[Feature Article] Which Comes First? - A guide to mixing music - Part 25
Before we tackle the next major section of this series ─ dynamics ─ let's diverge briefly to take stock of where we are in the process, and cover an important issue involving effect-chain order.
[Feature Article] Eiosis AirEQ Premium Review - Second Wind
Eight years after the original, Eiosis presents a "Premium" edition of the AirEQ plug-in.
[Feature Article] EQing Tools of the Trade - A guide to mixing music - Part 24
Now that we have analyzed EQing during mixdown, let's talk a bit about the tools capable of carrying out the task.
[Feature Article] A Matter of Perspective - A guide to mixing music - Part 23
In this week's installment, we'll continue our focus on EQing during mixdown, with some additional tips and advice.
[Feature Article] Trust Your Ears - A guide to mixing music - Part 22
To close this chapter dedicated to EQing during mixdown, I'll give you some tips and tricks that ought to help you adopt better habits.
[Feature Article] Create Space and Depth with EQ - A guide to mixing music - Part 21
Contrary to popular belief, panning and ambience are not the only tools to use for adjusting the location of a track in the sound field of a mix. We are about to see that the sensations of space and …
[Feature Article] And There Was Color - A guide to mixing music - Part 20
In this episode we'll discuss a pretty subjective application of EQing, namely, coloration.
[Feature Article] Lifting the Mask - A guide to mixing music - Part 19
Today we'll deal with frequency masking ─ what is it actually, and how can we solve it?
[Feature Article] If it Ain't Broke, Don't Fix it - A guide to mixing music - Part 18
In this installment, we'll do a quick review on how to deal with the rest of the mid frequencies and the high end. Why a "quick" review? Well, because there are no systematic rules this time around a…
[Feature Article] Into the Gray Zone - A guide to mixing music - Part 17
After cleaning up the low end, let's move on to the low/mids. You probably noticed that I wrote "low/mids" and not "low-mids". Why, you ask? Because we will be addressing frequencies between 100 Hz a…