All user reviews for the Fender Roc Pro 1000

Solid-state amp BUT it has a tube for the distortion/drive, your choice.
Line out (8Ohms mini), send return, loop volume control, footswitch input (3 buttons on the pedalboard, to enable the distortion and choose the distortion (there are two), plus activating the reverb).
Spring reverb.
Not bad already.

USE

Easy to dial in, it features bass, mid and treble controls for the clean channel and the distortion channels, a reverb control and a VERY sensitive volume control.
The sound is five times as loud when you go from 1 to 2 on the volume control!
It will rock you off your feet.

SOUND

It's fine for my music style.
I have a 50W all-tube ENGL amp (screamer) that I keep in my rehearsal room.
I wanted an amp to play mainly clean sounds, at home.
I'm satisfied, the clean channel faithfully reproduces the sound of the guitar. It doesn't have that hi-fi sound often associated with solid-state amps.
It's deep, crystal-clear, the reverb is quite all right.
As I already mentioned above, be careful with the volume control or you can end up deaf, it's über-sensitive. 100W that won't make you blush. The speaker is an original Fender. The amp is made in the USA.
I play Fenders (Mustang and a Tele Aerodyne) and it sounds awesome, not as warm as a tube amp, true, but very satisfying.
The distortion sounds are also up to the job, not muddled, rather aggressive, you only need to work the EQ a bit and you can get convincing sounds.
The two distortions: One is a tad more nervous than the other, which is more "acid," while the other is more of a "fat overdrive."
Independent distortion and clean volume controls.
As for the loop, it does the job.
I play with some delays (dd20, Memory boy and VS h2O) and a chorus, the sound is well respected and not puffed up.

OVERALL OPINION

Yeah, okay, I've had it only for a couple of hours...
I also have an all-tube amp (ENGL), a small Epiphone combo (Valve junior) and I wanted a not-too-expensive amp to play clean guitar..
I'm very satisfied with the clean sound, it's a real treat. It's solid-state amp in the age of hybrids and modeling amps, of the multiplying of tube watts (as Jesus did with the loaves of bread).
The distortions aren't icky at all, they are usable.,
I'll do a test with my band to see how the sound comes through in a mix.
For me it's a very good tool, a good Fender, made in the US and, for the price, it would've been a shame to have missed it.

I have owned this combo 1996-98. It was a light / transistor hybrid model. Fitted to a 12AX7 pre-amp. And an excellent reverb EQ 3 bands effective, two plus one more drive channels.
The production was made in USA.

UTILIZATION

Setup could not be more classic, simple but effective settings possible to obtain quality sound.
As far as memory allows, I remember a beautiful clear sound and a drive quite usable although I've always used the more distortion pedals the second channel combo.

SOUNDS

At the time I was playing with the Fender Stratocaster and I got excellent results. The clean channel really gave a clear sound, typical of the picture can get sound Fender. The drive channel was very comfortable for hard rock and blues. But as I wrote earlier, I was using rather distos or OD with the clean channel.

OVERALL OPINION

Before playing on the Roc Pro, I had a Champion 110 and the difference was more than notable. The Roc Pro 1000 makes it possible to really get the Fender sound for a very reasonable price. Today, it is found used around € 150 which makes it a perfect amp for beginners and only. If I could find one in my area, I would not hesitate to buy at this price!
Really it was a great combo and a great success in the Fender range.

Transistor for clean and power, 12AX7 tube (?) For saturax channel that contains two types of gain.
Spring reverb, all these people is remotely controlled with the switch (Led) provided cool.
Series effects loop, not yet tested. Additional hp taken, the internal is still functioning.

Under 100w 4ohms, 70 unchanged.

One can quibble that the loop is not remote controlled, yada yada yada.

UTILIZATION

CLean with 3 band eq and switch on the stamp is a small dark hair is normal mediums sparkling and flexible / living.

Winning with 3-band eq, here you have two non-cascadable gain, he who lights the yellow LED is softer more bluesy. He who lights the red is much more packed, heavy distortion unfortunately its too loud compared to the other gain and nothing can be paid separately.
So the use is not always obvious.

