All user reviews of 5/5 for the Electro-Harmonix Micro POG

Small Pedal EH. Fueled by 9.6V adapter (included).
Three settings: mixing the effect signal, octave lower and upper.
An input, two outputs (one without the effect). True Bypass. Lightweight metal casing (aluminum).

UTILIZATION

No need for manual!

SOUND QUALITY

Excellent, clear octaves are clean, crunch or lead. Not stall, you can play chords (live polyphony). But personally I use it mostly in single or double notes in his saturates with a 2x12 Mesa Rectifier: huge!. My only small criticism is that the overall level of the signal is slightly modified.

OVERALL OPINION

I've had 8 months. I tried the Octaver a pitch factor Eventide: this is very very good (and there are more possible settings) but I find the POG a little more warm and opportunities enough for me. I would do the same purchase without hesitation.

See spec manufacturer on site,
this is very very simple.

IMPORTANT:
it comes with the PSU. 9.6 Volts (Weird, why not 9v?), But in fact I connected with a multi alim. 9V and it works ....

UTILIZATION

Could not be easier!

SOUND QUALITY

Very good variety of possibilities, some of which I did not know!
I set up the supply chain, I have not tried yet near the preamp and distortion, but there I already sounds great!

OVERALL OPINION

Purchased from qq days, I am very happy with this purchase, I have a Vox ToneLab SE which includes a octaver, it has nothing to do, I would not use it elsewhere as not terrible, but then c ' is something else!

Electro harmonics is very well-known for their effects pedals and primarily their Big Muff distortion fuzz overdrive pedals. The build very high quality pedals extremely reasonable prices. This pedal is basically an octave reverberator type. So basically it's a filter type pedal that allows you to play your guitar tone with octaves below and underneath. This is a cool pedal for someone who likes to have that octave type sound that really only at pedal like this can achieve.

UTILIZATION

Features

Super fast tracking
Glitch-free polyphonic output
Dry, Sub Octave, and Octave Up controls
Dry and wet outputs
Includes 96DC-200BI power supply



SOUND QUALITY


The tone itself is a cool little unit that only has three control knobs of operation. You have a dry switch , a sub octave control, and an octave up control. You also have an effects out any dry out a allows you to play in multiple amp settings. This is a cool pedal if you're really striving to get a sound and make your guitar or six string guitar sound like a 12 string guitar. Or if you play bass and you play for string and makes it sound like you're playing and 8 string. It's sort of like a chorus pedal in a sense that adds extra sounds that makes it feel like there's a bigger wall of sound.

OVERALL OPINION


These pedals are a little bit more expensive than a standard Electro Harmonics petals. You can find these new for right around $210 . This pedal will give you a specific sound and it's probably not a sound that you can use a whole lot in a band. So this is a little bit expensive for a pedal that does only one thing. But if you're looking for that particular octave sound and this is a great pedal to own.

POG Polyphonic Octave Generator

As aa t say it is a Octaver with an octave up and down an octave.
It's polyphonic, I do not know exactly what has changed, but in clean octave up, a whimsical sounds. But it's nice when even trs.

Extremely simple, a jack IN and OUT 2 jack (1 with an effect and dry)

UTILIZATION

Extremely simple, 3 knobs for volume
1 for the Dry (normal)
1 for the octave down
1 for the octave up

not need manual, find happiness easily.

SOUND QUALITY

The sound is good but can be as clean when using only the octave up, where a really sounds artificial.

on the other hand, like the polyphonic sound does "dcroche" never, we always note that it must be a Ractive Fidler octave with what we play.

The organ sound is easy to find, with a saturation was rough unless you use both a single octave (bottom of the down or up)

it sounds great octave down, was low with M. trs 2 blues driver is a killing.

OVERALL OPINION

This is a good choice I also used to make sounds BISARRE (I add the saturation, and echo the Qtron and it flies in the land of pink floyd)

we add a Ebow and is the Panard!
against it is quite expensive by the kilo ... but I no referrer hsiter this choice.

Simple and effective.

It is a Polyphonic octaver.
3 knobs: Dry, Sub Octave (-1), Octave Up (+1).
1 input, 2 outputs: Dry and Effect Out.
Power supply with the pedal.
Bypass nickel.

UTILIZATION

Use, we can not be simpler: three knobs are adjusted depending on the desired effect ...

