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renflot « a small legend »
Published on 11/07/09 at 03:28manufactured exclusively in Japan has a tune o matic bridge and a handle 3 parts, 22 frets glued. of active pickups emg 81 in series with a volume Knob, another tone and a 3-position selector. Mahogany body
UTILIZATION
the handle is quite round but does not hinder the execution of enchènement fast. her violin is very good and his faction balance is perfect (the handle does not immerse the guitar) is a form explore so beware of reckless gestures near a border, chairs, amps ... or any other obstacles . raillure is because the appointment immediately. access is no acute issues regarding special. it also depends on the height at which it "itch" ... the active pickups are fishing so as soon as one climbs the gain saturation is really biting.
SOUNDS
this guitar is dedicated to a single style (the big sound in general) and it's not a scratch solo. its full potential is released in saturation, a bit of low attendance and the walls begin to Tramble! I play on a stack (Diezel VH4 with a baffle 412 mounted OUR celestion V30) and I have a multi effects (Boss GT8) which I use mainly for midi control the switcher Canneaux. the sound is ENNNNNORRME!
OVERALL OPINION
I use 6 hours a week for almost 2 years, I have a Gibson Explorer '76 reissue "natural", a ltd / esp EX 50 and a Jackson King V Pro '. I also had the grass roots "gmx 48" and was a pale copy of this jewelry. violin question, the feature that struck me was the ebony and the junction between neck and body that is made without any offset, the heel is nikel (a belief that it is a single room), Nut carbon also to gain weight ... and that's the model with what James. H has marked the history of this form in the fesant enter the pantheon of guitar "metal" <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> . eSite is not that I would do this choice. must save to touch the legend ...!
UTILIZATION
the handle is quite round but does not hinder the execution of enchènement fast. her violin is very good and his faction balance is perfect (the handle does not immerse the guitar) is a form explore so beware of reckless gestures near a border, chairs, amps ... or any other obstacles . raillure is because the appointment immediately. access is no acute issues regarding special. it also depends on the height at which it "itch" ... the active pickups are fishing so as soon as one climbs the gain saturation is really biting.
SOUNDS
this guitar is dedicated to a single style (the big sound in general) and it's not a scratch solo. its full potential is released in saturation, a bit of low attendance and the walls begin to Tramble! I play on a stack (Diezel VH4 with a baffle 412 mounted OUR celestion V30) and I have a multi effects (Boss GT8) which I use mainly for midi control the switcher Canneaux. the sound is ENNNNNORRME!
OVERALL OPINION
I use 6 hours a week for almost 2 years, I have a Gibson Explorer '76 reissue "natural", a ltd / esp EX 50 and a Jackson King V Pro '. I also had the grass roots "gmx 48" and was a pale copy of this jewelry. violin question, the feature that struck me was the ebony and the junction between neck and body that is made without any offset, the heel is nikel (a belief that it is a single room), Nut carbon also to gain weight ... and that's the model with what James. H has marked the history of this form in the fesant enter the pantheon of guitar "metal" <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> . eSite is not that I would do this choice. must save to touch the legend ...!
