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Lâg Rockline Standard
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All user reviews for the Lâg Rockline Standard

STC-Shaped Guitar from Lâg belonging to the Rockline series

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4.8/5
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  • pinoupinou

    Lâg Rockline StandardPublished on 03/15/05 at 07:35
    (This content has been automatically translated from French)
    Manufacturing France
    24 frets, Seymour Duncan 2Double
    Licensed Floyd Rose bridge
    Volume 1, 5-way switch
    Rosewood handle
    Bass-wood body

    UTILIZATION

    Channel end trs, trs fast
    Access in acute very easy, so tapping hollow boxes acute aisbr trs /> Trslgre, trs good balance
    Trs good sound quality but lacks sustain natural

    SOUNDS

    I play mtal, the microphones are too rock (its too "hot")
    Fits perfectly with Behringer V-AMP2 and baffle 1960A Marshall
    Son, I RPET, a little feeble, which lacks punch

    OVERALL OPINION

    I have 6 years, and I love it
    It would be perfect with more microphones "pchus".
    Read more
    Manufacturing France
    24 frets, Seymour Duncan 2Double
    Licensed Floyd Rose bridge
    Volume 1, 5-way switch
    Rosewood handle
    Bass-wood body

    UTILIZATION

    Channel end trs, trs fast
    Access in acute very easy, so tapping hollow boxes acute aisbr trs /> Trslgre, trs good balance
    Trs good sound quality but lacks sustain natural

    SOUNDS

    I play mtal, the microphones are too rock (its too "hot")
    Fits perfectly with Behringer V-AMP2 and baffle 1960A Marshall
    Son, I RPET, a little feeble, which lacks punch

    OVERALL OPINION

    I have 6 years, and I love it
    It would be perfect with more microphones "pchus".
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  • JenFi59JenFi59

    Lâg Rockline StandardPublished on 10/17/05 at 08:54
    (This content has been automatically translated from French)
    Guitar Franaise bought in 99.

    Channel 24 frets, rosewood fingerboard. Mcanique oil bath.

    2 humbuckers: 1 Seymour, a lag (slecteur 5 positions).

    Potentiomtre 1 volume (it!)

    Floyd Rose type tremolo (crap).

    UTILIZATION

    The neck of the guitar is a MODEL of its kind, with frets Most recent internship in hollow squares, Access in dernires frets poses no problem.
    The handle is trs end, the veneer of good quality real rgal.

    The guitar is particulirement lgre, well balance. Mine is black with glitter (and also with exploded as it fell from a height of meters on the floor, nothing serious ... ouf o final)

    With a single knob hard to get lost in rglages, micro Submitted a…
    Read more
    Guitar Franaise bought in 99.

    Channel 24 frets, rosewood fingerboard. Mcanique oil bath.

    2 humbuckers: 1 Seymour, a lag (slecteur 5 positions).

    Potentiomtre 1 volume (it!)

    Floyd Rose type tremolo (crap).

    UTILIZATION

    The neck of the guitar is a MODEL of its kind, with frets Most recent internship in hollow squares, Access in dernires frets poses no problem.
    The handle is trs end, the veneer of good quality real rgal.

    The guitar is particulirement lgre, well balance. Mine is black with glitter (and also with exploded as it fell from a height of meters on the floor, nothing serious ... ouf o final)

    With a single knob hard to get lost in rglages, micro Submitted a serious blow in its saturated lightweight damage.

    Finally, my rant: the infernal vibrato. This is a MODEL of floyd o there is no need to cut the strings, the ide parat good base, but the tuning stability loses final o is unplayable.
    Today my guitar has no floyd (cot of opration: 180 arghh).

    SOUNDS

    Guitar extremely versatile. Fits all styles of music, the price is hard to beat. I really like the personal mtal a little no, I have a lot of rock jou a little grungy.

    I play mostly with a Valvestate 8080 (DSOL;)), a Tri-zoom mtal, DD-6, BF-3, VB-2 ...

    This guitar sounds to switch trs clear and bright with big sounds (I'm long been agreement in Drop C).

    OVERALL OPINION

    Apart from the false Pb Floyd was scratched this gniale. I tried a washburn N2 acqurir of Advent, I found the sound too typical when the lag was a more "neutral".

    Obviously a good guitar excels everywhere nowhere ... Trs good guitar for beginners looking for their sound.
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  • DavyBigotDavyBigot

    Lâg Rockline StandardPublished on 02/12/06 at 08:30
    (This content has been automatically translated from French)
    - Guitar factory in France.

    - Mine is composed of a vibrato Floyd Rose II
    - 2 micros simple, and Duncan S. Paf 1 (the three original).
    - A volume push / pull splitter for the PAF.
    - Manche ... the bin should see the top because it CHARACTERISTICS he know and not me ... In any case, a handle inmcroyablement fast prcis, and so enjoyable. I'm really a guitarist but I AVERAGE almost feel be good with it.

