Good old analog console.
A little too big to be rackable (she is 85kg).
Mine is 24 tracks / groups 8/16 tape return / return effect and 8
all the connections and XLR jack is.
Equal parametric next tranche of series that is instal.
This is not a play while no effect integrated (it seems that on my high end bracket there is a gate and compressor but it is rare to have that high-end bracket).
Quite simple but pro Console levels routing is very complete
6 Output differante then it must rapeller of that of just done at the beginning.
Everything is simple in the globality.
The manual, if anyone has a French, I'd like to see!
If he makes a 100ne page in English.
My console me, is not transparant, it is blue gray (lol).
It is faithful output levels but to slice it really heats (notice to amateur analog).
for breath, my console is 23 (2 moin me and I blow much more).
if it was revising it's more than okay you have to push it to jogging for breath (do not place on the rack bando Meter if it blows alot of the transformer is in your rack).
Super efficient equal to the CORRECTION to decorate but also to the recording is forbidden!
I have since the beginning of year and I use it every day in my studio.
I love the sound and robustness
I hate the harbor (rule of the studio on the 2nd floor)
I tried 5 or 6 console that was at me before, any size more than the concert I have sound
for the price of the argus I will have the impression of being raped if I Devai sell (yes violate not steal).
yes I would do this choice unless someone sell me a midas heritage in 2000 for the same price
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waki's review (This content has been automatically translated from French)
Rackable? I t seek 2 flyes Toulouse apse two dead donkeys!
I is 2 now, since the time I'm doing on his computer, I rvais its organic, physical, palpable what!
Then to connect them, adpend:
I have one which owns a patch intgr (which seemed very seducing) but suddenly from the master section and between micro increments, all at Edac ( direct outs, line input and tutti fifth), mine does just hard his studio by assassins who have severed all Edac shines on, I had the 6 catch (Any NGO which has appeal in a cellar, if not long winter evenings with my soldering iron.
Another classic is therefore very UNESCORecords the rear connector:
Per: XLR Mic, Line, Output Direct assym., Insert assym.
Master section: it is a pleasure all that is with one s desire among other XLR outputs and inserts on the Sub Group and output mix, dep. To bal. XLR, 16 or 32 returns Tapes (under reserve, I have not yet test etc. Everything is l.
The Eq.: 4 Bd, 2 semi para. LF is a very pleasant around 80Hz (vrifier), 1 Md.Bf 150Hz 2.4kHz, 10kHz 1 Md.Hf 600hz. and 1 HF (12kHz?) all +-15db. the med. not have a very narrow bands, which allows amplification of very natural without being bax. So I find it very efficient correction.
the bass is round but not soft, very warm, very sharp English (it's always difficult to express, but have used Amek, Trident, etc. Midas. the choice would be the 2 prstigieuses only for their full param. otherwise it's honestly a matter of taste), the medium rather like it.
I adore, as have noted that obviously pushes a breath, but to have sound on rcemment Amek Studio Karma, do not watch if have, as a breath, (this is the quality of the catch comes into scene).
It is an old analog, all is very accessible, extremely simple, with a simplicity that I love, like everything that allows you to create all the tools are there to serve the inventiveness.
Then of course there not a big tune for the MCI and one begins to regret that there be no:
Initial phase inverter per mono eq. + Full subgroups (just Bass Treble), no prpost fad. for the 3,4,5,6 etc.. etc..
For user manual, it is in English, but not really necessary,
All shmas are arranged. everywhere on the net.
And no, it is not transparent at all, it's really an English woman, see nothing at all but all with the models of the brand latest issue (foo Spirit and others), Pramper fairly grainy with a good reserve of gain is very pretty my taste.
For folk, pop, rock, it's really very nice,
and while changing it, I mix in time to catch a draft Oud Baroque voice that I recorded in an old church with 2 slices API, 2 C414 is surprising, a little bit of eq trslger hop on voice and now all open, even in line to the sound is colored as beautifies harmonics.
I have the house for a fortnight, I test the slices for a place in the other, I try a whole bunch of stuff and therm hopes to have a place to make a 24 with the tray patch.
The particular feature I like most, almost everything and especially the most important: THE SOUND.
Fewest: Both do not choose an old analog.
dja or mix I recorded on Amek Angela, trident 75, Studer 169, Studiomaster, or sound on Midas and what is the prod. I think the S600 is pleasantly place shortly Thee a little less potato and put Studer hand, not the same wit and incredible headroom (who is already being used DEFINITIONS in love) one of the rare truly deserves its price hipe.
I read above, it blew unless its owner has 23 years I think I have my 40 and I blow when even a little less, but mine is not yet optimized or even cleaned, I do not regret my choice.