Typical fender, Volume 1 is nothing, and 1.5 is already too high, and it is worse on saturax ...

Forget any kind of apartment that thing!

To see I inserted my hot plate to reduce the volume at home, and it always does too, this is no longer the volume inconvenient but very brutal attitude of the amp, it is not makes it easy to play it all!

SOUNDS

I played hard enough on two 12-inch box (usually dedicated to my bugera 1990), it is devilishly Rocpro sound! In clean is fun but hard and dark compared to 1990, on the other hand you 100w clean and it's a hell of fuss. The reverb is doing great, she is not too long for a time.

The saturax is another story, the amp is transformed, it's hot smooth and precise, adorable yellow on the drive, no wonder master Yngwie will be used in live (concerto with Philharmonic Orchestra siouplé!).
I do not know what light is in and it's the cotton air to remove, as it sounds good you touch anything.

OVERALL OPINION

Rare okaz I waited a very long time.
Saturations produced by this amp are great, and the stability of the power stage is a sacred anymore after a time (as opposed to all-tubes that change in his (over) heating), you know what expect here.


I wonder when same questions, regardless of the model everyone is unhappy with the fanciful race volume knobs, you think fender is deaf? Return customers info anyway!

clear channel has transostor
2 channels saturated lamps
100 watt

UTILIZATION

simple configuration
clear sound worthy of fender amps
very saturated sound guy for the brand
Impressive power for a 100watt combo
I also use just the amp with speaker 2 * 60Watt and it gives good.

SOUNDS

For my part, I juggle between foot switch, multi effect (zoom 505II) and boss metal zone, the big bass in "bold" are honorable but limits to the range of the amplifier

Distortion in "soft" AC pulse when you put the volume, the receiver requiring only that.

I play it with a purchase from the light of Lag Rockline 1993, epiphone sg 400 and an electro norman b20.

nothing to say about versatility.
However, the station has amplitute the knobs ... not progressive! ca spits very fast! to make your enemies your neighbors are no better room! damage no headphone jack!

OVERALL OPINION

I use it for 15 years without any problem and again is its versatility which blew me away who have tried or line6 amps like Marshall.

I bought 4000frs at the time and if I had to do it again would without hesitation!
A good amp simple and effective even in concert!

Hybrid transistor amp lamp.

Clear channel transistor
Lamps for 2ch: crunch and distortion

For technical specifications:
1 input jack
1 loop
One direct mailing
1 shipment for external speaker 8 ohm sub

100 watt power.
Exponential curve volume knob: No more than 1 apartment if oiling voisinous .. the rest is linear to 3-7. Beyond, you need a room of 500 people.
Speaker: 12 inch with good dynamics and brilliance. Enclosure that can disable by unplugging the two wires connecting it to the preamp. Handy in the studio recording the Room:
Governed amp with speaker disconnected. Output jack on a 4x4 studio transplanted by micro.
= I rule my amp as I want to be governed.
A spring reverb in good order.

UTILIZATION

Simple configuration
Easy to use
Attention to the curve of volume knobs.
Requires a little work its sound volume is important for the disco (requires lamp), although its fundamentals will not change.

SOUNDS

THEN THE SOUND:

Clean flapping in the rock that kills .... there is.
The most versatile amp I know.
Although the metal is not clear with ... it is still useful for all styles.
Predilections: rock, blues, funk.

Two channels with a single volume damage.
The channel is called orange crunch as it is not a true overdrive crunch but rather a
The red channel is itself a little more heavy, dynamic and with a rate of greater distortion.

It can be used as a booster in solo rock.
I play my rhythm channel in orange and red I go to solo.

This amp goes a bit against the idea of ​​the fender base with its strong character.
This is according to the words of the seller at the time the fender the most versatile distortion that exists

OVERALL OPINION

My first quality amp ago bought a big couple of years for 400 euros.
For blues and rock, it really is ideal.
For funk, ca goes well.
Arpeggios not sound wrong with the brightness of the enclosure.

I also tried a more grunge and heavy dropped D and frankly it does.
I liked it a little drool but hey ....

I do not regret buying it.
Even ten years later, I always use and it has not budged.
I have heard changing the lamp and cleaned the inside.

