

Ah! yes, the fact an output 9V adapter is present (unlike Roger Mayer products !!!).

UTILIZATION

Very simple configuration:
Control the effect with the pedals and adjusting the intensity of the effect with the big fat knob.

And do not forget to switch on the pedal by pressing a pedal on the bottom ...

SOUND QUALITY

While sound quality issue is simply enormous:
I who am a fan of his Hendrixien is ideal for pedal including HEY BABY piece played by Jimi Hendrix at the Festival of the Isle of Wright in 1970 (coupled with a Roger Mayer Axis Fuzz pedal of course!).

I confess to a slight preference for the chorus ...

OVERALL OPINION

I use it for two weeks and experience I can say is that I had to pedal ...
Indeed I was hesitant to be near her pus between the Hendrixien Rotovibe jd-4s and the Uni-Vibe UV1 Dunlop home ...
But after listening to the sounds of the Uni-Vibe UV1 Dunlop on the site, I opt for Rotovibe ....
And that potato!

Big black rectangle that looks a little bit. Hey! It's been Ouuuuu Ahhhhh.
It is strong but should not jump all the same.
3 pots over a interuptor "Boost"

UTILIZATION

Very simple I put a stack is below and it's been a lot of tps it is. It consumes less than my bcp BOSS.
The sounds are easy to find and learn quickly to use it.

SOUND QUALITY

The above effects are effective: Metallica to Hendrix. There is nothing to say.
I use it on my channel insane Spider with my Epiphone Tony Iommi, and I take for Kirk.
All thoroughly Feedback are beautiful, I just play as a little crazy.

OVERALL OPINION

I've had eight months.
I love its versatility.
I wanted a Cry Baby (80 € chez Thomann) but it is the boost that made me crack at her.
I was charged € 159, in fact I have not really a gift for my BTS. So do as I do every job well.

Expression Pedal rotovibe: chorus / vibrato + knob on the cot to the intensity rgl
a battery or power supply

UTILIZATION

Trs simple rule is the intensity with the knob and s'ammuse

SOUND QUALITY

This is simply trrible PDAL.
If you want the sound hendrix ben you know what you have done!
its extremely hot
no interference or noise dsagrable
trs precise PDAL

10 because I can not put more !!!!!!!!!!

OVERALL OPINION

I regret one thing to have taken so long to buy it on it's expensive, but hey it can be the cheapest pedals leslie!!
The most practical and hottest in my taste!
the one that I like Dunlop pedal! bravo

- What are the effects or types of effects available?
wah wah + boost
- What technology is used? (Analog, digital, tube ...)
analog
- Are they edited? Via an editor Mac / PC?
not
- What is the connection? (Audio / MIDI)
audio
- Is this a rack or rack-mount model?
pedal

UTILIZATION

- The general configuration is it simple?
yes
- Publishing of sound effects or is it easy?
yes
- The manual is clear and sufficient? ...
yes

SOUND QUALITY

- Effects are they effective, responsive and realistic enough?
yes
- Which instruments do you use?
guitar
- Which ones you prefer, you hate?
There is only one (wah) and it is excellent, considering that the boost is an effect, it can be activated only when the wah effect is also, it can be configured in volume and in tone, very clean, the small red button on the picture.

OVERALL OPINION

- How long have you use it?
one week
- What is so special that you like most and least?
The big gray button that allows you to select the frequency range is perfect.
Least, it would be running a little short but for me it is perfect for a
use solo, just a little perhaps for the great scans stifled.
- Have you tried many other models before buying it?
yes, but the old cry baby 535Q is so much more complete.

- How would you rate the quality / price?
excellent
- With experience, you do again this choice? ...
Yes, I love the wah wah, it does not color the sound in bypass, there is no drop in volume when it engages (even without the boost), we can feed it with a 9v battery or a 9v transformer, it snaps easily without pushing like crazy, it adds only what is asked, a pedal exceptional, strong, reliable and comprehensive, beautiful.
His race is not more, should know.
[edit] It blows a lot in the treble with a distortion.

