Tech. sheet
- Manufacturer: Washburn
- Model: A-15V
- Series: Stage
- Category: Other Shape Guitars
- Other names:a15v, a 15 v, a15 v
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User reviews
5.0/5(1 reviews)
5
100 %
4
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1
Déjà vuPublished on 11/10/10 at 04:40 (This content has been automatically translated from French)
The neck and body seem to be in one piece of wood.
The handle has a V-shape and 22 frets.
Bridge, pickups and selector type microphones Fender Strato.
1 volume knob and 2 tone.
UTILIZATION
The handle is fine: it adapts quickly.
Guitar quite heavy but well balanced.
SOUNDS
I opted early enough to replace the original pickups with Bill Lawrence L500XL in the bridge position, L250 in the neck position and a Magnetics SDA13 intermediate position because I felt that the violin and my Thurs would require more microphones pêchus: The result is impressive!
The guitar has kept its own present with acute but what is warmer and singing.
I use it instead with overdrive on my...…
The handle has a V-shape and 22 frets.
Bridge, pickups and selector type microphones Fender Strato.
1 volume knob and 2 tone.
UTILIZATION
The handle is fine: it adapts quickly.
Guitar quite heavy but well balanced.
SOUNDS
I opted early enough to replace the original pickups with Bill Lawrence L500XL in the bridge position, L250 in the neck position and a Magnetics SDA13 intermediate position because I felt that the violin and my Thurs would require more microphones pêchus: The result is impressive!
The guitar has kept its own present with acute but what is warmer and singing.
I use it instead with overdrive on my...…
Read more
The neck and body seem to be in one piece of wood.
The handle has a V-shape and 22 frets.
Bridge, pickups and selector type microphones Fender Strato.
1 volume knob and 2 tone.
UTILIZATION
The handle is fine: it adapts quickly.
Guitar quite heavy but well balanced.
SOUNDS
I opted early enough to replace the original pickups with Bill Lawrence L500XL in the bridge position, L250 in the neck position and a Magnetics SDA13 intermediate position because I felt that the violin and my Thurs would require more microphones pêchus: The result is impressive!
The guitar has kept its own present with acute but what is warmer and singing.
I use it instead with overdrive on my Tonelab.
I noticed 7 / 10 with the original pickups but would note 10/10 with the current config.
OVERALL OPINION
I use it for 27 years and this is my first serious guitar. I use it alternately with a Westone Spectrum equipped including a Seymour Duncan SH8 in the bridge position which offers a range of its very different and complementary (its rounder, more focused on low as the Washburn).
I love its shape and sound: Besides the guitarists who try are often impressed by these two aspects.
I would do the purchasing choice no doubt because the price / quality ratio is exceptional.
The handle has a V-shape and 22 frets.
Bridge, pickups and selector type microphones Fender Strato.
1 volume knob and 2 tone.
UTILIZATION
The handle is fine: it adapts quickly.
Guitar quite heavy but well balanced.
SOUNDS
I opted early enough to replace the original pickups with Bill Lawrence L500XL in the bridge position, L250 in the neck position and a Magnetics SDA13 intermediate position because I felt that the violin and my Thurs would require more microphones pêchus: The result is impressive!
The guitar has kept its own present with acute but what is warmer and singing.
I use it instead with overdrive on my Tonelab.
I noticed 7 / 10 with the original pickups but would note 10/10 with the current config.
OVERALL OPINION
I use it for 27 years and this is my first serious guitar. I use it alternately with a Westone Spectrum equipped including a Seymour Duncan SH8 in the bridge position which offers a range of its very different and complementary (its rounder, more focused on low as the Washburn).
I love its shape and sound: Besides the guitarists who try are often impressed by these two aspects.
I would do the purchasing choice no doubt because the price / quality ratio is exceptional.
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