Made in Japan
22 frets medium, low action
profile between 50 and 60,
2 humbukers MK2
flamed table, sunburst
finish quality copy!
Heavy, all defects of a Les Paul, but more importantly, all its qualities, sustain, the "sound", no need to change the pickups, super easy
fully adapted to the rock, very versatile, snapping on the mic acute, although fat saturation,
played with vox amp, 4w (apartment) and VT20 + all the trimmings sound! even the intermediate position ...
10 days of use,
price versus quality is unbeatable
Strong supporter of Gibson until recently, a friend advised me guitar teacher to look into the Tokai, tired of waiting for the new generation of Les Paul to handle 60, no or little available in the southwest, I 'm left to take a test: the revelation! Vacuum sustain and sound are already there, then once connected, but happiness, (tried a Fender 100W sweating) in clean as reverb, saturation, its long sought! Before you buy, I returned several times, so taken aback by my previous convictions. Namely, I tried 3 different guitars of the same model, each with its own personality, hence the importance of trying!
To finish off, simply copy! The guardians of tradition are not Gibson, I have tried before to Bordeaux, Toulouse and San Sebastian (Spain), lots of guitars from 760 € to 2000 €, LS faded studio (already has a few years ago) studio, traditional 50 and 60, Standard, Red Rock, etc., I do not packaged like this one
I would do this choice