See previous posts.

UTILIZATION

The general configuration is very intuitive, the grip is immediate (I did not use the manual).

SOUND QUALITY

I found / thought before trying this pedal modeling systems that offered simulated wha realistic and very dynamic. not only wha 535Q offers a wide dynamic range but it also makes it possible to adjust the Q and the frequency range depending on the desired effect.
I compared to the dunlop jh-1, 847 and vox dunlop cry baby over several combo with a vox, a laney and various guitars (Godin, lag, cort, fender and clear in its ,...) crunch both rhythmic and melodic:
The 535Q comes largely batch whether ds crunch and clean sounds and can adapt as the register of the ds rock than that of the funk.
the boost is a need to exploit more effectively.

I have not found any negative points, it covers a very wide range of sounds that I am (very) far from having made the rounds.

OVERALL OPINION

I've had one week but have tried many times ds music stores before you buy (thank you to the vendors for being patient and allowing me to test different configurations ds).

This pedal is very important to underline / highlight the nuances of my game whether rhythmic or melodic phrases. there fifteen years, I had the jh-1 that never convinced me (very sensitive). With the 535Q is the day and night.

I got it new for 165 euros (playback.fr). At that price, no hesitation possible.

I do it again this choice with his eyes closed (one-year test of av my mind, now more than likely).

See more reviews

UTILIZATION

It's easy, it is true that it takes a little time to find its own "wah", it took me the night but that happiness was to explore this little gem. The manual is munuscule and English, but frankly it has served me totally nothing: just turn the knobs and find out what happens and it comes by itself.

SOUND QUALITY

While there, the sound quality, what about a hand that just great? I found my style of "wah" pedal with this one can only be satisfied believe me! I use it with a marshall amp MG100DFX, guitar Berhinger very low-end and spring nikel!

OVERALL OPINION

I use this pedal for 2 weeks, I am totally satisfied! Before I was using a wah zoom, but it has totally nothing to do = it's still better now to have a wah part. But the one! is simply the best! I understand why Joe Satriani uses. I paid € 220 in store, I had to wait five weeks for it to arrive! Looongues 5 weeks, but I do not regret at all for having paid that price. I find very acceptable value for money and the choice I would do without hesitation! In short, this pedal is simply the best!

See also
lots of buttons, great for teens puberty a little worse for ordinary people, especially those who are tired of things to adjust, for my part would have the correct m'enfin ample enough, it is what " it takes to be THE SOUND
masta big box of death that kills, it seems that an accelerator pedal at the base of panzer, po c ket c true, but heavy and boring in trimballer.Couplé a whammy, is DEATH
8 because it's heavy and it's tiring to tamper with the buttons tits (and big)
but the advantage is that you can reach a pretty p'tit Q without being accused of polygamy, or worse, adultery
I admit it .... small small petiiii

UTILIZATION

Config boring as I said
the buttons are devilishly effective, which may be more like a less
Manuel relatively clear, although as usual the configs are not recommended for my taste.

SOUND QUALITY

Well it's a very typical
far from the softness of the vox, and far from clean morley, but this wah has a real character, cheerful as they say, and I think it's best for the big solo in the Wylde, Satriani and other
Clearly this is not the top ptetr, say his catch is difficult to gauge, but it's doable and it can even be a more crunchy to balance any plans for it ... by the cons for the saturation c ' is a must, as I prefer the vox in the clear, both in disto nothing to do, it's powerful, deep and effective, it makes farting harmonics (artificial or natural), plus the boost of 20 db is not bad when we want an even more dirty and stronger, kind Wylde ...
The advantage of this pedal is that you can really get the sound you want, within the limits of possibilities of what a crybaby, but unlike a vox is customizable, which is a very good
The best is probably to have a crybaby and vox for maximum versatility, but if you hesitate between these two, I recommend the dunlop franchemnt, because the vox are not known to do THAT in clear, distortion c ' is ... (Beurkkkkkk), while the dunlop defends still well clear while ripping into outright distortion.
9 to clear ...