    UTILIZATION

    - The neck is incredibly beautiful, enjoyable and sweet.
    - Access in treble is excellent and the ergonomics is gnral trs good although the guitar is a little heavy ... but hey, you're not a moumounne normally when you play rock, right?

    SOUNDS

    - The g…
    Read more
    - Guitar factory in France.

    - Mine is composed of a vibrato Floyd Rose II
    - 2 micros simple, and Duncan S. Paf 1 (the three original).
    - A volume push / pull splitter for the PAF.
    - Manche ... the bin should see the top because it CHARACTERISTICS he know and not me ... In any case, a handle inmcroyablement fast prcis, and so enjoyable. I'm really a guitarist but I AVERAGE almost feel be good with it.

    UTILIZATION

    - The neck is incredibly beautiful, enjoyable and sweet.
    - Access in treble is excellent and the ergonomics is gnral trs good although the guitar is a little heavy ... but hey, you're not a moumounne normally when you play rock, right?

    SOUNDS

    - The guitar is versatile trs trs but can be more dedicated to the more rock / heavy / hard ... the blues is also correct, but for jazz, I have a doubt.
    - I use a Digitech Genex3 (yes in an apartment, my TraceElliot 100W is not really welcome. I give him a p'tit hello, he remained in France ...) and with few amp (it's a euphmisme Obviously) I simulate with my multi-effects is death !!!!!!
    - Sounds are trs because of the many combinations of microphones and especially the possibility to split the HB. In short, it trs cool.
    - Personally, I love the sound of rocks 80S ... is the guitar for that. But it should also sounds more blues mtals see even with a fairly scary to sustain this kind of guitar.

    OVERALL OPINION

    - I have 10 years, buy my teacher who needed to tune ... lol ... what matters to 2000fr !!!!!!!
    - I love everything about this guitar even if his floyd (Floyd ... like any) is sometimes a bit boring because rgler regularly. But it's a good guitar with a floyd.
    - Personally, I would still buy the same (especially at the price I got it) because it is really a guitar gniale. The thing is, it is now trs rare (mine dates from 1982) and found that his rating goes up. Cool for me. Carrment but I do not want to sell it even if I'm going to offer me a Les Paul in the days ahead. No, it is clear that `the story skyscraper, a peronnalit ... even if I suck, j'm'en Calisse!! She is ME!
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  • FoudraxFoudrax

    Lâg Rockline StandardPublished on 04/17/07 at 06:31
    (This content has been automatically translated from French)
    Lag Rockline Standart
    Made in France.
    Neck: Canadian Maple / Brazilian rosewood
    24 jumbo frets
    scallops from 18 to 24.
    Dimension: width: 43 - 52.5, thickness: 19 - 21.5.
    Body: Basswood United States
    Pickups: depends on the models and years. (LAG custom / Seymour Duncan)
    Bridge: Floyd Rose Licensed
    Mechanical: Ghoto

    UTILIZATION

    Getting started very natural.
    Comfortable handle, intermediate between a Les Paul and an Ibanez.
    Verni very neat, the sleeve does not catch and enables high-speed ride.
    Access to acute: lower horn with a chamfer, bizeauté heel touches scallops. So no problem with that side.
    Start type form so no problem sitting or standing, good ba…
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    Lag Rockline Standart
    Made in France.
    Neck: Canadian Maple / Brazilian rosewood
    24 jumbo frets
    scallops from 18 to 24.
    Dimension: width: 43 - 52.5, thickness: 19 - 21.5.
    Body: Basswood United States
    Pickups: depends on the models and years. (LAG custom / Seymour Duncan)
    Bridge: Floyd Rose Licensed
    Mechanical: Ghoto

    UTILIZATION

    Getting started very natural.
    Comfortable handle, intermediate between a Les Paul and an Ibanez.
    Verni very neat, the sleeve does not catch and enables high-speed ride.
    Access to acute: lower horn with a chamfer, bizeauté heel touches scallops. So no problem with that side.
    Start type form so no problem sitting or standing, good balance.
    Sound: alder + maple, so its rather light and airy.

    SOUNDS

    I play Heavy / metal / blues / hard rock.
    I'm using a Peavey XXX and a Pod XT live.
    The guitar has a natural sound rather crisp and clear.

    For Heavy and metal, no worries, in rhythmic or Lead.
    For the blues, ba is not a stratum, and it's Humbucker, rather then to the Hard Blues. (Jeff healey / ZZ Top ...)
    For the Hard, ba is not a les paul, lacks a bit of lower midrange, so it corrects the amp and you're done.

