Log in
EN
FR

Yamaha Mixing Consoles

207 products found

Categories
Series
Filter
Sort by
Yamaha
Evaluation
  • Reviewed or not
  • Editor’s award
  • Reviewed by Audiofanzine
Availability
  • Available or not
  • Sold new or used
  • Sold new
  • Sold used
Must-have products
  • All products
  • Flagship products
  • Best rated products
  • Hot products
  • Popular products
Price
  • Freeware
  • Low-cost (< $2,000)
  • Mid-range ($2,000 - $6,000)
  • Premium (> $6,000)
€
Clear
Sort by
  • Popularity
  • User ratings
  • Price - low to high
  • Price - high to low
  • Used price, increasing
  • Used price, decreasing
  • Name (from A to Z)
  • Name (from Z to A)
  • Added on
Choose a category
Selected category: Mixing Consoles
Sort results
  • Popularity
  • User ratings
  • Price - low to high
  • Price - high to low
  • Used price, increasing
  • Used price, decreasing
  • Name (from A to Z)
  • Name (from Z to A)
  • Added on
Filter results 207 results found
Brands
Evaluation
Availability
Must-have products
Price
  • Freeware
  • Low-cost (< $2,000)
  • Mid-range ($2,000 - $6,000)
  • Premium (> $6,000)
Show results

The best Yamaha Mixing Consoles reviews

The reviews Audiofanzine members found the most helpful.
  • lulumusique's review

    Blah, blah...no effects...blah, blah...eq...etc I'll say it straight away: It isn't ambitious at the features level, where others add digital effects or a 7-band EQ with feedback detector (pretty damn useful for a 7-band, LOL) It has a sturdy look. A good point: external PSU, which avoids interferences. I opened it out of curiosity and the PCB doesn't seem too bad. It is isolated with a sort of cardboard covered with a conductor on the shell. I blew the fuse by placing it wrong: You just have to make a short circuit by touching the power tracks...oops, in any case, it didn't flinch. And once I replaced the fuse, everything was fine! UTILIZATION Very easy to set up. The manual was a nice surprise (it explains mixing techniques, balanced connections, etc.), compared to the one of my motif. Yamaha should make better manuals for their most complex products, because that's when you really need them... I'm disappointed that it has only one Aux, which is mono (you never think about it when you buy it, but it's impossible to use a reverb, unless you use it to process a mono source). SOUNDS - Does the console sound transparent? It's hard to say. It's pretty decent, that's for sure...just like the fact that it doesn't warm up the sound! I have never tried another product at this price point. - Does it generate noise? I've seen worse (if you adjust the sources correctly). I have never used the mic inputs, so it can be that they are noisy... - Is the EQ effective?... If you think effectiveness means +/-15dB, then, yes it is effective, but at what price!!!! You could say that it allows for small corrections but without being too ambitious. I read a previous review that said that if you feed it a kick and another thing, there is more room. I do not agree and I did try it out several days ago: In the beginning I did it to test the routing. And after I bought an A3000 (a sampler of the same brand that I use for percussions), I did a mix with it. I sent the kick to a track and as soon as you add a bass on another one, the kick collapses. => the summing bus can't stand the blow (at first I thought it was an acoustic phenomenon, but it isn't). It's true that the A3000 has a lot of power, so it's easy to understand. Another issue: the pots are pretty average, they don't mute sound completely when set to the minimum. Plus, they are not quite balanced (right/left) when they are low enough (at around 1/5th of the travel). OVERALL OPINION I only route synths (motifES and MFB), a sampler (A3000) and a compressor (dbx266): Only mid-range and entry-level gear. It's a small mixer, not a true mixing console and even less so for recording. Broadly speaking, it is OK to route different sources, but not to mix. And that for the different reasons stated above: - Dubious summing - Only one auxiliary, and it's mono - EQ...only average. I bought it for routing and don't regret a thing. Now I'm looking for a real console with more inputs, but I won't sell this one (I wouldn't get much in relation to the service it gives me). I have lots of yamaha gear (motif es, A3000, HS80, HS10W) and I always get the same impression after several years of hindsight: It's nothing to write home about (far from that), but it doesn't have too many defects (taking into account the value for money of the products and that you have to choose them correctly according to your needs), and it's reliable.

  • « Good gear »

    Rackable, with all necessary connections, built-in effects (not high-end, but they do their job!). UTILIZATION Easy-to-use mixer for beginners, which we are...It has a short learning curve. SOUNDS Decent sound for its category. You need to really push it to get some noise. OVERALL OPINION It was the first mixer we got for our band (we then switched to a FireWire model), and it served us well....Good value for money, a safe bet when you don't have the means to buy a high-end product!

