All user reviews for the Korg Oasys 76

Keyboard semi-heavy, excellent workmanship and very enjoyable to play.
76-key velocity-sensitive (adjustable) and aftertouch (ID).
Sounds galore! (14 banks of 128 programs and combinations to ID!)
At the factory, all the banks are not "filled".
With additional options syntheses, banks programs are complete on the combinations, in addition to numerous factory, it is easy to create!
EFX 200 / MFX / TFX, everything is editable!
8 sliders, 8 knobs and 16 switches help editing sounds, sequences of Karma .. excellent!
Complete connectivity, whether MIDI, Audio in / out, digital.
3 inputs for pedals, assignable.
Polyphony very comfortable. (Nothing to do with the Triton or Trinity ..!)

UTILIZATION

The general pattern is clear who is "accustomed" to the philosophy KORG ..!
As for the manual enough to my taste!
KARMA deserved a prominent place ..!
The sound editing is often very simple. Id for effects.
As for Karma, this is where it gets tough ... But trying, trying, etc. .. we manage to good results!

SOUNDS

Sounds, overall, conviennet me very well.
Expression and good sound quality, very realistic ..
Then, each creating new EFX with other, modifying the original Karma, etc. ..
Everything is possible!
A bad score for the sounds of "voice" .. very synthetic and NOT real!

OVERALL OPINION

Having since 2007, I find it far superior to the following models, which I had in my hands: Triton Pro-76, Trinity 76, XP 80, XP 50 .. E86 ..!
Optional sounds, Karma, effects, removable screen (which has no Kronos ..!), Polyphony, ergonomics and playability are the points that I call positive!
As for the sequencer, very powerful, he sometimes "beuguer" from time to time, especially when you choose "copy from combi" ..!
Must often adjust damper settings and aftertouch, sometimes it expects to record 180 measurements, for example, the sequencer and not recorded as 120 ..!
Price / quality ratio: a bit expensive, of course, especially when you see the price of Kronos (with all sound synthesis and more ..)
Yes, I would do this choice without hesitation!

Nothing said is uuulllttiiimmmme

UTILIZATION

The little I have tested (there half an hour) .. I found myself by accident before this one BCAN the dmonstrateur was not yet the ... short, I hacked a chouille top and little I have seen literally blown me! rarely been easier!!

SOUNDS

a ring of truth and good, unlike what we read, for the record, I am neither korg or roland or anything, I have lots of synth that's all. No brand preferences. But the I am forced to admit that adcoiffe strong!! strongly that we can really try it! certainly very expensive cheap though! I do not resell my brothel for a!

OVERALL OPINION

If you have a lot of machine that sounds about the same, has it's worth investing the spare and yx firm (even with pcs! Because y'en finally need !). a beautiful sound and strong, the use is simple and intuitive (note There's that is Yamaha or gas plants), the rub .. the price is really EXAGRES especially when compared to the ghost day set X! but it's better than a ghost! aaarrrgggggg!!

Jai triton extreme and a table D32XD. with other home studio gear.
jai tried Bécanne! this is madness! but one thing is clear: as soon as jai finished recording my album, and the extreme trton D32XD will jump! it on his!
jme given 5 months to get it if God wants!
for those who hesitate, I would say go for it if you can afford!! is the bomb !!!!!!!!!!
arrrrrrrrggg!! just great.

psyko

UTILIZATION

Tro simple !!!!!!!!! OF USE are no more effective !!!!!!!!!

SOUNDS

TRO BIIIIIIIIIEEEEEEEENNNNNNNNNNNNN

OVERALL OPINION

ORT OF BOOOOOOOOOOMBBBBBBBBBBBBBEEEEEEEEEEEEEEE.

korg c super jtire my hat

The touch screen is nice and trs still useful. the recorder, the audio inputs with the 48volt and any interface on top of the unit (pads, tape, joystick, etc!) make this machine a rather effective tool.

UTILIZATION

Standard manual but in English! .
Karma is the system difficult to use trs. like the synth karma, this system requires a large dose of patience and mastery of English.
there are plenty of guys who prtendent master it but rather use it as a super newt. the concept is truly innovative and potential crativit infinity. but only the inventor (Steven Kay), is able to explain things in depth to allow to enter the heart of the beast. there are some explanatory video on its site but does not track that trs.
for the rest. It is like a Triton, with of course some advantages.
the squenceur (TOC PM) is a shame on a machine in this range. I did not expect to find one in cubase but still the same!! those who like me have a long experience on the type tnor will find it difficult to walk Rear ... the keyboard is great my taste. touch is a synth but it is enjoyable trs. to a program or a combination is not really difficult, but it is not intuitive trs. we always lose a little time searching how to change this parameter or modified this behavior ... I am not a fan of the ergonomics.

SOUNDS

Combi presets are oriented rather poprock and I find the whole, musically and trs inintressants uninspiring! I have great difficulty from zero-to composer.encore more when I know little about the machine! standard handicap for me!

sounds are a little better than a triton, and more favoriss the karma system. the drums / percussions are really good and the other families of sound, everything is usable.
section is done for effect and really works

OVERALL OPINION

I've had two months. I think it's a beautiful machine. but its ergonomics does not really suits me! I had the same exprience with karma, but because the concept has amlior t, I thought I could get out quickly ... it's true that we can have fun tr s fast with preset combi thanks to pads and the rest of the interface is really idalie!
but I think this machine is not adapted to work my fawn the composition.
I do not handling the pianist so squenceur and sounds must be super intuitive so as not to Interfrance in procssus of Fast Fashion. I can not do anything but change (a little ...) the preset and do express it. and then the karma system refuses to reveal its secrets to me without the mastery of the English language seem difficult to access. I possde an EMX-1 Electribe Korg home. it is not comparable in terms of possibility but I composed the 3rd day with ds, I have sold a regret that I RM1X YAMAHA APRS feat two weeks of work. I took the place, a roland mc909 home. Once again it is not the same range of tools that Oasys, but I do many things with enough rapidement.j 've used a lot of soft PC or MAC with varying degrees of r SUCCESS but LJE'm stuck. I bought this synth to do all the work, research, burning sound, in the same machine.
for now is not your exact trs encouraging. I am for all these reasons one of the first sell the Oasys! despite all, a GNER does not compltement me to keep;
magnto is a 16-track audio and MIDI, with a Triton amlior burner and big hard drive, a sampler of all a good karma around the system in full volution.mais lessee if I find it will not regret!

A large workstation all-in-one, nothing special to add in relation to other opinion except that it is very comprehensive.

UTILIZATION

Despite the manual in English and from the Triton Extreme, I had absolutely no trouble familiarizing myself with the machine, everything is intuitive and is simpler to use than Triton thanks to the tabs for easy navigation.

SOUNDS

The sound is warm, very dynamic, I do not understand people who did not differentiate between the sounds of the Triton and those of the Oasys, it still has nothing to do, it's much more end I think.

OVERALL OPINION

I am on it for 24 hours only and that's it, I used the normal way without getting lost. There's just karma that is new to me but if that's the arpeggiator Tritons, well I would use it.

No regrets for making this big investment, I went for years with her.