    Basically all it is versatile enough to regard the world of big rock. Just after his well-tuned amplifier.

    OVERALL OPINION

    I have since 2000, seven years.
    Guitar every day, Technical Works, repeated, concert ....
    The floyd is showing signs of fatigue after 6 years.
    The rest is original and does not move.

    I made a move with EMG 81 and an Original Floyd Rose.
    The original violin being impecable, the varnish principally made, missing only one piece of slightly more prestigious to make it a very good guitar.
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  • Anonymous

    Lâg Rockline StandardPublished on 02/02/08 at 15:23
    (This content has been automatically translated from French)
    Made in France, pure LAG cut shredders wanting to still have the versatility!

    - Alder body (mine has a blue finish "lizard skin")
    - Maple neck and rosewood fingerboard scallopées in the last three boxes at the upper strings. The back of the neck was cut to suit both small and large hands.
    - The heel of the neck has been worked to bring comfort in the boxes acute
    - The frets are among 24 cases of type jumbo
    - CONFIGURATION OF HSH micro type, with a most excellent Micor acute Seymour Duncan SH11, a single coil in the middle LAG, LAG, and a humbucker in the grave.
    - The bridge is a Floyd Rose type brand LAG, subcontracted by Schaller. Not bad at all, it happens quickly enough, how…
    Read more
    Made in France, pure LAG cut shredders wanting to still have the versatility!

    - Alder body (mine has a blue finish "lizard skin")
    - Maple neck and rosewood fingerboard scallopées in the last three boxes at the upper strings. The back of the neck was cut to suit both small and large hands.
    - The heel of the neck has been worked to bring comfort in the boxes acute
    - The frets are among 24 cases of type jumbo
    - CONFIGURATION OF HSH micro type, with a most excellent Micor acute Seymour Duncan SH11, a single coil in the middle LAG, LAG, and a humbucker in the grave.
    - The bridge is a Floyd Rose type brand LAG, subcontracted by Schaller. Not bad at all, it happens quickly enough, however, out of breath if you have questions sound quite accustomed to using it.
    - A single button: it's a master volume but that is push-pull splitter for the 2 humbuckers. The micro switch is fender type 5 position.
    - Small interesting detail: the jack is not exactly located perpendicular to the edge of the body, but very slight angle to facilitate the jack to be positioned when playing seated.
    - The little nicer: delivered in hard case stamped "LAG"

    If I listen, I is 10/10, but some may regret the lack of tone knob ... so I put that 9 / 10. But it's really to quibble ...

    UTILIZATION

    - Handle: ralalalalalaaaaaa! What a treat! We go happily power-chords to jazz arrangements (with the thumb over the stick to certain agreements jaezz convoluted) with NO problems! Everyone will be comfortable on the sleeve! It is played alone, and without effort! Whatever your hand morphology, this race will suit you: not too broad, not too small, not too flat, not too long, a radius mat ... THE BOMB!!

    - Access to the last box is facilitated by the heel that has been worked through. It reaches the last carefree boxes without forcing.

    - The guitar does not break your back in case of extended wear while standing. The strings vibrate well throughout the body, providing excellent sound propagation, and a very good sustain despite the presence of floyd. As the guitar has rounded shapes around the body, it is very comfortable, much like the Ibanez Joe Satriani Signature.

    - The pickups seem to have been designed to work with the stringed guitar. A great surprise that I detail below ...

    10/10 without hesitation I put a second one :-)

    SOUNDS

    I play mostly metal music style, and hard rock. However, I have been looking for a guitar that would allow me to play these styles with the ability to play anything without sacrificing the sound I wanted at first. And now I have my house!

    I play with an amp Hughes & Kettner Attax 40, which has a beautiful clean sound with an effects Rocktron Taboo Artist plugged into it. With this configuration, and this lag, it's simple, I can really play as ANY kind of music where the guitar is present. Much versatility bluffing me again even though I prize the first guitar to play metal.

    Already, the sounds of bases are staggering versatility: very GIBSON on humbuckers (with a bit more precision and less serious bavouillent to the point of becoming unmanageable), and very slap on the positions where the simple LAG is activated (position 2.3.4 of micro switch). The TB11 in acute sounds very warm and open, but very powerful and very accurate, great for solos with a beautiful grain. The Humbucker LAG brings the big sound round and warm in serious position, while remaining clean.

    The other three positions in turn sounded crystal clear, chattering, very bright, country, etc depending on the selected position. But if more is actuated split the humbuckers, everything is playable without any effort or having to fiddle sasn settings of the amp or pedals: Dire Straits to Pink Floyd, to ERIC CLAPTON, all the sounds of single coils are at your fingertips!

