Become a member
Become a member

or
Continue with Google
Log in
Log in

or
Log in using a Google account
Add this product to
  • Mon ancien matos
  • My current gear
  • My wishlist
dbx 120A
Images
1/49

dbx 120A

Other Studio Effect from dbx .

1 review
Price engine
Classified Ads
Forums

Annonces dbx 120A

Send me a notification via email whenever there is a new ad on this product

Images

Reviews

Average Score:
(4.5/5 based on 1 review)
1 review
100 %
Write a user review
yoTrakkzyoTrakkz

good price

dbx 120APublished on 12/01/11 at 19:21
This rackable distortion box is a great simulator of analog distortion.
It's basically a distortion box that can be used on anything from guitars, basses, drums and drum loops, pianos, vocals and almost anything else. I've heard that it is possible to get good sounds out of running entire tracks through it. It's maximum output level is +20dBV and it can range from .2 to 99.9% distortion

UTILIZATION

The setup is pretty easy. There are two channels (stereo) and each channel has an input and two outputs (lo and hi). There are knobs for drive, bias, and output for each channel. There is a switch for determining which distortion type you are looking for. There are also switches for...…
Read more
This rackable distortion box is a great simulator of analog distortion.
It's basically a distortion box that can be used on anything from guitars, basses, drums and drum loops, pianos, vocals and almost anything else. I've heard that it is possible to get good sounds out of running entire tracks through it. It's maximum output level is +20dBV and it can range from .2 to 99.9% distortion

UTILIZATION

The setup is pretty easy. There are two channels (stereo) and each channel has an input and two outputs (lo and hi). There are knobs for drive, bias, and output for each channel. There is a switch for determining which distortion type you are looking for. There are also switches for overdrive and bypass, as well as the power switch. All switches are identical on both channels. A little more than I was expecting but easy enough to use.


SOUND QUALITY

This box is too versatile for its own good. The sounds you can get out of it are almost limitless. While you may hate some of the less distorted sounds on an electric guitar, it might work wonders on vocals. There is really something for everybody with this box. Sometimes the amps that you are using just can't do the trick, or you are doing something and it's too clean and polished sounding. This box is perfect for that. I mainly use it on guitars but I've also had great success with vocalists who are looking for a rough, raw sound (punk and hardcore bands).


OVERALL OPINION

I like the versatility and warmth that can come out of it. I like the fact that it also can really rip when it's cranked. The price is definitely up there, but worth it if you are recording the kind of music that needs a little (or a lot of) distortion every now and then. Its worth the buy.
See less
»

Tech. sheet

  • Manufacturer: dbx
  • Model: 120A
  • Category: Other Studio Effects
  • Added in our database on: 10/01/2002

We have no technical specifications for this product
but your help will be much welcomed

»

Manuals and other files

Other categories in Studio Effects

Other names: 120a, 120 a, 120a subharmonic, 120asubharmonic, 120 a subharmonic, 120 asubharmonic

cookies
We are using cookies!

Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients, and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website as well as improve your user experience on our pages (learn more). To configure your cookie preferences, click here.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent
These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies. Example: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).
Google Analytics
We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it.
Advertising
This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent

These are cookies that guarantee the proper functioning of Audiofanzine. The website cannot function properly without these cookies. Examples: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).

Google Analytics

We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it. When this parameter is activated, no personal information is sent to Google and the IP addresses are anonymized.

Advertising

This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest.


You can find more details on data protection in our privacy policy.
You can also find information about how Google uses personal data by following this link.