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davidsynthé
Published on 10/21/05 at 07:46
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Instructions available here: <a rel="nofollow" href="http://virtualacoustic.free.fr/HTML/downloadWSA1.html" target="_blank">http://virtualacoustic.free.fr/HTML/downloadWSA1.html</a>
The company name is normally associated Technics llectronique consumption. Cest dailleurs one of the main reasons why this synthtiseur Has a dsastre for society Matsushita, keyboards sold with only 300 and 100 racks. Marketed in 1995, it is THE FIRST Technics between instruments in the field of professionals, beginners vrit remarkable. The WSA1 offers 64 voices of polyphony and three possde modulation wheel, two rotating balls (reminiscent of the joystick Wavestation), a standard screen with an intuitive graphic design, and excellent keyboard.
UTILIZATION
This is the only synthtiseur can directly express the combination of several different attacks associated rsonateurs, making possible the manipulation of basic CHARACTERISTICS MODEL. The structures can be associated, for example, simulate rsonances friendly. For the settings may be associated with a particular message to fit the Midi CONTRL his personal needs. The CONTRL intermdiaire of the Midi peripherals is simple and efficient trs.
SOUNDS
Factory Demos available here: # http://virtualacoustic.free.fr/HTML/Demos.html WSA
Here synthse employee wears the pretty name dAcoustic Modeling Synthesis. It makes sagit dun Systm mixed using samples recorded (dattaques transient, noise), which then are sent to the rsonateurs MODELS simulated by donde guides. This principle is similar to the basic concept of Korg and Roland Wavedrum VG8 with forms that dmarrent donde prexistantes while VL1 modlise absolutely everything, including the form donde original.
OVERALL OPINION
Despite all these possibilities, it is far synthtiseur dgal a VL1 or even in the Z1 in terms of sound quality, sound imitation, and expressiveness. The acoustic sounds are dull, pianos mtalliques, an aliasing is important, but many effects, it is inefficient nanmoins trs comfortable in an amazing sound design.
This synthtiseur Pipelines Limited to be played on the keyboard and play an instrument with the Controller of breath is impossible. The large number of rsonateurs, excitement and paramtres opens a vast field of exploration. The WSA1 could be a good compromise between physical MODELS Sampling and if the quality was denregistrement t better. Using samples of attacks Reduces Whereas the cot in computing, which allows 64-voice polyphony and a large variety of rsonateur. In comparison, the VL1 modlise that everything, including the attack, gives better quality sound but srieusement limit the number of instruments, mostly wind, and is monophonic.
Instructions available here: <a rel="nofollow" href="http://virtualacoustic.free.fr/HTML/downloadWSA1.html" target="_blank">http://virtualacoustic.free.fr/HTML/downloadWSA1.html</a>
The company name is normally associated Technics llectronique consumption. Cest dailleurs one of the main reasons why this synthtiseur Has a dsastre for society Matsushita, keyboards sold with only 300 and 100 racks. Marketed in 1995, it is THE FIRST Technics between instruments in the field of professionals, beginners vrit remarkable. The WSA1 offers 64 voices of polyphony and three possde modulation wheel, two rotating balls (reminiscent of the joystick Wavestation), a standard screen with an intuitive graphic design, and excellent keyboard.
UTILIZATION
This is the only synthtiseur can directly express the combination of several different attacks associated rsonateurs, making possible the manipulation of basic CHARACTERISTICS MODEL. The structures can be associated, for example, simulate rsonances friendly. For the settings may be associated with a particular message to fit the Midi CONTRL his personal needs. The CONTRL intermdiaire of the Midi peripherals is simple and efficient trs.
SOUNDS
Factory Demos available here: # http://virtualacoustic.free.fr/HTML/Demos.html WSA
Here synthse employee wears the pretty name dAcoustic Modeling Synthesis. It makes sagit dun Systm mixed using samples recorded (dattaques transient, noise), which then are sent to the rsonateurs MODELS simulated by donde guides. This principle is similar to the basic concept of Korg and Roland Wavedrum VG8 with forms that dmarrent donde prexistantes while VL1 modlise absolutely everything, including the form donde original.
OVERALL OPINION
Despite all these possibilities, it is far synthtiseur dgal a VL1 or even in the Z1 in terms of sound quality, sound imitation, and expressiveness. The acoustic sounds are dull, pianos mtalliques, an aliasing is important, but many effects, it is inefficient nanmoins trs comfortable in an amazing sound design.
This synthtiseur Pipelines Limited to be played on the keyboard and play an instrument with the Controller of breath is impossible. The large number of rsonateurs, excitement and paramtres opens a vast field of exploration. The WSA1 could be a good compromise between physical MODELS Sampling and if the quality was denregistrement t better. Using samples of attacks Reduces Whereas the cot in computing, which allows 64-voice polyphony and a large variety of rsonateur. In comparison, the VL1 modlise that everything, including the attack, gives better quality sound but srieusement limit the number of instruments, mostly wind, and is monophonic.