OVERALL OPINION

Used for 2 years
What I like is its sound (sorry), its adjustment possibilities, its power, boost, euuuhhh impact resistance (yes it's important for me ... and for good reason), and all the rest
I like less weight, but that's all that bothers me, after that depends on the tastes, styles, and moods
I tried the vox and Morley, and I immediately preferred the rage of dunlop
Value for money: acceptable, given the number of possible settings, the quality Dunlop, and the possibility of external power supply, which is handy becaufe this pedal EAT cells
especially since I paid 130 dollars for new US, the super plan anything (not even 100 euros at the time)
With the experience I would take two, because dime was two whammy and me too i want to have my master 'style ...

- What are the effects or types of effects available?
Wah Wah Wah Wah classic + Boost.

- What technology is used? (Analog, numrique, lamp ...)
Analog technology with a component in the system call is the Fasel sense imitates the sound of Wah Premire including those used by Hendrix and Clapton among others ... That said never able to test an original wah, trs is unclear whether this is true or not.

- Are they ditables? Via an editor Mac / PC?
Editable "manually" via the knobs of range, the boost and tone (the famous Q) and volume, but not via a computer.

- What is the connection? (Audio / MIDI)
An input and an output jack classical training, but not between noon good as a guitarist intrt the standard seems to me not ...

- Is this a rack or rack MODEL?
As a bit of all the effects, it is up o you want to taste, as the book puts it, "just put some prfreront APRS guitar and effects and apply all of the signal wah, other prfreront put right at the end of the rack to effect a little more particular. " For my part I have chosen to put it in between, just APRS APRS my tuner and my whammy, and for me as well trs a.

- Your score on this?
From the perspective CHARACTERISTICS it can not much blame was everything CHARACTERISTICS of the most classic wah (the crmaillre, the switch under the pedals) but also has a longer range of the knob but also the boost and the volume and four associated with it. Note the really solid case, which has two advantages: first, we said that was okay and take it to the solid Premire, and the second was not moving at all gr that the association with weight bearing anti-draping that melts the wah is the o has been place. The "grip" o we put her foot is of good quality may be not as gripping as that of the whammy, but more than enough to glue the sole of your shoe and do not give you a sense of slip As far as the movements are connected.
Some may criticize the fact that there have not resort to replace the pedals and zero-position cut-off / automatic switch-wah inactivitactivit as any on the Morley, but I think it tastes and colors, aa its default as its quality (the cut is done after a certain period of time and can be embtant for example).
10/10, because for that price esprer the more you really have to have feet on the ground.

UTILIZATION

- The configuration gnrale Is it easy?
Trs simple when you understand what was in the hands (that is, not start all the knobs to boost / volume / bottom four with the range on the beach the more acute as possible and play clean with a clean amp setting ptillant and using the bridge pickup of your guitar tone with volume and background ... basically not to get out you really look for the small box). In terms of ergonomics, I find it excellent as the I thought it would be ngatifs points: the knobs are trs well located and you really do expr s to change rglage unintentionally and activation knob is much better than I imagined, must be pressed neither too much nor too little to engage / disengage, I have not yet been surprises by playing with, do not hsiter go through with the stroke of the pedals, in fact when we ask though his foot flat on the pedals, even in enfon ant the pedals to the end it is hard to trs press the switch, you must REALLY support the toe through much of its weight. The boost button is easy to engage / disengage a little help from the edge of the foot of the cot.