  • « Monster board »

    The Yamaha 01V is a digital mixing console that can do a lot for you right at your finger tips. Even though its no longer produced and has been replaced with the 01V96i version from Yamaha. There are still some in the used sections at music stores which could be a big break for you because the price will be way cheaper then what it was when it first came out. With 24 channel stereo and 24 bit digital recording you cant go wrong with the o1V. If its not about the money then sure go ahead and get the newer model Yamaha o1V96i and have the newest version. UTILIZATION The EQ in the 01v is very good and has worked great for me. You really have full control of the overall sound with the EQ on it. You can really get the best out of your music on the Yamaha o1V just from the EQ options alone. All of the eq seems to be distortion free as well. SOUNDS Sounds are great, effects are strong and don’t get distorted either. Love using this unit for a live setting. It provides me with all the tools that I need no matter what situation I am in. Im thankful that I got this at a good price and actually found this model. But the newer one Is so much more expensive that this one is. OVERALL OPINION Overall, great mixing console all I can really say is beware because after using for a while it seems to get really warm and I don’t think it has any type of built in fan at least from what I can tell so I keep a fan on it if its going to be on for a long period of time. Cant afford for anything to get fried. So you will have to make sure it doesn’t over heat on you, it may never over heat but that’s a risk im not willing to take with a piece of gear that I use often.

  • moosers's review

    The Yamaha EM200 is an eight channel analog mixer suitable for use in the studio or for live sound purposes. I've only used this for recording a few times at a practice space for a band I was working with. They had it on hand for their sound and we used it as a mixer for recording some of their demos before recording in a studio. There are eight preamps with both XLR and 1/4" inputs - one for each of the channels. There are also 1/4" connections for your monitor outputs and all other mixers connections including aux control and the like. It stands as it's own mini mixing board and isn't rackable. UTILIZATION It's been a few years since I used the Yamaha EM200 as I had it hooked up with my Cubase rig at the time and MOTU 896HD audio interface for recording. We were only recording demos so since it was around I thought it would be cool to try to warm up the sound a bit by using a real analog mixer. It wasn't hard at all to operate, although it's good if you do know a bit about analog mixers... SOUNDS The results we got while recording with the Yamaha EM200 were quite good! It doesn't have the fullest sounding preamps for an analog mixer, but it does sound pretty good and worked well to help warm up the sound for use while replacing the audio interface's preamps. I don't think I'd want to have it around in a studio as a main mixer, but if you've got nothing else it's still cool to have around. The EQ's again aren't great, but will do an okay enough job for simple tone shaping. So while not the cleanest sound mixer, it definitely has a little vibe to it. OVERALL OPINION I don't think you'll have too much luck finding a Yamaha EM200, as it seems like there aren't too many of these being sold, most likely because this is somewhat unnecessary in the era of digital recording. Still, it's cool for what it is and shouldn't be more than a few hundred (US) dollars if you can find one. It can do most of what a more modern mixer of comparable features can do and looks cool in the process!

  • « complex but easy to work with »

    The Yamaha O2R is a digital recording console that comes in two different versions, version 1 and version 2. I am not 100 percent sure about version 1 but version 2 comes loaded with some top notch features right out of the box. The O2R has touch fader editing and it will let your fader be changed just by moving it, you can do this by changing some of the options on the preferences menus. This console also comes with a MIDI remote and fader grouping. UTILIZATION Using the Yamaha O2R will not be the easiest console that you have used. It will take some time to understand everything and get the flow of the board down. If you are willing to pay a lot of money for this console then you should take the time to read through the manual thoroughly so you will learn everything the first time you start using it and don’t waste time just taking the trial and error approach. SOUNDS Recording with this console is all 24 bit, it uses two tracks per channel and a single track place can output 1, 2, 3 or even 4 channels. This console also has a talkback feature built into it. You can complete a whole project with the O2R alone and do not need anything else. That is what makes it so valuable, but I am not too sold on how “portable” they claim it to be. I would not want to lug this around with me anywhere. OVERALL OPINION This console has 24 analog inputs and 16 digital inputs, you will have more than enough inputs to get all of your sound sources and gear running through it. The interface is very usable once you take the time to understand it. It does have a small LCD screen that makes it easy to navigate and find your way through the numerous menus and sub menus. I am not sure if they still make this model though, as I have heard that they may have retired it.