===> SI buying opportunity for rock and blues, do not hesitate <========

When I see the price occaz, although hybrid, frankly I do not understand.
I know that there is any style lamp 5 watt Marshall Class 5 occaz for 250 euros, but still .... I never sell mine.

I bought it for $ 400 used in buenos aires.
I needed a big rock valve amp to use whit my tele.

The clean channel is more than clean, its fender!! it sounds like an old twin reverb and works great with strats and teles.
The double dry valve channel has 2 different overdrives that sounds like a big marshall, very hard!!!
You can also recreate vintage dist sounds with the second overdrive.
It´s perffect for hard rock and heavy metal.


it hasn´t got headphone output and you can´t play low because of it´s valves.
the volume pots for both channels are so sensible that you´ve got to be very carefully using them.


It is perfectly assembled and the speaker(eminence) it´s so great.
it has metal corners and a upper handle.


Roc Pro is the fenders line for heavy rock and but don´t forget the incredible clean sound and the spring reverb.


This review was originally published on http://www.musicgearreview.com

I payed £180 S/H from a delear in Derby, GB


Sounds great, the clean sound is sweet and vaigly gangaly, an yet both the distrsions are in your face with out being nasty. On top of all souinds graet at volume 1 or 10, though the people in the next twon might complin if you use 10.



Very expancive foot switch and replacment of the pre-amp valuve is a VERY VERY bif job. You to take how amp to bits.



It's built like a rock, very solid, oftren used a seet, when not as an amp.



Really good allreound amp, any one giging should be useing one



This review was originally published on http://www.musicgearreview.com

In terms of features, everything has been said about. One thing that comes, the power of this amp. It's true that we spoil its 100W! After, it depends on usage.

UTILIZATION

For my part, I find that its use is simple enough to yield easily the sound you want. With this amp, you can afford a wide range of sound!

SOUNDS

Sound level; excellent, perfect. I play mostly funk and that kind of music is ideal. The typical Fender clean sound is excellent, it offers crystal clear sound, slamming! TOP
And distortion tell me? I was pleasantly surprised by its versatility, its clean as it is excellent, I thought the distortion will be "set aside". Well no ... This amp is just great ...

OVERALL OPINION

This is an excellent compromise, a good deal, I bought € 330 and I am completely satisfied!

The Fender Rock Pro 1000 is a solid-state amp designed to replicate the sound of a tube. It's mostly a practice amp and has low wattage. There is a simple 1/4" input as well as a foot switch input. There are two channels, clean and boost, and there are no effects. There is simply one EQ knob, labeled contour.


UTILIZATION

Getting a good sound for practicing is about all you can hope for with this amp. I'd say that the best thing you can do is get a decent clean and dirty tone so that you can work on techniques appropriate for these sounds. The manual will explain the amp well, but there's not exactly a whole lot to explain really. There's just the volume for each channel, gain knob for the boost channel, 3-band EQ and Master Volume.


SOUNDS

The amp basically requires a lot of work to get good sounds. With a Fender Strat, I think that the only way to get a decent blues tone was to crank it to ten. That is pretty loud, and dangerous for the amp. The distortion was decent for metal, but not great for lighter styles of rock that required more character out of their amps. I would say that for beginners this is going to sound fine, mainly because they won't really know any better. Most seasoned players would be dissatisfied, even for practice.


OVERALL OPINION

I think this is ok for beginners, but I'd advise most advanced players to avoid it, unless you are a metal player in need of a practice amp, in which case it's probably a good idea. The price is pretty reasonable for the most part, which I think is good because I wouldn't want to pay more for this. But if you are a beginner than this is for you, this would be a great first amp to get you up and running and learning out to understand amps.