SOUND QUALITY

The effect Octaver is effective, the sound is warm and "singing".
As stated in another opinion, do not abuse the Octave Up, which sounds a bit artificial, but large doses can also get here sounds very original!
The octave is -1 nickel, very round, warm bass.
In his clear, the effect octave adds something that rings of hell, I think. Chorus and more and even better. In crunch or saturated a lot of riffs here also gives the magnitude and the effect is quite well made.
Plus: the note an octave is just super and never answers.
I use a PRS and an Epiphone Les Paul Custom, grain tools is respected.

OVERALL OPINION

I use it recently but exactly what I expected. The polyphony is to go but watch out for agreements especially saturated, it gets rough ... but hey it's not that I use it.
I tried the last octave Boss: not for me, too synthetic and cold!
I like the phrase "a little expensive Kilo" (previous opinion) but I am really happy with this pedal and this choice would do without hesitation!

The Electro Harmonix Micro POG (Polyphonic Octave Generator) is an analog guitar effect pedal. It has a 1/4 inch input and both a dry out and an effect out in the form of a 1/4 inch jack. It is not rackable as it is a stomp box and it is powered by the 9 volt power supply that comes with it. It also has a really cool look and is easier to use than the regular POG.

UTILIZATION

The configuration of the Micro POG is really easy to follow and use at it only has three knobs. It has a knob for dry signal, one for sub octave and one for octave up. It is easy to get some really cool sounds from this within minutes because of how easy the configuration of it is. I don't have a manual for this but it is easy enough to use that I never needed one.

SOUND QUALITY

The sound from the Electro Harmonix Micro POG is beyond awesome. It gives you a kind of organ like tone and it has great tracking while playing chords. I have only used this with guitar, but would work with any electronic instrument you wanted to plug into it. The sound quality is top notch and is what I have come to expect from Electro Harmonix pedals.

OVERALL OPINION

I've been using the Electro Harmonix Micro POG for about a year and I really like the sounds this gives my guitar. While not as in depth or versatile as the Electro Harmonix POG, it still sounds great and is a great option for those who want this effect without having to pony up all that dough for the POG. This is an extremely unique guitar pedal and I definitely recommend it for anyone interested in exploring new types of guitar tones.

The Micro POG is, as its name implies, a polyphonic octave generator. With the three knobs, you can control the mix between the dry signal, sub octave, and octave up. It includes an input, a wet output (effect out), and a dry output, along with a 9V connection, no battery clip. Electro-Harmonix includes a power adapter to get you going right out of the box.

The pedal is housed in a sturdy little enclosure, the same type as the Little Big Muff. It's a smaller version of the regular POG, which has more features and octave capabilities, but for the cheaper price, the Micro POG can do many similar sounds.

UTILIZATION

Easy as pie. Plug it in, dial in the amount of dry, sub, and octave up that you want, and hit the button. It doesn't get any easier, because the effect is so straight-forward.

SOUND QUALITY

Sounds great. I had a Digitech Whammy (the current version, not the original) which didn't track notes anywhere near as good as this does. It tracks really well. It has a sort of character to the sound, and it seems to work better after distortions rather than before, though I suppose it really depends on the sound you like best. If you place the POG after a distortion, the distortion itself is replicated over two octaves, so it gives a more distinct sound of 3 different notes. If you place it before the octaves, the sound kind of runs together. The octaves have sort of a digital sound to them; it doesn't sound bad at all, and I think it sounds pretty neat, but the octave up (for instance) isn't going to sound exactly like the guitar would if you simply played an octave higher. I think this sound quality is interesting and lends another dimension to the palate of sounds you can create with it.

I almost sounds like an organ when you add all three octaves together. And when palm muting, it almost sounds like a brief orchestra hit. I like the sound quite a bit.

OVERALL OPINION

It's a very cool pedal, and something that can introduce some variety into your current setup. I know Jack White has a regular POG that he uses on some songs like "Blue Orchid," and despite the octave limitations, you can get basically the same sound with the Micro POG. But I just love playing with this thing. Moving it around in your chain will help you find the sounds you like best. It's a lot of fun to play with, and the quality of the effect is great. I actually liked it so much that I returned the Whammy, because the Whammy doesn't have anything on the Micro POG when it comes to sound quality.