  • « 16 channels and great EQ »

    This 16 channel analog mixer has been around for a while now, you can use it as a analog mixer or connect it to your computer via USB cable. One thing to keep in mind is that there are two versions of this mixer. There is a USB model and one that does not support the USB mode which came out before the USB model one did. So when purchasing you will need to make sure you get the one you need because both models are exactly the same, but one of them will have computer connectivity. Plus the price between the two is not much of a difference so it will be very easy to get confused and purchased the complete analog one if you wanted the USB one. UTILIZATION The MG166CX has 16 faders that are all well built and 8 of the channels have phantom power. The EQ on this mixer is also very good giving you a 3 band EQ on channels 1 through 8 (sweep able mid) and regular EQ on 3 other channels. The size of this unit is pretty big, but it can be rack mounted if you have enough rack space to fit this mixer into. SOUNDS Before investing in this mixer you need to know that you might get a slight hissing sound. I have only experienced this sound with a few different microphones which were weird because it didn’t hiss on each microphone that got used with it. I am not sure if the unit was defective or if it was normal. OVERALL OPINION While this mixer is solid and has some really good EQ, I would not purchase it again because there are other Yamaha mixers that are very similar and cost a little less. The only thing about this mixer that really stood out to me was the EQ. If you need great EQ on the go, or for a live performance this will work. But there is a trade off because there are only 16 channels. So it will really depend on what your set up is and how many channels you need.

  • « well made »

    If you are in search of an affordable mixer then the Yamaha MG82cx will suit you fine. It has 8 channels all in stereo and phantom powered mic inputs for your condensers. With built in SPX effects and the channels also have built in compression and EQ you will be able to get the sound you want and need very quick. The price of the MG82cx is less than 200.00 dollars. For a unit with these type of effects and built as good as it is I wouldn’t be surprised if it was almost 400.00 dollars! UTILIZATION The Yamaha MG82cx is a very good sounding unit. It is very quiet and does not generate any noise. All of the effects are very good, clear and clean. This unit is very portable and light, it can be taken with you or moved from location to location pretty quick and painlessly. SOUNDS It has 8 channels 2 XLR mic preamps, 6 ¼ stereo inputs. This unit does not connect or interact with your computer. It is very light and portable. OVERALL OPINION The MG82cx works well and it’s a well constructed mixer. I was using this mixer for a small set up for almost a year and never had any issues with it. It is easy to understand and start using right out of the box. It is actually better than a lot of other mixers that are in its price range. You can purchase it in blue or in black. All of the knobs are well built and have a nice resistance to them. The one knob compressor on the MG82cx is my favorite feature that it has. My least part about this mixer is that I wish it had some sort of computer connectivity for transferring files to the DAW. But even without the connectivity to a computer the mixer is still very good, and it is very dependable. You will not have to worry about it not working or falling apart on you.

  • « It is for all occasions and set ups »

    Yamaha’s n8 is an 8 channel digital mixer that connects to your computer with FireWire cable. This mixer is very well built and it is also very affordable. The EQ is very good and it has solo level control plus dimmer and mute switches on this unit. The N8 has XLR and TRS jacks on mono channels, it will allow you to basically bring in any audio source that you might have in your current set up. UTILIZATION The Reverb is High resolution reverb, it has an unbelievable natural and unique sound. The reverb on the N8 (Rev X) is better than any reverb on the previous models of Yamaha mixers. If you need to have an ambient and open feel to your mix then you will love using the Rev X reverb on the N8. The phantom power can be turned off and on through switches on this mixer, so if you have a condenser and need phantom power it is right at your finger tips, or you can turn it off if you don’t need it. SOUNDS Each channel on the N8 has a solo switch so you can single out any channel you want and solo it. This feature is not the best feature you can have but it is very powerful, because it generally does not come on a lot of units that are of this price range. That feature is generally on bigger boards and in larger studios. The fact that this mixer is affordable and can be purchased for home use, plus it has soloing on each channel makes it one of a kind. OVERALL OPINION If you want quality then the N8 has that. If you have a lot of different gear you need to run through it then your are covered by just about any audio source you can think of. The N8 has it all and the unit is very well built. It will last you a long time. I have seen this unit used in semi large studios and in small home set ups. It is worth the money.