- The edition of sounds and effects is it easy?
It was neither too much nor too little knob, I would say there is everything you need for those who can use it wisely: the range (large silver button on the cot right) to find the sound of wah that will sweep the beaches wish frequency drives (respectively low, low / mdium, mdium, mdium / high, high) and one dj dgrossit research a good shot ( that without touching the boost and it rglages adj trs a good wah sound, dj slightly better than that obtained on other models) if we APRS feels NCESS to add a personal touch on the sound, it starts the boost and it RULES volume (which influences the gain, it should be understood that the "gain" has not dsign not the amount of parasite in the sound, the boost gnre do not at all, but that&#39;s what can go 0 DB 16 DB) and APRS was the four that will gauge the fawn which will ring the frquences (very aggressive, especially in the treble when you put the bottom, or trs erased when placed at a minimum). APRS we must also know and use your guitar volume and tone knobs as well as all four of his amp and the gain to really get the sound you want (no miracles in short).

- The manual is clear and sufficient? ...
Fairly short, not REALLY about techniques, it is 8 pages in paperback format, finally knowing that THE FIRST 7 is the cover page. In the indoor Premire page was the thanks as always, with a little explanation about "why this is so special hardware", the second page contains a short explanation on the use of the wah (how to connect , What are the knobs, how to activate it) and o place (with the explanation on the Difference between the place in between or at the bottom of loop). The troisime page explains the effect of a range of knob a little fawn prcise the quatrime page explains in the same fawn what the volume knob on a time boost enabled and what the knob of four when the boost is activated with the bottom of page one indication of the power supply. The three pages dernires indicate SETTING THE clbres wah, finally, as always, no miracles, for example we are given the rglage to the sound of Hendrix, but it tells us that he be played on a Stratocaster and Marshall amp for this rglage make the sound of Hendrix.

- Your score on this?
A simple and efficient configuration, a good rgonomie that helps save time and avoid surprises, the use is rvle be a breeze without sacrificing anything. 10/10 again because there Arelle not blame him.

SOUND QUALITY

- Effects are they effective, suitable and adequate ralistes?
The effects are perfect, we wah sounds, round prcis a bit like the album You Had It Coming Jeff Beck, his hair the more acute the Hendrix wah then aggressive and powerful in the mediums to play the rhythm (in the John Petrucci of Dream Theater album Metropolis), it was also the Satriani sound (the song The Extremist and Always With Me, Always With You, among others), it was the sound of Kirk Hammet (all the songs on which he uses a wah), and more thundering obtained without the worries of the Vai Bad Horsie as Little Aligator when selecting out its frequencies and that the boost gauge well, but also all the sounds of wah gnral. By clean is really good too, not just "usable" but really good quality and enjoyable, we like to do funky pieces when we expect it. To make it short: we will in all styles for any type of wah sound as it uses all its hardware and knobs of the wah.

- Which instruments do you use?
I have a Mesa / Boogie DC-3 sound possde trs trs versatile (the rock of the 70 "~ 80" to the glam metal of 90 "to rock / metal current soloist), I him a Vox Bulldog Distortion al in the loop to sound more "brit" rock "and rock the 60" ~ 70 ", and I play guitar with a RX100 (old model) modified by a luthier with a PAF Pro in bridge and Air Norton in one round, get with it all sounds mighty fawn Vai, Satriani, Petrucci, Friedman ect ... and my second guitar is a Jazzmaster 62 "American Vintage Reissue home , with whom I get all the sounds and rock & roll oldies but also thanks to its incredibly pchu boost (Hendrix, Jeff Beck, Page ...).

- What are those you prfrez, you dtest?
I just REALLY sounds it produces: it is versatile, a style that will be my rock to vintage rock / metal solo 90 "and now, through all styles intermdiaire (rock sauce classical music, classic rock, glam metal, ect ...), is perfectly clean the same way I wanted, not too "bland", not too loud, you get sound as well pais that end, while still remaining dynamic and well prcis. The big plus: the sustain and feedback when I did not expect at all, pinch harmonics scream, like Satriani or when their guitars scream Go back the feedback loop are more or less easy CONTRL with my Roxane was walking alone with my Jazzmaster is a bit harder but fesable. The sustain is extra long.
What I like least? nothing in particular.

