Real McCoy Custom RMC 2

Cast aluminum housing Heavy trs, trs and stable.
A volume knob
A knob of Q
An 8-position knob that gives: 1) J. Mascis, 2) RMC3 standard factory 3) Wahs amricaines normal, 4) Wahs Italian, 5) RMC1;
She has a true bypass, which is rare on a wha.
A 9-volt power socket, handy in a pdalboard not to do the battery drains when not playing.

UTILIZATION

We must ensure that it is well fed, otherwise rglages are too insensitive.

It takes time to find the right SETTING THE volume and Q, especially with a powerful guitar.

DIFFERENT styles of the 5-position switch allows to choose between several types of wha is trs cool.
Once the correct rglages Found Yum.

SOUND QUALITY

I find this wha vesatile trs, you can force tatnnement to find the sound that pleases. It's long, but useful, it is not blocked by a rglage factory and we can pass the sound of a vintage wha a more modern sound, without too much difficulty once tamed bte e.
She spends trs well as clear saturation, ensure a good rglage volume, a lack of enough EHJV, too, was saturated even in the clear.
The stroke of the pedals is large enough, a surprise for me but may to beginners.

OVERALL OPINION

It's expensive, but it has several wha in a same box, and the sound is really excellent. my knob does not spit, my rglages effective, I am more than satisfied. Try it.

Wah-wah pedal with volume, which becomes a Boost / OD limit, an adjustment of the Q and a roto 11 positions ranging from Italian to Vox CMJ base via the Cry-Baby and internal trimpot volume control at the source (clean or saturated).
Fuzz is friendly system that is Q'una team to use it with a Germanium fuzz even without that it becomes a filthy slurry handy ... <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" />

UTILIZATION

- Config simple enough on paper and manual (2 sheets A4) ample.

- To edit and test a minimum combination with the 3 knobs, allow for some time but once found, what happiness.

SOUND QUALITY

The wah, once the logic of the 3 knobs included, sounds deadly <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" /> I had a Fulltone standard before that and I was a little afraid to have lost it. Moreover, the first half hour I was seriously starting to regret my choice then with the amp (Vox AC30, 1967) and scratching (Lag Vintage P90) well-tuned and a reflection on the functioning and interaction of knobs the wah reassured me. I find it more versatile than the Fulltone Standard according to the setting, funk or rock, it is really realistic and sounds like the heroes of our skeud <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" />

Not screaming for a penny, it will satisfy the user as long as it took to be a minimum head to understand how it works and experiment ...

Do not be proud, for once, the video test Proguitarshop, the guy uses it to 5% and did not seem to want to make the effort to deepen. I was accustomed to much better with PGS <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_sad.gif" alt="sad" />

OVERALL OPINION

I use it for 2 weeks and I had a few models before she wah (Fulltone Standard, Jacques Trinity, Cry Baby, Vox 847 U.S.)
Now that I seized it works, I would do without this selection problem but also the Fulltone and Jacques Trinity because in mind, these 3 pedals are superb.
Everything I like in this pedal even the relatively short race is no longer a problem with exercise.

Quite expensive to buy, it falls fast enough at its true ... bargain price is between 140 and 160 euros depending on condition and year

Only drawback, the fragility of the paint mark fairly quickly instead of Clyde that was launched by the windowsill to curdle the paint ... <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" />