  • « Yamaha MG124cx »

    I bought this latest model Yamaha mixer for mixing a folk club and small gigs at the local pub. I am a musician who has branched out into promoting and sound production. Bought new in Australia for $400 from Soundcorp. <a href="http://soundcorp.com.au/">http://soundcorp.com.au/</a> 6 mic pres, not four 4 compressors on first four mic channels built in digital effects On/off switches on all channels 5 year warranty great price not much not to like. It is alarmingly lightweight, but that is also a positive. The 5 year warranty makes up for any concerns that this thing is not built well. This was made in Yamaha's Indonesian plant. AS stated above it is very lightweight, but it seems well put together and all the functions work perfectly. I have had such great experiences using this mixer live that I wanted to let others know. A lot of concern is made over preamps in cheap mixers. These are fine, you do have to turn them up a fair way but they are very quiet. The inclusion of compressors is just great and they really improve the vocal sound. AS does the digital effects. The reverb sounds very good to my ears. Overall you get can get some stunning sounds with this desk. It also has all the functionality required for a small live setup; aux send for foldback, mute switches for each channed. PFL button, also a subgroup fader. Highly recommended. This review was originally published on http://www.musicgearreview.com

  • « Vintage mixer »

    The Yamaha FM08 is a great mixer with many extra features that are not on competing mixers costing twice the price. The quality is good, not quite as good as an Allen and Heath, but it costs a lot less. I it is very easy to use and has very good effects. I will definitely consider another Yamaha for my next mixer. Note that the compression is a great and useful feature, but it never going to be as good as a higher end compression feature. UTILIZATION Dual effects, compression, and eq all sound really good and their easy to use. this product looks and feels solid, i don't anticipate any problems especially since it's a Yamaha. I’ve only been using it for rehearsal but i can hear that it has great sound quality and plenty of power for live gigs. since i mostly play small to medium size clubs and parties,i know it has plenty of power for my purposes. it also has technology such as automatic feedback reduction and automated eq controls that help to get a good stable sound quick. SOUNDS No Hiss, great sounds. OVERALL OPINION This is a quality product add some quality 500 speakers, insert your sound source lines, set your levels and you are ready for action. Economy price for quality power mixer. Vocals can be get crowded adjust for levels. It is very clean, feedback is easy to control if and when it happens, graphic EQ on mains out works like a charm, slide faders smooth. Effects are nice and useful not out of this world or messy. I am pleased with this purchase. I hope its reliability will hold to the Yamaha reputation. If you are looking for a powered mixer that is reasonably priced, this is a really good choice. You will love this mixer after you purchase it, the price is pretty good too and its vintage. I recommend it.

  • odhooghe's review

    See overall opinion. UTILIZATION See overall opinion. SOUNDS See overall opinion. OVERALL OPINION Magnificent! Great! Incredible! Supernatural! Demonic! ... This is an excellent digital mixer. Impeccable sound quality, dynamic treatments of some very serious internal effects, of a very good quality. The only criticism I can make is the lack of analog inputs (16 +2), the limitation to 8 outputs direct digital and also the lack of return for Aux outputs. The answer to these reproaches is called 02R Version 2, but costs twice as much. The 03D is the SSL for the poor! The MIDI capabilities of the beast: The 03D has a mode called MIDI Remote: it allows control of MIDI devices from the 03D. There are preset parameters for the following devices: ProMix01 consoles, Yamaha 02R and 03D Effects ProR3 and Rev500 Expander Expander GM XG Pro Tools For the user, it is fully configurable 4 pages. The critics will say that the manual does not talk so much about it (half page), but in fact it is quite sufficient for Yamaha assume that everyone can master the MIDI standard.

  • moosers's review

    The Yamaha MW10 is an all in one solution for those starting off looking to get into the world of home digital recording. The MW10 has all the features you'd expect from an analog mixer, but also has a USB port to use this in tandem with your computer. With MW10, you even get a copy of Steinberg Cubase LE software to throw on your computer, as I believe Steinberg is owned by Yamaha. As far as the characteristics of the mixer go, it contains ten inputs and four microphone preamplifiers. The other channels have RCA and 1/4" connections, and 1/4" connections are also found on the first four channels with mic pres. The mixer also contains 1/4" monitor outputs, built in compression for channels one and two, a headphone jack and aux sends and returns. Each of the four mic preamps has a three band EQ, with the final two stereo channels having just a high and a low. They also each have an aux knob and a pan knob. UTILIZATION If you know a bit about the way analog mixers work, you'll be at ease here with the Yamaha MW10. Even if you don't, do a bit of research online about the basic features of a mixer, which is all that you will be finding on the MW10 anyway. I'd only recommend having the manual around if you're a beginner. SOUNDS While the of the microphone preamps on the Yamaha MW10 are nothing to write home about, they definitely don't sound bad for a product in this price range and with this much versatility. Again, the EQs aren't great but will do fine for getting simple equalization done. While of course you do wish that the board sounded fuller in general, I think you might be asking a bit much by doing so. OVERALL OPINION For the price, it doesn't get much better than the Yamaha MW10. Yamaha can afford to do this because they are the largest in the business, so you definitely want to take advantage of that. Especially considering the fact that a new one will also include a copy of Cubase LE, the Yamaha MW10 is a the perfect all in one solution to get you started with your new home studio.