Buy new DiMarzio DP189 The Tone Zone S
- Thomann In stock / Delivered in 24h €109.00
- Thomann In stock / Delivered in 24h €109.00
- Thomann In stock / Delivered in 24h €109.00
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Reviews

Not the exact Tone Zone sound
Published on 08/18/11 at 08:37
ToneZone in single coil size
Published on 03/25/11 at 11:25If you’ve never used the Tone Zone before, it’s a very bass and midrange heavy pickup. This pickup works great for fattening something up while still giving it some touch sensitivity. Paul Gilbert used the Tone Zone for quite a long time, and it’s featured on a good portion of his solo albums.
The low end is very fat. The wound strings sound huge while the treble strings never thin out. The boosted midrange makes this thing have some really nice harmonics and helps overdrive the...…
If you’ve never used the Tone Zone before, it’s a very bass and midrange heavy pickup. This pickup works great for fattening something up while still giving it some touch sensitivity. Paul Gilbert used the Tone Zone for quite a long time, and it’s featured on a good portion of his solo albums.
The low end is very fat. The wound strings sound huge while the treble strings never thin out. The boosted midrange makes this thing have some really nice harmonics and helps overdrive the amp a bit. It’s a fairly compressed pickup, and it’s very sensitive to both wood choice and pickup height.
The biggest question you’re wondering is whether this thing sounds like the original Tone Zone. Well, it doesn’t sound exactly the same. For one, DiMarzio has this habit of using ceramic magnets in all the “clone” pickups. It creates a different sound and feel. The ceramic magnets make things a bit tighter and crisper. I find it loses some of that signature Tone Zone vibe. Simply put, it doesn’t sound as alive or as big. However, it’s still a cool pickup if you need to fatten up the guitar. Like the original, this pickup has a cocked wah kinda sound going on, so if you have a heavy midrange amp, you might want to watch out; things could get boxy sounding. It’s not bad split, and it’s not bad in parallel, but I find it sounds best in series.
If you’re looking at getting a single coil sized Tone Zone, your choices are pretty much limited to this pickup. If you want to test out a pickup to make your guitar fatter and give it tons of mids, this is probably your best bet. Just be sure to play with pickup height as this is a finicky pickup.

With its standard output level, it is clearly orient mtal modern.
The palm-mute and stand are percuttant trs trs well.
It is also intended to modern shredders because lgato leave it alone and lack of personality made him one allows enough "neutral" after...…
With its standard output level, it is clearly orient mtal modern.
The palm-mute and stand are percuttant trs trs well.
It is also intended to modern shredders because lgato leave it alone and lack of personality made him one allows enough "neutral" after all.
It possde less bass output level and the "real" Tone Zone and that's good. It will fit in perfectly handle everything that will bring the Saddle slamming his acute lack of it will fail.
Virtual Vintage Heavy coupled a Blues in middle, the two pickups sound much more rock and roll for a given TRS returns it. The latter will bring clarity and attack and personality. Perfect for the big rock sound!
With everything I put in a ProTrack handle. It gives a Start compltement turns hyper versatile. Trs a good combination of pickups.

What I like most is the use in the clear where it is hot, provided biensur to limit the gain of the amplifier.
In full, it is very convenient, but it depends very much on the use that you show to your neck pickup.
Qqs leads to a little hot but it will be well forget the blues ...
Something important, this microphone has a lot of bass, so depending on your config 'it may be more or less relevant.
Anyway, on my config, it's a great neck pickup (although it took some digging because it is wider than a normal single coil) very useful if you do not have a place to ask humbucker....…
What I like most is the use in the clear where it is hot, provided biensur to limit the gain of the amplifier.
In full, it is very convenient, but it depends very much on the use that you show to your neck pickup.
Qqs leads to a little hot but it will be well forget the blues ...
Something important, this microphone has a lot of bass, so depending on your config 'it may be more or less relevant.
Anyway, on my config, it's a great neck pickup (although it took some digging because it is wider than a normal single coil) very useful if you do not have a place to ask humbucker.
In addition, a lower gain tone that the base area, so it is more versatile.
Another positive point: a gain sufficient to pass a large bridge humbucker tone zone s in without losing too much volume.
Sorry but I've never tested in the bridge position.
Tech. sheet
- Manufacturer: DiMarzio
- Model: DP189 The Tone Zone S
- Series: Rail Hum Canceling Strat
- Category: Humbucker guitar pickups in single coil format
- Added in our database on: 07/08/2012
We have no technical specifications for this product
but your help will be much welcomed
Other categories in Guitar Pickups
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