Midas Venice 320

Midas Venice 320

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Venice 320, Analog Mixer from Midas.

3 user reviews

Midas Venice 320 tech. sheet

  • Manufacturer: Midas
  • Model: Venice 320
  • Category: Analog Mixers
  • Added in our database on: 03/09/2003

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Midas Venice 320 user reviews

Average Score:4.3( 4.3/5 based on 3 reviews )
 1 user review33 %
 1 user review33 %

Kripto's review (This content has been automatically translated from French)

Midas Venice 320
Non Rack Console, forcment
24 mono channels, 4 Stereo, 4 sub, with 2 to 6 post (post EQ, fx calls, modified internally to the switch to pre fader), 2 pr (pr EQ modified internally for post EQ switch, my calls) and pr 2 post (calls for 1 & 2).
Shipments are on FX knobs and returns (Stros) on faders.
My shipments are on faders.
Shipments and returns d 'Aux knobs on.
In my shipments and are XLR, the FX Jacks Sym.
Masters A & B with XLR Insert on Master A.
The inserts are Asymtriques.
All channels have an XLR, Jack, Insert and Direct Out + a small switch for the power supply Phantom.
No pad or to phase inverter.
Semi para EQ for Mid and Hi Mid and Lo baxendhal for Treeble and Bass.
And of course, it is unnecessary for FX Intgr.
For the rest, see Tuff Gong


The manual, although super easy to read is useless. This console as a childlike simplicity
Everything is the hand.


There is talk of a Midas console, so some will say, of his Midas.
Personally, I find trs transparent. APRS, it 's got a question
For breath, I have not yet found.
The EQ can be as effective as the Midas EQ to be. (Awe of an effective price of the console and I would say even more: dconcertant).


It's been about a year since I use it regularly. I have done with Didier Lockwood and has a faade LA 115 XT (among others) not to mention the number of small benefits that I have been able to do with it.

The pros: Its small size and low weight: just 28 pounds (without the Flight).
The ergonomics and claret.
THE -: The management of shipments ncessite a few tweaks to some that there is need for flexibility of use that level l.
Spare power supply not included.
This is not the best brand But hey, we do not work with the eyes, right?

Q / P unbeatable.

This console is a good choice for small and benefits, I think, an excellent choice for home studios that can afford it.

loicm's review (This content has been automatically translated from French)

Midas Venice 320
Refer to the manual...
Note that not everything is post EQ and pre fader  ... Beware!


The input section is very simple to master, but the master section is a real mess, as a lot of Midas.

... gotta read the manual to finally know exactly what is happening.

Why not true six pre / post  auxs and 6 returns?

There is no phase inverter ... The hi pass is not adjustable.


The console is transparent as we can not fit too much into it.

The summation general suffers when the track was 20 @ 0 dB.

It twists and sound quickly becomes vriament not good. It is not a very strong level of output. (More than 4-5 dB is the cata.
The timing of the gain in Equa the coup.

A signal at 0 dB to -18 dB pfl happens in general with the fader to 0 dB ... You can always pass the leads in the master and one sub-group to get more but it's not very clean.

The Equasis are good but not precise enough to make real notch.

The console does not blow.

It's still a great console for small benefits. Simple and light. The board was laid in 30 min.

I still prefer a digital control for small festochs.

I use it often returns with 6 mtd 115b and a face 2 * mtd 115 XT 218 + sub per side.

Config ideal for mixing in 15 m of a scene from 6 * 6 open-air 600.


I use it often returns with 6 mtd 115b and a face 2 * mtd 115 XT 218 + sub per side.
Config ideal for mixing in 15 m of a scene from 6 * 6 open-air 600.
It's a safe bet for making baby siting on small festoch.

After There's better but more expensive.

But I still find the reputation of the console above its actual perfs.

It's great as ca oats too.

cedric.cedric's review (This content has been automatically translated from French)

Midas Venice 320
No rack
24 channels + 4 stereo Mono, 6 in 4 Sub groups, a talkback.
Equalizer lower broadband to 80 Hz and Treble to 12 kHz, low mid and high range speaker semiparametric
No built-in effects
Various outputs plus: Master B following the Master main pre or post
Step Out RCA output, convenient for cameramen who reaches 5 seconds of the show with their RC, depends on the master.
Fadri small race.

Painful to the: 2 post / 2 Pre / 2 pre or post!

Direct Oout Jack (injury, post fader ...)

Lightweight, 28 kg, is easy all alone for a 32-channel, respect! I riding alone in my 1st floor without elevator)


Very easy to use is very clear, categorized by color.
Manuel is not a InnovaSON, simpler is not just


EXELLENT PREAMPLIFIERS transparant enough, that will really bring the analog sound we like it
EXELLENT EQ the 2 semi-parametric allow us to choose what we want, a bunch, precision!
The breath? A not is wrong with this console you will hear.

The Sound of happiness in this price range is great, the sound recording is that cardboard, analog dream.


I've had two years and uses it for 5 years for claimants.
The least: Aids ... they were fantasies, for my mailings are the fader to the pre / post in knob
the direct out: Injury, post fader ...
Cuts down too low, 80 HZ
The BAS and Treble EQ not semi parametric, at the same time it makes its size should not exaggerate

Plus: THE SOUND: preamps exellents
The EQ exellents
The preamps and more on stereo channels, it helps out well in some cases
Even the sound because it's really a small bomb.
The masetr B, great for front fill, or other

An exellent 32 (24 + 4 St) lanes, light, sound is happiness in this category there is not one which comes close.
In the studio, or live it instead.


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Midas Venice 320 manuals and other files

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Other names: venice 320, venice320, tabledemixage, , consolemidasvenice 320, consolemidasvenice320, console midas venice320

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