100W
I think prampli lamp, power amp transistors (I'm not at all)
Between a guitar
An effects loop
1 x HP
1 line out
2 channels (clean, saturated)
severe lack of bass
Reserved amp blues, rock, jazz ... and especially not the big mtal

UTILIZATION

Config there not simpler
it was easily a good sound conditin not want to sound with a lot of bass and a big distortion
Hein, c what a manual, I did not see color, but there not really need lol

SOUNDS

Not always adapt my style of music, but I bought it when I bcp jou diffrent of stuff, but I plan to buy chang ENGL body double
I played on an Ibanez RG and I had a super aggressive, trs acute, I did not like that but I ca on hand

OVERALL OPINION

5 years
more: c to 100 watts of fags, ca Arache, g jou never above 5 repeated in concert
less: lack of versatility
some CHRE
as I said before I bought ENGL

Fender Roc Pro 1000 Amp
12AX7 pre amp
1 channel
the clean / distortion 2 (2 DIFFERENT gains) / reverb
1 x HP
A mix between effects

UTILIZATION

Nothing is easier for the config!
Contrary to Celia from above, for the grave of adpend rglages, I with a les paul sounds plutt a lot!
not need a manual! You only have to read the buttons and off you go!

SOUNDS

-This amp is perfect for my style of music, good rock is powerful ... perfect for the course mtal adpend!
I plug even a scratch on it and selecting acoustic increased mdiums on clear channel (not switchable on pdalier provides) a tremendously good password
I use it with a Les paul std, std strato a squier, and a acoustic ... scratch effects: Boss HM2 Boss CE5 707 ZOOM 1
It is totally clean channel is what I want is to say a round in the bass and percussion in the high for the distortion channel 1 is a fine type distortion crunch, channel 2 closer to the metal
"I love the clean sound in two rglant well rverbe you get a nice sound diffrent each other for solos!

OVERALL OPINION

It's been a year since I use it, I bought OCCAZ (450), a State irrprochable!
most: versatile amp trs, trs powerful (100W is not a fruit!)
the least: be not too strong because arrives at 3-4 (I am not drang has not), the entourage has rpeter earful
of good quality fender as they are very familiar with so the price is not ... normal?
well on the exprience and above the money would have instead tried to buy an old Marshall head + body (that's my style zic!) but I'm looking Bafle an extension to add to the rock 1000 pro so it suits me perfectly! is the atomic bomb!

Hybrid amplifier (transistor amp + overdrive a lamp)
A clear channel
2 channels of overdrive
A button-building mdiums
EQUAL 3 bands
100W, but be careful, very strong (powerful but not specially strong)
Effects loop with knob in facade
Reverb
Taken to spare head (8 ohms)
No headphone jack

UTILIZATION

Adjustments super simple, easy to find the right sound clear. A little more about the Distortion channel, one of the two appropriate to each (for cons, it is true, as the set of all the software it will tantt tantt the heavy), they are not the equivalent of a Solo + Rhythm.

SOUNDS

- Fits my style not too bad, but hey we can do better forcment
- I play on a US Std Start with dual microphones in serious
- On the clean channel you get a really find anything. The Equal is quite effective (the trble an insensitive), and the reverb works wonders. This is the main strength of this amp. Personally s'arrte has seen the one I MT2 for distortion. I am in fact never happened to find interesting sounds on the overdrive of the amp. Any fawn pdalier I had no need so ...
- I find it really clear sound almost perfect, it's Fender "at its best." Saturated by the cons ...

OVERALL OPINION

- I use it for 5 years now. I had a small Fender Frontman for me, and Marshalls for rpeter.
- No bcp tergivers before acqurir (new 450), c'tait one of the few in my budget and appropriate in its power.
- I do not regret that choice at all. In addition to its clear sound, this amp has other advantages: Hyper robust (number of concerts keupons squats, beers overturn current supplied by a group electrogne, cuts "hot", pos m me dirt floor, dust, and trimballage in all directions etc. ...), and actually quite compact (takes 1 / 4 of the trunk of my 206) which allows to turn light, while sending the serious steak sound level (never test more than 4).
- Its default: in addition to the channel (channel but hey ....) overdrive just nase, one problem is the amp's speaker is trs directive: it's not in front evil, but a cot is zero. It seems that replacing this one with a Celestion 12 "radically changes the receiver class and do something top. I confess I have never tried.

- So I would say top quality price, experience that I would do gladly (but it runs too and I pass on the Mesa ... I fear dja bp of reliability so I keep a little one the

Amp hybrid (lamp and transistor) 100 W.
Clean channel with volume, bass, treble, mid.
Two channels overdrive and distortion rglages with volume, bass, treble, mid joint.
Reverb.
Footswitch for the selection of channels 3 and rverbe.
Effects loop.
Output hp external line out, but it lacks a headphone jack.