- Your score on this?
The 535Q offers a true sonic palette INTERESTED versatile, fully exploited, the sounds are of good quality trs trs. Unlike Morley with which I strongly hsit it does not sacrifice any musical style with the 535Q. It addresses both the person seeking a basic wah to season their songs lgrement that those who want a wah that requires and is able to follow in furious solos.
10/10 is perfect for this award l. However, like any part of your hardware, it dpend normment the rest: no need to make heavy metal esprer if you play with Vox or to rock & roll of 60 "if you play on a Mesa / Boogie F, everything must follow: the guitar, the amp, the pedals are using and also your style of play

OVERALL OPINION

- How long have you use it?
I bought it Friday, May 10, 2008.

- What is the particular feature you like best and least?
Versatility, efficiency and sustains the Feedback is the big plus.
The least? for now I do not see.

- Have you tried many other models before acqurir?
The Vox basic, Morley Bad Horsie (Premire of the name) and a Morley basic (wah 2 if I remember correctly the name, but I&#39;m not sr), both kinds too, the Vox in large distos is not adapted from Morley in the large distortion is not only adapted the 535Q can go both clean, crunch, and all types of distortion, the greater the gre the largest.

- How do you report qualitprix?
Nine 145 in Jericho, the transformer + (I took a high-end 20 if y&#39;en 6) so it&#39;s really a must in relation qualitprix.

- With the exprience, you do again this choice? ...
I would do without hsiter is the best wah pedals in the simple format of the entire market my taste. Only the rack wah is better, but we must add 1000 to get the rack wah so the choice is quickly made.

- Your score on this?
Wah for me this is perfection embodied, 10/10 because it is a no fault on the part of Dunlop.

Previous notice is rfrer trs complete Thaddi with which I agree.
I would add only that the prsentation is a little "black", Australian, lack of fun: a plate of aluminum or colored t have fun. Only reason I put 9.

UTILIZATION

The user manual in English is very well done. Any fawns a cry baby is a branch and hop on his calf drives!
Srieusement more, depending on your configuration, instead of the pedals subtly alter the effect.
Advice to beginners: do not plug it into the loop is lost in quality significantly.
It mcanique and squeaks a little forcment: request lubrication rgulier (I like the fat on the forum wah!)
The boost can be actuated aisment enough to walk.

SOUND QUALITY

Note that this connection ds PDAL has an effective bypass trs.
This is really fantastic dja pedals without the boost! As clean as saturated. And can modulate its dja 6 positions on the pitch the worst in more needles.
The must of this cry baby is the boost that can be quantified sr good, but the fun is that: your guitar scream and roar like not possible. The sound is fantastic, both with humbuckers as single coils.
ACCS was an infinite amount of sounds both rhythmic solo that, besides the solo with a lgre distorss with the pedals is a mid-course ultimate pleasure, with the added if we add the boost endless sustain!
I use the clean channel with a Peavey Bandit APRS a OCD.

OVERALL OPINION

Just the boost the price is justified in a report excellent quality.
I can not imagine now without the pedals, and indeed any electric guitarist worthy of the name must possder a wah wah. Is not the only pedals that his name ... MRIT pedals?

MUST!!

Wha-wha hyper flexible to meet almost all the sounds of his favorite guitar players or just to get the sound!!
The use of a good power supply is possible without adding breath ..

UTILIZATION

Let his little fingers to get the desired sound (also need a pair of ear not too damaged by years of hard work and heavy rock'n'rolliène!) And then it's up! (At least if there is no balance problem!)

SOUND QUALITY

See previous notices ...
My Setup + Start + boost + rotobibe wha-wha + marshall lamp ...

OVERALL OPINION

It does not leave me for years! Its true bypass meets the sound off and the price / quality ratio is very interesting when you see the adjustability of the beast!
Repeat this choice .... no problem .....