    OVERALL OPINION

    This guitar was customized according to my needs Guitarist:
    - Change of LAG with a real floyd floyd SCHALLER (better long-term strength and better resistance agree)
    - Change of grave LAG by a micro micro Dimarzio

    Suffice to say that now, my guitar has become an ultimate music machine!

    Today, I can really play metal continuously and use this guitar to play other styles without having to change guitars for other sounds.

    I would put 9 / 10 only because the LAG will floyd time faster than a floyd-known brand, which is a minor drawback given the excellent technical performance of the machine, and also the lack of button tone (which I personally never does). But if I listen, I put 10/10
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  • Voivod KVoivod K

    Lâg Rockline StandardPublished on 03/17/10 at 06:02
    (This content has been automatically translated from French)
    Made in France around 1990 to mine (though I think the vintage catalogs) ...
    Alder body, maple bolt on neck with 24 frets rosewood key, the latter being very clear with the wood grain very visible, which is perfect given the degraded finish purple / pink of my instrument! The look is decidedly 80's / 90's! The head, reported, has the same color as the body. The bridge is a Floyd Rose made by Schaller Lag, and it's beefy beefy home! 6 + Lag mechanical block-chords to finish ... The configuration is HSS with a Seymour Duncan Original Parallel Axis Trembucker + two Seymour Duncan single. I replaced the pickups with a kit EMG-SL20 Steve Lukather, I will discuss in more detail later ... Otherwi…
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    Made in France around 1990 to mine (though I think the vintage catalogs) ...
    Alder body, maple bolt on neck with 24 frets rosewood key, the latter being very clear with the wood grain very visible, which is perfect given the degraded finish purple / pink of my instrument! The look is decidedly 80's / 90's! The head, reported, has the same color as the body. The bridge is a Floyd Rose made by Schaller Lag, and it's beefy beefy home! 6 + Lag mechanical block-chords to finish ... The configuration is HSS with a Seymour Duncan Original Parallel Axis Trembucker + two Seymour Duncan single. I replaced the pickups with a kit EMG-SL20 Steve Lukather, I will discuss in more detail later ... Otherwise the classical setting, a master volume, tone and a 5 position switch. the hardware on my model is entirely black.

    My copy is in perfect condition, and this after 20 years of existence! His look of superstrate and finish make it an instrument decidedly 80's. For us to be a bit sensitive, you can only have a helping heart for this guitar!

    UTILIZATION

    The handle is a lag, which sums up in one word. It is nice and fine, no fatigue is felt after hours of use. The speeding is permitted without problem! Access to the treble is perfect, and despite the heel very well profiled. We know anyway what to expect with a handle lag, no problem!

    The body shape is stratabound, and as alder, it is very light! For two other Lag, one in Linden and the other mahogany / maple, there is no picture: it alder is much lighter, at least half a kilo! At the shoulders, it's always nice!

    Sound good? See more ...


    SOUNDS

    With its original configuration pickups (Seymour Duncan 3), the severe shortage of potatoes, at least compared to my "standards"! EAs are perfect for Rock / Hard to see even the soft blues and jazz, but not enough to give the Heavy Metal and everything that follows. Suddenly, change pickups considered, without betraying the spirit of the guitar. This was done with a kit EMG-SL20 Steve Lukather, consisting of an EMG 85, well known to our services, and two EMG single customized by / for Steve. Immediately, a lot more power through the EMG, but as I said, the spirit of 80's guitar is preserved (Toto is the chicken?)! After that, the alder body delivers its secrets: a sound very smooth, less dynamic than a mahogany or basswood, lower midrange and bass very detailed ... This guitar really excels to produce sounds pretty clear! Saturation, it retains those characteristics, which is quite interesting because quite different from what one is accustomed. It's really cut out for a guitar making music called progressive. That said, it is very versatile, allowing the configuration of microphones. It is mounted in 9-42, a relatively light pull to get the most of natural velvety guitar without the rush. It was tested on a preamp and a head Lag Spitfire 6505 +. On the latter, one quickly forgets that this is a guitar rock typed: it sends the heavy in heavy! She can thank the EMG! She'll be comfortable in all styles, from jazz to thrash through the blues, progressive etc.. A good guitar in all! In addition, the Floyd Rose is excellent, as are the people asking ...

    OVERALL OPINION

    I use it for 4 years now. I bought used 470 euros (!), And I feel I have got a good deal because the previous owner was obviously very careful. So the guitar is in near new condition! I did not need to test other models because I am very familiar with the brand. Moreover, it was a purchase "heart shot" that I do not regret any moment! The feature I like best? Its look at first! But the sound is frankly up to it, worthy of the finish of the guitar, and his versatility. The thing I like least? Nothing in the immediate ...

    With experience, I would do without this choice problem! These are exceptional guitars that are readily available at reasonable prices, then why not?
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