UTILIZATION

Difficult to settle easier.
The sound is excellent in the clear and overdrive, the distortion is a matter of taste ...
I have no manual, but it has never failed me.

SOUNDS

My guitar is an Epiphone Les Paul Standard and the sound obtained with the Roc Pro overdrive is rather bold, parfiat in Rock and Blues.
The clean sound is warm and beautiful prcis.
The least distortion for me but the Epiphone pickups are probably also responsible ...

OVERALL OPINION

I use it for three years, and I'm not deu, robustness and power prices are frankly Roc Pro significant.

I can't tell you how many Fender amplifiers that this company has built and its existence but I can imagine there are a lot more than I am aware of. This is a simple little amplifier that has three channels of operation. You have a normal clean channel and you have to dedicated gain channels or crunch channels. It's a nice little amplifier for someone is looking for a decent little combo to get the basic Fender tones with. They're not very expensive and they had a pretty good sound for what they are. This is not to be an amplifier that is going to contend against the Fender twin reverb or any other major baseman type amplifiers but it will be a nice little practice amp for someone who needs a cheap amplifier.

UTILIZATION

This amplifier basically has 100 W of power and it's pretty stinking loud for solid-state type amp. It comes with its basic Fender 12 inch speaker and it doesn't really have much else to say other then it's a pretty basic Fender amplifier. You get the normal channel on channel switching options as well as a reverb and adjustable effects loop. As a mix control and line output to go directly into PA system or your recording setting. This amplifier is I'm cheap amplifier if you can grab it but I wouldn't spend too much time going accurate.

SOUNDS


The tone of this amplifiers pretty much Fender all in all but it's not going to be a great distortion amplifier so if you're looking for a decent gain tone and this is not ambient. If you needed decent clean tone then this is a pretty good amp for as most Fender amplifiers are for their clean sounds. In my opinion this is not that great of an amp if you're looking for a mobile multiple channel amplifier because the extra channels just sound like trash has most Fender gain or distortion channels sound. I never liked a Fender distortion channel out of any amp they've ever done other than the new EVH amplifiers which are a completely different beast all around.

OVERALL OPINION


You can find these used pretty easily and if you look hard enough you can even find the head versions if you're needed that style of amplifier. They did make this in the head as well as this combo so both of them can be found well around the range of $100-$200. I really don't recommend this amplifier to anyone because it just doesn't sound that good for all that has as a option on this amp. It has a good clean but so do a lot of other amplifiers and so if you're looking for multiple channel amplifier particular and then this is not to be the one for you.

Amp transistors, with the lamp (12AX7) in Global Warming prampli for the sound.
100 Watts, and definitely not lazy!
Connectivity classic, no frills ... effective.
Rglages could not be more simple:
- Volume clear channel
- 3-band EQ
- Drive 1
- Drive 2
- Level effects loop
- Reverb (phenomenal!)

UTILIZATION

This gives a good sound trs trs quickly.
No manual included with, but not really necessary. This is the good old rglage simple and effective.

SOUNDS

The clean channel gives a crystalline trs (from Fender), the rverb spring is wonderful.
Both channels are INTERESTED drive, even if I have a weakness for the overdrive, really warm that the distortion. The 12AX7's prampli really gives it all.

For when I was in the buff rock with friends, it was widely ... limit too powerful. As I am rather blues, I pass a Peavey Classic 30.
But there really a way to have fun with the ROC PRO 1000, much more versatile than the equivalent in Marshall, for example (Valvestate).

OVERALL OPINION

I did not now, but I shut trs happy. I have even an electro acoustic branch and I t bluff by the fineness of its clear, trs really clean.
It is a powerful amp really trs noise. HP is a little too prescriptive, but a pulse!
Report qualitprix not equal to the time when I bought it. Any amp with this power quality for the price-l.
I would do without this choice hsitation if I changed back to rock.
I said "ROCK" ... mtalleux, go your way, it's not for you!

250euros bought-in OCCAZ
Transistor amp with tube preamp (12AX7) for channels drive
HP-1oowatts fender special design
-Spring reverb
facade:-guitar input jack
Footswitch jack (requires stereo jack) or clean drive1/drive2 selection and reverb
Independent
Rear-effects loop
-Switch high / medium / low (I do not know what for)
-Hp output for additional
Line-out
-No headphone jack
settings: clean and lead channels with independent treble / middle / bass and volume (for common
both drive and gain (independent), mid shift button to mitigate the medium of
clear channel
He just needs a headphone jack and perhaps more EQ settings, but must not ask too much
-9 For the headphone jack, but it's seniority, the key is, and for the price it's going (there are many good 30watts at 200euros)

UTILIZATION

-With no manual, but classical and very simple config
-A noisy and uncomfortable bed if I did not disconnect the cable input before turning off even at zero volume, if I find a solution I will add it, but without doubt it is an old can, if you know: write I
-8 To bed

SOUNDS

-Clear and beautiful sounds ovedrive, noted that the receiver must have close to 10 meter candles
Ovedrives-rock rather good fun, the first drive over the second most distortion is a matter of taste, but the playful EQ j'obtient all my wishes, overall fat enough, the breath, but I think that I must change the lamp, the age must also play
I do not know if that's the sound fender, I'm not going to pay me a tweed twin reverb or a dx, but it slams into clean and you can have it all, very discreet breath
-Spring reverb is nice, light breeze can be by activating
I played with a jet lag matt200, the effects go nickel
-8 For breath, but it's nickel

OVERALL OPINION

Multi-
Powerful
-Bought a year ago
I like it a lot, but I must admit that it is operated in a can in my room and rarely exceeds 2 / 10 volume, but it's sturdy and the sound is there, again with the problem of age, but my budget does not allow me to purchase an amp lamp
"I could already play the Marshall Valvestate 100 watts to a friend, a roland cube 15, a spiderII 75watts and with the same scratch
I think I do it again this election, but with a reserve for breath and my low need for power, but as soon as occesion comes to play in groups no soucy

Amp 100W lamps preamp (12AX7) front input jack, footswitch jack for 3 buttons, effects loop with adjustable impedance, output hp (8ohms minimum), spring reverb

UTILIZATION

Using very simple and intuitive 3 channel, one clean one overdrive distortion channel clean is to set volume and bass mid and treble, the distortion channels have gain over and over gain disot bass acute and medium volume. passage of the canal to clean canals distos a switch, and channel distortion in overdrive by another switch.
Adjust its sound is very easy and quickly you get what you seek but it should still be well know to have a specific (time of heating lamps, different answer ... etc etc) no manual. the reverb is engaged by a switch and a knob is used for mixing dry and wet, and another knob adjusts the dry and wet from the effects loop.

SOUNDS

It's been six years since I played it with different musical styles, blues-rock heavy metal black metal, and has always satisfied. While this is not a big all-tube distortion with a death but more than enough.
The sound is extremely clean crystalline slamming very personally love but it depends on taste. The overdrive is excellent very warm and versatile. The distortion is impressive for a fender, marks not really known for that. Here it is really powerful and not be fat enough, can be a little lack of precision in attack. I played with various groups with and he never gave me default, of course you have to know by heart to be eligible to play with the big sound with and adapt his game according pick but then he is bluffing. Configuration or in concert I repeat the pair to a 4 * 12 marshall is there all the amps of the same price range I've tried (including the Marshall Valvestate of its direct competitor) is not comparable in versatility and power. No concern for the potato at 100 watts is really there. Its only two large default that are obviously the guitar jack serves as the bypass switch and preamp to always unplug the amp with cutting pain of a big bed even at zero volume. The second problem is that its power is not linear. From zero to one there are only two treble and pase the spectrum comes but big power. February-May the power increases but remains really constants up to 8 and 8 where it happened really hard so it is very hard to play in his room and have a good sound at low volume.
Personally I use a jackson rr mounted with emg active and the only effect that I allow myself is placed after a dimebag wah guitar.
I give 8 for bed and that it is hard to play low with good sound.

OVERALL OPINION

Simply stunning. for all fans who love the simplicity and efficiency it is perfect. low cost, very simple, robust, personally I hate playing with a string of effects and preamp to the chain so the fact the guitar to plug directly into it and have the sound I'm looking for is perfect for me. to advise all fans of rock and even metal if they can not afford a big beast which tears and prefer the simplicity and authentic sound in a simulated transistor

Semi lamps (overdrive) and semi transistors for clean I think.
Power 100 watts but I read in a test that is more powerful lightweight.

Level connections, see the other. Otherwise lack a headphone jack but hey it is very powerful it seems to me a ...

Effects, just the rverbe in addition to the two channels overdrive (only 1 for Eq 2)

7 for the lack of equalizer for each of the spars overdrive (I'll explain why below), and the lack of the headphone jack.

UTILIZATION

Trs simple recess configuration

Sound. Then clean, it's pretty impressive I think. Personally, I connect over my multi effects (ZOOM G2.1u) the sound is perfect. It gives really great once configured multi effect. It blows a little on some distortion, but given the price of the amp is more than reasonable ngligeable, especially as it blows a lot. In Overdrive, the sound is pretty cool. I play with enough bass, or rather too much and it gives trebble super crunchy enough for his / rock.
For cons, the other for a day I find that the sound changes a bit. But must come from I think ^^...
As I said above, the lack of Eq spar for the overdrive is a bit boring because they have an output level diffrent. A more noise than the "other then when you change channels, ben forcment y'en one stronger than the other ... then the sound is very rough even when, but since I play on a Squier (which will be replaced ending for I hope) I think is a micro.
Reverb level, as long as you do not push the button too high, it niquel.

Otherwise no manual, no need.

SOUNDS

It should Even if the multi purpose behind it is a little simple act pregnant.

So I play with a Squier 51 and I play it with a dja high end PRS, Seagull electroacousstique a good bill and a Cort 12 string (acoustic). The acoustic sounds are really good to quote qqu'un else. It's just trs. On my squier was me. And with the PRS I have a vague recollection that ca dchirait

By clean, I often RULES 6.5 5.5 9 trebble bass, volume not high, like 1-2 because this amp screams littralement. If you are in your townhouse I think you should avoid; j'embte dja me all my house
In disto, disto's not too high like 4-5 and then the knobs on for bluesy 4 5 3 / crunch, ... to see, but you can play stuff quite DIFFERENT.
I get a sound so serious but always crystal clear enough, and I think the sound is typical fender Submitted

on the other hand I do not like the slamming of the cot ultra clean amp when it disables the brightness (the thing that mix the middles and Trebble)

It is certainly the guitar too, but it is unbearable ...

I put 8 because it is cool

OVERALL OPINION

Used by me for almost 2 years, by my Mom before (very little and acoustic).
I like the sound, I love the rough sound of distortion, I think I will change the lights ...
I have not tried any other models, but to be honest, in-store I can never be satisfied with the sound of other amps ... I think I by chance found what I needed ^ ^.
The ratio price quality seems excellent sincerely.
With exprience, I think I would do so this choice. With one more possibility budgtaire leve I think I would buy a more upscale brand to another. But if not know that store I always try to find this amp for a totally objective view of the guitars ... which never happened ...

Overall rating 8

100 watt transistor amp, with the lamp (12AX7) in the preamp.
An effects loop.
A footswitch to control channel with the choice of drive and reverb.
Amp settings:
- Clean channel volume
- 3-band EQ
- Drive 1
- Drive 2
- Level effects loop
- Reverb.

UTILIZATION

It is very fast in the bathroom, the settings are simple and clear sound is at once confident. The distortion is faithful to his Fender and many slobbery, the sound is superb Crunch. Caution, however, must be provided to play high volume to enjoy this amp.

SOUNDS

The main qualities of this amp in my resident in its clear sound and crunch sound that can address almost any style. The popping sound was a unique personality which is not really what I want, however, I had the opportunity to use a Rocktron Silver Dragon and a Blues Driver and the sound was superb. It should be noted that the reverb is beautiful.

OVERALL OPINION

I used it a long time and I just put aside for practical reasons, but the highlight for me from rehearsals close to home. The clean sound and reverb I miss especially. The price is great value since one finds it more than occasionally.

100 W hybrid amplifier transistors / tubes;

So, if I understand:
A transistor-amp for the clean channel
One (or two?) Preamp (s) to tube 2 channel crunch and distorion

Before, we have, from left to right (all the knobs are graduated from 1 to 10):
- The input guitar
- Inspections of the clean (Normal): Volume, mid boost, treble, mid, bass
- Controls the party tube ("Tube Drive): Gain 1, Gain button choices, gain 2, LEDs indicating channel, treble, mid, bass, button choice tube / clear volume
- Two controls labeled "Master" ... : Reverb and Effects Mix
- A footswitch jack (included)
- The power button

Behind:
- Max external speaker output 8 Ohm
- Line Out
- Effects loop send / return with level selection switch 3: 16 7 DBV DBV 4DBV

The amplifier measures about in cm: 57 * 24 * 45 and weighs his weight, transportable rather than portable, you do not you type with 500m walk.

UTILIZATION

Not really man I can remember, just the shots of the amp.

Using very simple: share volume and equalizer settings, we have a 3 button footswitch, 1 to enable the distortion, 1 to select channel and 1 to turn the reverb springs

It is well enough fiddling to find the sound you want, but you can get according to taste pretty good to very good sound varied from light to heavy distortion crystalline metal.

Note that I played over a very long time with an old aria pro 2 rs spirit of opportunity in its very bof and I still got out of beautiful sounds.

SOUNDS

It is suitable for a range of styles: the channels are very changeable due to very sensitive faders, each providing significant variations in sound.
It may therefore have:
A-end and crystal clear sound or property consisting boosted the mids, great playing

A crunch-excellent, everything goes, Chuck Berry to Jimi Hendrix, Eric Clapton AC / DC

One-distortion, and that is where the amp broke away at the time of Fender usual: he was wanted more versatile and does not nothing good name ROC PRO. It can range from mild distortion, which is already a bit more violent than a crunch and dirty rock / blues, to heavy distortion busy that we should not push the gain on the bottom to play Metallica. It already provides a nice range of distortion, what great fun and still play styles, although this is not the best or the best disto of the world, just a little too sharp. In it the clear and are superior crunch, but there is plenty to do with its versatility, power and good sound that hard!



OVERALL OPINION

I&#39;ve had 12 years and it did not disappoint me, it happens not easily within its sound.

I do not remember having tried tons of amps before, I had noticed and preferred to other magazines for his good reviews (no internet buzzing with news at the time), versatility and its price, I was trying, perhaps others at the same time but I did not score, and it was purchased directly, my first amp.

The sound is very good and varied for the price, a Fender bass distortion is not a joke, it works and it is clear from the quality of the Fender.

With the experience I would have chosen something less than 100 W. Indeed, it is much too big to play at home in his room, apartment, terraced houses even we forget, and this limit for group rehearsals. on the other hand for small concert here everything can ensure quiet from the little cafe at the ballroom, there is absolutely no doubt about its wattage, it sends. Which means that I have never regretted one second, a small amp can be frustrating on the sound, with the latter one having fun.

The only real criticism is probably the lack of a headphone and a master. For the clean sound no problem, we can lower the channel volume and the guitar and still have something good, although the volume of the canal cut between 2 and 1. As for cons channel tube was sound from 1.5 but it only takes its character from that of 2, which is already very strong, the ears are to be held well in 2m amp. Before that it was not carément the same sound, rather a boil dirty fuzz.
Therefore, forced to play loud enough if you want good sound, which can be annoying if you do not have a planned place. To view, requisitioned as I rise to 2 on each preamp, or just above, and it is quite sufficient.

Besides you need to know it was an excellent value for money, and if I were back in those days, beginning guitar and knowing my taste, I certainly would not choose anything else for that budget. I made over my arms and never let me down, I&#39;m really lucky to have everything on a good amp with good sound, I&#39;ve had 12 years and didn &#39; m not tired, I&#39;ll change the quality of the guitar and surely rediscovering. With a good instrument and one or the other equalizer I can get the most ...